- Table View
- List View
Disney High: The Untold Story of the Rise and Fall of Disney Channel's Tween Empire
by Ashley SpencerThe first unauthorized look at the inner workings—and ultimate breakdown—of the Disney Channel machine For many kids growing up in the 2000s, there was no cultural touchstone more powerful than Disney Channel, the most-watched cable channel in primetime at its peak. Today, it might best be known for introducing the world to talents like Hilary Duff, Raven-Symoné, Zac Efron, Miley Cyrus, Selena Gomez, the Jonas Brothers, Demi Lovato, and Zendaya. It wasn't always destined for greatness: when The Disney Channel launched in 1983, it was a forgotten stepchild within the Walt Disney Company, forever in the shadow of Disney’s more profitable movies and theme parks. But after letting the stars of their Mickey Mouse Club revival—among them Britney Spears, Justin Timberlake, Christina Aguilera, and Ryan Gosling—slip through their fingers, Disney Channel reinvented itself as a powerhouse tween network. In the new millennium, it churned out billions of dollars in original content and triple-threat stars whose careers were almost entirely controlled by the corporation. Suddenly, everyone wanted a piece of the pie—and there were constant clashes between the studio, network, labels, and creatives as Disney Channel became a pressure cooker of perfection for its stars. From private feuds and on-set disasters, to fanfare that swept the nation and the realities of child stardom, culture journalist Ashley Spencer offers the inside story of the heyday of TV’s House of Mouse, featuring hundreds of exclusive new interviews with former Disney executives, creatives, and celebrities to explore the highs, lows, and everything in between.
Disney Ideas Book: More than 100 Disney Crafts, Activities, and Games
by DK Elizabeth DowsettBring your love of Disney to life with more than 100 amazing and creative projects and activities.The perfect rainy-day gift for kids who love Disney and enjoy crafting. Let their imaginations run wild with more than 100 enchanting Disney inspired arts and crafts, party games, puzzles, papercraft and many more fun and practical activities. With stunning photography and clear step-by-step instructions, the Disney Ideas Book guides you through each exciting project, from growing grass hair on Frozen trolls and creating The Lion King animal masks to crafting festive Mickey Mouse hanging decorations and Winnie the Pooh party hats. There are top tips on every page to help make your creations a success, with handy templates provided at the back of the book. Featuring family favourite characters from animation and live-action movies and TV, including Frozen, Toy Story, Moana, Inside Out and Cinderella.
Disney Pixar Character Encyclopedia Updated and Expanded
by Shari LastDive into the wonderful world of Pixar with the new edition of this bestselling, fan-favourite, fully illustrated, and fact-filled character guide.Now featuring more than 320 characters, this new edition has been updated and expanded to include characters from Pixar's recent releases. Find out more about the greatest and funniest heroes, villains, sidekicks and oddballs from across every Pixar movie, including 2020's Onward and Soul, as well as 2021's box-office hit Luca and 2022's Turning Red and Lightyear.Whether your favourite character is Buzz, Lightning, and Mater along with these more recent ones: Izzy, Sox, Meilin, Joe, 22, Luca, or Giulia, the Pixar Character Encyclopedia lets you relive their top movie moments and latest adventures, discover special "Did you know?" facts, and much, much more.Featuring: - Beautifully illustrated with images from the original movies.- Organised in chronological order from Toy Story to Lightyear; characters from sequels, such as Toy Story 4 included with original movie.- Age-appropriate text for 7-11 year olds.Looking for more information about the Lightfoots, Luca Paguro, and Buzz Lightyear's latest adventures? The new edition of the Pixar Character Encyclopedia is the one-stop book for you!
Disney Stories
by Newton Lee Krystina MadejDisney Stories: Getting to Digital explores how Disney, the man and the company, used technological innovation to create characters and stories that engage audiences in many different media, in particular in Video Games and on the Internet. Drawing on Disney films from the twenties and thirties, as well as the writings of historians, screenwriters and producers, Disney Stories: Getting to Digital explains how new film and animation techniques, many developed by Disney, worked together to evolve character and content development and produce entertaining stories that riveted audiences. Through an insider's perspective of Disney's legendary creation process, the book closely examines how the Disney Company moved its stories into the digital world in the 1990s and the virtual, online communities of the 2000s. By embracing the digital era, Disney led storytelling and technological innovation by granting their audience the unique opportunity to take part in their creation process through their online games, including The Lion King Animated Story Book, Disney Blast and Toontown. Disney Stories: Getting to Digital is intended for Disney fans and current practitioners looking to study the creation process of one of the most famous animation studios in existence. Professors teaching courses in new media, animation and interactive storytelling will also find this book a valuable asset.
Disney Stories: Getting to Digital
by Newton Lee Krystina MadejThe second edition of Disney Stories: Getting to Digital will be of interest to lovers of Disney history and also to lovers of Hollywood history in general. The first edition was planned as a short history of the companies evolution from analog storytelling to a digital online presence that closed the chapter on early Disney films with the release of the groundbreaking Snow White. The purpose of the new edition is to bring to readers a more complete view of the analog-digital story by including three new chapters on film that cover key developments from the live-animation hybrids of the 1940s to CAPS and CGI in the 1990s and VR in the 2010s. It also includes in the discussion of cross-media storytelling the acquisition of the exceptional story property, Star Wars, and discusses how Disney has brought the epic into the Disney Master Narrative by creating Galaxy’s Edge in its US theme parks.Krystina Madej’s engaging portrayal of the long history of Disney’s love affair with storytelling and technology brings to life the larger focus of innovation in creating characters and stories that captivate an audience, and together with Newton Lee’s detailed experience of Disney during the crucial 1995-2005 era when digital innovation in online and games was at its height in the company, makes for a fast-paced captivating read.Disney Stories first edition explored the history of Disney, both analog and digital. It described in detail how Walt Disney used inventive and often ground-breaking approaches in the use of sound, color, depth, and the psychology of characters to move the animation genre from short visual gags to feature-length films with meaningful stories that engaged audience's hearts as well as tickled their funny bones. It showed Walt’s comprehensive approach to engaging the public across all media as he built the Disney Master Narrative by using products, books, comics, public engagements, fan groups such as the Mickey Mouse club, TV, and, of course, Disneyland, his theme park. Finally it showed how, after his passing, the company continued to embrace Walt’s enthusiasm for using new technology to engage audiences through their commitment to innovation in digital worlds. It describes in detail the innovative storybook CD-ROMs, their extensive online presence, the software they used and created for MMORGs such as Toontown, and the use of production methods such as agile methodology. This new edition provides insight on major developments in Disney films that moved them into the digital world.
Disney TV: Disney Tv (Tv Milestones Ser.)
by J. P. TelotteA historical account of the context, impact, and legacy of one of the most successful series in American television history.
Disney The Art of Moana 2 (Disney)
by Kalikolehua HurleyThis stunning volume of the Disney Art of series is an exclusive look behind the scenes of Walt Disney Animation Studio’s original feature film, Moana 2.Journey from Motunui across the vast Ocean with Moana and her crew in this installment of the beloved Art of Disney series that tells the story behind the art and making of Moana 2. Here is a stunning art book that highlights the beautiful development art and paintings from the film’s creation—including character designs, storyboards, color scripts, and much more—and features exclusive interviews from the creative team along with behind-the-scenes details.Copyright © 2024 Disney Enterprises, Inc. All rights reservedEXCLUSIVE BEHIND-THE-SCENES DETAILS: Fans will want to delve into and explore this new Walt Disney Animation film through production art, stories, and making-of details exclusive to this book.ENDLESSLY GIFTABLE: The next in the fan-favorite, collectible series of Art of titles, this Disney art book is the perfect gift for Disney fans, animation students, film buffs, and more.PART OF THE FAN-FAVORITE ART BOOK SERIES: The collectible Art of series from Disney is perfect for animation enthusiasts, filmmakers, students, and fans of Disney. Add this installment to the shelf with other books like The Art of Wish, The Art of Encanto, and The Art of Frozen.Perfect for:Animation fansDisney and Walt Disney Animation fansStudents, educators, and aspiring animators and filmmakersDisney+ subscribersFans of Moana and the Disney princesses
Disney Theatrical Productions: Producing Broadway Musicals the Disney Way
by Amy S. OsatinskiDisney Theatrical Productions: Producing Broadway Musicals the Disney Way is the first work of scholarship to comprehensively examine the history and production practices of Disney Theatrical Productions (DTP), the theatrical producing arm of the studio branch of the Walt Disney Corporation. This book uncovers how DTP has forged a new model for producing large-scale musicals on Broadway by functioning as an independent theatrical producer under the umbrella of a large entertainment corporation. Case studies of three productions (The Lion King, Tarzan, and Newsies) demonstrate the flexibility and ingenuity of DTP, and showcase the various production models that the company has employed over the years. Exploring topics such as the history of DTP, its impact on the revitalization of Times Square, and its ability to open up a new audience base for Broadway theatre, this volume examines the impact that DTP has had on American musicals, both domestically and internationally, and how its accomplishments have helped reshape the Broadway landscape. This book is relevant to students in Musical Theatre, History of Musical Theatre, Theatre History, and Arts Management courses, along with general Disney enthusiasts.
Disney Tim Burton's The Nightmare Before Christmas: The Official Knitting Guide to Halloween Town and Christmas Town
by Tanis GrayWeave magic into your knits with the first-ever Disney Tim Burton&’s The Nightmare Before Christmas knitting guide, featuring more than 25 patterns inspired by the strange and spooky characters of Tim Burton&’s beloved classic.Become your own mad scientist and knit to life the quirky characters and creepy costumes inspired by Disney Tim Burton&’s The Nightmare Before Christmas. Inspired by the characters of Jack Skellington, Sally, Dr. Finkelstein, Zero, Oogie Boogie, the Mayor, Sandy Claws, and more, these patterns feature a mix of dark and vibrant knits and glow-in-the-dark yarn in celebration of the melding of Halloween and Christmas in this classic film. Oogie Boogie and Zero stuffies come to life with the help of your knitting needles, and clothing, home décor, holiday decorations, and more will transport you to the moonlit hills, dark cemeteries, and eerie cobblestone streets of Tim Burton&’s stop-motion world. Featuring more than 25 wickedly creative knits pictured in stunning full-color photography, this book includes patterns suited for beginner and advanced knitters alike. Patterns for Sally&’s slouchy socks and Sandy Claw&’s Christmas stocking are ideal for new knitters, while more advanced projects like Sally&’s patchwork dress will satisfy longtime crafters. Plus, this book includes original sketches, film stills, and other behind-the-scenes goodies that are sure to satisfy the most die-hard of Tim Burton fans.
Disney Villains The Essential Guide, New Edition
by Glenn Dakin Victoria SaxonMeet the villains we all love to hate!The essential guide to more than 50 of the most villainous Disney and Disney Pixar movie characters.What makes Cruella De Vil so cruel?Why is Scar jealous of his brother Mufasa?Who are the troublesome toys at Sunnyside Daycare?© 2020 Disney
Disney and the Dialectic of Desire
by Joseph ZornadoThis book analyzes Walt Disney's impact on entertainment, new media, and consumer culture in terms of a materialist, psychoanalytic approach to fantasy. The study opens with a taxonomy of narrative fantasy along with a discussion of fantasy as a key concept within psychoanalytic discourse. Zornado reads Disney's full-length animated features of the "golden era" as symbolic responses to cultural and personal catastrophe, and presents Disneyland as a monument to Disney fantasy and one man's singular, perverse desire. What follows after is a discussion of the "second golden age" of Disney and the rise of Pixar Animation as neoliberal nostalgia in crisis. The study ends with a reading of George Lucas as latter-day Disney and Star Wars as Disney fantasy. This study should appeal to film and media studies college undergraduates, graduates students and scholars interested in Disney.
Disney's Land: Walt Disney and the Invention of the Amusement Park That Changed the World
by Richard SnowA propulsive history chronicling the conception and creation of Disneyland, the masterpiece California theme park, as told like never before by popular historian Richard Snow.One day in the early 1950s, Walt Disney stood looking over 240 acres of farmland in Anaheim, California, and imagined building a park where people &“could live among Mickey Mouse and Snow White in a world still powered by steam and fire for a day or a week or (if the visitor is slightly mad) forever.&” Despite his wealth and fame, exactly no one wanted Disney to build such a park. Not his brother Roy, who ran the company&’s finances; not the bankers; and not his wife, Lillian. Amusement parks at that time, such as Coney Island, were a generally despised business, sagging and sordid remnants of bygone days. Disney was told that he would only be heading toward financial ruin. But Walt persevered, initially financing the park against his own life insurance policy and later with sponsorship from ABC and the sale of thousands and thousands of Davy Crockett coonskin caps. Disney assembled a talented team of engineers, architects, artists, animators, landscapers, and even a retired admiral to transform his ideas into a soaring yet soothing wonderland of a park. The catch was that they had only a year and a day in which to build it. On July 17, 1955, Disneyland opened its gates…and the first day was a disaster. Disney was nearly suicidal with grief that he had failed on a grand scale. But the curious masses kept coming, and the rest is entertainment history. Eight hundred million visitors have flocked to the park since then. In Disney&’s Land, Richard Snow brilliantly presents the entire spectacular story, a wild ride from vision to realization, and an epic of innovation and error that reflects the uniqueness of the man determined to build &“the happiest place on earth&” with a watchmaker&’s precision, an artist&’s conviction, and the desperate, high-hearted recklessness of a riverboat gambler.
Disney's Most Notorious Film: Race, Convergence, and the Hidden Histories of Song of the South
by Jason SperbThe Walt Disney Company offers a vast universe of movies, television shows, theme parks, and merchandise, all carefully crafted to present an image of wholesome family entertainment. Yet Disney also produced one of the most infamous Hollywood films, Song of the South. Using cartoon characters and live actors to retell the stories of Joel Chandler Harris, SotS portrays a kindly black Uncle Remus who tells tales of Brer Rabbit, Brer Fox, and the “Tar Baby” to adoring white children. Audiences and critics alike found its depiction of African Americans condescending and outdated when the film opened in 1946, but it grew in popularity—and controversy—with subsequent releases. Although Disney has withheld the film from American audiences since the late 1980s, SotS has an enthusiastic fan following, and pieces of the film—such as the Oscar-winning “Zip-a-Dee-Doo-Dah”—remain throughout Disney’s media universe. Disney’s Most Notorious Film examines the racial and convergence histories of Song of the South to offer new insights into how audiences and Disney have negotiated the film’s controversies over the last seven decades. Jason Sperb skillfully traces the film’s reception history, showing how audience perceptions of SotS have reflected debates over race in the larger society. He also explores why and how Disney, while embargoing the film as a whole, has repurposed and repackaged elements of SotS so extensively that they linger throughout American culture, serving as everything from cultural metaphors to consumer products.
Disney's Most Notorious Film: Race, Convergence, and the Hidden Histories of Song of the South
by Jason SperbThe Walt Disney Company offers a vast universe of movies, television shows, theme parks, and merchandise, all carefully crafted to present an image of wholesome family entertainment. Yet Disney also produced one of the most infamous Hollywood films, Song of the South. Using cartoon characters and live actors to retell the stories of Joel Chandler Harris, SotS portrays a kindly black Uncle Remus who tells tales of Brer Rabbit, Brer Fox, and the "Tar Baby" to adoring white children. Audiences and critics alike found its depiction of African Americans condescending and outdated when the film opened in 1946, but it grew in popularity--and controversy--with subsequent releases. Although Disney has withheld the film from American audiences since the late 1980s, SotS has an enthusiastic fan following, and pieces of the film--such as the Oscar-winning "Zip-a-Dee-Doo-Dah"--remain throughout Disney's media universe. Disney's Most Notorious Film examines the racial and convergence histories of Song of the South to offer new insights into how audiences and Disney have negotiated the film's controversies over the last seven decades. Jason Sperb skillfully traces the film's reception history, showing how audience perceptions of SotS have reflected debates over race in the larger society. He also explores why and how Disney, while embargoing the film as a whole, has repurposed and repackaged elements of SotS so extensively that they linger throughout American culture, serving as everything from cultural metaphors to consumer products.
Disney/Pixar The Art of Elio (Disney/Pixar)
by Pixar Animation StudiosThis stunning book showcases the art, behind-the-scenes details, and making of the Disney and Pixar animated film ElioThe next in the fan-favorite, collectible Disney and Pixar Art of series, The Art of Elio presents the story behind the out-of-this-world film from Pixar Animation Studios. Adventure across the galaxy with alien-obsessed Elio in this essential story of connection, friendship, and searching for your place in the world, or in this case, universe. This book highlights the stunning artwork from the film's creation—including character designs, storyboards, color scripts, and much more—and features exclusive interviews with the creative team along with behind-the-scenes details. This book is the perfect gift for aspiring artists, animators, film buffs, and fans.© 2025 Disney Enterprises, Inc. and Pixar. All rights reserved. EXCLUSIVE LOOK AT ANIMATION FILMMAKING: Fans will want to delve into and explore this Pixar Animation film through production art, stories, and making-of details exclusive to this book.PART OF THE FAN-FAVORITE SERIES: The collectible Art of series is perfect for animation enthusiasts, filmmakers, students, and fans of Disney and Pixar. Add The Art of Elio to the shelf with other bestselling books like The Art of Elemental, The Art of Turning Red, and The Art of Soul.Perfect for:Animators and animation studentsDisney fans of all agesCinephiles and movie buffsPop culture enthusiasts and historiansFamilies that love watching Disney and Pixar films togetherFans of sci-fi books and moviesPeople interested in aliens, extraterrestrials, space, and space travel
DisneyWar: The Battle for the Magic Kingdom
by James B. Stewart"When You Wish Upon a Star," "Whistle While You Work," "The Happiest Place on Earth" -- these are lyrics indelibly linked to Disney, one of the most admired and best-known companies in the world. So when Roy Disney, chairman of Walt Disney Animation and nephew of founder Walt Disney, abruptly resigned in November 2003 and declared war on chairman and chief executive Michael Eisner, he sent shock waves through the entertainment industry, corporate boardrooms, theme parks, and living rooms around the world -- everywhere Disney does business and its products are cherished. DisneyWar is the breathtaking, dramatic inside story of what drove America's best-known entertainment company to civil war, told by one of our most acclaimed writers and reporters. Drawing on unprecedented access to both Eisner and Roy Disney, current and former Disney executives and board members, as well as thousands of pages of never-before-seen letters, memos, transcripts, and other documents, James B. Stewart gets to the bottom of mysteries that have enveloped Disney for years: What really caused the rupture with studio chairman Jeffrey Katzenberg, a man who once regarded Eisner as a father but who became his fiercest rival? How could Eisner have so misjudged Michael Ovitz, a man who was not only "the most powerful man in Hollywood" but also his friend, whom he appointed as Disney president and immediately wanted to fire? What caused the break between Eisner and Pixar chairman Steve Jobs, and why did Pixar abruptly abandon its partnership with Disney? Why did Eisner so mistrust Roy Disney that he assigned Disney company executives to spy on him? How did Eisner control the Disney board for so long, and what really happened in the fateful board meeting in September 2004, when Eisner played his last cards? Here, too, is the creative process that lies at the heart of Disney -- from the making of The Lion King to Pirates of the Caribbean. Even as the executive suite has been engulfed in turmoil, Disney has worked -- and sometimes clashed -- with a glittering array of stars, directors, designers, artists, and producers, many of whom tell their stories here for the first time. Stewart describes how Eisner lost his chairmanship and why he felt obliged to resign as CEO, effective 2006. No other book so thoroughly penetrates the secretive world of the corporate boardroom. DisneyWar is an enthralling tale of one of America's most powerful media and entertainment companies, the people who control it, and those trying to overthrow them. DisneyWar is an epic achievement. It tells a story that -- in its sudden twists, vivid, larger-than-life characters, and thrilling climax -- might itself have been the subject of a Disney animated classic -- except that it's all true.
Disordered Attention: How We Look at Art and Performance Today
by Claire BishopHow technology and the politics of attention changed the way we look at artThe ways we encounter contemporary art and performance has changed. How are we expectedto engage with today's diverse practice? Is the old model of close-looking still the ideal, or has itgiven way to browsing, skimming, and sampling?Across four provocative and insightful essays, art historian and critic Claire Bishop identifies trends in contemporary practice. Charting a critical path through the last three decades, Bishop pinpoints how spectatorship and visual literacy are evolving under the pressures of digital technology.She explores how researched-based exhibitions have proliferated turning the artist into an investigator or archivist with mixed results. Spatial performance can now involve the artist, dancers, or even the audience as participants, often framed with Instagram in mind. The political event is not longer activated without an understanding of the media that will record and distribute it. The proliferation of works that use modernist architecture is noticeable; but has this become a shorthand for something else?Disordered Attention is a vital survey of 21st century art, from one of the leading art thinkers ofour times.
Disordering the Establishment: Participatory Art and Institutional Critique in France, 1958–1981 (Art History Publication Initiative)
by Lily WoodruffIn the decades following World War II, France experienced both a period of affluence and a wave of political, artistic, and philosophical discontent that culminated in the countrywide protests of 1968. In Disordering the Establishment Lily Woodruff examines the development of artistic strategies of political resistance in France in this era. Drawing on interviews with artists, curators, and cultural figures of the time, Woodruff analyzes the formal and rhetorical methods that artists used to counter establishment ideology, appeal to direct political engagement, and grapple with French intellectuals' modeling of society. Artists and collectives such as Daniel Buren, André Cadere, the Groupe de Recherche d’Art Visuel, and the Collectif d’Art Sociologique shared an opposition to institutional hegemony by adapting their works to unconventional spaces and audiences, asserting artistic autonomy from art institutions, and embracing interdisciplinarity. In showing how these artists used art to question what art should be and where it should be seen, Woodruff demonstrates how artists challenged and redefined the art establishment and their historical moment.
Disparos, plata y celuloide: Historia, cine y fotografía en México 1846-1982
by Ricardo Pérez MontfortEn cierto sentido, la historia no es lo que ocurrió, sino lo que creemos que ocurrió. Piense usted en Pancho Villa. La imagen que tiene en la mente fue fijada por una fotografía o una película. Y sucede exactamente igual con Lázaro Cárdenas, Emiliano Zapata, una adelita, «un tendero gallego de los años cincuenta», «un apacible pueblito de provincia», cualquier «rancho de inicios del siglo XX» y, de hecho, con buena parte de los grandes momentos, referencias y personajes de la historia mexicana.En este sentido, el cine y la fotografía nos han “enseñado” más historia que los libros de la SEP. En esta obra, el historiador Ricardo Pérez Montfort ofrece una serie de ensayos sobre este fenómeno. ¿Cómo es que la memoria colectiva ha sido delineada por el celuloide? ¿Qué mitos de la historia patria son culpa de los haluros de plata? ¿Cuáles son algunas de las representaciones másdelirantes de los próceres mexicanos? ¿Qué significa que nuestra educación histórica se haya forjado en salas oscuras? ¿Quién da forma a la memoria de un país? Con una prosa rigurosa y entrañable, el autor inicia su recorrido a finales del siglo XIX, transita por el Porfiriato, “observa a los observadores” de la Revolución, atestigua la conformación identitaria del México moderno, mira cómo el cine ha construidohéroes y demonios, y termina con un drama cuya importancia no hemos terminado de aquilatar: el incendio de la Cineteca Nacional en 1982.
Dispatches from the Edge: A Memoir of War, Disasters, and Survival
by Anderson CooperFew people have witnessed more scenes of chaos and conflict than Cooper, whose groundbreaking coverage on CNN has changed the way we view the news.
Dispatches from the Gilded Age: A Few More Thoughts on Interesting People, Far-Flung Places, and the Joys of Southern Comforts
by Julia ReedDispatches from the Gilded Age is a collection of essays by Julia Reed, one of America's greatest chroniclers.In the middle of the night on March 11, 1980, the phone rang in Julia Reed’s Georgetown dorm. It was her boss at Newsweek, where she was an intern. He told her to get in her car and drive to her alma mater, the Madeira School. Her former headmistress, Jean Harris, had just shot Dr. Herman Tarnower, The Scarsdale Diet Doctor. Julia didn’t flinch. She dressed, drove to Madeira, got the story, and her first byline and the new American Gilded Age was off and running.The end of the twentieth century and the beginning of the twenty-first was a time in which the high and the low bubbled furiously together and Julia was there with her sharp eye, keen wit, and uproariously clear-eyed way of seeing the world to chronicle this truly spectacular era. Dispatches from the Gilded Age is Julia at her best as she profiles Andre Leon Talley, Sister Helen Prejean, President George and Laura Bush, Madeleine Albright, and others. Readers will travel to Africa and Cuba with Julia, dine at Le Bernardin, savor steaks at Doe’s Eat Place, consider the fashions of the day, get the recipes for her hot cheese olives and end up with the ride of their lives through Julia’s beloved South. With a foreword by Roy Blount, Jr. and edited by Julia's longtime assistant, Everett Bexley.
Displaced Allegories: Post-Revolutionary Iranian Cinema
by Negar MottahedehFollowing the 1979 Iranian Revolution, Iran's film industry, in conforming to the Islamic Republic's system of modesty, had to ensure that women on-screen were veiled from the view of men. This prevented Iranian filmmakers from making use of the desiring gaze, a staple cinematic system of looking. In Displaced Allegories Negar Mottahedeh shows that post-Revolutionary Iranian filmmakers were forced to create a new visual language for conveying meaning to audiences. She argues that the Iranian film industry found creative ground not in the negation of government regulations but in the camera's adoption of the modest, averted gaze. In the process, the filmic techniques and cinematic technologies were gendered as feminine and the national cinema was produced as a woman's cinema. Mottahedeh asserts that, in response to the prohibitions against the desiring look, a new narrative cinema emerged as the displaced allegory of the constraints on the post-Revolutionary Iranian film industry. Allegorical commentary was not developed in the explicit content of cinematic narratives but through formal innovations. Offering close readings of the work of the nationally popular and internationally renowned Iranian auteurs Bahram Bayza'i, Abbas Kiarostami, and Mohsen Makhmalbaf, Mottahedeh illuminates the formal codes and conventions of post-Revolutionary Iranian films. She insists that such analyses of cinema's visual codes and conventions are crucial to the study of international film. As Mottahedeh points out, the discipline of film studies has traditionally seen film as a medium that communicates globally because of its dependence on a (Hollywood) visual language assumed to be universal and legible across national boundaries. Displaced Allegories demonstrates that visual language is not necessarily universal; it is sometimes deeply informed by national culture and politics.
Displaced Things in Museums and Beyond: Loss, Liminality and Hopeful Encounters
by Sandra H. DudleyDisplaced Things in Museums and Beyond looks anew at the lives, effects and possibilities of things. Starting from the perspectives of things themselves, it outlines a particular, displacement approach to the museum, anthropology and material culture. The book explores the ways in which the objects are experienced in their present, displaced settings, and the implications and potentialities they carry. It offers insights into matters of difference and the hope that may be offered by transformative encounters between persons and things. Drawing on anthropological studies of ritual to conceptualise and examine displacement and its implications and possibilities, Dudley develops her arguments through exploration of displaced objects now in museums and dislocated or exiled from their prior geographical, historical, cultural, intellectual and personal contexts. The book’s approach and conclusions are relevant far beyond the museum, showing that even in the most difficult of circumstances there is agency, distinction and dignity in the choices and impacts that are made, and that things and places as well as people have efficacy and potency in those choices. In Displaced Things, displacement emerges as fundamental to understanding the lives of things and their relationships with human beings, and the places, however defined, that they make and pass within. The book will be essential reading for academics and students engaged in the study of museums, heritage, anthropology, culture and history.
Displaced Urbanism (Routledge Research in Planning and Urban Design)
by Gihan KarunaratneThis book critically interrogates dominant narratives surrounding displacement by offering an in-depth examination of how it unfolds across diverse urban and rural settings worldwide. It addresses the intricate realities of displacement and its impact on the built environment.Through a series of case studies spanning cities, refugee camps, and small towns, the book reveals how communities are uprooted and resettled not solely due to conflict or political unrest but also to economic shifts, environmental changes, and urban development. Challenging conventional dichotomies between voluntary and forced migration and formal and informal resettlement, this volume advocates for a nuanced understanding of displacement that captures the lived experiences of affected communities. Examining the politics of space-making in urban contexts, the book interrogates the roles of governments, private corporations, and individuals in shaping displacement dynamics. Thematic sections provide diverse perspectives on the creation, transformation, and contestation of urban spaces in the context of mobility and migration.This volume critically analyzes the socio-spatial transformations prompted by displacement, bringing together scholars from anthropology, architecture, urban planning, and related fields. It examines the socio-spatial shifts triggered by displacement, emphasizing the role of human agency in navigating and reshaping environments under displacement conditions. This collection is essential for scholars and students in architecture, urban studies, sociology, and migration studies, as well as practitioners and professionals engaged in urban development and policymaking.
Displaced by Disaster: Recovery and Resilience in a Globalizing World (Disaster Risk Reduction and Resilience)
by Ann-Margaret Esnard Alka SapatDisplacement has traditionally been conceptualized as a phenomenon that results from conflict or other disruptions in developing or unstable countries. Hurricane Katrina shattered this notion and highlighted the various dilemmas of population displacement in the United States. The dilemmas stem from that of inconsistent terminology and definitions; lack of efforts to quantify displacement risk potential and that factor displacement vulnerability into community plans; lack of understanding of differential needs of "displacees" especially during long-term recovery periods; and policy and institutional responses (or lack thereof) especially as it relates to post-disaster sheltering and housing. Incorporating relevant examples, cases, and policies Esnard and Sapat look at the experience of other countries and how the international community has dealt with hundreds of thousands of individuals who have been forced to leave their homes. Displaced by Disaster addresses such issues from a planning and policy perspective informed by scholarship in disciplines such as emergency management; political science; sociology and anthropology. It is ideal for students and practitioners working in the areas of disaster management, planning, public administration and policy, housing, and the many disciplines connected to disaster issues.