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Drawing for the Absolute Beginner, Introduction

by Mark Willenbrink

You won't be disappointed with the basic instruction based on the popular print book Drawing for the Absolute Beginner (North Light 2006) by Mark and Mary Willenbrink. Learn all you need to know about getting started sketching and drawing including materials, basic techniques and perspective. Also includes a glossary of common art terms. The Absolute Beginner series of e-books will inspire anyone who wants to make art to create realistic artwork for any subject, including still life, landscapes, animals and people.

Drawing for the Absolute Beginner, Techniques

by Mark Willenbrink

You won't be disappointed with the basic instruction based on the popular print book Drawing for the Absolute Beginner (North Light 2006) by Mark and Mary Willenbrink. Learn all about value and shadows, and get more than 15 step-by-step technique exercises on how to draw still lifes, animals and people. Also includes a glossary of common art terms. The Absolute Beginner series of e-books will inspire anyone who wants to make art to create realistic artwork for any subject, including still life, landscapes, animals and people.

Drawing for the Absolute Beginner: A Clear & Easy Guide to Successful Drawing (Art for the Absolute Beginner)

by Mary Willenbrink Mark Willenbrink

This inspiring book makes drawing in a realistic style easier than you may think and more fun than you ever imagined! Authors Mark and Mary Willenbrink (Watercolor for the Absolute Beginner) cover it all-from choosing materials and the correct way to hold your pencil, to expert advice on the tricky stuff, like getting proportions and perspective right, drawing reflections, and designing strong compositions. (It's not as scary as it sounds...not with Mark and Mary as your guide!) At the heart of this book, a series of fun, hands-on exercises help you practice and perfect your strokes-24 mini-demos lead up to 9 full step-by-step demos. Each exercise builds on the previous one as you develop your skills, build your confidence, and enjoy yourself along the way. The lessons you learn by drawing simple subjects such as coffee mugs, clouds and trees will help you take on progressively more challenging matter like animals, still lifes, landscapes and portraits...the kinds of subjects and scenes you've always dreamt of drawing. This book is just the ticket for budding artists of any age. It's never too early and never too late to discover the pure joy of drawing!

Drawing for the Absolute Beginner: Composition

by Mark Mary Willenbrink

This eBook contains 9 detailed step-by-step demonstrations on composition, texture, perspective and storytelling and includes a glossary of common art terms. It is based on Drawing for the Absolute Beginner (North Light 2006) by Mark and Mary Willenbrink

Drawing for the Absolute Beginner: Introduction

by Mark Mary Willenbrink

You won't be disappointed with the basic instruction based on the popular print book Drawing for the Absolute Beginner (North Light 2006) by Mark and Mary Willenbrink. Learn all you need to know about getting started sketching and drawing including materials, basic techniques and perspective. Also includes a glossary of common art terms. The Absolute Beginner series of eBooks will inspire anyone who wants to make art to create realistic artwork for any subject, including still life, landscapes, animals and people.

Drawing for the Absolute Beginner: Techniques

by Mark Mary Willenbrink

You won't be disappointed with the basic instruction based on the popular print book Drawing for the Absolute Beginner (North Light 2006) by Mark and Mary Willenbrink. Learn all about value and shadows, and get more than 15 step-by-step technique exercises on how to draw still lifes, animals and people. Also includes a glossary of common art terms. The Absolute Beginner series of eBooks will inspire anyone who wants to make art to create realistic artwork for any subject, including still life, landscapes, animals and people.

Drawing for the Absolute and Utter Beginner

by Claire Watson Garcia

Based upon the author's own successful workshops, Drawing for the Absolute and Utter Beginner helps new artists create competent, often eloquent drawings. A series of progressive lessons demonstrates such essential skills as recording edges, creating dimension, adding accuracy, developing value, balancing compositional elements, and drawing the human face, both frontal and profile views. Step by step, readers learn how to create a reasonable likeness of an object and give it spatial depth using such simple black-and-white mediums as pens, pencils, charcoal, and graphite wash. Inspirational examples and tips for success from beginning students who have worked on the same material confirm readers' successes, and allow readers to consider the advice and impressions of others at the same level.

Drawing for the Absolute and Utter Beginner, Revised: 15th Anniversary Edition

by Claire Watson Garcia

This revised 15th anniversary edition of the bestselling beginning drawing book updates art and text examples to include new student pieces, up-to-date materials, and additional sections on drawing in 3D and travel sketching, along with refreshed and contemporary design.Based on author and art instructor Claire Watson Garcia's successful courses and workshops for beginning and aspiring artists, Drawing for the Absolute and Utter Beginner applies a positive, accepting tone to a progressive series of lessons in sketching and rendering. The book's step-by-step methodology and examples of student works from earliest efforts to completed drawings give novices the tools and techniques needed to make competent and eloquent renderings of still lifes, portraits, and more. In this revised edition, Garcia covers such in-demand subject matter as drawing-on-the-go, drawing in three dimensions, and drawing the portrait at a three-quarter view. The reinvigorated art and text ensure that this drawing instruction classic will continue to appeal to new generations of aspiring artists.

Drawing from Observation: An Introduction to Perceptual Drawing

by Brian Curtis

Perceptual drawing, in which one renders the physical world as it appears to an observer, is the focus of this new text for the introductory drawing course. With an emphasis on progressive skill development, Drawing from Observation offers a balanced mix of hands-on technique and perceptual theory while making a compelling argument for the long-term value of studying perception-based drawing.

Drawing from Practice: Architects and the Meaning of Freehand

by J. Michael Welton

Drawing from Practice explores and illuminates the ways that 26 diverse and reputable architects use freehand drawing to shape our built environment. Author J. Michael Welton traces the tactile sketch, from initial parti to finished product, through words, images, and photographs that reveal the creative process in action. The book features drawings and architecture from every generation practicing today, including Aidlin Darling Design, Alberto Alfonso, Deborah Berke, Marlon Blackwell, Peter Bohlin, Warren Byrd, Ellen Cassilly, Jim Cutler, Chad Everhart, Formwork, Phil Freelon, Michael Graves, Frank Harmon, Eric Howeler and Meejin Yoon, Leon Krier, Tom Kundig, Daniel Libeskind, Brian McKay Lyons, Richard Meier, Bill Pedersen, Suchi Reddy, Witold Rybczynski, in situ studio, Laurinda Spear, Stanley Tigerman, and Tod Williams Billie Tsien Architects. Included is a foreword by Robert McCarter, architect, author and professor of architecture.

Drawing from Within: Using Art to Treat Eating Disorders

by Lisa Hinz

Drawing from Within is an introductory guide for those wanting to explore the use of art with clients with eating disorders. Art therapy is a particularly effective therapeutic intervention for this group, as it allows them to express uncomfortable thoughts and feelings through artistic media rather than having to explain them verbally. Lisa D. Hinz outlines the areas around which the therapist can design effective treatment programmes, covering family influences, body image, self-acceptance, problem solving and spirituality. Each area is discussed in a separate chapter and is accompanied by suggestions for exercises, with advice on materials to use and how to implement them. Case examples show how a therapy programme can be tailored to the individual client and photographs of client artwork illustrate the text throughout. Practical and accessible to practitioners at all levels of experience, this book gives new hope to therapists and other mental health professionals who want to explore the potential of using art with clients with eating disorders.

Drawing from the Model: Fundamentals of Digital Drawing, 3D Modeling, and Visual Programming in Architectural Design

by Frank Melendez

Bridges traditional and contemporary methods of creating architectural design drawings and 3D models through digital tools and computational processes. Drawing from the Model: Fundamentals of Digital Drawing, 3D Modeling, and Visual Programming in Architectural Design presents architectural design students, educators, and professionals with a broad overview of traditional and contemporary architectural representation methods. The book offers insights into developments in computing in relation to architectural drawing and modeling, by addressing historical analog methods of architectural drawing based on descriptive geometry and projection, and transitioning to contemporary digital methods based on computational processes and emerging technologies. Drawing from the Model offers digital tools, techniques, and workflows for producing architectural design drawings (plans, sections, elevations, axonometrics, and perspectives), using contemporary 2D drawing and 3D modeling design software. Visual programming is introduced to address topics of parametric modeling, algorithmic design, computational simulations, physical computing, and robotics. The book focuses on digital design software used in higher education and industry, including Robert McNeel & Associates Rhinoceros® (Rhino 6 for Windows), Grasshopper®, Adobe Illustrator® CC, and Arduino, and features an appendix filled with 10 design drawing and 3D modeling exercises intended as educational and pedagogical examples for readers to practice and/or teach workflows that are addresses in the book. Bridges analog hand-drawing and digital design drawing techniques Provides comprehensive coverage of architectural representation, computing, computer-aided drafting, and 3D modeling tools, techniques, and workflows, for contemporary architectural design drawing aesthetics and graphics. Introduces topics of parametric modeling, algorithmic design, computational simulation, physical computing, and robotics through visual programming environments and processes. Features tutorial-based instruction using the latest versions of Rhinoceros® (Rhino 6 for Windows), Grasshopper®, Adobe Illustrator® CC, and Arduino.

Drawing in Black & White: Creative Exercises, Art Techniques, and Explorations in Positive and Negative Design

by Deborah Velasquez

&“The style of this book is loose and easy, about having fun, and learning to work within the confines of black and white rather than depending on color.&” —Art Elements Working with only positive and negative lines and shapes keeps the focus on the basics: composition, balance, and harmony. And using white and black gel, ink, and paint pens on black, tan, and gray papers allows you to experience drawing in a whole new way! Drawing in Black & White is a clever drawing and design book that contains 36 inspiring exercises and a gallery of artwork. Follow the tips and draw on black, gray, and tan paper to learn how different colored papers can make simple images pop. You&’ll find lessons on drawing, pattern drawing, drawing with cut paper, and simple collage. Learn to see your drawings a new way by drawing in black and white! &“While confined to only two colors, black and white, this guide&’s techniques, materials, and tools are not nearly so limited . . . Readers with some experience drawing and painting are the best audience for this guide, but there is plenty here for beginners and advanced artists, too.&” —Library Journal &“The goal of the book is to let you be familiar with black and white media, to draw and have fun . . . It&’s a fun activity book for those who want to dabble with art.&” —Parka Blogs

Drawing in Color ANIMALS: Animals (Drawing in Color)

by Lee Hammond

Hammond's easy-to-follow techniques enable even first-time artists to render a variety of wonderful animals, from cats and dogs to horses, squirrels, tigers and more.

Drawing in Pen & Ink (First Steps)

by Claudia Nice

Got a yearning to pick up a pen and see what you can do? Go for it! But don't sketch alone—let popular artist and teacher Claudia Nice be your guide. She'll make your first steps fun and successful! In her trademark style—friendly and encouraging—Claudia will show you how to do a sketch of a subject that actually ends up looking like the subject. And she shares her secrets for turning simple lines and dots into all kinds of lifelike textures, including leaves, glass, hair, fruit, water, clouds, wood grain, grass, fur and feathers. Easy (and fun!) exercises get you started. Step-by-step projects teach techniques as you draw trees, flowers, barns, animals and other subjects—even people! And demonstrations show you how to put all that you've learned together to create a finished picture. So go ahead—grab that pen and have fun! Just follow along with Claudia to get the hang of it, and before you know it you'll be making your own, original pen-and-ink drawings!

Drawing in the Digital Age

by Wei Xu

A solid foundation for improving your drawing skillsTeaching a new observational method based on math and computer graphics principles, this book offers an innovative approach that shows you how to use both sides of your brain to make drawing easier and more accurate. Author Wei Xu, PhD, walks you through his method, which consists of scientific theories and principles to deliver real-world techniques that will improve your drawing skills. Xu's pioneering approach offers a solid foundation for both traditional and CG artists. Encourages you to use both sides of your brain for drawing with the highest efficiency possibleIntroduces an innovative method invented by the author for improving your drawing skillsIf you are eager to learn how to draw, then this book is a must read.

Drawing in the Present Tense

by Claire Gilman Roger Malbert

A richly illustrated, up-to-the-minute overview of new approaches in drawing, in the context of recent developments of other forms of contemporary art. Drawing in the Present Tense explores the variety of ways in which contemporary artists from around the world have come to approach drawing as the primary element of their practice. One which is autonomous: an end in itself, rather than a means to an end in another, more substantial medium. In an era of advanced technologies where image production has accelerated—potentially beyond the capacity of human attention—what values can be attributed to the slow, deliberate process of drawing by hand? The artworks featured in this volume are not confined to traditional tools; one can also draw on a computer, tablet, or smartphone, and examples of this are incorporated into the narrative as one mediumamong many. Sections are grouped thematically by specific approaches, including abstraction and figuration, nature and artifice, social observation and critique. With essays and spreads for each section, the book’s selection of seventy contemporary international artists of diverse backgrounds and experience includes not only recognizable names such as Michael Armitage, Camille Henrot, Robert Longo, Amy Sillman, and Kara Walker, but also a host of emerging talents. Beautifully presented in a visually appealing and tactile format with the feel of an artist’s portfolio, this is an inspiring overview of the best drawing practice today.

Drawing of the Hand (Dover Art Instruction)

by Joseph M. Henninger

According to expert instructor Joseph M. Henninger, the hand is not difficult to draw when its construction is well understood. In this guide for intermediate and advanced art students, Henninger devotes the first section to the anatomy of the hand and forearm. He also shares basic but seldom observed facts concerning comparative measurements. A helpful glossary provides Latin terms, English translations, and descriptions of the hand muscles' functions.Drawings of the hand constitute the major portion of this volume, consisting mostly of adult male and female hands, followed by children's and babies' hands. The final section comprises a portfolio of drawings by Old Masters and contemporary artists, many accompanied by the author's insightful comments.

Drawing on The Dominant Eye: Decoding the Way We Perceive, Create, and Learn

by Betty Edwards

A fascinating follow-up to the beloved bestseller Drawing on the Right Side of the Brain--with new insights about creativity and our unique way of seeing the world around usMillions of readers have embraced art teacher Betty Edwards's Drawing on the Right Side of the Brain, from art students and teachers to established artists, corporate trainers, and more--all discovering a bold new way of drawing and problem-solving based on what we see, not what we think we see. In this highly anticipated follow-up, Edwards illuminates another piece of the creativity puzzle, revealing the role our dominant eye plays in how we perceive, create, and are seen by those around us. Research shows that much like being right-handed or left-handed, each of us has a dominant eye, corresponding to the dominant side of our brain--either verbal or perceptual. Once you learn the difference and try your hand at the simple drawing exercises, you'll gain fresh insights into how you perceive, think, and create. You'll learn how to not just look but truly see.Generously illustrated with visual examples, this remarkable guided tour through art history, psychology, and the creative process is a must-read for anyone looking for a richer understanding of our art, our minds, and ourselves.

Drawing on Tradition: Manga, Anime, and Religion in Contemporary Japan

by Jolyon Baraka Thomas

Manga and anime (illustrated serial novels and animated films) are highly influential Japanese entertainment media that boast tremendous domestic consumption as well as worldwide distribution and an international audience. Drawing on Tradition examines religious aspects of the culture of manga and anime production and consumption through a methodological synthesis of narrative and visual analysis, history, and ethnography. Rather than merely describing the incidence of religions such as Buddhism or Shinto in these media, Jolyon Baraka Thomas shows that authors and audiences create and re-create "religious frames of mind" through their imaginative and ritualized interactions with illustrated worlds. Manga and anime therefore not only contribute to familiarity with traditional religious doctrines and imagery, but also allow authors, directors, and audiences to modify and elaborate upon such traditional tropes, sometimes creating hitherto unforeseen religious ideas and practices.

Drawing on the Artist Within

by Betty Edwards

AH-HA! I SEE IT NOW! Everyone has experienced that joyful moment when the light flashes on -- the Ah-Ha! of creativity. Creativity. It is the force that drives problem-solving, informs effective decision-making and opens new frontiers for ambition and intelligence. Those who succeed have learned to harness their creative power by keeping that light bulb turned on. Now, Betty Edwards, author of Drawing on the Right Side of the Brain, the million-copy best-seller that proved all people can draw well just as they can read well, has decoded the secrets of the creative process to help you tap your full creative potential and apply that power to everyday problems. How does Betty Edwards do this? Through the power of drawing -- power you can harness to see problems in new ways. Through simple step-by-step exercises that require no special artistic abilities, Betty Edwards will teach you how to take a new point of view, how to look at things from a different perspective, how to see the forest and the trees, in short, how to bring your visual, perceptual brainpower to bear on creative problem-solving. You will learn how the creative process progresses from stage to stage and how to move your own problem-solving through these key steps: * First insight * Saturation * Incubation * Illumination (the Ah-Ha!) * Verification Whether you are a business manager, teacher, writer, technician, or student, you'll find Drawing on the Artist Within the most effective program ever created for tapping your creative powers. Profusely illustrated with hundreds of instructional drawings and the work of master artists, this book is written for people with no previous experience in art.

Drawing on the Right Side of the Brain: The Definitive, 4th Edition

by Betty Edwards

A revised edition of the classic bestselling how to draw book. A life-changing book, this fully revised and updated edition of Drawing on the Right Side of the Brain is destined to inspire generations of readers and artists to come. Translated into more than seventeen languages, Drawing on the Right Side of the Brain is the world's most widely used instructional drawing book. Whether you are drawing as a professional artist, as an artist in training, or as a hobby, this book will give you greater confidence in your ability and deepen your artistic perception, as well as foster a new appreciation of the world around you. This revised/updated fourth edition includes: • a new preface and introduction; • crucial updates based on recent research on the brain's plasticity and the enormous value of learning new skills/ utilizing the right hemisphere of the brain; • new focus on how the ability to draw on the strengths of the right hemisphere can serve as an antidote to the increasing left-brain emphasis in American life-the worship of all that is linear, analytic, digital, etc.; • an informative section that addresses recent research linking early childhood "scribbling" to later language development and the importance of parental encouragement of this activity; • and new reproductions of master drawings throughoutFrom the Trade Paperback edition.

Drawing the Curtain: Cervantes's Theatrical Revelations (Toronto Iberic)

by Esther Fernández Adrienne L. Martín

Miguel de Cervantes’s experimentation with theatricality is frequently tied to the notion of revelation and disclosure of hidden truths. Drawing the Curtain showcases the elements of theatricality that characterize Cervantes’s prose and analyses the ways in which he uses theatricality in his own literary production. Bringing together the works of well-known scholars, who draw from a variety of disciplines and theoretical approaches, this collection demonstrates how Cervantes exploits revelation and disclosure to create dynamic dramatic moments that surprise and engage observers and readers. Hewing closely to Peter Brook’s notion of the bare or empty stage, Esther Fernández and Adrienne L. Martín argue that Cervantes’s omnipresent concern with theatricality manifests not only in his drama but also in the myriad metatheatrical instances dispersed throughout his prose works. In doing so, Drawing the Curtain sheds light on the ways in which Cervantes forces his readers to engage with themes that are central to his life and works, including love, freedom, truth, confinement, and otherness.

Drawing the Draped Figure

by George B. Bridgman

Many art students and professionals have mastered the art of depicting unclothed figures, but still have trouble accurately rendering clothing or other forms of draped cloth. Part of the problem — before this book came along — was that there was a lack of concise and simple instruction on the subject, and much that was written was too vague to be helpful. This comprehensive, well-illustrated book was created to solve the problem.In these pages George Bridgman — a longtime instructor at New York's Art Student League and one of the nation's foremost teachers of figure drawing — offers expert advice on depicting draped figures. "Clothing is none other than a drapery arranged around a body that is beneath it. To express the multitudinous forms it takes, one should learn to express in a direct way the different characters of folds, for each one plays its individual part as distinctly apart as actors play their different characters upon the stage."Students learn the characteristics of seven different kinds of folds and how to render them, including pipe, zigzag, spiral, half-lock, diaper pattern, drop, and inert folds. Mastery of these principles is the key to realistic portrayal of garments, as well as the proper rendering of cloth in still lifes. The straightforward, easy-to-follow text is illustrated by 200 of Bridgman's own sketches and diagrams, reproduced from pencil renderings in crisp halftones. Art students, teachers, and professionals alike are sure to welcome this inexpensive republication of a practical, hands-on manual by a master of figure drawing.

Drawing the Female Form

by George B. Bridgman Ben Pinchot

Designed primarily for beginning artists, this excellent reference combines the precise results of the photographed figure with progressive drawings by a noted figure-drawing teacher whose works on anatomy have become classic references for art students.The well-illustrated manual provides painters, illustrators, and sculptors with invaluable instructions on rendering the intricacies of the female figure. George Bridgman's use of photographs and his drawings provide beginning artists with a suitable alternative to the use of costly live models for drawing exercises and studies in musculature and light.

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