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Female Robots and AI in Science Fiction Cinema: The Fabular Femininity of Gynoids
by Rebecca L. JonesThis book is the first comprehensive overview of the history of female-presenting AI and robots in US and UK live-action, science fiction films from 1949 to 2023. It offers an original taxonomy that aids in the examination of 80 films and over 135 characters&’ representations, starting with The Perfect Woman (1949) and ending with Robots (2023). Using its representational taxonomy, this book analyses the evolution of these depictions, showing the continuations, revisions, and shifts in the depiction of female-presenting AI and robots from objectified, eroticised, subordinated things to being autonomous moral agents who assert their right to equality and refuse their abusive, typically sexual, use. This book shows how these fictional, gendered constructions are products of a heterosexual, cisgender, male fantasy of an idealised, subordinated form of femininity. These artificial characters, along with their real-world counterparts, highlight a desire for a subordinated femininity, but also show how that subordination is a social construction often reinforced and countered in onscreen depictions. By examining the trends within its asserted Galatea, Girlfriend, Mother, and Deadly Seductress types, this book presents an exploration of what our female-presenting artificial creations could be, while addressing their contemporary, and our current, AI technologies, and how science fiction is influencing real life, while our reality seeks to mirror science fiction.
Females in the Frame: Women, Art, and Crime
by Penelope JacksonThis book explores the untold history of women, art, and crime. It has long been widely accepted that women have not played an active role in the art crime world, or if they have, it has been the part of the victim or peacemaker. Women, Art, and Crime overturns this understanding, as it investigates the female criminals who have destroyed, vandalised, stolen, and forged art, as well as those who have conned clients and committed white-collar crimes in their professional occupations in museums, libraries, and galleries. Whether prompted by a desire for revenge, for money, the instinct to protect a loved one, or simply as an act of quality control, this book delves into the various motivations and circumstances of women art criminals from a wide range of countries, including the UK, the USA, New Zealand, Romania, Germany, and France. Through a consideration of how we have come to perceive art crime and the gendered language associated with its documentation, this pioneering study questions why women have been left out of the discourse to date and how, by looking specifically at women, we can gain a more complete picture of art crime history.
Females in the Frame: Women, Art, and Crime
by Penelope JacksonThis book explores the untold history of women, art, and crime. It has long been widely accepted that women have not played an active role in the art crime world, or if they have, it has been the part of the victim or peacemaker. Women, Art, and Crime overturns this understanding, as it investigates the female criminals who have destroyed, vandalised, stolen, and forged art, as well as those who have conned clients and committed white-collar crimes in their professional occupations in museums, libraries, and galleries. Whether prompted by a desire for revenge, for money, the instinct to protect a loved one, or simply as an act of quality control, this book delves into the various motivations and circumstances of women art criminals from a wide range of countries, including the UK, the USA, New Zealand, Romania, Germany, and France. Through a consideration of how we have come to perceive art crime and the gendered language associated with its documentation, this pioneering study questions why women have been left out of the discourse to date and how, by looking specifically at women, we can gain a more complete picture of art crime history.
Femina and Fauna: The Art of Camila d'Errico Volume 1
by Camilla d'ErricoOne of the brightest rising stars of pop surrealism returns to Dark Horse!Camilla d'Errico is an artistic dynamo--a highly accomplished painter and comic-book artist as well as a clothing, product, and custom--toy designer. Her handiwork captivates admirers around the world, and some of her best-known creations are these, her studies of beautiful women and their animal companions. Playful and flamboyant, exotic and enigmatic, the women who inhabit these striking paintings embody a fascinating array of contradictions. They dwell in a fantastic world--a circus of color and impossibility--where nothing is quite as it seems.Perfect for fans of pop art, fine art, manga, and anime, this is the largest collection of Camilla's work to date!* The largest and most comprehensive book of Camilla's art ever published!* Camilla's art has appeared in Hi--Fructose, Kid Robot, Juxtapoz, and in galleries around the world!"Through her fiery nature, creative ability, and profound passion for her craft, Camilla d'Errico has become one of the best of her generation and a true inspiration." --Format Magazine
Femina and Fauna: The Art of Camilla d'Errico (Second Edition)
by Camilla d'ErricoDark Horse is proud to present Femina and Fauna: The Art of Camilla d'Errico--now back in print in an improved and updated second edition! Originally published in 2011, the highly sought-after first edition became the initial volume in a series of books showcasing the captivating artwork of superstar artist Camilla d'Errico, whose singular passion and extraordinary creative talents have taken her career into the heights of such diverse realms as comic book and manga art, pop surrealist painting, fashion, toy design, video games, feature films, and more! This revised volume features a new foreword by the creator of the Tokidoki brand, Simone Legno, a new introduction by d'Errico herself, and a selection of additional art unique to this edition. It's a must-have for all fans of pop and fine art alike! • Back in print, in a revised and updated second edition! • A new cover, a new introduction by the artist, and new artwork not seen in the first edition! • Foreword by Simone Legno, creator of the Tokidoki brand! "Through her fiery nature, creative ability, and passion for her craft, Camilla d'Errico has become one of the best of her generation and a true inspiration." --Format Magazine
Femina: A New History of the Middle Ages, Through the Women Written Out of It
by Janina RamirezA groundbreaking reappraisal of medieval femininity, revealing why women have been written out of history and why it matters The Middle Ages are seen as a bloodthirsty time of Vikings, saints and kings; a patriarchal society that oppressed and excluded women. But when we dig a little deeper into the truth, we can see that the &“Dark&” Ages were anything but. Oxford and BBC historian Janina Ramirez has uncovered countless influential women&’s names struck out of historical records, with the word FEMINA annotated beside them. As gatekeepers of the past ordered books to be burned, artworks to be destroyed, and new versions of myths, legends and historical documents to be produced, our view of history has been manipulated. Only now, through a careful examination of the artifacts, writings and possessions they left behind, are the influential and multifaceted lives of women emerging. Femina goes beyond the official records to uncover the true impact of women, such as: Jadwiga, the only female king in Europe Margery Kempe, who exploited her image and story to ensure her notoriety Loftus Princess, whose existence gives us clues about the beginnings of Christianity in England In Femina, Ramirez invites us to see the medieval world with fresh eyes and discover why these remarkable women were removed from our collective memories.
Femininity and Domination: Studies in the Phenomenology of Oppression
by Sandra Lee BartkyBartky draws on the experience of daily life to unmask the many disguises by which intimations of inferiority are visited upon women. She critiques both the male bias of current theory and the debilitating dominion held by notions of "proper femininity" over women and their bodies in patriarchal culture.
Femininity and Feminism in Spanish TV Dramas
by Anja Louis Abigail LoxhamRecent social and political events in Spain have prompted a resurgence of feminism in the Spanish public sphere. Popular culture intervenes in these debates, and television does so specifically through the dramas which foreground female stories and female subjects, in many cases redefining and interpreting key moments in the progression of national gender politics. This pioneering study maps these developing concerns onto a selection of TV dramas which centre on feminisms and female identities, and as such are key interlocutors in social change. Our intention is to mainstream Spanish television studies and, in our analysis of its innovative and varied approach to gender politics, to take it out of the ‘interpretative isolation ward’ (Smith 2006). This monograph fills a significant gap in the literature on transnational popular culture; it is ground-breaking in its interdisciplinarity (television, modern languages, gender studies) and is the first of its kind in English.
Femininity, Time and Feminist Art
by Clare JohnsonThis book examines feminist art of the 1970s through contemporary art made by women. In a series of readings of artworks by, amongst others, Tracey Emin, Vanessa Beecroft, Hannah Wilke and Carolee Schneemann the reader is taken on a journey through maternal desire, fantasies of escape and failed femininity.
Feminism And Art History: Questioning The Litany (Icon Ser.)
by Norma BroudeA long-needed corrective and alternative view of Western art history, these seventeen essays by respected scholars are arranged chronologically and cover every major period from the ancient Egyptian to the present. While several of the essays deal with major women artists, the book is essentially about Western art history and the extent to which it has been distorted, in every period, by sexual bias. With 306 illustrations.
Feminism Without Women: Culture and Criticism in a "Postfeminist" Age
by Tania ModleskiIn a series of essays scrutinizing feminist and post-structuralists positions, Tania Modleski examines "the myth of postfeminism" and its operation in popular culture, especially popular film and cultural studies. (First published in 1991.)
Feminism and Theatre
by Sue-Ellen CaseThis classic study is both an introduction to, and an overview of, the relationship between feminism and theatre.
Feminism and the End of Traditional Religions
by Naomi R. GoldenbergGoldenberg asserts that Christianity and Judaism are patriarchal religions and it is impossible for women to achieve equality in these patriarchal religions. Through her examination of Jung and Freud, as well as modern religions such as Wicca, Goldenberg explores women's place in religion.
Feminism and the Western in Film and Television
by Mark E. WildermuthThis book works to complicate and push against common arguments that the Western from its inception is an anti-feminist genre. By focusing on representations of women professionals in Westerns, it shows that women in cinematic and televisual Westerns sometimes do acquire agency and empowerment in the private and public realms, despite our culture’s tendency to gender the former as feminine and the latter as solely masculine. The study reviews the relationship of these progressive Westerns to both explicit and latent feminist ideologies relevant to their times, as the films evolved from the 1930s to the twenty-first century.
Feminism at the Movies: Understanding Gender in Contemporary Popular Cinema
by Hilary Radner Rebecca StringerFeminism at the Movies: Understanding Gender in Contemporary Popular Cinema examines the way that contemporary film reflects today’s changing gender roles. The book offers a comprehensive overview of the central issues in feminist film criticism with analyses of over twenty popular contemporary films across a range of genres, such as chick flicks, teen pics, hommecoms, horror, action adventure, indie flicks, and women lawyer films. Contributors explore issues of femininity as well as masculinity, reflecting on the interface of popular cinema with gendered realities and feminist ideas. Topics include the gendered political economy of cinema, the female director as auteur, postfeminist fatherhood, consumer culture, depictions of professional women, transgender, sexuality, gendered violence, and the intersections of gender, race, and ethnic identities. The volume contains essays by following contributors: Taunya Lovell Banks, Heather Brook, Mridula Nath Chakraborty, Michael DeAngelis, Barry Keith Grant, Kelly Kessler, Hannah Hamad, Christina Lane (with Nicole Richter), JaneMaree Maher, David Hansen-Miller (with Rosalind Gill), Gary Needham, Sarah Projansky, Hilary Radner, Rob Schaap, Yael D Sherman, Michele Shreiber, Janet Staiger, Peter Stapleton, Rebecca Stringer, Yvonne Tasker, and Ewa Ziarek.
Feminism, Women's Agency, and Communication in Early Twentieth-Century China: The Case of the Huang-Lu Elopement (Chinese Literature and Culture in the World)
by Qiliang HeFeminism, Women’s Agency, and Communication in Early Twentieth-Century China focuses on a sensational elopement in the Yangzi Delta in the late 1920s to explore how middle- and lower-class members of society gained access to and appropriated otherwise alien and abstract enlightenment theories and idioms about love, marriage, and family. Via a network of communications that connected people of differing socioeconomic and educational backgrounds, non-elite women were empowered to display their new womanhood and thereby exercise their self-activating agency to mount resistance to China’s patriarchal system. Qiliang He’s text also investigates the proliferation of anti-feminist conservatisms in legal practice, scholarly discourses, media, and popular culture in the early Nanjing Decade (1927-1937). Utilizing a framework of interdisciplinary scholarship, this book traverses various fields such as legal history, women’s history, popular culture/media studies, and literary studies to explore urban discourse and communication in 1920s China.
Feminisms and Contemporary Art in Indonesia: Defining Experiences (Asian Visual Cultures)
by Wulandani DirgantoroWhile Indonesian contemporary art is currently on the rise on the international art scene, there hasn't yet been an in-depth study of the works of Indonesian women artists and the feminist strategies they employ within the art world. This book fills that gap, presenting the first comprehensive study of feminisms and contemporary art in Indonesia; using feminist readings to analyse the works of Indonesian women artists historically and today; illuminating the sociocultural contexts in which they have worked; and offering a nuanced understanding of local feminisms in the nation.
Feminisms/Museums/Surveys: An Anthology
by Hilary Robinson Lara PerryThe first anthology of feminist art exhibition essays and museum publications, providing an exciting and valuable overview of recent developments in feminist curation Feminisms-Museums-Surveys: Exhibition Curating 2005-2022 brings together works from exhibition catalogs and museum publications to provide a comprehensive and timely view of the modern approach to feminist curating. Offering insights into how curators from around the world engage with different feminisms and select and exhibit feminist art, this one-of-a-kind anthology exemplifies the diversity of feminist thinking and curatorial approaches in the contemporary art museum. This important volume comprises articles and essays drawn from publications which accompanied major curatorial projects from different regions around the globe, and each essay offers a unique critical interpretation of feminist art. Organized chronologically, the book presents the essays — the majority in print for the first time since their initial publications and some for the first time in English — with the dates and venues of the exhibition and a brief introduction by the editors. All the artists in the exhibitions and the curators involved are indexed in the supplementary material. Making key examples of feminist curating easily accessible to a wider audience of scholars and students, this unique anthology: Offers a transnational perspective on feminist curating, featuring exhibitions from across Europe, Asia, Australia, Africa and the Americas Highlights the diverse ways in which curators have attempted to bring feminist theory into the museum exhibition format Illustrates how feminist ideas have evolved in diverse ways in the international community of museum professionals Includes an index of artists and curators whose work is represented in the volume Offering deep insights into how curators have approached the documentation and representation of art informed by feminist politics and thinking, Feminisms-Museums-Surveys: Exhibition Curating 2005-2022 is an ideal resource for courses in feminism and art, curation, LGBTQ art, art and politics, museum studies, art history, cultural studies, feminist and gender studies, and related courses across fine arts and visual arts programs.
Feminisms: Diversity, Difference and Multiplicity in Contemporary Film Cultures (The Key Debates: Mutations and Appropriations in European Film Studies)
by Laura Mulvey Anna Backman RogersThis collection brings together an exciting group of established and emerging scholars to consider the history of feminist film theory and new developments in the field and in film culture itself. Opening the field up to urgent questions and covering such topics as new experimental film, the digital image, consumerism, activism, and pornography, Feminisms will be essential reading for scholars of both film and feminism.
Feminist Art Criticism: An Anthology (Icon Editions Series)
by Arlene RavenFrom the Preface:"The essays in Feminist Art Criticism are theoretical, and we selected them for several reasons. First, they show a diversity of concerns. These include spirituality, sexuality, the representation of women in art, the necessary inter-relationship of theory and action, women as artmakers, ethnicity, language itself, so-called postfeminism and critiques of hte art world, the discipline of art history and the practice of art criticism. Second, the contributors' work has not been either widely disseminated or readily available. Third, the essays, especially arranged as they are (chronologically), demonstrate a continuous feminist discourse in art from the early 1970s through the present, a discourse that is neither monolithic nor intellectually trendy but that rather exhibits many elements, the polemical, Marxist, lyrical, and poststructuralist being only a few."
Feminist Art Education Archival Research: C.H.U.T.N.E.Y. Power
by Karen Keifer-Boyd Linda Hoeptner PolingFeminist Art Education Archival Research: C.H.U.T.N.E.Y. Power explores the National Art Education Association’s (NAEA) Women’s Caucus’ histories of trailblazing feminist art education research, leadership, and policy activism.From archival research, specifically delving into the NAEA Women’s Caucus Archive at The Pennsylvania State University, this led to interviews with feminist activists in art education. The book draws attention to the activism of the NAEA Women’s Caucus contextualized within tenets of critical race feminism, which calls for organizational accountability from critical examination of hegemonic structures and practices that privilege white patriarchal colonialism and serves as a structure to deconstruct, interrogate, disrupt, and reimagine inequities that exist in art education, and all of education.Feminist Art Education Archival Research: C.H.U.T.N.E.Y. Power is a unique text ideal for feminist organizations, gender studies research, and art educators at all levels of teaching from preK to higher education, and is an ideal companion text for post-secondary art education, women’s studies, leadership, and other related areas.
Feminist Comedy: Women Playwrights of London (EARLY MODERN FEMINISMS)
by Willow WhiteFeminist Comedy: Women Playwrights of London identifies the eighteenth-century comedic stage as a key site of feminist critique, practice, and experimentation. While the history of feminism and comedy is undeniably vexed, by focusing on five women playwrights of the latter half of the eighteenth century--Catherine Clive, Frances Brooke, Frances Burney, Hannah Cowley, and Elizabeth Inchbald--this book demonstrates that stage comedy was crucial to these women’s professional success in a male-dominated industry and reveals a unifying thread of feminist critique that connects their works. Though male detractors denied women’s comic ability throughout the era, eighteenth-century women playwrights were on the cutting edge of comedy and their work had important feminist influence that can be traced to today’s stages and screens.
Feminist Designer: On the Personal and the Political in Design
by Alison PlaceA bold and timely collection that brings feminist theory and critical thinking to life through vital, approachable design methods and practices.Feminist Designer brings together a constellation of voices and perspectives to examine the intersection of design and feminist theory. For decades, the feminist refrain within design has hinged on the representation and inclusion of women in the field. This collection, edited by Alison Place, however, is a call to move beyond this narrow application. Feminist design is not just about who does design—it is about how we do design and why. Feminist frameworks for design activism are now more relevant than ever, as they emphasize collaborative processes that aim to disrupt and dismantle power hierarchies while centering feminist ways of knowing and doing. The first book in nearly three decades to address such practices in design, Feminist Designer contains essays, case studies, and dialogues by 43 contributors from 16 different countries. It engages a wide variety of design disciplines, from graphic design to disability design to algorithmic design, and explores key feminist themes, such as power, knowledge, care, plurality, liberation, and community. Through diverse, sometimes conflicting, intersectional perspectives, this book contributes new design methods informed by a multiplicity of feminisms that confront design&’s patriarchal origins while ushering in new pathways for making critical and meaningful change.ContributorsJennifer Armbrust, Dina Benbrahim, Madeline Avram Blount, Elizabeth Byrd, Benedetta Crippa, Alexandra Crosby, Laura Devendorf, Rachael Dietkus, Ashley K. Eberhart, Griselda Flesler, Aimi Hamraie, Gaby Hernández, Alexis Hope, Jeff Kasper, Ellen Kellogg, Aasawari Kulkarni, Eden Laurin, Una Lee, Andrew Mallinson, Claudia Marina, Victor G. Martinez, Lauren Lee McCarthy, Margaret Middleton, Maryam Mustafa, Becky Nasadowski, Maya Ober, Nina Paim, Elizabeth Pérez, Heather Snyder Quinn, Cami Rincón, Jenn Roberts, Velvet A. Johnson Ross, In-ah Shin, Marie Louise Juul Søndergaard, Ayako Takase, Attia Taylor, Rebecca Tegtmeyer, Aggie Toppins, Ilaria Vanni, Joana Varon, Manon Vergerio, Mandy Harris Williams, Sarah Williams
Feminist Film Studies
by Karen HollingerFeminist Film Studies is a readable, yet comprehensive textbook for introductory classes in feminist film theory and criticism. Karen Hollinger provides an accessible overview of women’s representation and involvement in film, complemented by analyses of key texts that illustrate major topics in the field. Key areas include: a brief history of the development of feminist film theory the theorization of the male gaze and the female spectator women in genre films and literary adaptations the female biopic feminism and avant-garde and documentary film women as auteurs lesbian representation women in Third Cinema. Each chapter includes a "Films in Focus" section, which analyzes key texts related to the chapter’s major topic, including examples from classical Hollywood, world cinema, and the contemporary period. This book provides students in both film and gender/women’s studies with a clear introduction to the field of feminist film theory and criticism.
Feminist Film Studies: Writing the Woman into Cinema
by Janet MccabeJanet McCabe is a lecturer in film studies at Trinity College, Dublin. She writes on feminist film theory and women's narrative/narration in quality American television.