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Dramaturgy and Dramatic Character
by William StormDramatic character is among the most long-standing and familiar of artistic phenomena. From the theatre of Dionysus in ancient Greece to the modern stage, William Storm's book delivers a wide-ranging view of how characters have been conceived at pivotal moments in history. Storm reaffirms dramatic character as not only ancestrally prominent but as a continuing focus of interest. He looks closely at how stage figures compare to fictional characters in books, dramatic media, and other visual arts. Emphasis is sustained throughout on fundamental questions of how theatrical characterization relates to dramatic structure, style, and genre. Extensive attention is given to how characters think and to aspects of agency, selfhood, and consciousness. As the only book to offer a long view of theatrical characterization across this historical span, Storm's dramaturgical and theoretical investigation examines topics that remain vital and pertinent for practitioners, scholars, students of theatre and literature, and general audiences.
Dramaturgy: The Basics (The Basics)
by Anne M. Hamilton Walter Byongsok ChonDramaturgy: The Basics introduces the art of dramaturgy, explaining how dramaturgy works, what a dramaturg is, and how to appreciate their unique contribution to theatre-making. A wide-ranging account of the role of this vital element of theatre helps students and aspiring performance makers to apply dramaturgy to a full spectrum of theatrical disciplines. This guidebook teaches dramatic theories and script analysis as essential skills for aspiring dramaturgs and illustrates the various methods of reading for specific functions of dramaturgy. Dramaturgy: The Basics offers practical step-by-step instructions on how to practice production dramaturgy, dramaturgy of new work, translation, adaptation, devised theatre, site-specific theatre, literary management, criticism, editing, producing, and dramaturgical innovation, with detailed questions to consider at each stage of the process. This book aims to help students develop a dramaturgical mindset, enabling them to build a critical, inquisitive, and socially conscious perspective that is beneficial in all professions and relationships. Resource lists, further reading guides, and chapter summaries make this an outstanding guidebook. An essential read for anyone hoping to make, understand, or discuss theatre, Dramaturgy: The Basics provides a clear, accessible resource for approaching this integral but often misunderstood facet of theatre-making.
Dramaturgy in Motion
by Katherine ProfetaDramaturgy in Motion innovatively examines the work of the dramaturg in contemporary dance and movement performance. Katherine Profeta, a working dramaturg for more than fifteen years, shifts the focus from asking "Who is the dramaturg?" to "What does the dramaturg think about?" Profeta explores five arenas for the dramaturg's attention--text and language, research, audience, movement, and interculturalism. Drawing on her extended collaboration with choreographer and visual artist Ralph Lemon, she grounds her thinking in actual rehearsal-room examples and situates practice within theoretical discourse about contemporary dramaturgy. Moving between theory and practice, word and movement, question and answer until these distinctions blur, she develops the foundational concept of dramaturgical labor as a quality of motion. Dramaturgy in Motion will be invaluable to practitioners and scholars interested in the processes of creating contemporary dance and movement performance--particularly artists wondering what it might be like to collaborate with a dramaturg and dramaturgs wondering what it might be like to collaborate on movement performance. The book will also appeal to those intrigued by the work of Lemon and his collaborators, to which Profeta turns repeatedly to unfold the thorny questions and rich benefits of dramaturgical labor.
The Dramaturgy of Commedia dell'Arte
by Olly CrickThis book examines Commedia dell'Arte as a performative genre, and one that should be analysed through the framework of dramaturgy and dramaturgical practice. This volume examines the way Commedia has been explored in the twentieth and twenty-first centuries, and details its reinventors’ dramaturgic approaches, both focusing in on specific examples such as Jacques Lecoq, Dario Fo and Antonio Fava, and also suggesting how modern discoveries may aid the study of historical performance practice. It also discusses how audiences read and receive masks; the relationship between the different masked and unmasked roles; the range of performance activities that come under the umbrella term ‘improvisation’; the performative construction of a role performed ‘live’ from a scenario; the role of language and embodied locality in performance; and the performative relationship between performative commedia and literary tragicomedy. Its focus is dramaturgy, and so it may be read both as a text describing various theatrical practices from 1946 onwards and as a way of creating one’s own contemporary Commedia practice. It is an important read for any student or scholar of Commedia dell'Arte and theatre historians grappling with the status of this unique and influential performance form.
Dramaturgy of Form: Performing Verse in Contemporary Theatre (Focus on Dramaturgy)
by Kasia LechDramaturgy of Form examines verse in twenty-first-century theatre practice across different languages, cultures, and media. Through interdisciplinary engagement, Kasia Lech offers a new method for verse analysis in the performance context. The book traces the dramaturgical operation of verse in new writings, musicals, devised performances, multilingual dramas, Hip Hop theatre, films, digital projects, and gig theatre, as well as translations and adaptations of classics and new theatre forms created by Irish, Spanish, Nigerian, Polish, American, Canadian, Australian, British, Russian, and multinational artists. Their verse dramaturgies explore timely issues such as global identities, agency and precarity, global and local politics, and generational and class stories. The development of dramaturgy is discussed with the focus turning to the new stylized approach to theatre, whose arrival Hans-Thies Lehmann foretold in his Postdramatic Theatre, documenting a turning point for contemporary Western theatre. Serving theatre-makers, scholars, and students working with classical and contemporary verse and poetry in performance contexts; practitioners and academics of aural and oral dramaturgies; voice and verse-speaking coaches; and actors seeking the creative opportunities that verse offers, Dramaturgy of Form reveals verse as a tool for innovation and transformation that is at the forefront of contemporary practices and experiences.
The Dramaturgy of History (Focus on Dramaturgy)
by Tom BryantIn this book, dramaturg Tom Bryant shares with readers and writers his insights into the process of historical adaptation. The book uses case studies from Bryant's collaborations with playwrights on successful Broadway and regional productions to work through the fundamental questions of historical adaptation: Why do you want to adapt history? For what purpose? What is your approach? How does that approach affect the portrayal of events? How does that choice by the playwright and the dramaturg then determine the framing and focus in the story, the selection of the key events and the choice of characters? What is the meaning you want the audience to take away from the events? How is your adaptation of past events relevant to contemporary times? In addition, the author explores the moral and ethical responsibilities involved for the dramaturg and the playwright in the adaptation of history and how issues of diversity, equity and inclusion impact the presentation of historical material. This is an indispensable resource for anyone whose craft brings them to the task of adapting historical material for the stage—in postgraduate work, teaching or professional practice.
Dramaturgy of Migration: Staging Multilingual Encounters in Contemporary Theatre (Focus on Dramaturgy)
by Yana Meerzon Katharina PewnyDramaturgy of Migration: Staging Multilingual Encounters in Contemporary Theatre examines the function of dramaturgy and the role of the dramaturg in making a theatre performance situated at the crossroads of multiple theatre forms and performative devices. This book explores how these forms and devices are employed, challenged, experimented with, and reflected upon in the work of migrant theatre by performance and dance artists. Meerzon and Pewny ask: What impact do peoples’ movement between continents, countries, cultures, and languages have on the process of meaning production in plays about migration created by migrant artists? What dramaturgical devices do migrant artists employ when they work in the context of multilingual production, with the texts written in many languages, and when staging performances that target multicultural and multilingual theatregoers? And, finally, how do the new multilingual practices of theatre writing and performance meet and transform the existing practices of postdramatic dramaturgies? By considering these questions in a global context, the editors explore the overlapping complexities of migratory performances with both range and depth. Ideal for scholars, students, and practitioners of theatre, dramaturgy, and devising, Dramaturgy of Migration expresses not only the practicalities of migratory performances but also the emotional responses of the artists who stage them.
Dramaturgy of Sex on Stage in Contemporary Theatre (Focus on Dramaturgy)
by Kate MulleyDramaturgy of Sex on Stage in Contemporary Theatre explores the dramaturgy of sex in contemporary works for the stage in the social, cultural and historical context of the time and place during which they were written and performed. Comprising chapters by writers from across North America and Europe, the book covers an expansive range of plays, musicals and dance performances, from Broadway to the Fringe, from post-AIDS epidemic to post-COVID-19 pandemic. Analysing these intimate moments—both textually and as staged—through an intersectional and critical lens illuminates the way power structures are maintained and codified, and how they can be queered and dismantled onstage and off. This examination of depictions of sex on stage attempts to understand from a dramaturgical and sociological perspective how these depictions have developed over time, and how the rise of intimacy directors has responded to the changes within the contemporary theatrical landscape and in the world at large. This is an essential companion for any scholar or practitioner looking to stage, discuss or understand intimacy in performance.
The Dramaturgy of the Door
by Stuart Andrews Matthew WagnerThe Dramaturgy of the Door examines the door as a critical but under-explored feature of theatre and performance, asking how doors function on stage, in site-specific practice and in performances of place. This first book-length study on the topic argues that doors engage in and help to shape broad phenomena of performance across key areas of critical enquiry in the field. Doors open up questions of theatrical space(s) and artistic encounters with place(s), design and architecture, bodies and movement, interior versus exterior, im/materiality, the relationship between the real and the imaginary, and processes of transformation. As doors separate places and practices, they also invite us to see connections and contradictions between each one and to consider the ways in which doors frame the world beyond the stage and between places of performance. With a wide-ranging set of examples – from Shakespeare’s Macbeth to performance installations in the Mojave desert – The Dramaturgy of the Door is aimed at performance makers and artists as well as advanced students and scholars in the fields of performance studies, cultural theory, and visual arts.
The Dramaturgy of the Spectator: Italian Theatre and the Public Sphere, 1600–1800 (Toronto Italian Studies)
by Tatiana KorneevaThe Dramaturgy of the Spectator explores how Italian theatre consciously adjusted to the emergence of a new kind of spectator who became central to society, politics, and culture in the mid-seventeenth and eighteenth centuries. The author argues that while a focus on spectatorship in isolation has value, if we are to understand the broader stakes of the relationship between the power structures and the public sphere as it was then emerging, we must trace step-by-step how spectatorship as a practice was rooted in the social and cultural politics of Italy at the time. By delineating the evolution of the Italian theatre public, as well as the dramatic innovations and communicative techniques developed in an attempt to manipulate the relationship between spectator and performance, this book pioneers a shift in our understanding of audience as both theoretical concept and historical phenomenon.
Dramaturgy to Make Visible: The Legacies of New Dramaturgy for Politics and Performance in Our Times (ISSN)
by Peter EckersallThis book argues that dramaturgy makes things visible and does so in two distinct and interrelating ways: creative processes and formal elements of performance are rendered visible and readable; and performance dramaturgy becomes an expanded practice in which performance is a locus for creating wide-ranging events and activities.This exploration defines dramaturgy as a perceptibly transforming agency in the construction, presentation and reception of contemporary performance; and it shows how contemporary performance has an intrinsic dramaturgical aspect whose proliferation of dramaturgical practices has led to a far-reaching reinvention of what contemporary theatre is. In doing so, this book deals with a careful selection of performance practices, including theatrical adaptations, new media dramaturgy, contemporary dance, installation-performance, postdramatic theatre, visionary works by auteurs, and revivals of well-known stage shows.This study will be of great interest to students and scholars in theater studies, performance studies, cultural studies, curating, and dance scholarship.
Draping: The Complete Course
by Karolyn KiiselDraping – the art of using calico to create womenswear directly on a mannequin – is an essential skill for fashion designers. Through a series of step-by-step projects, designed to develop skills from the most basic to more advanced techniques, this book will guide you in creating both classic and contemporary garments, as well as historical styles and costumes. Draping projects include dresses, corsets and jackets, and highlight key fashion garments such as Audrey Hepburn's dress from Breakfast at Tiffany’s and the Dolce & Gabbana tuxedo jacket.Starting with the basics of choosing and preparing the mannequin for draping, the book advances through pinning, trimming and clipping, and creating shape using darts and tucks, to adding volume using pleats and gathers, and handling complex curves. Advanced skills include how to use support elements such as shoulder pads, under layers and petticoats, and how to handle bias draping. The book culminates with a chapter on improvisational skills. Each skill and technique throughout the book is explained with step-by-step photographs and line drawings that bring the art of creating womenswear in three dimensions to life.
Draping: The Complete Course
by Karolyn KiiselDraping—the art of using cotton muslin to create womenswear directly on a dress form—is an essential skill for fashion designers. Through a series of step-by-step projects, designed to develop skills from the most basic to more advanced techniques, this book will guide you in creating both classic and contemporary garments, as well as historical styles and costumes. Draping projects include dresses, bustiers, and jackets, and highlight key fashion garments such as Audrey Hepburn's dress from Breakfast at Tiffany’s and the Dolce & Gabbana tuxedo jacket.Starting with the basics of choosing and preparing the dress form for draping, the book advances through pinning, trimming, and clipping, and creating shape using darts and tucks, to adding volume using pleats and gathers, and handling complex curves. Advanced skills include how to use support elements such as shoulder pads, under layers, and petticoats, and how to handle bias draping. The book culminates with a chapter on improvisational skills. Each skill and technique throughout the book is explained with step-by-step photographs and line drawings that bring the art of creating womenswear in three dimensions to life.
Draping.: The Complete Course
by Karolyn KiiselDraping – the art of using calico to create womenswear directly on a mannequin – is an essential skill for fashion designers. Through a series of step-by-step projects, designed to develop skills from the most basic to more advanced techniques, this book will guide you in creating both classic and contemporary garments, as well as historical styles and costumes. Draping projects include dresses, corsets and jackets, and highlight key fashion garments such as Audrey Hepburn's dress from Breakfast at Tiffany’s and the Dolce & Gabbana tuxedo jacket.Starting with the basics of choosing and preparing the mannequin for draping, the book advances through pinning, trimming and clipping, and creating shape using darts and tucks, to adding volume using pleats and gathers, and handling complex curves. Advanced skills include how to use support elements such as shoulder pads, under layers and petticoats, and how to handle bias draping. The book culminates with a chapter on improvisational skills. Each skill and technique throughout the book is explained with step-by-step photographs and line drawings that bring the art of creating womenswear in three dimensions to life.
Draping: Second Edition
by Karolyn KiiselDraping - the art of using calico to design directly on a dress form - is an essential skill for fashion students. Covering the most basic to more advanced techniques, this series of master classes provides a complete course. Projects include dresses, skirts, trousers and jackets, highlighting key fashion garments such as Audrey Hepburn's dress from Breakfast at Tiffany's.Starting with the basics of preparing the dress form and fabric, the book advances through pinning, trimming and clipping, and creating shape using darts and tucks, to adding volume using pleats and gathers, and handling complex curves. Advanced skills include how to use support elements such as shoulder pads, under layers and petticoats, and how to handle bias draping.Each exercise and project throughout the book is explained with step-by-step photographs and line drawings that bring to life the art of creating womenswear in three dimensions.
Draping: Second Edition
by Karolyn KiiselDraping - the art of using calico to design directly on a dress form - is an essential skill for fashion students. Covering the most basic to more advanced techniques, this series of master classes provides a complete course. Projects include dresses, skirts, trousers and jackets, highlighting key fashion garments such as Audrey Hepburn's dress from Breakfast at Tiffany's.Starting with the basics of preparing the dress form and fabric, the book advances through pinning, trimming and clipping, and creating shape using darts and tucks, to adding volume using pleats and gathers, and handling complex curves. Advanced skills include how to use support elements such as shoulder pads, under layers and petticoats, and how to handle bias draping.Each exercise and project throughout the book is explained with step-by-step photographs and line drawings that bring to life the art of creating womenswear in three dimensions.
Draping Basics
by Sally DiMarcoWith step-by-step written instructions, 'Draping Basics' provides the fundamentals of designing foundation garments by draping fabric on a dress form. Photographs demonstrate the details of the process, and CAD drawings show how the draping is transferred to paper patterns.
Draping Period Costumes: (The Focal Press Costume Topics Series) (The Focal Press Costume Topics Series)
by Sharon SobelOne way of creating a theatrical costume is called flat patterning. This is when a costume designer uses a pattern made to the wearer's measurements to cut out and sew together a costume. In many cases flat patterning is the more appropriate method for creating a period costume - skirts, pants, and sleeves, for example. However, working in two-dimensions often does not translate correctly onto a three-dimensional dress form or person. Often a designer will need to tweak style lines on a garment once they see it worn, or a costume will need a quick adjustment right before going on stage. In those cases, designers need to know how to correctly drape a costume. Draping is also the best way to construct a period costume right from the start. The construction of garments in earlier centuries often constricted movement, especially in the area of the armhole. The very different size and proportions of contemporary people compared to those in previous centuries makes the use of period patterns difficult. A well-draped garment can give the impression of period accuracy while permitting the wearer greater freedom of movement. Having a mock-up pinned to the form in its early stages is quicker and easier to adapt than drafting a flat pattern, cutting it out of muslin and sewing it. It also provides the opportunity for greater creativity and adaptation as well as a better understanding of what fabric will and won't do. In Draping Period Costumes, Sharon Sobel explains in step-by-step detail the basics of draping and demonstrates the use of those basic skills in the creation of a representative selection of period costumes from a variety of time periods. Chapters are broken into time periods and have two parts: an analysis of how clothing was made and worn during that specific time period, and detailed instruction on draping techniques to construct the costume. Copiously illustrated, images allow this visual audience to easily follow along with detailed instructions. A part of the Costume Topics series, this book will be 256 pages, a snazzy 8.25 x 7.5 trim size, and spiral bound-a format consistently requested by our audience so that they can lay the book flat while working from it.
Draplin Design Co.: Pretty Much Everything
by Aaron James DraplinEsquire. Ford Motors. Burton Snowboards. The Obama Administration. While all of these brands are vastly different, they share at least one thing in common: a teeny, little bit of Aaron James Draplin. Draplin is one of the new school of influential graphic designers who combine the power of design, social media, entrepreneurship, and DIY aesthetic to create a successful business and way of life. Pretty Much Everything is a mid-career survey of work, case studies, inspiration, road stories, lists, maps, how-tos, and advice. It includes examples of his work—posters, record covers, logos—and presents the process behind his design with projects like Field Notes and the “Things We Love” State Posters. Draplin also offers valuable advice and hilarious commentary that illustrates how much more goes into design than just what appears on the page. With Draplin’s humor and pointed observations on the contemporary design scene, Draplin Design Co. is the complete package for the new generation of designers.
Draw 200 Animals: The Step-by-Step Way to Draw Horses, Cats, Dogs, Birds, Fish, and Many More Creatures
by Lee J. AmesA compendium of step-by-step drawing exercises from the best-selling Draw 50 series that features easy-to-follow lessons for rendering animals including cats, dogs, horses, prehistoric creatures, and more.With exercises taken from the animal drawing instruction titles in Lee J. Ames's beloved Draw 50 series, Draw 200 Animals brings you the best of Draw 50 Animals, Draw 50 Cats, Draw 50 Dogs, Draw 50 Horses, and Draw 50 Dinosaurs and Other Prehistoric Animals in a must-have collection of easy-to-follow, step-by-step visual lessons on sketching and rendering all kinds of furry, feathered, and finned critters. These classic lessons show you how to draw everything from pets to wild animals, including birds, insects, elephants, tigers, and more, in styles ranging from realistic to cartoony.
Draw 50 Airplanes, Aircraft, and Spacecraft: The Step-by-Step Way to Draw World War II Fighter Planes, Modern Jets, Space Capsules, and Much More... (Draw 50)
by Lee J. AmesWorld War I bombers, rocket launchers and all types of flying machines are represented here in step-by-step drawings. An American Bookseller Pick of the Lists.
Draw 50 Aliens: The Step-by-Step Way to Draw UFOs, Galaxy Ghouls, Milky Way Marauders, and Other Extraterrestrial Creatures (Draw 50)
by Lee J. Ames Ric EstradaAlien fever is running high: the Alien movies and reissue of the Star Wars trilogy have made outer space fascinating to a whole new generation of children. And who better to help budding artists master their drawings of the friendly folk from the final frontier than Lee Ames--creator of the phenomenally successful Draw 50 series?An ideal tool for young artists or the parent or teacher seeking to help a child master their artistic skills, Draw 50 Aliens includes creatures from every walk of the galaxy: Ames gives instructions for drawing UFOs, Nebula Nomads, Milky Way Marauders, and every other type of extraterrestrial. And, in the tradition of the Draw 50 series, all of these characters are humorous, lovable, and very accessible for children.With over two million copies in print, the Draw 50 series has successfully shown children how to create everything from a robin to a spaceship, Tyrannosaurus rex to John the Baptist. But with Draw 50 Aliens, Ames has--perhaps as never before--hit upon a deeply appealing subject, one that taps into children's sense of wonder and will keep them endlessly entertained and forever sketching away.From the Trade Paperback edition.
Draw 50 Animal 'Toons: The Step-by-Step Way to Draw Dogs, Cats, Birds, Fish, and Many, Many More (Draw 50)
by Lee J. Ames Bob SingerDraw 50 Animal 'Toons shows aspiring artists how to draw with ease by following simple, step-by-step instructions. Acclaimed author Lee J. Ames helps you bring to life a skateboarding crocodile, a funky monkey, and a juggling seal. Also included are dinosaurs, flamingos, squirrels, gorillas, and a whole spectrum of fun-loving animals.Lee J. Ames's drawing method has proven successful for children and adults alike over the past thirty years. The twenty-seven books in the Draw 50 series have sold more than 3 million copies and have shown everyone from amateurs to experts how to draw everything from animals to airplanes.Even the youngest artists can make these 'toons look great. It's easy to draw cartoon animals when you do it the Draw 50 way.From the Trade Paperback edition.
Draw 50 Animals: The Step-by-Step Way to Draw Elephants, Tigers, Dogs, Fish, Birds, and Many More (Draw 50)
by Lee J. AmesFifty furry, scaly and feathered friends are here for aspiring young artists to draw.
Draw 50 Athletes: The Step-by-Step Way to Draw Wrestlers and Figure Skaters, Baseball and Football Players, and Many More... (Draw 50)
by Lee J. AmesFavorite athletes from sports such as baseball, basketball, football, tennis, skiing, gymnastics and track-and-field are presented here. An American Bookseller Pick of the Lists, New York Public Library -- Books for the Teen Age.From the Trade Paperback edition.