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Abandoned in Place: Preserving America's Space History

by Roland Miller

Stenciled on many of the deactivated facilities at Cape Canaveral Air Force Station, the evocative phrase &“abandoned in place&” indicates the structures that have been deserted. Some structures, too solid for any known method of demolition, stand empty and unused in the wake of the early period of US space exploration. Now Roland Miller&’s color photographs document the NASA, Air Force, and Army facilities across the nation that once played a crucial role in the space race.Rapidly succumbing to the elements and demolition, most of the blockhouses, launch towers, tunnels, test stands, and control rooms featured in Abandoned in Place are located at secure military or NASA facilities with little or no public access. Some have been repurposed, but over half of the facilities photographed no longer exist. The haunting images collected here impart artistic insight while preserving an important period in history.

Abandoned: Hauntingly Beautiful Deserted Theme Parks

by Seph Lawless

Huffington Post called him “a master of the abandoned”—and for good reason. The “artivist” known only as Seph Lawless has spent the last ten years photo-documenting the America that was left behind in the throes of economic instability and overall decline—decrepit shopping malls, houses, factories, even amusement parks. Through nearly two hundred gorgeous and elegiac photographs, Abandoned details Lawless’s journey into what was once the very heart of American entertainment: the amusement park. Lawless visits deserted parks across the country, capturing in stark detail their dilapidated state, natural overgrowth, and obvious duality of sad and playful symbolism. Previously self-published as Bizarro, this updated edition of Lawless’s photographic tribute to decaying American amusement parks contains new content and a new foreword. For the first time, the famed photojournalist Seph Lawless makes his moving work available in a stunning trade edition.

Abbas Kiarostami: Expanded Second Edition (Contemporary Film Directors)

by Jonathan Rosenbaum Mehrnaz Saeed-Vafa

Before his death in 2016, Abbas Kiarostami wrote or directed more than thirty films in a career that mirrored Iranian cinema's rise as an international force. His 1997 feature Taste of Cherry made him the first Iranian filmmaker to win the Palme d'Or at Cannes. Critics' polls continue to place Close-Up (1990) and Through the Olive Trees (1994) among the masterpieces of world cinema. Yet Kiarostami's naturalistic impulses and winding complexity made him one of the most divisive--if influential--filmmakers of his time. In this expanded second edition, award-winning Iranian filmmaker Mehrnaz Saeed-Vafa and film critic Jonathan Rosenbaum renew their illuminating cross-cultural dialogue on Kiarostami's work. The pair chart the filmmaker's late-in-life turn toward art galleries, museums, still photography, and installations. They also bring their distinct but complementary perspectives to a new conversation on the experimental film Shirin. Finally, Rosenbaum offers an essay on watching Kiarostami at home while Saeed-Vafa conducts a deeply personal interview with the director on his career and his final feature, Like Someone in Love.

Abbas Kiarostami: Interviews (Conversations with Filmmakers Series)

by Monika Raesch

The cinephile community knows Abbas Kiarostami (1940–2016) as one of the most important filmmakers of the previous decades. This volume illustrates why the Iranian filmmaker achieved critical acclaim around the globe and details his many contributions to the art of filmmaking. Kiarostami began his illustrious career in his native Iran in the 1970s, although European and American audiences did not begin to take notice until he released his 1987 feature Where’s the Friend’s House? His films defy established conventions, placing audiences as active viewers who must make decisions about actions and characters while watching the narratives unfold. He asks viewers to question the genre construct (Close-Up) and challenges them to determine how to watch and imagine a narrative (Ten and Shirin). In recognition for his approach to the craft, Kiarostami was awarded many honors during his lifetime, including the top prize at the Cannes Film Festival in 1997 for Taste of Cherry. In Abbas Kiarostami: Interviews, editor Monika Raesch collects eighteen interviews (several translated into English for the first time), lectures, and other materials that span Kiarostami’s career in the film industry. In addition to exploring his expertise, the texts provide insight into his life philosophy. This volume offers a well-rounded picture of the filmmaker through his conversations with journalists, film scholars, critics, students, and audience members.

Abbot Suger On The Abbey Church Of St. Denis And Its Art Treasures

by Abbot Suger Gerda Panofsky-Soergel Erwin Panofsky

This revised edition incorporates the additions and corrections recorded by Erwin Panofsky until the time of his death in 1968. Gerda Panofsky-Soergel has updated the commentary in the light of new material, and the bibliography that she has prepared reflects the scholarship on St. -Denis in the last three decades. She has obtained some additional and more recent photographs, and the illustrations include a new ground plan and a new section of the chevet of the Abbey Church, both drawn under the supervision of Sumner McKnight Crosby.

Abbott's American Watchmaker: An Encyclopedia for the Horologist, Jeweler, Gold and Silversmith

by Henry G. Abbott

Back in all its original prestige Abbott's American Watchmaker and Jeweler remains the ultimate resource for watchmaking and jewelry craftsmanship. No aspect of the trade goes uncovered in this distinctly American approach to these ancient processes, organized to be the perfect introduction to learning the tools, parts, and their uses, handed down for many generations.Here you'll find hundreds of drawings, descriptions, and diagrams of many kinds of escapements, complete directions for making staffs, techniques for cleansing, pickling, and polishing all kinds of metals, a full list of necessary terms, and much more.For years Abbott revised this unmatched work, consulting the best authorities to provide the most accurate and comprehensive text. Here is the final reference, straight from an era of dignified professionals and serious craftsmen.

Aberdeen in Vintage Postcards (Postcard History)

by Tom Hayes Mike Wiese

Plotted and planned as a crossroads town along the developing Milwaukee Railroad, Aberdeen, South Dakota was first settled in 1881. With the arrival of the railroad in 1882, Aberdeen flourished. It earned the nickname of Hub City, serving as a railroad junction and agricultural center. Aberdeen's ability to adapt to a changing economy has led to steady growth and has made it the third largest city in the state.Using more than 200 images, authors Tom Hayes and Mike Wiese take the reader on a historic tour of Aberdeen. Drawing on their immense postcard collection, they tell the story of this tight-knit community and the incredible people who are an integral part of its history.

Abiayalan Pluriverses: Bridging Indigenous Studies and Hispanic Studies

by Gloria Chacón

Abiayalan Pluriverses: Bridging Indigenous Studies and Hispanic Studies looks for pathways that better connect two often siloed disciplines. This edited collection brings together different disciplinary experiences and perspectives to this objective, weaving together researchers, artists, instructors, and authors who have found ways of bridging Indigenous and Hispanic studies through trans-Indigenous reading methods, intercultural dialogues, and reflections on translation and epistemology. Each chapter brings rich context that bears on some aspect of the Indigenous Americas and its crossroads with Hispanic studies, from Canada to Chile. Such a hemispheric and interdisciplinary approach offers innovative and significant means of challenging the coloniality of Hispanic studies.

Abidjan USA: Music, Dance, and Mobility in the Lives of Four Ivorian Immigrants (African Expressive Cultures)

by Daniel B. Reed

Daniel B. Reed integrates individual stories with the study of performance to understand the forces of diaspora and mobility in the lives of musicians, dancers, and mask performers originally from Côte d'Ivoire who now live in the United States. Through the lives of four Ivorian performers, Reed finds that dance and music, being transportable media, serve as effective ways to understand individual migrants in the world today. As members of an immigrant community who are geographically dispersed, these performers are unmoored from their place of origin and yet deeply engaged in presenting their symbolic roots to North American audiences. By looking at performance, Reed shows how translocation has led to transformations on stage, but he is also sensitive to how performance acts as a way to reinforce and maintain community. Abidjan USA provides a multifaceted view of community that is at once local, national, and international, and where identity is central, but transportable, fluid, and adaptable.

Abingdon (Images of Modern America)

by Donna Gayle Akers

Abingdon, first named Wolf Hills by Daniel Boone, was one of the earliest towns and commercial centers in southwestern Virginia. Named after Martha Washington's ancestral parish in England, this unique town has weathered many economic changes and has emerged as a leading cultural and arts center for the area. Author and native Donna Gayle Akers has extensively researched and published three other books about the area's history. Using images from collectors and area historical groups, she shows Abingdon's past and the excellent preservation of its built environment.

Abingdon, Virginia

by Donna Akers Warmuth

The charming town of Abingdon is nestled in southwestern Virginia's Blue Ridge Mountains and situated along the Holston River. Originally known as Wolf Hills-a name bestowed upon the town by Daniel Boone-Abingdon was renamed in honor of Martha Washington's home in England. The town today enjoys a rich and varied palate suitable for residents and tourists, young and old alike. Images of America: Abingdon, Virginia celebrates the town's singular heritage by offering readers a rare find of almost 200 photographs, showcasing many well-known town entities, personalities, and businesses from the past century. These images portray such structures as the Stonewall Jackson Female Institute, the Abingdon Academy, the Belmont Hotel, and the Martha Washington Inn, as well as the Barter Theater, unique in its exchange of food and household goods for performances. Long-gone but rarely forgotten individuals also make appearances, allowing newcomers the chance to meet the people behind the names and longtime residents an opportunity to visit with old friends.

Abington (Images of America)

by Sharon Orcutt Peters

Throughout Abington's history, its central location between Boston and Plymouth has been a vantage point that has been reflected in both work and play. It is Abington that provided the white-oak planks for the USS Constitution, and the town's Island Grove Park had national significance during the abolitionist movement. Abington was founded and built around the mills and then grew with the times to become a focal point for the thriving shoe industry. Many wealthy industrialists and capitalists have left their mark with brick and mortar. Their mansions still line the streets, and their lives shaped Abington forever.Abington presents an illustrated portrait of what it was like to live and work in the town during the nineteenth and twentieth centuries. It presents vivid images of the townsfolk, the shoe factories, and the old roads through Abington. The book includes images of John L. Sullivan, heavyweight boxing champion, and of the Buffum automobile, built on Centre Avenue. With photographs from the Abington Historical Commission, the Dyer Memorial Library, the Historical Society of Old Abington, and personal collections, Abington is sure to evoke memories of a bygone era.

Abject Performances: Aesthetic Strategies in Latino Cultural Production (Dissident Acts)

by Leticia Alvarado

In Abject Performances Leticia Alvarado draws out the irreverent, disruptive aesthetic strategies used by Latino artists and cultural producers who shun standards of respectability that are typically used to conjure concrete minority identities. In place of works imbued with pride, redemption, or celebration, artists such as Ana Mendieta, Nao Bustamante, and the Chicano art collective known as Asco employ negative affects—shame, disgust, and unbelonging—to capture experiences that lie at the edge of the mainstream, inspirational Latino-centered social justice struggles. Drawing from a diverse expressive archive that ranges from performance art to performative testimonies of personal faith-based subjection, Alvarado illuminates modes of community formation and social critique defined by a refusal of identitarian coherence that nonetheless coalesce into Latino affiliation and possibility.

Abjection Incorporated: Mediating the Politics of Pleasure and Violence

by Nicholas Sammond Maggie Hennefeld

From the films of Larry Clark to the feminist comedy of Amy Schumer to the fall of Louis C. K., comedic, graphic, and violent moments of abjection have permeated twentieth- and twenty-first-century social and political discourse. The contributors to Abjection Incorporated move beyond simple critiques of abjection as a punitive form of social death, illustrating how it has become a contested mode of political and cultural capital—empowering for some but oppressive for others. Escaping abjection's usual confines of psychoanalysis and aesthetic modernism, core to theories of abjection by thinkers such as Kristeva and Bataille, the contributors examine a range of media, including literature, photography, film, television, talking dolls, comics, and manga. Whether analyzing how comedic abjection can help mobilize feminist politics or how expressions of abjection inflect class, race, and gender hierarchies, the contributors demonstrate the importance of competing uses of abjection to contemporary society and politics. They emphasize abjection's role in circumscribing the boundaries of the human and how the threats abjection poses to the self and other, far from simply negative, open up possibilities for radically new politics.Contributors. Meredith Bak, Eugenie Brinkema, James Leo Cahill, Michelle Cho, Maggie Hennefeld, Rob King, Thomas Lamarre, Sylvère Lotringer, Rijuta Mehta, Mark Mulroney, Nicholas Sammond, Yiman Wang, Rebecca Wanzo

Abjection and Representation

by Rina Arya

Abjection and Representation is a theoretical investigation of the concept of abjection as expounded by Julia Kristeva in Powers of Horror (1982) and its application in various fields including the visual arts, film and literature. It examines the complexity of the concept and its significance as a cultural category.

Abjection and Representation: An Exploration of Abjection in the Visual Arts, Film and Literature

by R. Arya

Abjection and Representation is a theoretical investigation of the concept of abjection as expounded by Julia Kristeva in Powers of Horror (1982) and its application in various fields including the visual arts, film and literature. It examines the complexity of the concept and its significance as a cultural category.

Abloh-isms (ISMs)

by Virgil Abloh

A collection of essential quotations from the renowned fashion designer, DJ, and stylistAbloh-isms is a collection of essential quotations from American fashion designer, DJ, and stylist Virgil Abloh, who has established himself as a major creative figure in the worlds of pop culture and art. Abloh began his career as Kanye West’s creative director before founding the luxury streetwear label Off-White and becoming artistic director for Louis Vuitton, making Abloh the first American of African descent to hold that title at a French fashion house. Defying categorization, Abloh’s work has been the subject of solo exhibitions at museums and galleries, most notably in a major retrospective at the Museum of Contemporary Art Chicago. Gathered from interviews and other sources, this selection of compelling and memorable quotations from the designer reveals his thoughts on a wide range of subjects, including creativity, passion, innovation, race, and what it means to be an artist of his generation. Lively and thought-provoking, these quotes reflect Abloh’s unique perspective as a trailblazer in his fields.Select quotations from the book:“I believe that coincidence is key, but coincidence is energies coming towards each other. You have to be moving to meet it.”“Life is collaboration. Where I think art can be sort of misguided is that it propagates this idea of itself as a solo love affair—one person, one idea, no one else involved.”“Black influence has created a new ecosystem, which can grow and support different types of life that we couldn’t before.”“Like it or not, irrelevance is death.”

Abnormal Loading on Structures: Experimental and Numerical Modelling

by J. L. Clarke F. K. Garas K. S. Vird R. S. Matthews

Designing for hazardous and abnormal loads has become an important requirement in the design process of most major buildings and civil engineering structures, ranging from tall buildings to bridges, power plants to harbour and coastal installations. This state-of-the-art volume was compiled by the Institution of Structural Engineers' informal study

Abode: Thoughtful Living with Less

by Serena Mitnik-Miller Mason St. Peter Melissa Goldstein

Create your space with simplicity, tranquility, and beautifully minimalist style.The yearning for a life of pared-down purity has built to a roar, and Serena Mitnik-Miller and Mason St. Peter—the husband-and-wife owners of General Store, one of California’s most talked-about shops—are at the forefront. In Abode: Thoughtful Living with Less, these tastemakers make a graceful case for living better no matter your budget or abilities, guiding you to create a space this is simple and true. Their time-tested methods create interiors that maximize openness, strip a building back to its bones, and amplify natural light, evoking unpretentious tranquility. The blueprint for their signature aesthetic is all here: the embrace of elemental materials, curation of handcrafted objects, and collection of furnishings from eras when craftsmanship was king. This selection of Mitnik-Miller and St. Peter’s greatest collaborations will take you through their breathtaking rooms, masterpieces of warm minimalism. Abode is a glimpse into the couple’s process and a guide to manifesting your own beautiful interiors.

Aboriginal Art (World of Art)

by Wally Caruana

An updated and expanded edition of this classic survey, which has established itself as a superlative introduction to the full diversity of Aboriginal art. This concise survey showcases the incredible, diverse work of Aboriginal and Torres Strait artists. Building on traditions that stretch back at least 50,000 years, these artists have long worked in a variety of contexts from the sacred and secret realm of ceremony to more public spheres. From isolated beginnings to postcolonialism and the present, Wally Caruana explains how Aboriginal and Torres Strait Islander art has continually developed and responded to change; and considers the impact of urban living, the growth of local art centers that support the artists in these communities, and the recognition of women artists. This new edition has been expanded and updated to include and reflect on important artists who have emerged in the last decade, with a focus on the burgeoning of activity in the Southern Desert region, Queensland, and the Torres Strait Islands—all testament to Aboriginal art’s continued dynamism and vitality.

Aboriginal Art and Australian Racial Hegemony: Decolonising Consciousness

by Abraham Bradfield

This book explores the complexities of Indigenous and non-Indigenous relations in contemporary Australia. It unpacks the continuation of a pervasive colonial consciousness within settler-colonial settings, but also provokes readers to confront their own habits of thought and action. Through presenting a reflexive narrative that draws on the author’s encounters with Indigenous artists and their artwork, knowledge, stories, and lived experiences, this provocative and insightful work encourages readers to consider what decolonising means to them. It presents a compelling and relevant argument that calls for a reorientation of dominant discourses fixed within Eurocentric frameworks, whilst also addressing the deep complexities and challenges of living within intercultural settler-colonial settings where different views and perspectives clash and complement one another.

Aboriginal and Torres Strait Islander Art: An Anthropology of Identity Production in Far North Queensland (Criminal Practice Ser.)

by Gretchen M. Stolte

Aboriginal and Torres Strait Islander Art explores the effects of Queensland government policies on urban First Nation artists. While such art has often been misinterpreted as derivative lesser copies of ‘true’ Indigenous works, this book unveils new histories and understandings about the mixed legacy left for Queensland Indigenous artists. Gretchen Stolte uses rich ethnographic detail to illuminate how both Aboriginal and Torres Strait Islander artists understand and express their heritage. She specifically focuses on artwork at the Aboriginal and Torres Strait Islander art studio in the Tropical North Queensland College of Technical and Further Education (TNQT TAFE), Cairns. Stolte's ethnography further develops methodologies in art history and anthropology by identifying additional methods for understanding how art is produced and meaning is created.

About Looking (Vintage International)

by John Berger

As a novelist, art critic, and cultural historian, John Berger is a writer of dazzling eloquence and arresting insight whose work amounts to a subtle, powerful critique of the canons of our civilization. In About Looking he explores our role as observers to reveal new layers of meaning in what we see. How do the animals we look at in zoos remind us of a relationship between man and beast all but lost in the twentieth century? What is it about looking at war photographs that doubles their already potent violence? How do the nudes of Rodin betray the threats to his authority and potency posed by clay and flesh? And how does solitude inform the art of Giacometti? In asking these and other questions, Berger quietly -- but fundamentally -- alters the vision of anyone who reads his work.From the Trade Paperback edition.

About Raymond Williams

by Lawrence Grossberg Monika Seidl Roman Horak

About Raymond Williams represents the overdue critical acclaim of Williams’ lasting influence and unbroken repercussions in critical thought. His writings have effectively shaped the ways in which people understand the complexity of the notion of 'culture' and many of the ways it has been taken up in scholarly practice.

About Sketching: The Art and Practice of Capturing the Moment

by Jasper Salwey Leonard Squirrell

Written as a sketching artist's companion, this guide by a noted author of art instruction manuals attests to the value of sketching as a distinct art form rather than merely a vehicle to achieve more polished works. Artist and author Jasper Salwey details advantages of many drawing media, from pencil to watercolor, and their application to depictions of interior studies, figures, landscapes, seascapes, and architecture.Suitable for artists and students of moderate to advanced skills, the book makes a case for why the artist needs to sketch and the importance of sketching to the history of art. Salwey's advice and insights are illustrated by relevant examples that range from works by the Old Masters to those of his great contemporaries, including Frank Brangwyn, Dame Laura Knight, and John Singer Sargent.

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