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Ghostly Desires: Queer Sexuality and Vernacular Buddhism in Contemporary Thai Cinema
by Arnika FuhrmannThrough an examination of post-1997 Thai cinema and video art Arnika Fuhrmann shows how vernacular Buddhist tenets, stories, and images combine with sexual politics in figuring current struggles over notions of personhood, sexuality, and collective life. The drama, horror, heritage, and experimental art films she analyzes draw on Buddhist-informed conceptions of impermanence and prominently feature the motif of the female ghost. In these films the characters' eroticization in the spheres of loss and death represents an improvisation on the Buddhist disavowal of attachment and highlights under-recognized female and queer desire and persistence. Her feminist and queer readings reveal the entangled relationships between film, sexuality, Buddhist ideas, and the Thai state's regulation of heteronormative sexuality. Fuhrmann thereby provides insights into the configuration of contemporary Thailand while opening up new possibilities for thinking about queer personhood and femininity.
Ghostly Fragments: Essays on Shakespeare and Performance
by Barbara C. HodgdonGhostly Fragments gathers the essays of the late Barbara C. Hodgdon, a renowned scholar of Shakespeare and performance studies. Her influential publications over thirty years reflected a remarkable intelligence, wit, and originality, as did her lectures and conference papers. Richard Abel and Peter Holland have selected essays that represent the wide sweep of Hodgdon’s scholarship, including unpublished pieces and those from hard-to-access sources. The essays reveal a thinker and writer who grows more self-reflective over time, with a distinctive, engaging, often wryly humorous voice that is accessible even to nonspecialist readers. Following a general introduction by Peter Holland, the book’s five subsections (Teaching Shakespeare, Analyzing Stage Performances, Editing Shakespeare Texts, Analyzing Shakespeare Films, and “Shopping” in the Archives) are introduced in turn by scholars Miriam Gilbert, W.B. Worthen, Margaret Jane Kidnie, Richard Abel, and Pascale Aebischer. Collectively, the pieces confirm the originality and élan of Hodgdon’s thinking and writing over time, and reveal her as a natural essayist and stylist, with a distinctive engaging voice. The collection is unique in not only bringing together so much of Hodgdon's work in one place (with an extensive bibliography of her published work) but also in demonstrating how groundbreaking and influential that work has been in the field.
Ghostly Landscapes
by Patricia M. KellerIn Ghostly Landscapes, Patricia M. Keller analyses the aesthetics of haunting and the relationship between ideology and image production by revisiting twentieth-century Spanish history through the camera's lens. Through its vision she demonstrates how the traumatic losses of the Spanish Civil War and their systematic denial and burial during the fascist dictatorship have constituted fertile territory for the expressions of loss, uncanny return, and untimeliness that characterize the aesthetic presence of the ghost.Examining fascist documentary newsreels, countercultural art films from the Spanish New Wave, and conceptual landscape photographs created since the transition to democracy, Keller reveals how haunting serves to mourn loss, redefine space and history, and confirm the significance of lives and stories previously hidden or erased. Her richly illustrated book constitutes a significant reevaluation of fascist and post-fascist Spanish visual culture and a unique theorization of haunting as an aesthetic register inextricably connected to the visual and the landscape.
Ghosts & Legends of Colorado’s Front Range (Haunted America)
by Cindy BrickStunning natural wonders and bustling cities make Colorado's Front Range one of the country's best places to live, but its rowdy past left some residents unable to quit the state--even in death. Outside Fort Collins, many a startled visitor spies grisly shadows hanging from the notorious Hell Tree. A reputed murderer stalks the Greeley Courthouse near where he was lynched for his alleged crimes. The disembodied heads of two vengeful banditos float through the basement of the Capitol Building in Denver. And the Broadmoor Hotel of Colorado Springs plays nightly host to a mysterious phantom lady. Author Cindy Brick reveals these and more gripping tales of the Front Range's spectral history.
Ghosts and Legends of Nevada's Highway 50 (Haunted America)
by Janice OberdingThe 287-mile stretch of highway that runs east to west across Nevada's desert is billed as the "Loneliest Road in America." But those who explore it find there is plenty to discover along the way in the towns of Austin, Eureka, Ely, Fallon and Fernley. Every one of these places has its own unique history, ghosts and stories to tell. From the sordid lynching of Richard Jennings to the humorous legend about a famous sack of flour, author Janice Oberding treks across Highway 50 seeking spirits and uncovering the tales of Singing Sand Mountain, the Red-Headed Giants, the Giroux Mine Disaster and many more.
Ghosts and Legends of Northeast South Dakota (Haunted America)
by Deborah CuyleGhouls of the Glacial Lakes and Prairie Region Buried in the annals of the region are torrid tales, disasters and the unexplained. At historic Fort Sisseton, the old hanging tree and a phantom buffalo soldier are just a few of its spectral stories. Partygoers from over a century ago still linger at Aberdeen's Easton Castle. De Smet's historic Laura Ingalls Wilder homestead attracts thousands of visitors annually, many unaware of its familial spirts. Locals in Watertown still debate whether the apparition at the Goss Opera House is that of a traveling performer named Annie or murder victim Maud Alexander, who was set on fire by her own son. Victims of a 1940 train wreck between Milbank and Marvin seemingly never left the scene of the accident. And Captain Luff of The Muskegon disaster can be seen mourning on the banks of Big Stone Lake. Author Deborah Cuyle chronicles the area's most fascinating and perplexing lore.
Ghosts of Central Jersey: Historic Haunts of the Somerset Hills (Haunted America Ser.)
by Gordon Thomas WardTour historic sites and buildings in New Jersey—and learn about the spirits that are said to haunt them. Includes photos! Ranging from the shadowed woods of the Somerset Hills to the dappled banks of the Delaware River, Ghosts of Central Jersey delivers a rich mix of factual history and the sound investigation of ghostly phenomena. This collection of reports on local legends and traditional stories informs, entertains, and takes you to places in New Jersey where the past is considered to be very much alive and entwined with the present.
Ghosts of Santa Barbara and the Ojai Valley (Haunted America)
by Evie YbarraStories of spirits, séances, and strange events in Southern California history—photos included! From the Chumash legends of the Dolphins and the Whispering Tree to the ghostly sightings at Sedgwick Reserve, hauntings abound here. In beautiful La Conchita, nightfall reveals dark secrets to anyone who will listen. Sightings of mysterious apparitions are common along Creek Road, considered one of the most haunted highways in California. In the 1800s, Summerland was home to spiritualists who held séances in the Big Yellow House. The Santa Barbara Mission is home to many specters, including the famous Franciscan monk said to roam the cemetery and gardens. Discover these stories and more with author Evie Ybarra as she explores the haunted side of history.
Ghosts of Southwestern Pennsylvania (Haunted America)
by Thomas WhiteThe author of Witches of Pennsylvania and &“Pittsburgh&’s Historian of the Supernatural&” takes on the region&’s folklore, ghost stories, and urban legends (Pittsburgh Downtown Partnership). The ghostly woman of Summit Cut Bridge, a black hound that guards the Gates of Hell and the whispering dead entombed beneath the Black Cross—these are the spirits of southwestern Pennsylvania. Join local author Thomas White as he recounts such chilling stories as that of Revolutionary War witch Moll Derry and the phantom bride of White Rocks and the hair-raising tale of the angry specter of a steel millworker burned alive in a ladle of molten iron. Ascend the secret stairs of the Cathedral of Learning in Pittsburgh and wander the dim stretch of Shades of Death Road in Washington County to encounter the otherworldly denizens of the Keystone State. Includes photos!
Ghosts of Ventura County's Heritage Valley (Haunted America)
by Evie YbarraStrange secrets and eerie tales shadow the idyllic beauty of the Heritage Valley and the meandering Santa Clara River. The spirit of a playful little boy wanders the halls of the historic Glen Tavern Inn, and the ghostly phantom of the real Zorro, Joaquin Murrieta, guards his buried gold in the foothills of Piru. The chilling cries of La Llorona echo along Sespe Creek, and a beast is still reportedly seen loping upright across the countryside near Santa Paula. Outside Fillmore, the Lady in White lingers by the old sycamore tree, sometimes materializing in cars traveling down Highway 126. Author Evie Ybarra recounts spine-tingling tales and local lore from Valencia to Ventura.
Ghosts of the Boothbay Region (Haunted America)
by Greg LatimerThe pine-forested rocky coast from Boothbay to Southport hides dark mysteries and eerie haunts. Meet the ghosts of Mainers past who just could not leave this picturesque shore life, even in death. The soul of a lighthouse keeper's wife seems to linger on Burnt Island. The spirits of the Opera House remain hidden behind the curtain but come out to play when the living are away. One local might even have returned from the grave to greet his neighbors on a brisk spring afternoon. Investigative reporter Greg Latimer takes a journey to the Boothbay region's haunted side, where the ethereal residents are unrestrained by mortal bonds.
Ghosts of the British Museum: A True Story of Colonial Loot and Restless Objects
by Noah Angell'An absorbingly creepy travelogue through the corridors, tunnels and basements of our most famous cultural repository. With Noah Angell as our guide, the British Museum becomes a haunted prison filled with imperial plunder and restless spirits clamouring for attention.' - Malcolm Gaskill, author of The Ruin Of All Witches'Fascinating and illuminating' - Peter Ackroyd'Brilliantly delicate, pointed, shivery... You could read it as a guide to which galleries to avoid - or to where the push for repatriation should be most urgent.' - Erin L. Thompson, professor of art crime at the City University of New York'Achieves a near-impossible marriage between paranormal pop-culture, folklore and hauntology' - Roger Clarke, author of A Natural History of Ghosts'A heady cocktail of history and folklore that leaves a haunting aftertaste... Spine-tingling' - Lindsey Fitzharris, New York Times bestselling author of The FacemakerWhat if the British Museum isn't a carefully ordered cross section of history but is in instead a palatial trophy cabinet of colonial loot - swarming with volatile and errant spirits?When artist and writer Noah Angell first heard murmurs of ghostly sightings at the British Museum he had to find out more. What started as a trickle soon became a deluge as staff old and new - from overnight security to respected curators - brought him testimonies of their supernatural encounters.It became clear that the source of the disturbances was related to the Museum's contents - unquiet objects, holy plunder, and restless human remains protesting their enforced stay within the colonial collection's cabinets and deep underground vaults. According to those who have worked there, the institution is heaving with profound spectral disorder.Ghosts of the British Museum fuses storytelling, folklore and history, digs deep into our imperial past and unmasks the world's oldest national museum as a site of ongoing conflict, where restless objects are held against their will.It now appears that the objects are fighting back.
Ghosts of the British Museum: A True Story of Colonial Loot and Restless Objects
by Noah Angell'An absorbingly creepy travelogue through the corridors, tunnels and basements of our most famous cultural repository. With Noah Angell as our guide, the British Museum becomes a haunted prison filled with imperial plunder and restless spirits clamouring for attention.' - Malcolm Gaskill, author of The Ruin Of All Witches'Fascinating and illuminating' - Peter Ackroyd'Brilliantly delicate, pointed, shivery... You could read it as a guide to which galleries to avoid - or to where the push for repatriation should be most urgent.' - Erin L. Thompson, professor of art crime at the City University of New York'Achieves a near-impossible marriage between paranormal pop-culture, folklore and hauntology' - Roger Clarke, author of A Natural History of Ghosts'A heady cocktail of history and folklore that leaves a haunting aftertaste... Spine-tingling' - Lindsey Fitzharris, New York Times bestselling author of The FacemakerWhat if the British Museum isn't a carefully ordered cross section of history but is in instead a palatial trophy cabinet of colonial loot - swarming with volatile and errant spirits?When artist and writer Noah Angell first heard murmurs of ghostly sightings at the British Museum he had to find out more. What started as a trickle soon became a deluge as staff old and new - from overnight security to respected curators - brought him testimonies of their supernatural encounters.It became clear that the source of the disturbances was related to the Museum's contents - unquiet objects, holy plunder, and restless human remains protesting their enforced stay within the colonial collection's cabinets and deep underground vaults. According to those who have worked there, the institution is heaving with profound spectral disorder.Ghosts of the British Museum fuses storytelling, folklore and history, digs deep into our imperial past and unmasks the world's oldest national museum as a site of ongoing conflict, where restless objects are held against their will.It now appears that the objects are fighting back.
Ghosts of the British Museum: A True Story of Colonial Loot and Restless Objects
by Noah Angell'An absorbingly creepy travelogue through the corridors, tunnels and basements of our most famous cultural repository. With Noah Angell as our guide, the British Museum becomes a haunted prison filled with imperial plunder and restless spirits clamouring for attention.' - Malcolm Gaskill, author of The Ruin Of All Witches'Fascinating and illuminating' - Peter Ackroyd'Brilliantly delicate, pointed, shivery... You could read it as a guide to which galleries to avoid - or to where the push for repatriation should be most urgent.' - Erin L. Thompson, professor of art crime at the City University of New York'Achieves a near-impossible marriage between paranormal pop-culture, folklore and hauntology' - Roger Clarke, author of A Natural History of Ghosts'A heady cocktail of history and folklore that leaves a haunting aftertaste... Spine-tingling' - Lindsey Fitzharris, New York Times bestselling author of The FacemakerWhat if the British Museum isn't a carefully ordered cross section of history but is in instead a palatial trophy cabinet of colonial loot - swarming with volatile and errant spirits?When artist and writer Noah Angell first heard murmurs of ghostly sightings at the British Museum he had to find out more. What started as a trickle soon became a deluge as staff old and new - from overnight security to respected curators - brought him testimonies of their supernatural encounters.It became clear that the source of the disturbances was related to the Museum's contents - unquiet objects, holy plunder, and restless human remains protesting their enforced stay within the colonial collection's cabinets and deep underground vaults. According to those who have worked there, the institution is heaving with profound spectral disorder.Ghosts of the British Museum fuses storytelling, folklore and history, digs deep into our imperial past and unmasks the world's oldest national museum as a site of ongoing conflict, where restless objects are held against their will.It now appears that the objects are fighting back.
Ghouls, Gimmicks, and Gold: Horror Films and the American Movie Business, 1953-1968
by Kevin HeffernanThe Creature from the Black Lagoon, the Tingler, the Mole People--they stalked and oozed into audiences' minds during the era that followed Boris Karloff's Frankenstein and preceded terrors like Freddy Krueger (A Nightmare on Elm Street) and Chucky (Child's Play). Ghouls, Gimmicks, and Gold pulls off the masks and wipes away the slime to reveal how the monsters that frightened audiences in the 1950s and 1960s--and the movies they crawled and staggered through--reflected fundamental changes in the film industry. Providing the first economic history of the horror film, Kevin Heffernan shows how the production, distribution, and exhibition of horror movies changed as the studio era gave way to the conglomeration of New Hollywood. Heffernan argues that major cultural and economic shifts in the production and reception of horror films began at the time of the 3-d film cycle of 1953-54 and ended with the 1968 adoption of the Motion Picture Association of America's ratings system and the subsequent development of the adult horror movie--epitomized by Rosemary's Baby. He describes how this period presented a number of daunting challenges for movie exhibitors: the high costs of technological upgrade, competition with television, declining movie attendance, and a diminishing number of annual releases from the major movie studios. He explains that the production and distribution branches of the movie industry responded to these trends by cultivating a youth audience, co-producing features with the film industries of Europe and Asia, selling films to television, and intensifying representations of sex and violence. Shining through Ghouls, Gimmicks, and Gold is the delight of the true horror movie buff, the fan thrilled to find The Brain that Wouldn't Die on television at 3 am.
Giacometti: A Biography
by James LordThe work of one of the towering creative spirits of the century, Alberto Giacometti's visionary sculptures and paintings from a testament to the artist's intriguing life story. From modest beginnings in a Swiss village, Giacometti went on to flourish in the picturesque milieu of prewar Paris and then to achieve international acclaim in the fifties and sixties. Picasso, Balthus, Samuel Beckett, Stravinsky and Sartre have parts in his story, along with flamboyant art dealers, whores, shady drifters, unscrupulous collectors, poets and thieves. Women were a complex yet important element of his life--particularly his wife, Annette, and his last mistress and model, Caroline--as was the intimate relationship he shared with his brother Diego, who was both Alberto's confidant and collaborator.James Lord was personally acquainted with Giacometti and his entourage, and combines firsthand experience with a unique knowledge gathered during many years of observation and research. In this exceptional biography Lord unfolds the personal history of a man who managed to achieve a heroic destiny by remaining utterly true to himself and to his calling.Giacometti: A Biography was nominated for the National Book Critics Circle Award. James Lord has subsequently published three volumes of memoirs. In recognition of his contribution to French culture he has been made an officer of the Legion of Honour.
Giallo!: Genre, Modernity, and Detection in Italian Horror Cinema (SUNY series, Horizons of Cinema)
by Alexia KannasItalian giallo films have a peculiar allure. Taking their name from the Italian for "yellow"— reflecting the covers of pulp crime novels—these genre movies were principally produced between 1960 and the late 1970s. These cinematic hybrids of crime, horror, and detection are characterized by elaborate set-piece murders, lurid aesthetics, and experimental soundtracks. Using critical frameworks drawn from genre theory, reception studies, and cultural studies, Giallo! traces this historically marginalized genre's journey from Italian cinemas to the global cult-film canon. Through close textual analysis of films including The Girl Who Knew Too Much (1963), Blood and Black Lace (1964), The Bird with the Crystal Plumage (1970), The Black Belly of the Tarantula (1971), and The Case of the Bloody Iris (1972), Alexia Kannas considers the rendering of urban space in the giallo and how it expresses a complex and unsettling critique of late modernity.
Giambattista Bodoni: His Life And His World
by Valerie LesterThis is the first English-language biography of the relentlessly ambitious and incomparably talented printer Giambattista Bodoni (1740-1813). Born to a printing family in the small foothill town of Saluzzo, he left his comfortable life to travel to Rome in 1758 where he served as an apprentice of Cardinal Spinelli at the Propaganda Fide press. There, under the sponsorship of Ruggieri, he learned all aspects of the printing craft. Even then, his real talent lay in type design and punchcutting, especially of the exotic foreign alphabets needed by the papal office to spread the faith. His life changed when at age 28 he was invited by the Duke of Parma to abandon Rome for that very French city to establish and direct the ducal press. He remained in Parma, overseeing a vast variety of printing, some of it pedestrian, but much of it glorious. And all of it making use of the typefaces he personally designed and engraved. This fine book goes beyond Bodoni's capacity as a printer; it examines the life and times in which he lived, the turbulent and always fragile political climate, the fascinating cast of characters that enlivened the ducal court, the impressive list of visitors making the pilgrimage to Parma, and the unique position Parma occupied, politically Italian but very much French in terms of taste and culture. Even the food gets its due. The illustrations—of the city, of the press, of the types and matrices—are captivating, but most striking are the pages from the books he designed, especially pages from his typographic masterpiece, the Manuale Tipografico, which displayed the myriad typefaces in multiple sizes that Bodoni had designed and engraved over a long and prolific career. Intriguing, scholarly, visually arresting, and designed and printed to Bodoni's standards, this title belongs on the shelf of any self-respecting bibliophile. It not only makes for compelling reading, it will be considered the biography of record of a great printer for years to come.
Giambologna: Narrator of the Catholic Reformation (California Studies in the History of Art #33)
by Mary Weitzel GibbonsThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1995.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived</DIV
Gian Francesco Malipiero: The Life, Times and Music of a Wayward Genius (Contemporary Music Studies #Vol. 17)
by John C. WaterhouseIn recent years Gian Francesco Malipiero has been recognised increasingly widely as one of the most original and strangely fascinating Italian composers of the early 20th century. He was the teacher of Maderna and Nono, and was revered by (among many others) Dallapiccola, who even called him the most important (musical) personality that Italy has had since the death of Verdi . He was also a key figure in the revival of the long- neglected music of Italy's great past, and himself edited what remains the only virtually complete edition of the surviving compositions of Monteverdi. The present book not only provides the first monographic survey of Malipiero's life, times and music to appear in English, but covers the subject more comprehensively than any previous publication in any language. Dr Waterhouse draws on hitherto unpublished documents, and with the help of numerous musical examples, analyses the composer's works, style and idiosyncratic personality.
Giant Love: Edna Ferber, Her Best-selling Novel of Texas, and the Making of a Classic American Film
by Julie GilbertTHE NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE • A book that explores the great American novelist and playwright Edna Ferber, winner of the Pulitzer Prize for Ficton, whose work was made into many Academy Award-winning movies; the writing of her controversial, international best-selling novel about Texas, and the making of George Stevens&’ Academy Award winning epic film of the same name, Giant.The stupendous publication of Edna Ferber's Giant in 1952 set off a storm of protest over the novel's portrayal of Texas manners, money and mores with oil-rich Texans threatening to shoot, lynch or ban Ferber from ever entering the state again.In Giant Love, Julie Gilbert writes of the internationally best-selling Ferber, one of the most widely read writers in the first half of the 20th Century – her evolution from mid-west maverick girl-reporter to Pulitzer Prize winning, beloved American novelist, from her want-to-be actress days to becoming Broadway's acclaimed prize-winning playwright whose collaborators – George S. Kauffman and Moss Hart, among them, were, along with Ferber, herself, the most successful playwrights of their time.Here is the making of an American classic novel and the film that followed in its wake. We see how George Stevens, Academy-Award winning director, wooed the prickly, stubborn Ferber, ultimately getting her to agree to everything including writing, for the first time ever, a draft of a screenplay, to her okaying James Dean for the part of the ranch hand, Jett Rink, something she was dead set against.Here is the casting of Elizabeth Taylor, Rock Hudson, James Dean and their backstory triangle of sex and seduction – each becoming a huge star because of the film; the frustrated Stevens trying to direct the instinctive but undisciplined Dean, and the months long landmark filming in the sleepy town of Marfa, Texas, suddenly invaded by a battalion of a film crew and some of the biggest stars in the rising celebrity culture.
Giant: Elizabeth Taylor, Rock Hudson, James Dean, Edna Ferber, and the Making of a Legendary American Film
by Don GrahamA larger-than-life narrative of the making of the classic film, marking the rise of America as a superpower, the ascent of Hollywood celebrity, and the flowering of Texas culture as mythology.Featuring James Dean, Rock Hudson, and Elizabeth Taylor, Giant is an epic film of fame and materialism, based around the discovery of oil at Spindletop and the establishment of the King Ranch of south Texas. Isolating his star cast in the wilds of West Texas, director George Stevens brought together a volatile mix of egos, insecurities, sexual proclivities, and talent. Stevens knew he was overwhelmed with Hudson’s promiscuity, Taylor’s high diva-dom, and Dean’s egotistical eccentricity. Yet he coaxed performances out of them that made cinematic history, winning Stevens the Academy Award for Best Director and garnering nine other nominations, including a nomination for Best Actor for James Dean, who died before the film was finished. In this compelling and impeccably researched narrative history of the making of the film, Don Graham chronicles the stories of Stevens, whose trauma in World War II intensified his ambition to make films that would tell the story of America; Edna Ferber, a considerable literary celebrity, who meets her match in the imposing Robert Kleberg, proprietor of the vast King Ranch; and Glenn McCarthy, an American oil tycoon; and Errol Flynn lookalike with a taste for Hollywood. Drawing on archival sources Graham’s Giant is a comprehensive depiction of the film’s production showing readers how reality became fiction and fiction became cinema.
Gibbs' Book of Architecture: An Eighteenth-Century Classic
by James GibbsOne of England's most respected and influential architects, James Gibbs was born in Scotland, studied in Rome, and left a legacy of design the world will treasure forever. His legendary 1728 folio, a sprawling gallery of Gibbs's magnificent drawings, perspectives, and blueprints, is a brilliant testimony to his remarkable talent. Profusely illustrated, the volume features such notable commissions as London's St. Martin in the Fields -- the inspiration for many steeple churches of the colonial period in America; St. Mary le Strand, his first public building; Marybone Chapel; The Church of Allhallows in Derby; plus Gibbs's first commission, an addition for King's College at Cambridge. His most outstanding accomplishment may be the circular Radcliffe Library at Oxford, for which he received a Master of Arts. Also included here are detailed floor plans, plus fine drawings of decorative marble cisterns, ornamental iron gates, stately funeral monuments, and much more. Essential for an understanding of classic architecture, this stunning edition should grace the bookshelf of every architect, as well as architectural students, teachers, and historians.
Gidget: Origins of a Teen Girl Transmedia Franchise (Cinema and Youth Cultures)
by Pamela Robertson WojcikGidget: Origins of a Teen Girl Transmedia Franchise examines the multiplicity of books, films, TV shows, and merchandise that make up the transmedia Gidget universe from the late 1950s to the 1980s. The book examines the Gidget phenomenon as an early and unique teen girl franchise that expands understanding of both teen girlhood and transmedia storytelling. It locates the film as existing at the historical intersection of numerous discourses and events, including the emergence of surf culture and surf films; the rise of California as signifier of modernity and as the epicentre of white American middle-class teen culture; the annexation of Hawaii; the invention of Barbie; and Hollywood’s reluctant acceptance of teen culture and teen audiences. Each chapter places the Gidget text in context, looking at production and reception circumstances and intertexts such as the novels of Françoise Sagan, the Tammy series, La Dolce Vita, and The Patty Duke Show, to better understand Gidget’s meaning at different points in time. This book explores many aspects of Gidget, providing an invaluable insight into this iconic franchise for students and researchers in film studies, feminist media studies, and youth culture.