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Glencoe Exploring Art
by Mcgraw-Hill Staff Rosalind Ragans Gene MittlerA media approach that builds art appreciation Exploring Art gives students insights into the ways artists are inspired, and the reasons they choose particular media to realize their artistic visions. From drawing and painting to architecture, graphic design, and photography, the chapters interweave compelling lessons on elements and principles of art, art history, and criticism with opportunities for studio production.
Glencoe Exploring Theatre
by Nancy Prince Jeanie JacksonExploring Theatre focuses on the development of the total student, which includes developing personal resources, self-confidence, the ability to work well with others, and a life-long appreciation of theater; learning to bolster self-concepts, build an ensemble, observe people and places more closely, move expressively, and become more aware of the senses; learning basic acting skills such as improvisation, characterization, role preparation, and stage movement; exploring a range of career or avocational opportunities in theater and theater education; understanding the various aspects of the production process; and studying special topics such as storytelling, clowning, oral interpretation, readers theater, and puppetry. This text is an ideal introductory theater text for both middle and high school.
Glencoe Mill Village (Images of America)
by Don BoldenThe Glencoe Cotton Mill and its village have a story very similar to that of other 19th- and 20th-century mill communities across the South. The mill operated from 1880 until 1954, and its employees lived in mill houses and shopped at the company store. After it closed, the community faded into vacant houses, rutted streets, and weed-covered properties. Unlike other mills, however, Glencoe found a spark of new life. People interested in its history--headed by Graham resident Sarah Rhyne--joined together to see the property declared a national historic site. Work reclaimed the mill and preserved it for the future. Preservation North Carolina helped, as did a number of individuals from the area, and life returned. Many of the mill houses have been purchased and restored and are now home to a new generation of residents. The Textile Heritage Museum occupies the old office-store building and, with its displays, shows the history of Glencoe and southern textiles in general.
Glencoe Theatre: Art in Action
by Robert D. Strickland Robert D. TaylorTheatre: Art in Action teaches theater through hands-on performance-based exercises that have students assume the roles of actor, director, designer, technician, producer, stage crew, publicist, etc., to gain an appreciation for and understanding of theater as an art form, today and through history.
Glencoe Understanding Art
by Rosalind Ragans Gene MittlerA Journey through the stimulating history of art. With this chronological/historical approach to art, your students will understand how historical, political, geographical, social, and religious events shape each culture's art and makes it unique. The traditions of Western Europe are examined along with those of China, Japan, India, Native America, and Africa.
Glencoe, Illinois
by Glencoe Historical Society Ellen Kettler Paseltiner Ellen ShubartGlencoe, Illinois, "Queen of Suburbs," has long been heralded as an idyllic place to live. Situated on Lake Michigan in the heart of Chicago's North Shore, Glencoe was first settled in 1835 by Anson Taylor, a young storekeeper. Glencoe began to thrive thanks to one of its famous early residents, Walter Gurnee, president of the Chicago and Milwaukee Railroad. Gurnee moved to Glencoe in the mid-1850s and in 1855 established a railroad stop across the street from his home. His presence accounts for the town's accessibility and nucleus, but it was the vision of Dr. Alexander Hammond, who arrived in Glencoe in 1867, that helped to shape it into the model suburban town it has become. It is the people of the past and present who are at the heart of this community. This collection of over 200 images captures the heart and spirit of this all-American suburb, from the village's founding and early history as a farming community and utopian settlement to the annual Fourth of July parades that continue to trumpet through the town's center.
Glendale
by Ralph F. BradyGlendale, New York, lies just six miles from the center of the bustling metropolis of New York City but has always managed to retain its rural charm since its beginning. Taking its name from Glendale, Ohio, the town began with the unlikely occurrence of a piece of land changing hands in payment of a debt in the mid-1800s. Development of the land was slow in comparison to the surrounding communities, and many of the unoccupied parcels were bought up by people interested in building picnic parks and other types of recreational areas. Around that same time, a New York state law banned the construction of any more cemeteries in Manhattan, so Glendale's available land became equally attractive for this type of development. Glendale takes a journey back in time to the picnic parks, German biergartens, and early industries that took this community far from its origins as a farming town.
Glendale (Images of America)
by Carol J. St. Clair Charles S. St. ClairEstablished in 1892, nine miles northwest of Phoenix in the Salt River Valley of Arizona, Glendale at first attracted farmers with strong Protestant religious convictions. Soon, however, others began to settle in the town and on the rich farmlands of the area. Although predominantly Anglos, the settlers that came in the latter 1890s and early decades of the 1900s included various ethnic minorities. Each group had a significant role in the city's development into an important agricultural center that shipped produce all over the country. World War II and its influx of servicemen to train at Glendale's Luke and Thunderbird airfields brought permanent changes to Glendale. The population doubled and doubled again and again. Today the city-Arizona's fourth largest-is a metropolitan area of 59 square miles and close to 250,000 people. This volume offers windows to understanding the growth and development of Glendale over the years.
Glendive (Images of America)
by Dr R. Booker JrGlendive was founded in the early 1880s, and its growth was promoted and sustained by the Northern Pacific Railroad. Legend holds that Sir George Gore, on a hunting expedition with famed mountain man Jim Bridger, named a creek in the area Glendale Creek after a similar one in his native County Donegal, Ireland. Over the years, the word "Glendale" somehow transformed into "Glendive." Prior to the arrival of European Americans, indigenous peoples, including the Crow and the Lakota Sioux, called the area home. The arrival of the Northern Pacific in 1881, along with the passage of the Enlarged Homestead Act in 1909, lured people from America and abroad to this isolated region to pursue their version of the American dream.
Glenhill Farm: The History of a Family Estate, as Revealed in the Correspondence Between Brognard Okie and Ernst and Mary Behrend
by Richard L. HartBy 1930, having developed a highly successful business, the innovative paper manufacturer Ernst Behrend and his wife Mary purchased a number of existing houses and farms to give them sufficient acreage to create a large estate. In 1948 this property became a campus of Penn State University. Known as Penn State Behrend, to this day it retains the original buildings at the historic center of the campus.Based on archival materials, including copious letters between the Behrends and their Philadelphia architect, R. Brognard Okie, this book recounts the planning and development of a unique residence as the country headed into the Great Depression. Letters between the key figures give the reader a glimpse into their thoughts and concerns, including the selection of an architect, the choice of an architectural style, issues involved in planning the estate, and the features and design of the buildings that were constructed or modified. Vintage and modern photographs help convey the nature of the buildings that Okie designed as well as a sense of the Behrends’ lifestyle in the 1930s.An absorbing microhistory of what is now Behrend College, Glenhill Farm provides a window onto a period when new money from industry supported lavish lifestyles, and it reveals how this particular project, conceived and constructed during the Great Depression, was affected by its extraordinary economic circumstances.
Glenhill Farm: The History of a Family Estate, as Revealed in the Correspondence Between Brognard Okie and Ernst and Mary Behrend
by Richard L. HartBy 1930, having developed a highly successful business, the innovative paper manufacturer Ernst Behrend and his wife Mary purchased a number of existing houses and farms to give them sufficient acreage to create a large estate. In 1948 this property became a campus of Penn State University. Known as Penn State Behrend, to this day it retains the original buildings at the historic center of the campus.Based on archival materials, including copious letters between the Behrends and their Philadelphia architect, R. Brognard Okie, this book recounts the planning and development of a unique residence as the country headed into the Great Depression. Letters between the key figures give the reader a glimpse into their thoughts and concerns, including the selection of an architect, the choice of an architectural style, issues involved in planning the estate, and the features and design of the buildings that were constructed or modified. Vintage and modern photographs help convey the nature of the buildings that Okie designed as well as a sense of the Behrends’ lifestyle in the 1930s.An absorbing microhistory of what is now Behrend College, Glenhill Farm provides a window onto a period when new money from industry supported lavish lifestyles, and it reveals how this particular project, conceived and constructed during the Great Depression, was affected by its extraordinary economic circumstances.
Glenn County
by Anna CanonA brief look into the history of Glenn County will show you that Glenn County was created out of the northern portion of Colusa County on March 11, 1891, and was named after the prominent wheat farmer known as the "Wheat King of the World," Dr. Hugh J. Glenn. A more in-depth look at the formation of Glenn County will show that its separation from Colusa County created a fierce contest among the people of those counties. Trains filled with hundreds of citizens traveled to Sacramento to lobby the governor; a few people were even hired from outside of the county to vote for the separation. There are reports that guns were brought to the courthouse for the first election of Glenn County officials in May 1891. To this day, there remains an air of discontent between the two counties.
Glenn H. Curtiss: Aviation Pioneer (Images of Aviation)
by Kirk W. House Charles R. MitchellGlenn Curtiss beat even the Wright brothers (who sued him bitterly) to get pilot's license No. 1 in America. He teamed with Alexander Graham Bell, helped develop the moving wing part known as the aileron, introduced tricycle landing gear, made the first airplane sales, and turned aeronautics into a multimillion dollar business. His innovations ranged from the Curtiss Pusher to the hydroaeroplane, the flying boat, and the Curtiss Jenny. Curtiss, his engines, and his airplanes dominated the world of early aviation on this side of the Atlantic. Glenn H. Curtiss: Aviation Pioneer charts Curtiss's breakneck course across two continents, North America and Europe, setting speed and distance records, experimenting with military applications, always striving for a safer, faster airplane. Fostering both water flyers and shipboard landing, he became the Father of Naval Aviation. But even the skies were not wide enough for the busy brain of Curtiss. Glenn H. Curtiss: Aviation Pioneer also tracks his dizzying ride from a village bicycle shop to record-smashing motorcycle races, futuristic travel trailers, and city building in the Florida land boom.
Glenn Ligon: Untitled (I Am a Man) (Afterall Books / One Work)
by Gregg BordowitzAn illustrated examination of Glenn Ligon's iconic Untitled (I Am a Man) (1988)—a quotation, an appropriated text turned into an artifact.The iconic work Untitled (I Am a Man) (1988) by the important contemporary American artist Glenn Ligon is a quotation, an appropriated text turned into an artifact. The National Gallery of Art in Washington presents the work as a “representation—a signifier—of the actual signs carried by 1,300 striking African American sanitation workers in Memphis, made famous by Ernest Withers' 1968 photographs.” In this illustrated study of the work, Gregg Bordowitz takes the National Gallery's presentation as his starting point, considering the museum's juxtaposition of Untitled (I Am a Man) and the ca. 1935 sculpture, Schoolteacher, by William Edmondson, and the relation of the two terms, “markers” and “signs.”After closely examining the canvas itself, its textures, brushwork, and structure, Bordowitz presents a theoretical framework that draws on the work of American philosopher Charles Sanders Peirce and his theory of Firstness, Secondness, and Thirdness. He makes a case for Thirdness as a function, operation, or law of meaning-making, not limited by the gender, age, ethnicity, race, class, or personal history of the viewer. Bordowitz goes on to examine Ligon's work in terms of the representation of self, race, and gender, focusing on three series: Profile Series (1990–91), Narratives, and Runaways (both 1993). He cites such historical figures as Sojourner Truth and her famous 1851 speech, “Ain't I a Woman?” as well as influences ranging from Bo Diddley's 1955 song, “I'm a Man” to the cultural theories of Stuart Hall.
Glennville (Images of America)
by Glennville-Tattnall MuseumThe area that would become modern Glennville was first opened to settlement in 1773. In the early decades of the 19th century, settlers converged around the intersection of Hencart Road and Reidsville-Johnston's Station Road. The community that grew around this intersection came to be known as Philadelphia--a name it would hold until 1889, when the village's first post office was established. The village was then renamed after a prominent schoolteacher and minister, Glenn Thompson, who was instrumental in securing the post office for the village. Glennville was incorporated as a town in 1894 and continued to grow remarkably through the coming decades until it became the commercial and agricultural hub of Tattnall County.
Glens Falls People and Places
by Gwen Palmer Stan Malecki Bob Bayle Lillian CasolaThe name Glens Falls went through a series of changes, beginning simply as "the Corners," after a bend in the road from a major military installation in Fort Edward. In the 1700s, it was known as Wing's Falls, and later Pearlville, Pearl Village, and Glenn's Falls; but by the middle of the 1800s, it was determined to be Glens Falls, one of the wealthiest villages in the state. It was the people who settled in the town that helped to shape it. The lumber barons provided the financial backing to begin banking and insurance institutions and served as officers of every major business and governmental agency in town. Glens Falls People and Places covers the lives of the prosperous and preposterous people and their contributions to the city's development through the 20th century.
Glens Falls: People And Places (Images of America)
by Gwen Palmer Stan Malecki Bob BayleGlens Falls presents a photographic essay of a community on the Hudson River, midway between Saratoga Springs and Lake George. The book spans the years from 1860 to 1925, when Glens Falls was reaching its peak in economic, social, political, and cultural growth. Depicted in stunning images are the city's simple beginnings, the days of dirt roads traveled by horse and buggy, and its cultural emergence with opera houses, exquisite mansions, and public transportation. Clearly portrayed are the educational, religious, business, and recreational opportunities of the time.
Glenshaw (Images of America)
by Violet F. RoweCaptivating and entertaining, this new collection of historic images brings to life the past of Glenshaw, Pennsylvania, focusing on the period between the mid-1800s to the 1940s. With insightful captions and breathtaking images, readers are introduced to many of the early residents who shaped the future of this area of Shaler Township, and we are transported back in time to see early homes and places of work, play, worship, and education. In 1800, John Shaw Sr. purchased 600 acres of land just 8 miles north of the city of Pittsburgh. He built a log sawmill to prepare lumber for his home, and later built a log gristmill which stood until 1845 when his son replacedit with a larger mill. The new mill stood on property across from the local school, and the area became known as "Shaw's Glen. During the period covered in this book, Shaler Township, incorporated in 1837, grew from a quiet milltown of just 2,000 residents to a bustling suburb of the Steel City. Today, over 33,000 people call this area home.
Glenview
by Beverly Roberts DawsonFollowing the signing of the treaty of 1833, which required that local Potawatomi tribes relocate west of the Mississippi River, European settlers began to arrive in the area now called Glenview. Primarily of English and German origin, they established farms and trading posts. The Great Chicago Fire of 1871 had a profound effect on the hamlet. Lumber from the forests of Wisconsin used to rebuild the city was moved from the north via rail. By 1872, the Chicago, Milwaukee, St. Paul and Pacific Railroad laid the first set of tracks from Wisconsin to Chicago; the line brought prosperity to local residents. In 1899, the village was incorporated. The first mayor, Hugh Burnham, a nephew of Chicago architect Daniel Burnham, is credited with its name--Glen View. The community evolved into a mosaic of truck farms, major industry, small businesses, country clubs, polo fields, entrepreneurs, and colorful characters. Glenview maintained its ambiance as a "village of homes and gardens" until the latter years of the 20th century.
Glenville
by Schenectady County Historical SocietyGlenville recounts the rich and varied history of the town on the north side of the Mohawk River that crowns Schenectady County. Long before it became an incorporated town, Glenville was the site of the last great struggles between the Mohawk and Mohican Indians for control of the Mohawk Valley, the region's first European settlement (1661), and numerous raids and encampments during the colonial wars of the 18th century. From farming to factories and railroads to roadhouses, Glenville is a compelling look at the architecture, culture, industry, and economic forces integral to the lives of residents past, present, and future.
Glimpses of the New Creation: Worship and the Formative Power of the Arts
by Jeremy Begbie W. David O. TaylorHow do the arts in worship form individuals and communities?Every choice of art in worship opens up and closes down possibilities for the formation of our humanity. Every practice of music, every decision about language, every use of our bodies, every approach to visual media or church buildings forms our desires, shapes our imaginations, habituates our emotional instincts, and reconfigures our identity as Christians in contextually meaningful ways, generating thereby a sense of the triune God and of our place in the world.Glimpses of the New Creation argues that the arts form us in worship by bringing us into intentional and intensive participation in the aesthetic aspect of our humanity—that is, our physical, emotional, imaginative, and metaphorical capacities. In so doing they invite the people of God to be conformed to Christ and to participate in the praise of Christ and in the praise of creation, which by the Spirit&’s power raises its peculiar voice to the Father in heaven, for the sake of the world that God so loves.
Glimpses of the New Creation: Worship and the Formative Power of the Arts
by Jeremy Begbie W. David TaylorHow do the arts in worship form individuals and communities?Every choice of art in worship opens up and closes down possibilities for the formation of our humanity. Every practice of music, every decision about language, every use of our bodies, every approach to visual media or church buildings forms our desires, shapes our imaginations, habituates our emotional instincts, and reconfigures our identity as Christians in contextually meaningful ways, generating thereby a sense of the triune God and of our place in the world.Glimpses of the New Creation argues that the arts form us in worship by bringing us into intentional and intensive participation in the aesthetic aspect of our humanity—that is, our physical, emotional, imaginative, and metaphorical capacities. In so doing they invite the people of God to be conformed to Christ and to participate in the praise of Christ and in the praise of creation, which by the Spirit’s power raises its peculiar voice to the Father in heaven, for the sake of the world that God so loves.
Glitch Art in Theory and Practice: Critical Failures and Post-Digital Aesthetics
by Michael BetancourtGlitch Art in Theory and Practice: Critical Failures and Post-Digital Aesthetics explores the concept of "glitch" alongside contemporary digital political economy to develop a general theory of critical media using glitch as a case study and model, focusing specifically on examples of digital art and aesthetics. While prior literature on glitch practice in visual arts has been divided between historical discussions and social-political analyses, this work provides a rigorous, contemporary theoretical foundation and framework.
Glitch Feminism: A Manifesto
by Legacy RussellA new manifesto for cyberfeminismThe divide between the digital and the real world no longer exists: we are connected all the time. How do we find out who we are within this digital era? Where do we create the space to explore our identity? How can we come together and create solidarity? The glitch is often dismissed as an error, a faulty overlaying, but, as Legacy Russell shows, liberation can be found within the fissures between gender, technology and the body that it creates. The glitch offers the opportunity for us to perform and transform ourselves in an infinite variety of identities. In Glitch Feminism, Russell makes a series of radical demands through memoir, art and critical theory, and the work of contemporary artists who have travelled through the glitch in their work. Timely and provocative, Glitch Feminism shows how the error can be a revolution.
Glitchy Vision: A Feminist History of the Social Photo
by Amanda K. GreeneA novel exploration of popular photographic media cultures in 1930s Europe through a feminist lens—and how visual social media changes what it means to be human both then and now.Glitchy Vision takes a feminist approach to media history to examine how photographic social media cultures change human bodies and the experience of being human. To illuminate these glitches, Greene focuses on the inevitable distortions that arise from looking at the past through the lens of the present. Treating these distortions as tools as opposed to obstacles, Greene uncovers new ways of viewing social media cultures of the past, while also revealing parallels between historical contexts and our contemporary digital media environment.Greene uses three &“born-digital keywords&”—real time, algorithmic filters, and sousveillance—to examine photographic media environments in and around 1930s Europe. Each chapter of the book places one of the keywords in dialogue with an unconventional archive of popular &“feminized&” cultural artifacts and technological innovations from this historical moment that have been overlooked as critical resources for media studies: Evelyn Waugh&’s bestselling novel Vile Bodies (1930) and photographic reproductions for the tabloid press; Lee Miller&’s war photography for British Vogue and glamourous photo-retouching techniques; and the Mass-Observation Movement&’s surrealist anthropology.Glitchy Vision provides new strategies for reading history that show how small shifts in the circuits that connect bodies and media affect what it means to be human both in the past and today.