- Table View
- List View
From Subjection to Survival: The Artistry of American Women Writers (Routledge Research in American Literature and Culture)
by Molly J. FreitasFrom Subjection to Survival is a work of feminist scholarship that works at the intersection of literature and art history, the written and the visual. By examining six important and diverse multiethnic American women writers of the twentieth century (Kate Chopin, Anzia Yezierska, Edith Wharton, Zitkala-Ša, Nella Larsen, and Helena María Viramontes), From Subjection to Survival establishes a genealogy of how women writers claim the power and possibility of visual art to make sense of their experiences. These writers write about women and feature female protagonists who engage with art as painters, writers, muses, or icons in the texts themselves. The texts are written visually to expose the fundamental substantiation of gender in art and the unavoidable aestheticization of women in daily life. As every text in this book makes clear, women can claim substantial power through art. Yet, aestheticization is not always positive. As a consequence of such negative possibilities, the artistic self-referentiality of all of the texts in From Subjection to Survival exposes a negotiated course between subjectivity and objectness which women experience when engaging with art. From Subjection to Survival studies this negotiated course to lay bare the difficult path of women’s artistic and aesthetic experience, but ultimately to claim the power and the possibility of the visual arts for women.
From Synagogue to Church: Its Beginning, its Definition, its End (Routledge Jewish Studies Series)
by John WilkinsonThe designs of synagogues and churches are acknowledged to be very alike. But the designers' procedure was confidential, and so far standard explanations have been unsatisfactory. A synagogue should express heavenly values with earthly materials. This combination was in fact expressed in numbers, for, as Plato said, they linked heaven and earth. Scripture described both the Jewish Tabernacle and Temple with a wealth of numbers. Proportions based on these numbers were used to design synagogues. Only a few Jewish documents survive, but they reveal a symbolism, which Christians sometimes repeat. The synagogue sanctuary was designed to contain the 'Holy Ark', and the mosaic floors reveal the point 'Before the Ark' for the prayers and readings. These places faced each other, with the idea that God was facing his people. The synagogue was seen as facing heaven and in church buildings Christians repeated the same proportions. This was a joint tradition among Jews and Christians. It was easy to design, was carried out secretly and accurately, and - without a computer - was extremely hard to unravel. This book, for the first time, does just that.
From Telenovelas to Netflix: Transnational, Transverse Television in Latin America (New Directions in Latino American Cultures)
by Joseph Straubhaar Melissa Santillana Vanessa de Macedo Higgins Joyce Luiz Guilherme DuarteThis book is about television in Latin America. Its national and regional industries create most television programming there within genres developed over time in the region. However, part of the programming has always come from the U.S., Europe and elsewhere. With cable, satellite and now streaming TV, that inflow of foreign programming has increased substantially. While many in the audience still prefer national or regional programs for their cultural proximity, an increasing number among the upper-middle and middle classes, particularly the young, are turning to the new foreign services, like Netflix, Amazon and Disney for class distinction, cosmopolitanism or other motives. Among the television industries, global, regional and national actors are creating a variety of programs and channels (broadcast, pay-TV and streaming) to segment and appeal to different parts of the audience.
From Tinseltown to Bordertown: Los Angeles on Film (Contemporary Approaches to Film and Media Series)
by Celestino DeleytoLos Angeles is a global metropolis whose history and social narrative is linked to one of its top exports: cinema. L.A. appears on screen more than almost any city since Hollywood and is home to the American film industry. Historically, conversations of social and racial homogeneity have dominated the construction of Los Angeles as a cosmopolitan city, with Hollywood films largely contributing to this image. At the same time, the city is also known for its steady immigration, social inequalities, and exclusionary urban practices, not dissimilar to any other borderland in the world. The Spanish names and sounds within the city are paradoxical in relation to the striking invisibility of its Hispanic residents at many economic, social, and political levels, given their vast numbers. Additionally, the impact of the 1992 Los Angeles riots left the city raw, yet brought about changing discourses and provided Hollywood with the opportunity to rebrand its hometown by projecting to the world a new image in which social uniformity is challenged by diversity. It is for this reason that author Celestino Deleyto decided to take a closer look at how the quintessential cinematic city contributes to the ongoing creation of its own representation on the screen. From Tinseltown to Bordertown: Los Angeles on Film starts from the theoretical premise that place matters. Deleyto sees film as predominantly a spatial system and argues that the space of film and the space of reality are closely intertwined in complex ways and that we should acknowledge the potential of cinema to intervene in the historical process of the construction of urban space, as well as its ability to record place. The author asks to what extent this is also the city that is being constructed by contemporary movies. From Tinseltown to Bordertown offers a unique combination of urban, cultural, and border theory, as well as the author’s direct observation and experience of the city’s social and human geography with close readings of a selection of films such as Falling Down, White Men Can’t Jump, and Collateral. Through these textual analyses, Deleyto tries to situate filmic narratives of Los Angeles within the city itself and find a sense of the “real place” in their fictional fabrications. While in a certain sense, Los Angeles movies continue to exist within the rather exclusive boundaries of Tinseltown, the special borderliness of the city is becoming more and more evident in cinematic stories. Deleyto’s monograph is a fascinating case study on one of the United States’ most enigmatic cities. Film scholars with an interest in history and place will appreciate this book.
From Traveling Show to Vaudeville: Theatrical Spectacle in America, 1830–1910
by Robert M. LewisBefore phonographs and moving pictures, live performances dominated American popular entertainment. Carnivals, circuses, dioramas, magicians, mechanical marvels, musicians, and theatrical troupes—all visited rural fairgrounds, small-town opera houses, and big-city palaces around the country, giving millions of people an escape from their everyday lives for a dime or a quarter. In From Traveling Show to Vaudeville, Robert M. Lewis has assembled a remarkable collection of nineteenth- and early twentieth-century primary sources that document America's age of theatrical spectacle. In eight parts, Lewis explores, in turn, dime museums, minstrelsy, circuses, melodramas, burlesque shows, Wild West shows, amusement parks, and vaudeville.Included in this compendium are biographies, programs, ephemera produced by theatrical entrepreneurs to lure audiences to their shows, photographs, scripts, and song lyrics as well as newspaper accounts, reviews, and interviews with such figures as P. T. Barnum and Buffalo Bill Cody. Lewis also gives us reminiscences about and reactions to various shows by members of audiences, including such prominent writers as Mark Twain, William Dean Howells, Nathaniel Hawthorne, Carl Sandburg, Walt Whitman, Louisa May Alcott, Charles Dickens, O. Henry, and Maxim Gorky. Each section also includes a concise introduction that places the genre of spectacle into its historical and cultural context and suggests major interpretive themes. The book closes with a bibliographic essay that identifies relevant scholarly works.Many of the pieces collected here have not been published since their first appearance, making From Traveling Show to Vaudeville an indispensable resource for historians of popular culture, theater, and nineteenth-century American society.
From Tree to Paper
by Pam MarshallHow is paper made? Tall, thick trees are cut down, chopped into tiny pieces to make pulp, and rolled flat into giant rolls of paper. After the rolls are cut into smaller pieces, the paper is sent to stores and printers to be used by people.
From Twinkle, With Love: The funny heartwarming romcom from the bestselling author of When Dimple Met Rishi
by Sandhya Menon'There's something irresistible about Sandhya Menon's novels - the romances are sweet and winning, the humor is cheerful and sly, and the families are warm and complicated' Stephanie Perkins__________________________________________Aspiring filmmaker and wallflower Twinkle has stories to tell - if only the world would listen. So when nerdy classmate and fellow film-obsessive Sahil approaches her to direct a film for the upcoming Summer Festival, Twinkle can't wait. The chance to showcase her artistic voice? Dream come true. The opportunity to get closer to longtime crush, Neil - aka Sahil's twin brother? Dream come even truer.When Twinkle receives an email from a secret admirer - the mysterious 'N' - she is sure it's Neil, finally ready for their happy ending. The only problem is that, in the course of their movie-making, she has found herself falling for Sahil - the wrong brother.Twinkle soon realises that resistance is futile: the romance she's got is not the one she scripted... But will it have a happy ever after anyway?__________________________________________Praise for Sandhya Menon and From Twinkle With Love:'The hug your heart most certainly needs' Book Riot'Funny and sweet' Buzzfeed'Sandhya Menon is a welcome and needed voice in YA' Katherine Webber
From Under the Truck: A Memoir
by Josh Brolin“Josh Brolin’s out to catch his breath between the slant-eyed suggestions and irrefutable evidence of his past. He hears voices, and he listens, reminding us with brutal honesty that our surroundings were never there to be carried, rather woven into the fabric of the freedom to be who we are.”—Matthew McConaugheyFrom Josh Brolin, a unique and decidedly un-celebrity memoir, by turns affecting, funny, uncanny, and unforgettable.Weaving a latticework of different strands, moving back and forth through time, Josh Brolin captures a life marked by curiosity, pain, devotion, kindness, humor. He recounts an unconventional childhood far from Hollywood. Raised on a ranch in Paso Robles, California, he was surrounded as a child by the wolves, cougars, and other wild animals gathered by his fearless and explosive mother, Jane Agee Brolin. Her tragic, early death haunts this book, and the force of her unforgettable personality is felt throughout. Brolin also brings to life his career in the film industry—from his breakout role in The Goonies to the set of No Country for Old Men—and the professional and personal ups and downs in between and since. With unflinching honesty but also great humor, he shares insights into relationships, addiction, love, and fatherhood, while letting the white space in between words speak for itself. Grappling with the mysteries of life and death in a way that will catch readers by surprise, From Under the Truck is an audacious and riveting memoir from a born writer.
From Viracocha to the Virgin of Copacabana: Representation of the Sacred at Lake Titicaca
by Verónica Salles-ReeseSurrounded by the peaks of the Andean cordillera, the deep blue waters of Lake Titicaca have long provided refreshment and nourishment to the people who live along its shores. From prehistoric times, the Andean peoples have held Titicaca to be a sacred place, the source from which all life originated and the site where the divine manifests its presence. <P><P> In this interdisciplinary study, Verónica Salles-Reese explores how Andean myths of cosmic and ethnic origins centered on Lake Titicaca evolved from pre-Inca times to the enthronement of the Virgin of Copaca-bana in 1583. She begins by describing the myths of the Kolla (pre-Inca) people and shows how their Inca conquerors attempted to establish legitimacy by reconciling their myths of cosmic and ethnic origin with the Kolla myths. She also shows how a similar pattern occurred when the Inca were conquered in turn by the Spanish.
From War to Peace in 1945 Germany
by James H. Madison Bradley D. Cook Malcolm L. FlemingAs an Official Army Photographer, "Mac" Fleming's assignment was to take motion pictures of significant wartime events for the US Army. In the pouch intended to carry his first-aid kit on his belt, he instead carried a small personal camera, which he used to take pictures of the people and places that interested him, capturing in his field notes details of the life he observed. From these records, Fleming has assembled this absorbing private chronicle of war and peace. Assigned to the European Theater in February 1945, he filmed the action from the battle for the Remagen Bridge across the Rhine, to the fighting in the Hartz Mountains, on to the linkup with the Russian forces at the Elbe River. After the armistice, Fleming helped document how the Allied Expeditionary Force established a military government in Germany to cope with masses of POWs, establish control of the country, deal with the atrocities committed by the German army, and help thousands of newly released slave laborers return home to Poland, France, and Russia. He also recorded how the army provided rest, recreation, and rehabilitation to the remaining US soldiers and sent them home by truck, train, and ship. Awaiting shipment home, Fleming explored postwar German town and country life and toured some famous castles and historic spots. The foreword by historian James H. Madison describes the important role of photography in war and the special contribution of Fleming's photographic diary.
From Yesterday to TODAY: Six Decades of America's Favorite Morning Show
by Stephen Battaglio"When Dave Garroway welcomed viewers to Today on that day in 1952, he ushered in a new era in broadcasting. . . . It was a place where viewers could turn to each morning to satisfy their appetite for all things news and information. It was a destination for the curious to learn more about what had happened overnight and how the day ahead might shape up. And they would see and hear it all from the best storytellers in broadcasting."--from the foreword Throughout the history of television there has been nothing quite like NBC's Today. Ever since the brilliant and innovative TV network executive Pat Weaver conceived the idea of broadcasting a "national newspaper of the air," Today has chronicled the triumphs and tragedies of our times through personalities that viewers have trusted and admired. With dozens of never-before-published photographs, From Yesterday to TODAY offers an insightful and entertaining history of America's favorite morning show from its experimental beginnings with Dave Garroway and a chimpanzee named J. Fred Muggs to its enduring success in the 21st century with co-anchors Matt Lauer and Ann Curry.Through personal recollections from Today family members such as Barbara Walters, Tom Brokaw, Jane Pauley, Bryant Gumbel, Katie Couric, Willard Scott, Matt Lauer, Al Roker, Meredith Vieira, and Ann Curry From Yesterday to TODAY will take you on the unique journey traveled by those who reported the news, reflected on cultural trends and provided comfort to a nation of viewers often before they have had that first cup of coffee. For more than sixty years, Today has delivered the public their first glimpse at the new ideas, political leaders, and social upheaval that shaped our lives. It has remained a constant in a dynamic medium that evolved from grainy black-and-white images to the computer screen. It has reminded us of the joy of living and why it is worth getting up each day.
From a Cause to a Style: Modernist Architecture's Encounter with the American City
by Nathan GlazerModernism in architecture and urban design has failed the American city. This is the decisive conclusion that renowned public intellectual Nathan Glazer has drawn from two decades of writing and thinking about what this architectural movement will bequeath to future generations. In From a Cause to a Style, he proclaims his disappointment with modernism and its impact on the American city. Writing in the tradition of legendary American architectural critics Lewis Mumford and Jane Jacobs, Glazer contends that modernism, this new urban form that signaled not just a radical revolution in style but a social ambition to enhance the conditions under which ordinary people lived, has fallen short on all counts. The articles and essays collected here--some never published before, all updated--reflect his ideas on subjects ranging from the livable city and public housing to building design, public memorials, and the uses of public space. Glazer, an undisputed giant among public intellectuals, is perhaps best known for his writings on ethnicity and social policy, where the unflinching honesty and independence of thought that he brought to bear on tough social questions has earned him respect from both the Left and the Right. Here, he challenges us to face some difficult truths about the public places that, for better or worse, define who we are as a society. From a Cause to a Style is an exhilarating and thought-provoking book that raises important questions about modernist architecture and the larger social aims it was supposed to have addressed-and those it has abandoned.
From a Nation Torn: Decolonizing Art and Representation in France, 1945-1962
by Hannah FeldmanFrom a Nation Torn provides a powerful critique of art history's understanding of French modernism and the historical circumstances that shaped its production and reception. Within art history, the aesthetic practices and theories that emerged in France from the late 1940s into the 1960s are demarcated as postwar. Yet it was during these very decades that France fought a protracted series of wars to maintain its far-flung colonial empire. Given that French modernism was created during, rather than after, war, Hannah Feldman argues that its interpretation must incorporate the tumultuous "decades of decolonization"and their profound influence on visual and public culture. Focusing on the Algerian War of Independence (1954-1962) and the historical continuities it presented with the experience of the Second World War, Feldman highlights decolonization's formative effects on art and related theories of representation, both political and aesthetic. Ultimately, From a Nation Torn constitutes a profound exploration of how certain populations and events are rendered invisible and their omission naturalized within histories of modernity.
From a Photograph: Authenticity, Science and the Periodical Press, 1870-1890
by Geoffrey BelknapThroughout its early history, photography's authenticity was contested and challenged: how true a representation of reality can a photograph provide? Does the reproduction of a photograph affect its value as authentic or not? From a Photograph examines these questions in the light of the early scientific periodical press, exploring how the perceived veracity of a photograph, its use as scientific evidence and the technologies developed for printing it were intimately connected.Before photomechanical printing processes became widely used in the 1890s, scientific periodicals were unable to reproduce photographs and instead included these photographic images as engravings, with the label ‘from a photograph’. Consequently, every image was mediated by a human interlocutor, introducing the potential for error and misinterpretation. Rather than ‘reading’ photographs in the context of where or how they were taken, this book emphasises the importance of understanding how photographs are reproduced. It explores and compares the value of photography as authentic proof in both popular and scientific publications during this period of significant technological developments and a growing readership. Three case studies investigate different uses of photography in print: using pigeons to transport microphotographs during the Franco-Prussian War; the debate surrounding the development of instantaneous photography; and finally the photographs taken of the Transit of Venus in 1874, unseen by the human eye but captured on camera and made accessible to the public through the periodical.Addressing a largely overlooked area of photographic history, From a Photograph makes an important contribution to this interdisciplinary research and will be of interest to historians of photography, print culture and science.
From an Antique Land: Visual Representations of the Highlands and Islands 1700–1880
by Anne MacLeodWith 100 historic illustrations, this scholarly study explores how visual depictions of the Scottish Highlands influenced perceptions of the region. Early in the 18th century, the Scottish Highlands became a source of fascination across the British Isles. Artists, illustrators, and mapmakers capitalized on the trend by producing popular images of rural life and dramatic landscapes. In From an Antique Land, Anne MacLeod brings a fresh analysis to these images, exploring what they reveal about cultural perceptions of the remote region and its people. Illustrated with 100 plates—including a broad range of maps, plans, paintings, drawings, sketches and printed images—this volume demonstrates that the concept of antiquity was the single most powerful influence driving the visual representation of the Highlands and Islands from 1700 to 1880, and indeed beyond. MacLeod also looks at archaeological, ethnological and geological influences that contributed to this bias in favor of antiquity. The book concludes that the shadow of time which hallmarked visual representations of the region resulted in a preservationist mentality which has had powerful repercussions for approaches to Highland issues down to the present day. The book will appeal to historians, art historians, cultural geographers, and the general reader interested in Highland history and culture.
From an Idea to Disney: How Imagination Built a World of Magic (From an Idea to)
by Lowey Bundy SicholFrom an Idea to Disney is a behind-the-movie-screen look into the history, business, and brand of the world's largest entertainment empire. With humorous black & white illustrations throughout, learn about the company behind the world's favorite mouse, Mickey! “I only hope that we never lose sight of one thing—that it was all started by a mouse.” —Walt Disney Today, the Walt Disney Company is the biggest entertainment company in the world with theme parks, TV shows, movie studios, merchandise, the most recognizable cartoon character in the world, Mickey Mouse. But a long time ago, brothers Walt and Roy Disney started out with just an idea. Find out more about Disney’s history, the business, and the brand in this illustrated nonfiction book!Find out what Walt first intended to name his famous mouse. (Hint: It wasn’t Mickey!)Discover behind-the-scenes magic of how Walt Disney World is run.Explore the ways the Disney expanded its brand from a little mouse into media, merchandise, and more!
From iMovie to Final Cut Pro X: Making the Creative Leap
by Tom WolskyFrom iMovie to Final Cut Pro X offers an accessible, introductory guide to those taking up video editing using Final Cut Pro X, especially users making the transition from iMovie, Apple’s free video software, helping aspirational and mobile filmmakers develop the skills needed to take their career to the next stage. Written by award-winning former Apple Education trainer and Final Cut Pro expert Tom Wolsky, this full-color book illuminates the key differences between these two applications and teaches users how to produce first-class results using the professional application. Wolsky also covers best practices for those working with iMovie on an iPhone or iPad and looking to move to a more advanced desktop program. Downloadable Final Cut Pro X project libraries included with the book offer readers hands-on examples of the techniques and practices discussed. Covers Final Cut Pro X 10.3.1.
From the Atelier Tovar: Selected Writings of Guy Maddin
by Guy MaddinOne of the Village Voice's Top 25 Books of 2003. Guy Maddin is one of Canada's most celebrated and original filmmakers, the director of such delirious films as Tales from the Gimli Hospital, Careful, Dracula: Pages from a Virgin's Diary and the forthcoming The Saddest Music in the World. Few know, however, that he is just as gifted a writer, and his resolutely purple prose, as eccentric and enchanting as his film work, is a true delight.From the Atelier Tovar gathers, in one volume, the best of Maddin's writing: his journalism (originally published in the Village Voice, Cinema Scope, Film Comment and points beyond), unpublished short stories and film treatments (including the riotous Child Without Qualities), and selections, both lurid and illuminating, from the filmmaker's personal journals. Here are Maddin's feverish musings on hockey, the Osmonds, divas of the Italian silent cinema, Bollywood, his own twisted biography, and much, much more. What emerges finally is both a fragrant potpourri and a treasure trove, a singular portrait of this very unique artist.
From the Bar to the Bedroom: The 11 Rules for Picking Up and Pleasuring Women (Askmen.com Series #1)
by AskMen.comGentlemen, start your engines. From the Bar to the Bedroom is the definitive go–to book for anyone in need of guidance when it comes to bedding the fairer sex, from approaching the woman one wishes to take home to dazzling her once she's there. Divided into 11 rules, the book begins by helping men learn the fundamentals of confidence and conversation. It moves on to instruct men on the virtues of foreplay, the importance of having a sex–friendly bachelor pad, ways they can pick up women at the gym or at the office, and the variety of techniques and tricks they can use to make her night unforgettable. With tasteful line drawings, loads of tips, and a friendly, humorous tone, it is essential reading for everyone –– from the novice who wants to enter the game to the player who wants to polish his moves.
From the Edge: Chicana/o Border Literature and the Politics of Print
by Allison E. FaganChicana/o literature frequently depicts characters who exist in a vulnerable liminal space, living on the border between Mexican and American identities, and sometimes pushed to the edge by authorities who seek to restrict their freedom. As this groundbreaking new study reveals, the books themselves have occupied similarly precarious positions, as Chicana/o literature has struggled for economic viability and visibility on the margins of the American publishing industry, while Chicana/o writers have grappled with editorial practices that compromise their creative autonomy. From the Edge reveals the tangled textual histories behind some of the most cherished works in the Chicana/o literary canon, tracing the negotiations between authors, editors, and publishers that determined how these books appeared in print. Allison Fagan demonstrates how the texts surrounding the authors' words--from editorial prefaces to Spanish-language glossaries, from cover illustrations to reviewers' blurbs--have crucially shaped the reception of Chicana/o literature. To gain an even richer perspective on the politics of print, she ultimately explores one more border space, studying the marks and remarks that readers have left in the margins of these books. From the Edge vividly demonstrates that to comprehend fully the roles that ethnicity, language, class, and gender play within Chicana/o literature, we must understand the material conditions that governed the production, publication, and reception of these works. By teaching us how to read the borders of the text, it demonstrates how we might perceive and preserve the faint traces of those on the margins.
From the Good Mountain: How Gutenberg Changed The World
by James RumfordWhat was made of rags and bones, soot and seeds? What took a mountain to make? <p><p> For the answer, travel back to the fifteenth century―to a time when books were made by hand and a man named Johannes Gutenberg invented a way to print books with movable type. <p> Written as a series of riddles and illustrated in the style of medieval manuscripts by an award-winning author and artist, From the Good Mountain will intrigue readers of all ages. On every page there is something surprising to learn about how the very thing you are holding in your hands came to be.
From the Land of Fear: Stories
by Harlan EllisonEleven side trips to the dark edge of imagination by master storyteller Harlan Ellison, From the Land of Fear presents some of the author's early work from his start in the late fifties. Here you can see a vibrant, imaginative young writer honing his craft and sowing the seeds of what would become his brilliant career, including the standout piece "Soldier," a clever antiwar tale included both in short-story form and as a screenplay for TV's The Outer Limits. True Ellison fans will enjoy this collection as a chance to see the writer's growth over time. As Roger Zelanzy says in his wonderful Introduction, "He is what he is because of everything he's been up until the Now."
From the Library of C. S. Lewis: Selections from Writers Who Influenced His Spiritual Journey
by James Stuart Bell Anthony P. DawsonDiscover great truths from C. S. Lewis's mentors C. S. Lewis was perhaps the greatest Christian thinker of the twentieth century. He delighted us inThe Chronicles of Narnia, intrigued us inThe Screwtape Letters, mystified us in The Space Trilogy, and convinced us inMere Christianity. His influence on generations of Christians has been immeasurable. But who influenced C. S. Lewis? What were the sources of his inspiration? Who were his spiritual mentors? Who were his teachers? Drawn from Lewis's personal library, annotations, and references from his writings, the selections in this book bring us into contact with giants such as Dante, Augustine, and Chaucer, as well as introduce us to more contemporary writers such as G. K. Chesterton, Charles Williams, George MacDonald, and J. R. R. Tolkien. Over 250 selections provide a vast array of inspiration from those who have shone forth as messengers of light in Lewis's own thinking, writing, and spiritual growth. A rare glimpse into the intellectual, spiritual, and creative life of one of literature's great writers,From the Library of C. S. Lewisis a treasury of insight and wisdom. From the Hardcover edition.
From the Mixed-Up Files of Mrs. Basil E. Frankweiler: Special Edition (Newbery Medal Ser.)
by E.L. KonigsburgNow available in a deluxe keepsake edition!A Time Best YA Book of All Time (2021) Run away to the Metropolitan Museum of Art with E. L. Konigsburg&’s beloved classic and Newbery Medal–winning novel From the Mixed-Up Files of Mrs. Basil E. Frankweiler.When Claudia decided to run away, she planned very carefully. She would be gone just long enough to teach her parents a lesson in Claudia appreciation. And she would go in comfort-she would live at the Metropolitan Museum of Art. She saved her money, and she invited her brother Jamie to go, mostly because be was a miser and would have money. Claudia was a good organizer and Jamie bad some ideas, too; so the two took up residence at the museum right on schedule. But once the fun of settling in was over, Claudia had two unexpected problems: She felt just the same, and she wanted to feel different; and she found a statue at the Museum so beautiful she could not go home until she bad discovered its maker, a question that baffled the experts, too. The former owner of the statue was Mrs. Basil E. Frankweiler. Without her—well, without her, Claudia might never have found a way to go home.
From the Moment They Met It Was Murder: Double Indemnity and the Rise of Film Noir
by Alain Silver James UrsiniThe behind-the-scenes story of the quintessential film noir and cult classic, Billy Wilder&’s Double Indemnity—its true crime origins and crucial impact on film history—is told for the first time in this riveting narrative published for the film's 80th anniversary. From actual murder to magazine fiction to movie, the history of Double Indemnity is as complex as anything that hit the screen during film noir&’s classic period. A 1927 tabloid sensation &“crime of the century&” inspired journalist and would-be crime-fiction writer James M. Cain to pen a novella. Hollywood quickly bid on the film rights, but throughout the 1930s a strict code of censorship made certain that no studio could green-light a murder melodrama based on real events. Then in 1943 veteran scriptwriter and newly minted director Billy Wilder wanted the story for his third movie. With tentative approval from the studio he hired hardboiled novelist Raymond Chandler to co-write a script that would be acceptable to industry censors. Director Wilder then cajoled a star cast into coming aboard: the incomparable Barbara Stanwyck in her unforgettable turn as the ultimate femme fatale; alongside Fred MacMurray, going against type as her accomplice; and Edward G. Robinson as a dogged claims investigator. Wilder kept Chandler on for the entire shoot, and other key collaborators were cinematographer John Seitz, costume designer Edith Head, and composer Miklôs Rôzsa. With all these talented contributors, the final film became one of the earliest studio noirs to gain critical and commercial success, including being nominated for seven Oscars. It powerfully influenced the burgeoning noir movement, spawned many imitators, and affected the later careers of all its cast and crew. Double Indemnity&’s impact on filmmakers and audiences is still felt eight decades since its release. Authors Alain Silver and James Ursini tell the complete, never-before-told history of writing, making, and marketing of Double Indemnity in their latest and most provocative work on film noir: From the Moment They Met It Was Murder.