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Death Comes in Yellow
by Felicja KarayDeath Comes in Yellow" presents the history of one slave labor camp in order to shed light on all aspects of the slave labor camps established in Poland under German occupation. Hasag-Skarzysko was one of hundreds of camps scattered throughout occupied Poland. They were distinguished by size, the nationality of the prisoners, their location, the date of their establishment, and the authority in charge. The large number of labor camps reflected the German policy of exploiting the work forces of the occupied countries. These camps were part of a Europe-wide system of forced labor.The first part of this volume reviews the external history of the camp. The second section, which studies the internal workings of the camp, is quite different in approach and includes an analysis of prisoner society and a moving description of the individual prisoner's struggle to survive.
Death Drop (Orca Currents)
by Melanie JacksonOn his way to baseball practice, Zeke lines up for Vancouver's newest thrill ride: Death Drop, an elevator that falls faster than gravity. The theme of the ride is based on the story of Persephone, who tumbled into the underworld. Zeke tumbles into a frightening situation himself after he discovers a little girl who is lost. He takes her to the Death Drop manager's office. But later, when he tries to find out what happened with her, the ride's staff say they never saw her! To find the missing girl, Zeke must navigate a devilish plot that includes Dante Gabriel Rossetti's famous painting Proserpine, a fiery drop into flames, and an angry coach. This short novel is a high-interest, low-reading level book for middle-grade readers who are building reading skills, want a quick read or say they don’t like to read! The epub edition of this title is fully accessible.
Death Lines: Walking London's Horror History
by Lauren BarnettThe first walking guide to London&’s role in the evolution of horror cinema, inspired by the city&’s dark histories and labyrinthine architectures.Death Lines is the first walking guide to London&’s role in the evolution of horror cinema, inspired by the city&’s dark histories, labyrinthine architectures, atmospheric streetscapes, and uncanny denizens. Its eight walks lead you on a series of richly researched yet undeniably chilling tours through Chelsea, Notting Hill, Westminster, Bloomsbury, Covent Garden, and the East End, along the haunted banks of the river Thames, and down into the depths of the London Underground railway. Each tour weaves together London&’s stories and takes the reader to magnificent, eerie, and sometimes disconcertingly ordinary corners of the city, unearthing the literature, legends, and history behind classics like Peeping Tom and An American Werewolf in London, and lesser-known works such as mind-control melodrama The Sorcerers; Gorgo, Britain&’s answer to Godzilla; tube terror Death Line; and Bela Lugosi's mesmeric vehicle The Dark Eyes of London. Tinged with humor, social critique, and more than a few scares, Death Lines delights in revealing the hidden and often surprising relationship between the city and the dark cinematic visions it has evoked. Whether read on the streets or from the comfort of the grave, Death Lines is a treat for all cinephiles, horror fans, and lovers of London lore.
Death Makes the News: How the Media Censor and Display the Dead
by Jessica M. FishmanWinner of the 2018 Media Ecology Association's Erving Goffman Award for Outstanding Scholarship in the Ecology of Social InteractionWinner of the Eastern Communication Association's Everett Lee Hunt AwardA behind-the-scenes account of how death is presented in the mediaDeath is considered one of the most newsworthy events, but words do not tell the whole story. Pictures are also at the epicenter of journalism, and when photographers and editors illustrate fatalities, it often raises questions about how they distinguish between a “fit” and “unfit” image of death.Death Makes the News is the story of this controversial news practice: picturing the dead. Jessica Fishman uncovers the surprising editorial and political forces that structure how the news and media cover death. The patterns are striking, overturning long-held assumptions about which deaths are newsworthy and raising fundamental questions about the role that news images play in our society.In a look behind the curtain of newsrooms, Fishman observes editors and photojournalists from different types of organizations as they deliberate over which images of death make the cut, and why. She also investigates over 30 years of photojournalism in the tabloid and patrician press to establish when the dead are shown and whose dead body is most newsworthy, illustrating her findings with high-profile news events, including recent plane crashes, earthquakes, hurricanes, homicides, political unrest, and war-time attacks. Death Makes the News reveals that much of what we think we know about the news is wrong: while the patrician press claims that they do not show dead bodies, they are actually more likely than the tabloid press to show them—even though the tabloids actually claim to have no qualms showing these bodies. Dead foreigners are more likely to be shown than American bodies. At the same time, there are other unexpected but vivid patterns that offer insight into persistent editorial forces that routinely structure news coverage of death. An original view on the depiction of dead bodies in the media, Death Makes the News opens up new ways of thinking about how death is portrayed.
Death Ride of the Panzers: German Armor and the Retreat in the West, 1944-45
by Dennis OliverDeath Ride of the Panzers is a unique guide to the Nazi tanks, vehicles, and crews of World War II. It features never-before-seen photographs from the US National Archives and the author's personal collection, annotated artist renderings, and detailed explanations and historical context for each collection of images. Readers will also be able to trace the combat histories of these subjects through orders of battle, maps and organizational diagrams, vehicle allocation charts, and unit biographies. The forensic approach for which Dennis Oliver is known creates a broad, comprehensive record of German soldiers and hardware from early 1944 to the end of the conflict in 1945. Death Ride of the Panzers provides the context and chronology necessary for the general reader and the primary sources and hardware specifics that appeal to the expert, making this book perfect for the readers with historical interest, modelers, and WWII alike.
Death and Rebirth in a Southern City: Richmond's Historic Cemeteries
by Ryan K. SmithThis exploration of Richmond's burial landscape over the past 300 years reveals in illuminating detail how racism and the color line have consistently shaped death, burial, and remembrance in this storied Southern capital.Richmond, Virginia, the former capital of the Confederacy, holds one of the most dramatic landscapes of death in the nation. Its burial grounds show the sweep of Southern history on an epic scale, from the earliest English encounters with the Powhatan at the falls of the James River through slavery, the Civil War, and the long reckoning that followed. And while the region's deathways and burial practices have developed in surprising directions over these centuries, one element has remained stubbornly the same: the color line. But something different is happening now. The latest phase of this history points to a quiet revolution taking place in Virginia and beyond. Where white leaders long bolstered their heritage and authority with a disregard for the graves of the disenfranchised, today activist groups have stepped forward to reorganize and reclaim the commemorative landscape for the remains of people of color and religious minorities. In Death and Rebirth in a Southern City, Ryan K. Smith explores more than a dozen of Richmond's most historically and culturally significant cemeteries. He traces the disparities between those grounds which have been well-maintained, preserving the legacies of privileged whites, and those that have been worn away, dug up, and built over, erasing the memories of African Americans and indigenous tribes. Drawing on extensive oral histories and archival research, Smith unearths the heritage of these marginalized communities and explains what the city must do to conserve these gravesites and bring racial equity to these arenas for public memory. He also shows how the ongoing recovery efforts point to a redefinition of Confederate memory and the possibility of a rebirthed community in the symbolic center of the South.The book encompasses, among others, St. John's colonial churchyard; African burial grounds in Shockoe Bottom and on Shockoe Hill; Hebrew Cemetery; Hollywood Cemetery, with its 18,000 Confederate dead; Richmond National Cemetery; and Evergreen Cemetery, home to tens of thousands of black burials from the Jim Crow era. Smith's rich analysis of the surviving grounds documents many of these sites for the first time and is enhanced by an accompanying website, www.richmondcemeteries.org. A brilliant example of public history, Death and Rebirth in a Southern City reveals how cemeteries can frame changes in politics and society across time.
Death and the Emperor: Roman Imperial Funerary Monuments from Augustus to Marcus Aurelius
by Penelope J. E. DaviesIn this book, Penelope Davies studies the role of monuments in the Roman imperial cult.
Death at the Movies
by Tom Davis Genelli Lyn Davis GenelliIt's a Wonderful Life (1946), Resurrection (1980), Poltergeist (1982), Beetlejuice (1988), Ghost (1990), Groundhog Day (1993), The Sixth Sense (1999) -- these are only a few of the influential movies in recent decades dealing with the afterlife. But beyond entertainment, do they mean anything? The authors of this wise and well-informed guide believe so. They explore how popular motion pictures, from Outward Bound (1930) to Hereafter, play a perhaps unconscious role in guiding humanity toward its evolutionary comprehension of the meaning and purpose of death. They draw on the Tibetan Book of the Dead, Buddhism, and depth psychology to review some of the most spiritually powerful films ever made. Death is, say the authors, at once the most immediate locked door and the ultimate frontier, a staggering paradox that invites us to search for deeper understanding based upon a level of consciousness beyond thought. After reading this book, you'll never view Casablanca or The Wizard of Oz the same way again.
Death at the Movies
by Tom And GenelliIt's a Wonderful Life (1946), Resurrection (1980), Poltergeist (1982), Beetlejuice (1988), Ghost (1990), Groundhog Day (1993), The Sixth Sense (1999) - these are only a few of the influential movies in recent decades dealing with the afterlife. But beyond entertainment, do they mean anything? The authors of this wise and well-informed guide believe so. They explore how popular motion pictures, from Outward Bound (1930) to Hereafter, play a perhaps unconscious role in guiding humanity toward its evolutionary comprehension of the meaning and purpose of death. They draw on the Tibetan Book of the Dead, Buddhism, and depth psychology to review some of the most spiritually powerful films ever made. Death is, say the authors, at once the most immediate locked door and the ultimate frontier, a staggering paradox that invites us to search for deeper understanding based upon a level of consciousness beyond thought. After reading this book, you'll never view Casablanca or The Wizard of Oz the same way again.
Death by Laughter: Female Hysteria and Early Cinema (Film and Culture Series)
by Maggie HennefeldCan you really die from laughing too hard? Between 1870 and 1920, hundreds of women suffered such a fate—or so a slew of sensationalist obituaries would have us believe. How could laughter be fatal, and what do these reports of women’s risible deaths tell us about the politics of female joy?Maggie Hennefeld reveals the forgotten histories of “hysterical laughter,” exploring how women’s amusement has been theorized and demonized, suppressed and exploited. In nineteenth-century medicine and culture, hysteria was an ailment that afflicted unruly women on the cusp of emotional or nervous breakdown. Cinema, Hennefeld argues, made it possible for women to laugh outrageously as never before, with irreversible social and political consequences. As female enjoyment became a surefire promise of profitability, alarmist tales of women laughing themselves to death epitomized the tension between subversive pleasure and its violent repression.Hennefeld traces the social politics of women’s laughter from the heyday of nineteenth-century sentimentalism to the collective euphoria of early film spectatorship, traversing contagious dancing outbreaks, hysteria photography, madwomen’s cackling, cinematic close-ups, and screenings of slapstick movies in mental asylums. Placing little-known silent films and an archive of remarkable, often unusual texts in conversation with affect theory, comedy studies, and feminist film theory, this book makes a timely case for the power of hysterical laughter to change the world.
Death in Bloom: A Flower House Mystery (Flower House series #1)
by Jess DylanThe first in a sweet and colorful cozy mystery series from Jess Dylan, Death in Bloom introduces flower shop owner Sierra Ravenswood.At the Flower House, every rose has its thorn . . .Sierra Ravenswood is the new part-time employee of the Flower House, a flower shop in Aerieville, Tennessee. It's true she didn't expect to be back in her hometown at twenty-eight-years-old, but after her dream of making it as a singer in Nashville crashed and burned, she's just grateful to have found a soft place to land.Because, after all, Sierra firmly believes in being optimistic and positive about life, so she's sure she won't have to work at the Flower House forever. But things take a decidedly negative turn when a customer drops dead in the middle of her new bouquet-arranging workshop at the store. When it's discovered he was poisoned by a snack at the event, everyone at the workshop, including Sierra, is on the suspect list. To make matters worse, her boss has gone AWOL and left the store to her for the cost of one dollar, leaving Sierra in charge of both his store and his high-energy Corgi puppy, Gus.The town is on edge, and Sierra knows that murder is something that an upbeat attitude and a bouquet of sweet-smelling roses can't fix. She's determined to figure out whodunit, before anyone else in town meets an untimely reason for needing funeral flowers.
Death in Venice
by Will AitkenA Queer Film Classic on Luchino Visconti's lyrical and controversial 1971 film based on Thomas Mann's novel about a middle-aged man (played by Dirk Bogarde) vacationing in Venice who becomes obsessed with a youth staying at the same hotel as a wave of cholera descends upon the city. The book analyzes its cultural impact and provides a vivid portrait of the director, an ardent Communist and grand provocateur.Will Aitken's novels include Realia and Terre Haute. Arsenal's Queer Film Classics series cover some of the most important and influential films about and by LGBTQ people.
Death in a Prairie House: Frank Lloyd Wright and the Taliesin Murders
by William R. DrennanConstructed in 1911 as a summer home for the architect and his mistress, Frank Lloyd Wright's Taliesin residence stood for only a few years. On an August night in 1914, it became the scene of a brutal mass murder and was almost completely destroyed by fire. In this text, Drennan (English, U. of Wisconsin) traces the events that led up to that night, examines the murderer's motives, and considers the effects of the loss of his home and loved ones on Wright's life and career. Terrace Books is a division of the U. of Wisconsin Press. Annotation ©2007 Book News, Inc., Portland, OR (booknews.com)
Death in the Theatre
by Chris Wood"A richly entertaining account of tragic theatre accidents and murders most foul. If theatre walls could talk, what secrets would they reveal? Chris Wood provides fascinating answers with tales of brawling ushers, murderously jealous husbands, stampeding crowds and infant tragedies. A meticulously researched and vivid collection of lives lost in the palaces of dreams. A must-read for all lovers of the theatre, providing shocks and gasps of horror when real life proves to be more dramatic than any play on stage." - Hugh Bonneville "Immaculately researched and beautifully macabre. This is a real treat for anyone who is either a fan of the theatre or of untimely deaths. I loved it!" - Peter James Britain’s theatrical wonderland has been a cornerstone of culture for centuries, delighting and thrilling audiences with an assemblage of exhilarating spectacles. Beyond the trodden boards, and tucked neatly behind the curtain however, lies a catalogue of real life destruction and grisly murder that our greatest tragedians would surely be proud to have presided over. Tread the bloodied boards of Britain’s theaters and witness the deathly dramas that have played out so dramatically within them. Death in the Theatre collects an astonishing selection of startling tragedies from Britain’s throng of theaters. There is something especially staggering when the player exits life on their adorned stage, and yet, with this by no means an infrequent occurrence, death has made many a fearful cameo appearance – stalking the stalls and grimly reaping the galleries in its macabre and relentless fashion. In 1910 a strange midnight tragedy was enacted in a London theater, where the brutal murder of an elderly stage carpenter prompted huge excitement among the theater-going world and indeed wider public. How did a children’s magic show descend into such unspeakable horror that would leave 183 youngsters dead in a Sunderland theater, their tiny bodies brutally laid out in the dress circle for the bleakest of identity parades? Learn of outrageous tragedy such as the young man mauled to death by a lion in a Gloucester theater, and the unfortunate victim killed in the Dumfries Theatre Royal – quite literally – by the limelight.
Death of a Knit Wit (A Knit & Nibble Mystery #8)
by Peggy EhrhartWhen a professor is poisoned, Pamela Paterson and the members of the Knit and Nibble knitting club must take a crash course in solving his mysterious murder. Pamela has organized a weekend-long knitting bee as part of a conference on fiber arts and crafts at Wendelstaff College. But when pompous Professor Robert Greer-Gordon Critter, the keynote speaker at the conference, crashes the bee, he seems more interested in flirting than knitting. The man&’s reputation as a philanderer supersedes his academic reputation. After coffee and cookies are served, the professor suddenly collapses, seemingly poisoned—but how? Everyone had the coffee and cookies. Joined by her bestie Bettina and the Knit and Nibble ladies, Pamela sorts through everything from red socks to red herrings to unravel the means and motives of a killer dead set on teaching the professor a lesson . . . Praise for Peggy Ehrhart and the Knit & Nibble Mysteries! &“[A] cuisine and character-driven cozy.&”—Kirkus Reviews on Knit of the Living Dead &“With an unlikely heroine and a knack for finding the 'pattern' in the murders, this is a series that will appeal to many cozy fans.&” —The Parkersburg News and Sentinel on Died in the WoolKnitting tips and delicious recipe included!
Death of an Irish Diva (A Cumberland Creek Mystery #3)
by Mollie Cox Bryan"A satisfying and surprising read." —Sheila Connolly, New York Times bestselling author on ScrappedSpring is in the air, but the ladies of the Cumberland Creek Scrapbook Crop hardly have time to stop and smell the roses. Not when famed Irish dancer Emily McGlashen is found murdered in her studio just after the St. Patrick's Day parade--and one of the Crop's own members is the prime suspect. Vera's dance studio may have suffered when Emily waltzed into town, but the croppers know she's not a vengeful murderer. Lucky for her, co-scrapbooker Annie is a freelance reporter eager to vindicate her friend. What she discovers is a puzzling labyrinth of secrets that only add question marks to Emily's murder. Just when it seems they've run out of clues, an antique scrapbook turns up and points the croppers in the right direction--and brings them face to face with a killer more twisted than a Celtic knot. . .Praise for Mollie Cox Bryan"Thought-provoking and well-paced. . . A great story, well told!" —Juliet Blackwell, New York Times bestselling author of the Witchcraft mysteries on Scrapped"Bryan's voice is rich with empathy, suspense, and a healthy dose of Southern charm." —Ellery Adams, New York Times bestselling author of the Charmed Pie Shoppe Mysteries"A font of ingenuity. . .superb entertainment." —Mystery Scene magazine on Scrapbook of SecretsIncludes tips and a glossary of terms for the modern scrapbooker!
Death on the Argyle (A Black Sheep & Co. Mystery #5)
by Anne CanadeoAs one of the Black Sheep Knitters prepares to become a mother, a new member becomes a suspected killer . . . Spring has reached Plum Harbor, Massachusetts, and the weather isn't the only thing that's changing. Eight months pregnant, Lucy prepares to enter an exciting phase in life while weaving together loose threads from her past. It feels like fate when she reconnects with college friend Rebecca Hurley, whose eclectic Happy Hands Café is the perfect locale for Black Sheep gatherings. But just as charming Rebecca joins their closely knit circle, she's suspected of murder. It appears to be an accident when Rebecca&’s writer husband, Colin, is crushed by a fallen bookcase at the café. But his death is quickly determined to be murder. Adding to the horror, police believe Rebecca committed a heinous act of revenge against Colin for planning to end their marriage—a move that would cut off Rebecca&’s contact with the stepdaughter she adores. Despite the incriminating evidence growing faster than her belly, Lucy is convinced that she must prove her old friend's innocence. As her due date approaches and a dangerous mystery unravels, Lucy and the Black Sheep shift from knitting baby booties to chasing down the cunning culprit who&’s always a few steps ahead.
Death on the Devil's Teeth: The Strange Murder That Shocked Suburban New Jersey (True Crime Ser.)
by Mark Moran Jesse P. PollackRumors, witchcraft, and murder in this true crime account of one of New Jersey&’s most notorious cold cases—from two Weird N.J. magazine contributors. As Springfield residents decorated for Halloween in September 1972, the crime rate in the affluent New Jersey township was at its lowest in years. That mood was shattered when the body of sixteen-year-old Jeannette DePalma was discovered in the woods, allegedly surrounded by strange objects. Some feared witchcraft was to blame, while others believed a serial killer was on the loose. Rumors of a police coverup ran rampant, and the case went unsolved—along with the murders of several other young women. Including extensive interviews with DePalma&’s friends and family, new evidence, and theories about who could have committed this horrible crime, Death on the Devil&’s Teeth provides the definitive account of this shocking cold case more that remains a mystery more than four decades later.
Death's Futurity: The Visual Life of Black Power (The Visual Arts of Africa and its Diasporas)
by Sampada ArankeIn Death’s Futurity Sampada Aranke examines the importance of representations of death to Black liberation. Aranke analyzes posters, photographs, journalism, and films that focus on the murders of Black Panther Party members Lil’ Bobby Hutton, Fred Hampton, and George Jackson to construct a visual history of the 1960s and 1970s Black Power era. She shows how Black radicals used these murders to engage in political action that imagined Black futurity from the position of death. Photographs of Hutton that appeared on flyers and posters called attention to the condition of his death while the 1971 documentary The Murder of Fred Hampton enabled the consideration of Hampton’s afterlife through visual meditations on his murder. Printmaking and political posters surrounding Jackson’s murder marked the transition from Black Power to the prison abolition movement in ways that highlighted the relationship between surveillance, policing, incarceration, and anti-Black violence. By foregrounding the photographed, collaged, filmed, and drawn Black body, Aranke demonstrates that corporeality and corpses are crucial to the efforts to shape visions of a Black future free from white supremacy.
Death, Image, Memory
by Piotr CieplakThis book explores how photography and documentary film have participated in the representation of the 1994 genocide in Rwanda and its aftermath. This in-depth analysis of professional and amateur photography and the work of Rwandan and international filmmakers offers an insight into not only the unique ability of images to engage with death, memory and the need for evidence, but also their helplessness and inadequacy when confronted with the enormity of the event. Focusing on a range of films and photographs, the book tests notions of truth, evidence, record and witnessing - so often associated with documentary practice - in the specific context of Rwanda and the wider representational framework of African conflict and suffering. Death, Image, Memory is an inquiry into the multiple memorial and evidentiary functions of images that transcends the usual investigations into whether photography and documentary film can reliably attest to the occurrence and truth of an event.
Death, The One and the Art of Theatre
by Howard BarkerDeath, The One and the Art of Theatre is the latest collection of Barkers distinctive and revelatory philosophical musings on theatre. It is a stunning array of speculations, deductions, prose poems and poetic aperçus that casts a unique and unflinching light on the nature of tragedy, eroticism, love and theatre. Exploring the juncture between aesthetics and metaphysics, the book looks at the human experience of love and death as life at its most intrinsically theatrical. Howard Barker is an internationally renowned playwright whose works are regularly produced throughout Europe and the US. He is widely known for his controversial explorations into contemporary tragedy and his anti-Brechtian focus on the irrational and the catastrophic. He is often credited as a major influence on the generation of playwrights that includes Sarah Kane. Death, The One and the Art of the Theatre is a profoundly unsettling and inspiring piece of writing and extends the challenge to orthodox morality that Barker first presented in Arguments for a Theatre, a challenge he describes as men and womens secret longing for the incomprehensible nature of pain.
Deaths in Venice: The Cases of Gustav von Aschenbach (Leonard Hastings Schoff Lectures)
by Philip KitcherPublished in 1913, Thomas Mann's Death in Venice is one of the most widely read novellas in any language. In the 1970s, Benjamin Britten adapted it into an opera, and Luchino Visconti turned it into a successful film. Reading these works from a philosophical perspective, Philip Kitcher connects the predicament of the novella's central character to Western thought's most compelling questions. In Mann's story, the author Gustav von Aschenbach becomes captivated by an adolescent boy, first seen on the lido in Venice, the eventual site of Aschenbach's own death. Mann works through central concerns about how to live, explored with equal intensity by his German predecessors, Schopenhauer and Nietzsche. Kitcher considers how Mann's, Britten's, and Visconti's treatments illuminate the tension between social and ethical values and an artist's sensitivity to beauty. Each work asks whether a life devoted to self-sacrifice in the pursuit of lasting achievements can be sustained and whether the breakdown of discipline undercuts its worth. Haunted by the prospect of his death, Aschenbach also helps us reflect on whether it is possible to achieve anything in full awareness of our finitude and in knowing our successes are always incomplete.
Deathwatch
by C. Scott CombsThe first study to unpack American cinema's long history of representing death
Deathwatch: American Film, Technology, and the End of Life
by Combs C. ScottThe first study to unpack American cinema's long history of representing death
Deathwatch: American Film, Technology, and the End of Life (Film and Culture Series)
by C. Scott CombsThe first book to unpack American cinema's long history of representing death, this work considers movie sequences in which the process of dying becomes an exercise in legibility and exploration for the camera. Reading attractions-based cinema, narrative films, early sound cinema, and films using voiceover or images of medical technology, C. Scott Combs connects the slow or static process of dying to formal film innovation throughout the twentieth century. He looks at Thomas Edison's Electrocuting an Elephant (1903), D. W. Griffith's The Country Doctor (1909), John Ford's How Green Was My Valley (1941), Billy Wilder's Sunset Boulevard (1950), Stanley Kubrick's 2001: A Space Odyssey (1968), and Clint Eastwood's Million Dollar Baby (2004), among other films, to argue against the notion that film cannot capture the end of life because it cannot stop moving forward. Instead, he shows how the end of dying occurs more than once and in more than one place, understanding death in cinema as constantly in flux, wedged between technological precision and embodied perception.