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Dimensions of the Sustainable City
by Mike Jenks Colin JonesThe CityForm consortium's latest book, Dimensions of the Sustainable City, is the first book to report on an empirical multi-disciplinary study specifically designed to address urban sustainability. Drawing together the various dimensions of sustainability - economic, social, transport, energy and ecological - the book examines their relationships both to each other and to urban form. The book investigates the sustainability dimensions of cities through a series of projects based on a common list of elements of urban form, and which draw on the consortium's latest research to review the sustainability issues of each dimension. The elements of urban form include density, land use, location, accessibility, transport infrastructure and characteristics of the built environment. The book also addresses issues such as adapting cities, psychological and ecological benefits of green space and sustainable lifestyles, each presenting a critical review of the relevant literature followed by an empirical analysis presenting the key results. Based on studies across five UK cities, the book draws out findings of relevance to sustainable cities worldwide. As well as an invaluable reference to researchers in sustainable planning and urban design, the book will provide a useful text for advanced undergraduate and graduate courses and for policy makers dealing with these issues. The CityForm consortium is a multi-disciplinary group of researchers from five universities funded by the UK Engineering and Physical Science Research Council from 2003-07.
Dinge im Film: Stummer Monolog, verborgenes Gedächtnis
by Roman Mauer Oksana BulgakowaDas verborgene Gedächtnis des Kinos schlummert in den filmischen Dingen, die seine Bilder möblieren. Sie sind stets präsent, werden aber selten bewusst erfasst. Wer bislang den Blick auf diese Dinge richtete, verstand sie als materielle Kultur vergangener Zeiten, die der Film konserviert, manchmal auch als zu Objekten materialisierte Ideen. Die Beiträge dieses Bandes versuchen, die filmischen Dinge wie handelnde Personen zu betrachten und ihre stummen Monologe wahrzunehmen, um zu verfolgen, welche Interaktionen Dinge im Film auslösen, mit welchen Bedeutungen und emotionalen Färbungen sie in verschiedenen Genres und in Filmen aus diversen Epochen versehen wurden. Die Beiträge fragen, ob sich diese Bedeutungen der filmischen Dinge geändert haben und was diese Änderungen bestimmte. Wie wurde die Wahrnehmung eines filmischen Dinges, der Umgang mit ihm und seine affektive Ladung mit filmischen Mitteln inszeniert?
Dingmans Ferry
by Matthew M. OsterbergFor over 200 years, the small village of Dingmans Ferry grew along the banks of the Delaware River. This once small town thrived first as a farming community and later as a summer retreat for New York and Philadelphia residents. Dingmans Ferry provides a tour of this fascinating community that was lost in the late 1970s after the area was purchased for the proposed Tocks Island Dam Project. The incredible mills, country churches, one-room schools, and family homes come alive in this grand photo essay. Drawn from the collections of the Dingmans Ferry/Delaware Township Historical Society, Pike County Historical Society, and private collections, these photographs include familiar sights such as Darragh Mill, St. John's Episcopal Church, and the Academy. Famous residents such as Chief Thundercloud and Marie Zimmerman are also highlighted in this photographic journey through an area long forgotten.
Dining with Madmen: Fat, Food, and the Environment in 1980s Horror
by Thomas FahyIn Dining with Madmen: Fat, Food, and the Environment in 1980s Horror, author Thomas Fahy explores America’s preoccupation with body weight, processed foods, and pollution through the lens of horror. Conspicuous consumption may have communicated success in the eighties, but only if it did not become visible on the body. American society had come to view fatness as a horrifying transformation—it exposed the potential harm of junk food, gave life to the promises of workout and diet culture, and represented the country’s worst consumer impulses, inviting questions about the personal and environmental consequences of excess.While changing into a vampire or a zombie often represented widespread fears about addiction and overeating, it also played into concerns about pollution. Ozone depletion, acid rain, and toxic waste already demonstrated the irrevocable harm being done to the planet. The horror genre—from A Nightmare on Elm Street to American Psycho—responded by presenting this damage as an urgent problem, and, through the sudden violence of killers, vampires, and zombies, it depicted the consequences of inaction as terrifying.Whether through Hannibal Lecter’s cannibalism, a vampire’s thirst for blood in The Queen of the Damned and The Lost Boys, or an overwhelming number of zombies in George Romero’s Day of the Dead, 1980s horror uses out-of-control hunger to capture deep-seated concerns about the physical and material consequences of unchecked consumption. Its presentation of American appetites resonated powerfully for audiences preoccupied with body size, food choices, and pollution. And its use of bodily change, alongside the bloodlust of killers and the desolate landscapes of apocalyptic fiction, demanded a recognition of the potentially horrifying impact of consumerism on nature, society, and the self.
Dinkytown: Four Blocks of History (Brief History)
by Bill Huntzicker Steven BergersonDinkytown belies its name with a big history and outsized influence on the culture of Minneapolis. It began as a business district serving the University of Minnesota and became a creative center between the flour milling district and a massive railroad yard. By 1875, Dinkytown was a terminus on the horse-drawn streetcar system. The area transformed into a nexus of culture and counterculture with the growth and expansion of the university. Its burgeoning arts scene launched Bob Dylan and The Fiddler on the Roof, and its student activism spawned the Red Barn protests of 1970. Dr. Bill Huntzicker narrates the enthralling history of one of Minneapolis's most influential neighborhoods.
Dino-Gami (Origami Books)
by Joost LangeveldPaper has never been so terrifying!Just when you thought your paper was safe! Ordinary paper springs to life with Dino-Gami, a new sophisticated origami kit for origami artists. Create 20 origami projects: Dimetrodon, Ankylosaurus, Parasaurolophus, Stegosaurus, Coelacanth, Ornithocheirus, Velociraptor, T. rex, Dimorphodon, Apatsaurus, Triceratops, Spinosaurus, Archaeopteryx, Seismosaurus, Archelon, Pterodactyl, Pachycephalosaurus, Brachiosaurus, a dino skeleton—and even a baby dino egg.Get to know some of your favorite Jurassic land giants in a whole new way.Great fun for the entire family.Dino-Gami offers a challenge to the next generation of art and paper crafting origami enthusiasts.
Dinosaur Amigurumi
by Justyna KacprzakGeared toward practitioners of amigurumi, the Japanese art of crocheting stuffed dolls, this is the only how-to book dedicated to dinosaur patterns. Learn how to crochet fourteen adorable prehistoric creatures to cuddle, from familiar species such as Tyrannosaurus rex, Triceratops, and Stegosaurus to Mosasaurus, Edmontosaurus, and other lesser-known but equally lovable varieties. Each project features complete, well-illustrated instructions, plus full-color photos of the finished model. The patterns are easy to follow and are suitable for crocheters at all skill levels, from novices to experienced hands.
Dinosaurs (Make It Work!)
by Andrew Haslam M. J. Benton Arthur CruickshankSixty-five million years ago, the dinosaurs died out. There have been many theories about this great extinction. Some scientists believe the climate changed from warm to cold. Others think the Earth was hit by a giant meteorite that sent up clouds of dust and blacked out the sun.
Dintshontsho Tsa Bo – Juliuse Kesara
by William ShakespeareDintšhontšho tsa bo-Juliuse Kesara is a translation into Setswana of Shakespeare’s Julius Caesar, by the renowned South African thinker, writer and linguist Sol T. Plaatje, who was also a gifted stage actor. Plaatje first encountered the works of Shakespeare when he saw a performance of Hamlet as a young man; it ignited a great love in him for the works of the Elizabethan dramatist. Many years later he translated several of Shakespeare’s plays into Setswana in a series called Mabolelo a ga Tsikinya-Chaka (‘The Sayings of Shakespeare’.) Dintšhontšho tsa bo-Juliuse Kesara went to print five years after Plaatje’s death, in 1937, published in the Bantu (later, African) Treasury Series by the University of the Witwatersrand Press.His translations of Shakespeare’s plays into Setswana helped to pioneer and popularise a genre, the drama script, that was previously not well known in Southern Africa. It also showcased the rich range of Setswana vocabulary and served Plaatje’s aim of developing the language.Dintšhontšho tsa bo-Juliuse Kesara ke phetolelo ya Setswana ya Julius Caesar ya ga Shakespeare ka mokwadi, moakanyi wa MoAforika le seitseanape sa puo Sol T. Plaatje, yo gape e neng e le modiragatsi yo o nang le bokgoni wa serala. Plaatje o rakane la ntlha le ditiro tsa ga Shakespeare fa a bona tiragatso ya Hamlet e sa le lekawana, mme seo se ne sa tsosa lerato le le boitshegang mo pelong ya gagwe la ditiro tsa mokwadi yoo wa MoElisabeta. Dingwaga di le dintsi morago ga foo o fetoletse diterama tsa ga Shakespeare di balwa mo puong ya Setswana mo dikgatisong tsa Mabolelo a ga Tsikinya-Chaka (‘The Sayings of Shakespeare’). Dintšhontšho tsa bo-Juliuse Kesara e gatisitswe dingwaga di le tlhano morago ga loso lwa ga Plaatje, ka 1937. E gatisitswe mo metseletseleng ya Bantu (moragonyana African) Treasury Series ya Univeristy of the Witwatersrand Press.Go fetolela diterama tsa ga Shakespeare mo Setswaneng go thusitse go godisa le go naya serodumo mokwalo wa boitlhamedi wa diterama o o neng o sa tlwaelega thata mo malobeng. Go bontshitse gape khumo le nonofo ya tlotlofoko ya Setswana mme ga thusa Plaatje go tlhabolola puo ya gaabo jaaka e ne e le maikaelelo a gagwe.
Dinuba: A Place Of New Beginnings (Images of America)
by Ron DialOn May 11, 1880, tensions between central California settlers and the Southern Pacific Railroad culminated in a violent shoot-out that left seven people dead. This event, known as the Mussel Slough Tragedy, was a result of the attempted evictions of settlers from land they had already purchased and the high land prices imposed by the expanding railroad. Founded in 1890 by James Patterson and James Sibley, Dinuba was an effort for Mussel Slough farmers to peacefully resettle in the San Joaquin Valley and pursue their agricultural interests. The region's fertile soils and warm climate made the land ideal for farming and economic growth. With the development of a reliable water source and the importation of Thompson's Seedless grapes, raisins quickly became the cash crop, and Dinuba, nicknamed "The Raisin City," entered the 20th century as an established and rapidly growing community. Today, the city's unique history is preserved through the Depot Museum, maintained and operated by the Alta District Historical Society.
Diocese of Wilmington, The
by Jim ParksThe Catholic faith was first brought to the peninsula that lies betweenthe Chesapeake and Delaware Bays in the seventeenth century by Jesuitpriests who rode circuit from the Maryland colony, offering Mass and bringingthe sacraments to private homes. As the country grew, so too did the Catholiccommunity on Delmarva, and many new churches and missions were founded.From the earliest established church--St. Francis Xavier Mission in CecilCounty, Maryland, founded in 1704--to Salesianum School, the first highschool in Delaware to be racially integrated, from the involvement in the dioceseof American saints John Neumann and Elizabeth Ann Seton to a variety ofreligious orders and organizations, these honored institutions and remarkableindividuals helped to shape the minds and spirits of young and old alikeThe story of the Diocese of Wilmington, which split off from the Diocese ofPhiladelphia in 1868, is not just one of church construction dates--it is the storyof its people. From the colorful settlement of French exiled after a slave rebellionin Haiti to the New World immigrants of Irish, German, Italian, Polish, andlater, Hispanic descent, the Catholic community in the region has been diverse,vibrant, and steadfast in a shared faith. From its humble beginnings, the diocesehas grown to serve a population of more than 190,000 members with 56 parishes,20 missions, and 37 schools and has fostered a strong civic tradition in athletics,theater, and community festivals.
Dion Boucicault
by Deirdre McfeelyDeirdre McFeely presents the first book-length critical study of Dion Boucicault, placing his Irish plays in the context of his overall career. The book undertakes a detailed examination of the reception of the plays in the New York-London-Dublin theatre triangle which Boucicault inhabited. Interpreting theatre history as a sociocultural phenomenon that closely approximates social history, McFeely examines the different social and political worlds in which the plays were produced, demonstrating that the complex politics of reception of the plays cannot be separated from the social and political implications of colonialism at that time. The study argues for a shift in focus from the politics of the plays, and their author, to the politics of the auditorium and the press, or the politics of reception. It is within that complex and shifting field of stage, theatre and public media that Boucicault's performance as playwright, actor and publicist is interpreted.
Diplomatic Cultures at the Ottoman Court, c.1500–1630 (Routledge Research in Early Modern History)
by Tracey A. Sowerby; Christopher MarkiewiczIn the sixteenth century, the Ottoman court in Constantinople emerged as the axial centre of early modern diplomacy in Eurasia. Diplomatic Cultures at the Ottoman Court, c.1500-1630 takes a unique approach to diplomatic relations by focusing on how diplomacy was conducted and diplomatic cultures forged at a single court: the Sublime Porte. It unites studies from the perspectives of European and non-European diplomats with analyses from the perspective of Ottoman officials involved in diplomatic practices. It focuses on a formative period for diplomatic procedure and Ottoman imperial culture by examining the introduction of resident embassies on the one hand, and on the other, changes in Ottoman policy and protocol that resulted from the territorial expansion and cultural transformations of the empire in the sixteenth century. The chapters in this volume approach the practices and processes of diplomacy at the Ottoman court with special attention to ceremonial protocol, diplomatic sociability, gift-giving, cultural exchange, information gathering, and the role of para-diplomatic actors.
Direct Action as Conceptual Art?: An Examination of the Role of the Communiqué for Ecodefense (Palgrave Studies in Crime, Media and Culture)
by Avi BrismanThis book offers an avenue for understanding the parameters, scope, meanings, and impacts of environmental protest. Focusing on ecodefense, it explores the significance of the communiqué (the written explanation of the reasons for an act of ecodefense), comparing the communiqué to written texts in Conceptual art. It presents and seeks to evaluate the following analogy: act of ecodefense : communiqué :: work of conceptual art : written declaration/statement. By considering the communiqué in this light, this book helps us better comprehend the rationales for “radical environmentalism” undertaken for the purposes of reducing environmental harms, natural resource exploitation, and animal abuse.
Direct Your Own Damn Movie! (Your Own Damn Film School {{series}} Ser.)
by Lloyd KaufmanFilm is a visual medium, the work of Eric Rohmer and Kevin Smith notwithstanding. It is important for a director and cinemtographer to use their VISUAL EYES in order to VISUALIZE how to make their movie most effective. Also, there is the messy business of actors. Generally, movies have them, and directors have to deal with them. This guide will illuminate these two main jobs of the director: directing the camera and directing the actor, while showing how these two jobs manifest themselves during practical filmmaking -- whether it be, 'Which shots can I lose and still tell my story since we're running out of time', or 'How do I get two actors who hate each other to perform a passionate sex scene',' all will be revealed.
Direct3D Rendering Cookbook
by Justin StenningThis is a practical cookbook that dives into the various methods of programming graphics with a focus on games. It is a perfect package of all the innovative and up-to-date 3D rendering techniques supported by numerous illustrations, strong sample code, and concise explanations. Direct3D Rendering Cookbook is for C# .NET developers who want to learn the advanced rendering techniques made possible with DirectX 11.2. It is expected that the reader has at least a cursory knowledge of graphics programming, and although some knowledge of Direct3D 10+ is helpful, it is not necessary. An understanding of vector and matrix algebra is required.
DirectX 11.1 Game Programming
by Pooya EimandarWritten in step-by-step tutorial format, we will explore the creation of 3D applications and games through the development of a Windows 8 metro style game.DirectX 11.1 Game Programming Written for developers with knowledge of C++ essentails and 3D mathematics who would want to create metro style game on the Windows 8 platform.DirectX 11.1 Game Programming explores Direct3D 11.1 and Microsoft C++ component extensions along with introducing C++ accelerated massive parallelism.
Directed by James Burrows: Five Decades of Stories from the Legendary Director of Taxi, Cheers, Frasier, Friends, Will & Grace, and More
by James Burrows&“Being directed by the Jimmy Burrows, while on Friends, was like hitting the jackpot. I&’m delighted that everyone can now share in his incredible insight with this book.&”—JENNIFER ANISTONFrom the director of The Mary Tyler Moore Show, Taxi, Cheers, Frasier, Friends, and Will & Grace comes an insightful and nostalgic memoir that offers a bounty of behind-the-scenes moments from our favorite shows, peeling away the layers behind how a successful sitcom comes together—and stays that way.Legendary sitcom director James Burrows has spent five decades making America laugh. Here readers will find never-revealed stories behind the casting of the dozens of great sitcoms he directed, as well as details as to how these memorable shows were created, how they got on the air, and how the cast and crew continued to develop and grow. Burrows also examines his own challenges, career victories, and defeats, and provides advice for aspiring directors, writers, and actors. All this from the man who helped launch the careers of Ted Danson, Kelsey Grammer, Woody Harrelson, Jennifer Aniston, Debra Messing, and Melissa McCarthy, to name a few. Burrows talks fondly about the inspiration he found during his childhood and young adult years, including his father, legendary playwright and Broadway director Abe Burrows. From there he goes on to explain his rigorous work ethic, forged in his early years in theater, where he did everything from stage managing to building sets to, finally, directing. Transitioning to television, Burrows locked into a coveted job with The Mary Tyler Moore Show, where he first observed and then started to apply his craft. Directing most of the episodes of Taxi came next, where he worked closely with writers/producers Glen and Les Charles. The three formed a remarkable creative partnership that helped Burrows achieve his much sought-after goal of ownership and agency over a project, which came with the creating and directing of the seminal and beloved hit Cheers. Burrows has directed more than seventy-five pilots that have gone to series and over a thousand episodes, more than any other director in history.Directed by James Burrows is a heart-and-soul master class in sitcom, revealing what it truly takes to get a laugh.
Directed by Yasujiro Ozu
by Shiguéhiko HasumiFirst published in 1983, Shiguéhiko Hasumi's Directed by Yasujirō Ozu has become one of the most influential books on cinema written in Japanese. This pioneering translation brings Hasumi's landmark work to an English-speaking public for the first time, inviting a new readership to engage with this astutely observed, deeply moving meditation on the oeuvre of one of the giants of world cinema. Complemented by a critical introduction from acclaimed film scholar Aaron Gerow and rendered fluidly in Ryan Cook's agile translation, this volume will grace the shelves of cinephiles for many years to come.
Directing Actors: A Practical Aesthetics Approach
by Lee Michael CohnDirecting Actors: A Practical Aesthetics Approach is the first book to apply the Practical Aesthetics acting technique to the craft of directing. Lee Cohn lays out a step-by-step, no-nonsense methodology for the director that includes a deep dive into the mechanics of storytelling, the rehearsal process, working with writers, and the practical realities of the director’s job. Featuring end-of-chapter exercises, this book provides a clear and effective means of breaking down a script in order to tell a story with clarity, simplicity, and dramatic force and gives directors a clear working vocabulary that will allow effective communication with actors. The techniques in this book are applicable to any theatrical style and any media platform in which a director might work. Written in an accessible, conversational style, this book strips the process of directing down to its most essential components to explain how to become an "actor’s director." A must-read for students in directing courses and professional directors working with actors who prescribe to the Practical Aesthetics technique, as well as anyone interested in the process of working with actors, Directing Actors will help directors to get the very best their actors are capable of while approaching the work with a joyful, open spirit.
Directing Actors: Creating Memorable Performances for Film and Television
by Judith WestonInternationally-renowned directing coach Weston demonstrates what constitutes a good performance, what actors want from a director, what directors do wrong, script analysis and preparation, how actors work, and shares insights into the director/actor relationship.
Directing Animation
by David B. LevyBoth experienced and aspiring animation professionals will find Directing Animation a comprehensive and entertaining guide to understanding the director's creative role in managing the entire animation process. An animation director doesn't simply direct animation. He or she directs people who animate and must be equally able to relate to the crew, producers, writers, creators, and clients. Readers will learn how to: -- direct commercials, TV series, feature films, and Web features and series -- land their first big directorial break -- create realistic schedules and pipelines -- assemble the best crew for any job -- motivate animators and crew members -- give constructive feedback and notes -- maintain good relationships with producers, creators, writers, and network executives. In addition to over eighty photographs and illustrations, Directing Animation includes insider tips and firsthand experience from animators, directors, and producers, revealing the best ways to manage the production process while creating a workplace that is both efficient and fun.
Directing Animation
by David B. LevyBoth experienced and aspiring animation professionals will find Directing Animation a comprehensive and entertaining guide to understanding the director's creative role in managing the entire animation process. An animation director doesn't simply direct animation. He or she directs people who animate and must be equally able to relate to the crew, producers, writers, creators, and clients. Readers will learn how to: -- direct commercials, TV series, feature films, and Web features and series -- land their first big directorial break -- create realistic schedules and pipelines -- assemble the best crew for any job -- motivate animators and crew members -- give constructive feedback and notes -- maintain good relationships with producers, creators, writers, and network executives. In addition to over eighty photographs and illustrations, Directing Animation includes insider tips and firsthand experience from animators, directors, and producers, revealing the best ways to manage the production process while creating a workplace that is both efficient and fun.
Directing Desire: Intimacy Choreography and Consent in the Twenty-First Century
by Kari BarclayDirecting Desire explores the rise of consent-based and trauma-informed approaches to staging sexually and sensually charged scenes for theater in the contemporary U.S., known as intimacy choreography. From 2015 to 2020, intimacy choreography transformed from a grassroots movement in experimental and regional theaters into a best practice accepted in Hollywood and on Broadway. Today, intimacy choreographers have become a veritable "intimacy industry" in the cultural sphere, sparking attention from Rolling Stone to The New York Times to the sketch comedy series Saturday Night Live. This book analyzes the forces that have led to intimacy choreography’s meteoric rise and asks what implications the field has for theater practice more broadly. Building a theoretical framework for intimacy directing, Directing Desire also strives to reorient the conversation in the field so that artists understand not only best practices in consent but also intersectional frameworks that expand and rework consent.
Directing Game Animation: Building a Vision and a Team with Intent
by Mike JungbluthThe best character animation has a strong creative intent, driving a compelling performance. With the addition of interactivity, game animation adds complexity to the craft of how best to balance art, design and technology to realize a character’s performance. As a director, you are responsible for not only defining a vision for how those should balance but also being a leader, mentor and advocate for your team. But in a field of rapid iteration of ideas and techniques, that strong creative intent can be easily lost or sacrificed if not properly fostered and defined.Directing Game Animation: Building a Vision and a Team with Intent breaks down the process of creating an intentional animation vision that can be both unique and flexible. From defining the high-level experience to breaking down tech needs, projecting a team size and empowering everyone to work together, this book will help you to wrap your mind around a project’s animation needs.Animation, like every part of a game, cannot succeed—let alone function—in a vacuum. This book looks to foster a discussion around the process, needs and benefits of an empowered animation team and its vision as a universal benefit for the entire industry.This book is a guide to answer some of the most common questions people encounter when engaging with the overlap between creative and project leadership. What is your role? Learn how to establish expectations and needs specific to the project and team. How do you establish a vision? Learn how to better define and communicate creative topics such as a cohesive character performance and animation style. How do you build a team? Learn how to establish early on the team structure, skills and workflows needed to deliver on the needs of the project. How do you balance creative and production needs? Learn how to define quality, reviews and approvals in a way that empowers creativity and decision-making.