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Great Yachts of Long Island's North Shore
by Robert B. MackayAt the turn of the 20th century, Long Island's North Shore, the so-called Gold Coast, was becoming the most desirable residential area in the United States. Estates belonging to American captains of finance and industry lined the bluffs and bays from the city line to Eaton's Neck. Some of the nation's most renowned families--including the Astors, Bakers, Huttons, Morgans, Pratts, Sloans, Roosevelts, Whitneys, and Vanderbilts--used their yachts for racing, cruising, commuting, or epic voyages. These vessels regularly plied the waters of the North Shore and bolstered the development of yacht clubs like the New York and Seawanhaka Corinthian--city institutions that established stations at Glen Cove and Centre Island, respectively. These clubs served to provide many outlets for the social gatherings that accompanied this pastime. Although the Great Depression and then World War II would bring the era of the great yachts to an end, a wealth of images remain that can be marveled at a century later.
Greater Atlanta: Black Satire after Obama
by Derek C. Maus and James J. DonahueContributions by GerShun Avilez, Lola Boorman, Thomas Britt, John Brooks, Phillip James Martinez Cortes, Derek DiMatteo, Tikenya Foster-Singletary, Alexandra Glavanakova, Erica-Brittany Horhn, Matthias Klestil, Abigail Jinju Lee, Derek C. Maus, Danielle Fuentes Morgan, Derek Conrad Murray, Kinohi Nishikawa, Sarah O'Brien, Keyana Parks, and Emily Ruth RutterThe seventeen essays in Greater Atlanta: Black Satire after Obama collectively argue that in the years after the widespread hopefulness surrounding Barack Obama’s election as president waned, Black satire began to reveal a profound shift in US culture. Using the four seasons of the FX television show Atlanta (2016–22) as a springboard, the collection examines more than a dozen novels, films, and television shows that together reveal the ways in which Black satire has developed in response to contemporary cultural dynamics. Contributors reveal increased scorn toward self-proclaimed allies in the existential struggle still facing African Americans today.Having started its production within a few weeks of Donald Trump’s (in)famous escalator ride in 2015, Atlanta in many ways is the perfect commentary on the absurdities of the contemporary cultural moment. The series exemplifies a significant development in contemporary Black satire, which largely eschews expectations of reform and instead offers an exasperated self-affirmation that echoes the declaration that Black Lives Matter.Given anti-Black racism’s lengthy history, overt stimuli for outrage have predictably commanded African American satirists’ attention through the years. However, more recent works emphasize the willful ignorance underlying that history. As the volume shows, this has led to the exposure of performative allyship, virtue signaling, slacktivism, and other duplicitous forms of purported support as empty, oblivious gestures that ultimately harm African Americans as grievously as unconcealed bigotry.
Greater Boston Community Theater
by Judson Lee PierceThe roots of community theater can be traced back to before the Revolutionary War. In the years that followed, many towns throughout America were fortunate to have both professional and amateur acting companies. The evolution of the moving picture forced many of these professional theaters to close their doors, but theater lovers in small communities still wanted the real thing, live theater. Today there are numerous community theater groups around the Boston area, including the oldest continuing community theater group in the country, the Footlight Club, which was founded in 1877. In the spirit of community, many theater companies donate to charities and sponsor playwriting contests and scholarship programs. They all share a common goal: bring live theater to suburban communities. Greater Boston Community Theater presents rare photographs from more than a dozen community theaters to document and celebrate the rich tapestry of theater life.
Greater Erie Trolleys
by Kenneth C. SpringirthWhen the first electric trolley car entered service in Erie in 1889, it revolutionized public transportation in the region. Within a few years, Erie became a major trolley hub linking the eastern and central United States. With the exception of a 15-mile gap at Little Falls, one could travel from New York City to Chicago via Erie. Greater Erie Trolleys covers the network of trolley lines that operated between Erie, Conneaut, Buffalo, and Meadville. Greater Erie Trolleys illustrates the vital role trolley cars played in the expansion of the urban population. It documents the beginning of pleasure travel with photographs of the special trolley car excursions from Erie to Elk Park for picnics, dances, and sporting events. Ridership began to decline just as the automobile came on the scene and dirt roads became paved highways. Eventually the lines were abandoned, but the trolleys left an important mark in transportation history.
Greater Harrisburg's Jewish Community (Images of America)
by Simon J. BronnerThe Jewish community of Greater Harrisburg became established after 1825, mostly by German immigrants who took up peddling and clothing trades. They were attracted inland from East Coast cities to Harrisburg, the growing upriver hub of trade that became Pennsylvania's state capital in 1812. The community grew to 600 residents by the end of the 19th century and drew attention for a level of civic engagement well beyond that of comparably sized settlements. Immigration from eastern Europe in the early 20th century contributed to a tenfold increase of the Jewish population and a changing ethnic and commercial profile. In the years that followed, the community added an impressive range of institutions and continued to have a reputation for activism. Emerging as the hub of Jewish life in central Pennsylvania, the community produced internationally renowned figures in Jewish affairs, business, and arts.
Greater Hartford Firefighting (Images of America)
by The Connecticut Fire MuseumThe Hartford area has a rich history of firefighting, beginning with the bucket brigades of early colonial history. As devastating blazes razed many key buildings and entire neighborhoods, these small teams developed into large volunteer groups. The city finally realized that paid fire departments were needed, and the modern firefighting world bloomed with technological advances in equipment and procedures. The evolution of these brave firefighting groups is richly chronicled in Greater Hartford Firefighting.
Greater Rochester: A Century of Progress (Postcard History)
by Michael LeavyGreater Rochester: A Century of Progress presents the glory years of Rochester in more than two hundred stunning images, beautifully crafted by photographers, engravers, lithographers, and illustrators. It reveals how pioneers built a wilderness town around a river and waterfalls, and how it grew into a truly unique American city. It recognizes the great contributions of courageous individuals who advanced their issues and improved their communities, among them Frederick Douglass, Susan B. Anthony, and George Eastman, and the marvels of the day-the hotels, bridges, canals, railroads, and other accomplishments.
Greater Roland Park
by Douglas P. MunroDeveloper Edward Bouton revolutionized American life with the creation of Roland Park, one of the country's first "streetcar suburbs," located in Baltimore, Maryland. Unlike many late-19th-century suburbs, Roland Park is well preserved, and many would consider it a late-Victorian version of Colonial Williamsburg. In the 20th century, Bouton also created Roland Park's sister developments: Guilford, Homeland, and Original Northwood. The latter two were developed after the heyday of the streetcar; in contrast, Roland Park without streetcars would have been unthinkable. Even now, trolley memories abound in the form of surviving old trackage and waiting shelters. Greater Roland Park explores the development of the suburb and its neighbors: Embla Park, Evergreen, Keswick, Lake Falls, Lake Roland, New North Roland Park, The Orchards, Poplar Hill, and Tuxedo Park.
Greater Wyoming Valley Trolleys
by Harrison WickThe Wyoming Valley is nestled among the Endless Mountains in Luzerne County with the scenic Susquehanna River meandering through it. Best known for its rich deposits of anthracite coal, the Wyoming Valley was first colonized by Connecticut settlers in 1769. Electric trolleys served many urban centers in Pennsylvania. Trolley service in the Wyoming Valley started in 1888 and lasted for more than 60 years. Trolley lines went through the boroughs and townships of Ashley, Courtdale, Edwardsville, Forty Fort, Hanover, Kingston, Larksville, Miners Mills, Nanticoke, Parsons, Pittston, Plains, Plymouth, Sugar Notch, West Pittston, West Wyoming, Wilkes-Barre, and Wyoming. Greater Wyoming Valley Trolleys features rare photographs dating from the 1890s to 1950 documenting the trolley system and the communities of the Wyoming Valley.
Greatest British Railway Journeys: Celebrating the greatest journeys from the BBC's beloved railway travel series
by Michael PortilloIt is now over a decade since the much-loved Great British Railway Journeys series set off on its incredible run discovering the cultural, social and engineering landscape of the United Kingdom through the prism of George Bradshaw's Handbook to rail travel. Veteran politician and ex cabinet minister Michael Portillo has since presented eleven seasons of this ever-popular show on BBC Two, covering every part of the existing train network in Britain, as well as others that were closed as a result of the Beeching Report in 1963. Across a decade of these journeys, Portillo has celebrated how every corner of England, Scotland, Wales and Northern Ireland was opened up by the railway line as a result of the Industrial Revolution, thus giving fans a unique insight into our shared past of train travel since the Victorian era. With the anniversary, this new collection will celebrate Michael's top fifty journeys from the hundreds he has covered, adding more insight and analysis to some of the greatest railway lines, stations, bridges, viaducts and tunnels the Victorians built to create the world we now live in. From Paddington Station to the Clifton Suspension Bridge; the Southend Pier line to the milk wagons departing from Blake Hall Station. An unrivalled narrative to be treasured. Greatest British Railway Journeys is both a celebratory and charming ride through our country's beloved history - all from the unique position of a train seat.
Greek Art (Fifth) (World of Art)
by John Boardman“One of the very best short histories of Greek Art.” — The Financial Times John Boardman, one of the best known and acknowledged scholars of the classical Greek world, has updated his definitive survey of its arts, the most influential and widely known historic artistic tradition of the Old World. In the twenty years since the last edition was released, valuable evidence has come to light which has dramatically enhanced our understanding of the arts of ancient Greece and their influence. It is now known that Greek artists completed their stone sculptures with realistic color, as well as working with a wealth of other materials. This proves that the romantic notion of an age of classic, pure white marble is a Renaissance construction which has persisted to the present day. The work of individual artists, as well as schools of artists, can be identified, creating a clearer picture than ever before of how art and artistic traditions traveled throughout the Greek world and beyond it. Boardman encourages the reader to consider the masterpieces that have been preserved in their original context. He weaves into his discussion of the arts insights into the society that produced them. Illustrated in full color throughout for the first time, this fifth edition demonstrates yet more vividly the artistic aims and achievements of ancient Greece.
Greek Art And Archaeology
by Richard T. NeerThis is the text that sets a new standard in its field with striking visuals, fascinating reconstructions, accessible prose, and coverage of the wider Greek world. The Second Edition extends student understanding of Greek art in history through richer archaeological context and expanded coverage of both the earliest Bronze Age and latest Hellenistic periods.
Greek Culture in the Roman World: Greek Myths in Roman Art and Culture
by Zahra NewbyImages of episodes from Greek mythology are widespread in Roman art, appearing in sculptural groups, mosaics, paintings and reliefs. They attest to Rome's enduring fascination with Greek culture, and its desire to absorb and reframe that culture for new ends. This book provides a comprehensive account of the meanings of Greek myth across the spectrum of Roman art, including public, domestic and funerary contexts. It argues that myths, in addition to functioning as signifiers of a patron's education or paideia, played an important role as rhetorical and didactic exempla. The changing use of mythological imagery in domestic and funerary art in particular reveals an important shift in Roman values and senses of identity across the period of the first two centuries AD, and in the ways that Greek culture was turned to serve Roman values.
Greek Mythology for Teens: Classic Myths in Today's World (Grades 7-12)
by Zachary HambyGreek Mythology for Teens takes classical mythology to a new level by relating ancient stories to the culture, history, art, and literature of today. The book uses the innovative approach of reader's theater to teach mythology to teens, asking them to act out the stories and become engaged in a common learning experience. By looking at topics instrumental to both mythology and modern culture, teens are encouraged to question topics such as heroism, foolishness, love, and more. Each chapter builds on a particular theme found in the central myth and includes activities, discussion questions, and exercises that connect the myth to the modern world and everyday life. Visually-appealing sidebars also give background on Greek and Roman mythology and culture. Greek Mythology for Teens takes the classic myths taught in school and turns them into an engaging, interesting, and modern way of looking at old material.Grades 7-12
Greek Sculpture
by Mark D. FullertonGreek Sculpture presents a chronological overview of the plastic and glyptic art forms in the ancient Greek world from the emergence of life-sized marble statuary at the end of the seventh century BC to the appropriation of Greek sculptural traditions by Rome in the first two centuries AD. Compares the evolution of Greek sculpture over the centuries to works of contemporaneous Mediterranean civilizations Emphasizes looking closely at the stylistic features of Greek sculpture, illustrating these observations where possible with original works rather than copies Places the remarkable progress of stylistic changes that took place in Greek sculpture within a broader social and historical context Facilitates an understanding of why Greek monuments look the way they do and what ideas they were capable of expressing Focuses on the most recent interpretations of Greek sculptural works while considering the fragile and fragmentary evidence uncovered
Greek Sculpture
by Nigel SpiveyAncient Greek sculpture seems to have a timeless quality - provoking reactions that may range from awe to alienation. Yet it was a particular product of its age: and to know how and why it was once created is to embark upon an understanding of its 'Classic' status. In this richly-illustrated and carefully-written survey, encompassing works from c. 700 BC to the end of antiquity, Nigel Spivey expounds not only the social function of Greek sculpture but also its aesthetic and technical achievement. Fresh approaches are reconciled with traditional modes of study as the connoisseurship of this art is sympathetically unravelled, while source material and historical narratives are woven into detailed explanations, putting the art into its proper context. Greek Sculpture is the ideal textbook for students of classics, classical civilization, art history and archaeology - and an accessible account for all interested readers.
Greek Theatre Performance
by David WilesIn this book, David Wiles introduces ancient Greek theater to students and enthusiasts interested in knowing how the plays were performed. Theater was a ceremony bound up with fundamental activities in ancient Athenian life and Wiles explores those elements that created the theater of the time. Actors rather than writers are the book's main concern and Wiles examines how the actor used the resources of story-telling, dance, mask, song and visual action to create a large-scale event that would shape the life of the citizen community.
Greek Tragedy and the Contemporary Actor
by Zachary Dunbar Stephe HarropThis book offers a provocative and groundbreaking re-appraisal of the demands of acting ancient tragedy, informed by cutting-edge scholarship in the fields of actor training, theatre history, and classical reception. Its interdisciplinary reach means that it is uniquely positioned to identify, interrogate, and de-mystify the clichés which cluster around Greek tragedy, giving acting students, teachers, and theatre-makers the chance to access a vital range of current debates, and modelling ways in which an enhanced understanding of this material can serve as the stimulus for new experiments in the studio or rehearsal room. Two theoretical chapters contend that Aristotelian readings of tragedy, especially when combined with elements of Stanislavski’s (early) actor-training practice, can actually prevent actors from interacting productively with ancient plays and practices. The four chapters which follow (Acting Sound, Acting Myth, Acting Space, and Acting Chorus) examine specific challenges in detail, combining historical summaries with a survey of key modern practitioners, and a sequence of practical exercises.
Greek Tragedy into Film (Routledge Library Editions: Film and Literature)
by Kenneth MacKinnonIf Greek tragedy is sometimes regarded as a form long dead and buried, both theatre producers and film directors seem slow to accept its interment. Originally published in 1986, this book reflects the renewed interest in questions of staging the Greek plays, to give a comprehensive account and critical analysis of all the important versions of Greek tragedy made on film. From the 1927 footage of the re-enactment of Aeschylus’ Prometheus in Chains at the Delphi Festival organised by Angelos Sikelianos to Pasolini’s Notes for an African Oresteia, the study encompasses the version of Oedipus by Tyrone Guthrie, Tzavellas’s Antigone (with Irene Papas), Michael Cacoyannis’s series which included Electra, The Trojan Women, and Iphigeneia, Pasolini’s Oedipus and Medea (with Maria Callas), Miklos Jancso’s Elektreia, Dassim’s Phaedra and others. Many interesting questions are raised by the transference of a highly stylised form such as Greek tragedy to what is often claimed to be the ‘realistic’ medium of film. What becomes clear is that the heroic myths retain with ease the power to move the audiences in very different milieux through often strikingly different means. The book may be read as an adjunct to viewing of the films, but enough synopsis is given to make its arguments accessible to those familiar only with the classical texts, or with neither version.
Greek Tragic Theatre (Understanding the Ancient World)
by Rush RehmEmphasizing the political nature of Greek tragedy, as theatre of, by and for the polis, Rush Rehm characterizes Athens as a performance culture; one in which the theatre stood alongside other public forums as a place to confront matters of import. In treating the various social, religious and practical aspects of tragic production, he shows how these elements promoted a vision of the theatre as integral to the life of the city - a theatre focussed on the audience.
Greek Vase-painting and the Origins of Visual Humour
by Alexandre G. MitchellA comprehensive study of visual humour in ancient Greece, with special emphasis on works created in Athens and Boeotia. Alexandre Mitchell brings an interdisciplinary approach to this topic, combining theories and methods of art history, archaeology, and classics with the anthropology of humour, and thereby establishing new ways of looking at art and visual humour in particular. Understanding what visual humour was to the ancients and how it functioned as a tool of social cohesion is only one facet of this study. Mitchell also focuses on the social truths that his study of humour unveils: democracy and freedom of expression, politics and religion, Greek vases and trends in fashion, market-driven production, proper and improper behaviour, popular versus elite culture, carnival in situ, and the place of women, foreigners, workers, and labourers within the Greek city.
Greek and Roman Aesthetics
by Oleg V. Bychkov Anne SheppardThis anthology of philosophical texts by Greek and Roman authors brings together works from the late fifth century BC to the sixth century AD that comment on major aesthetic issues such as the perception of beauty and harmony in music and the visual arts, structure and style in literature, and aesthetic judgement. It includes important texts by Plato and Aristotle on the status and the role of the arts in society and in education, and Longinus' reflections on the sublime in literature, in addition to less well-known writings by Philodemus, Cicero, Seneca, Plotinus, Augustine and Proclus. Most of the texts have been newly translated for this volume, and some are available in English for the first time. A detailed introduction traces the development of classical aesthetics from its roots in Platonism and Aristotelianism to its ultimate form in late Antiquity.
Greek and Roman Architecture in Classic Drawings
by Hector D’espouyPerhaps the finest record of classical architectural detail ever made. Executed in the demanding technique of India ink and water color rendering, the illustrations include the Parthenon, Roman temples, Pantheon, Colosseum, many others. Unparalleled three-dimensionality and effects of scale. Enhanced with Introductory Notes by John Blatteau and Christiane Sears. Notes. Preface. 127 plates.
Greek and Roman Comedy: Translations and Interpretations of Four Representative Plays
by Shawn O'BryhimMuch of what we know of Greco-Roman comedy comes from the surviving works of just four playwrights—the Greeks Aristophanes and Menander and the Romans Plautus and Terence. <P><P>To introduce these authors and their work to students and general readers, this book offers a new, accessible translation of a representative play by each playwright, accompanied by a general introduction to the author's life and times, a scholarly article on a prominent theme in the play, and a bibliography of selected readings about the play and playwright.<P>This range of material, rare in a single volume, provides several reading and teaching options, from the study of a single author to an overview of the entire Classical comedic tradition. The plays have been translated for readability and fidelity to the original text by established Classics scholars. Douglas Olson provides the translation and commentary for Aristophanes' Acharnians, Shawn O'Bryhim for Menander's Dyskolos, George Fredric Franco for Plautus' Casina, and Timothy J. Moore for Terence's Phormio.
Greek and Roman Painting and the Digital Humanities (Routledge Research in Art History)
by Marie-Claire Beaulieu Valérie ToillonThis volume is a groundbreaking discussion of the role of digital media in research on ancient painting, and a deep reflection on the effectiveness of digital media in opening the field to new audiences. The study of classical art always oscillates between archaeology and classics, between the study of ancient texts and archaeological material. For this reason, it is often difficult to collect all the data, to have access to both types of information on an equal basis. The increasing development of digital collections and databases dedicated to both archaeological material and ancient texts is a direct response to this problem. The book’s central theme is the role of the digital humanities, especially digital collection,s such as the Digital Milliet, in the study of ancient Greek and Roman painting. Part 1 focuses on the transition between the original print version of the Recueil Milliet and its digital incarnation. Part 2 addresses the application of digital tools to the analysis of ancient art. Part 3 focuses on ancient wall painting. The book will be of interest to scholars working in art history, classics, archaeology, and digital humanities.