- Table View
- List View
How Artists See FAMILIES: Mother, Father, Sister, Brother
by Colleen CarrollExamines how families have been depicted in works of art from different time periods and places.
How Artists See Play: Sports Games Toys Imagination
by Colleen CarrollExamines how sports, games, toys, and other aspects of play have been depicted in works of art from different time periods and places.
How Artists See Work: Farm, Factory, Home, Office
by Colleen CarrollExamines how people have been depicted working on farms, in factories and offices, and at home in works of art from different times and places.
How Arts Education Makes a Difference: Research examining successful classroom practice and pedagogy (Routledge Research in Education)
by Michael Anderson Josephine Fleming Robyn GibsonThis book presents ground-breaking research on the ways the Arts fosters motivation and engagement in both academic and non-academic domains. It reports on mixed method, international research that investigated how the Arts make a difference in the lives of young people. Drawing on the findings of a longitudinal quantitative study led by the internationally renowned educational psychologist Andrew Martin, the book examines the impact of arts involvement in the academic outcomes of 643 students and reports on the in-depth qualitative research that investigates what constitutes best-practice in learning and teaching in the Arts. The book also examines drama, dance, music, visual arts and film classrooms to construct an understanding of quality pedagogy in these classrooms. With its evidence-based but highly accessible approach, this book will be directly and immediately relevant to those interested in the Arts as a force for change in schooling. How Arts Education Makes a Difference discusses: The Arts Education, Motivation, Engagement and Achievement Research Visual Arts, Drama and Music in Classrooms Technology-mediated Arts Engagement International Perspectives on Arts and Cultural Policies in Education This book is a timely collation of research and experiential findings which support the need to promote arts education in schools worldwide. It will be particularly useful for educationists, researchers in education and arts advocates.
How Beautiful It Is And How Easily It Can Be Broken: Essays
by Daniel MendelsohnThe New York Times–bestselling critic uses his training as a classicist to tackle contemporary films, theater, literature, and more in 30 elegant essays.Whether he’s on Broadway or at the movies, considering a new bestseller or revisiting a literary classic, Daniel Mendelsohn’s judgments over the past fifteen years have provoked and dazzled with their deep erudition, disarming emotionality, and tart wit. Now How Beautiful It Is and How Easily It Can Be Broken reveals all at once the enormous stature of Mendelsohn’s achievement and demonstrates why he is considered one of our greatest critics. Writing with a lively intelligence and arresting originality, he brings his distinctive combination of scholarly rigor and conversational ease to bear across eras, cultures, and genres, from Roman games to video games.His interpretations of our most talked-about films—from the work of Pedro Almodóvar to Brokeback Mountain, from United 93 and World Trade Center to 300, Marie Antoinette, and The Hours—have sparked debate and changed the way we watch movies. Just as stunning and influential are his dispatches on theater and literature, from The Producers to Jeffrey Eugenides' Middlesex, from The Lovely Bones to the works of Harold Pinter. Together these thirty brilliant and engaging essays passionately articulate the themes that have made Daniel Mendelsohn a crucial voice in today’s cultural conversation: the aesthetic and indeed political dangers of imposing contemporary attitudes on the great classics; the ruinous effect of sentimentality on the national consciousness in the post-9/11 world; the vital importance of the great literature of the past for a meaningful life in the present.How Beautiful It Is and How Easily It Can Be Broken makes it clear that no other contemporary thinker is as engaged with as many aspects of our culture and its influences as Mendelsohn is, and no one practices the vanishing art of popular criticism with more acuity, humor, and feeling.Praise for How Beautiful It Is and How Easily It Can Be Broken “These essays richly repay the time readers spend in their company.” —Publishers Weekly (starred review)“Like fine banquet fare: Some items to be wolfed down, some savored slowly, some best stored in the fridge for a later day.” —Kirkus Reviews
How Books Came to America: The Rise of the American Book Trade (Penn State Series in the History of the Book #17)
by John HruschkaAnyone who pays attention to the popular press knows that the new media will soon make books obsolete. But predicting the imminent demise of the book is nothing new. At the beginning of the twentieth century, for example, some critics predicted that the electro-mechanical phonograph would soon make books obsolete. Still, despite the challenges of a century and a half of new media, books remain popular, with Americans purchasing more than eight million books each day. In How Books Came to America, John Hruschka traces the development of the American book trade from the moment of European contact with the Americas, through the growth of regional book trades in the early English colonial cities, to the more or less unified national book trade that emerged after the American Civil War and flourished in the twentieth century. He examines the variety of technological, historical, cultural, political, and personal forces that shaped the American book trade, paying particular attention to the contributions of the German bookseller Frederick Leypoldt and his journal, Publishers Weekly.Unlike many studies of the book business, How Books Came to America is more concerned with business than it is with books. Its focus is on how books are manufactured and sold, rather than how they are written and read. It is, nevertheless, the story of the people who created and influenced the book business in the colonies and the United States. Famous names in the American book trade—Benjamin Franklin, Robert Hoe, the Harpers, Henry Holt, and Melvil Dewey—are joined by more obscure names like Joseph Glover, Conrad Beissel, and the aforementioned Frederick Leypoldt. Together, they made the American book trade the unique commercial institution it is today.
How Books Came to America: The Rise of the American Book Trade (Penn State Series in the History of the Book)
by John HruschkaAnyone who pays attention to the popular press knows that the new media will soon make books obsolete. But predicting the imminent demise of the book is nothing new. At the beginning of the twentieth century, for example, some critics predicted that the electro-mechanical phonograph would soon make books obsolete. Still, despite the challenges of a century and a half of new media, books remain popular, with Americans purchasing more than eight million books each day. In How Books Came to America, John Hruschka traces the development of the American book trade from the moment of European contact with the Americas, through the growth of regional book trades in the early English colonial cities, to the more or less unified national book trade that emerged after the American Civil War and flourished in the twentieth century. He examines the variety of technological, historical, cultural, political, and personal forces that shaped the American book trade, paying particular attention to the contributions of the German bookseller Frederick Leypoldt and his journal, Publishers Weekly.Unlike many studies of the book business, How Books Came to America is more concerned with business than it is with books. Its focus is on how books are manufactured and sold, rather than how they are written and read. It is, nevertheless, the story of the people who created and influenced the book business in the colonies and the United States. Famous names in the American book trade—Benjamin Franklin, Robert Hoe, the Harpers, Henry Holt, and Melvil Dewey—are joined by more obscure names like Joseph Glover, Conrad Beissel, and the aforementioned Frederick Leypoldt. Together, they made the American book trade the unique commercial institution it is today.
How Buildings Learn
by Stewart BrandBuildings have often been studies whole in space, but never before have they been studied whole in time. How Buildings Learn is a masterful new synthesis that proposes that buildings adapt best when constantly refined and reshaped by their occupants, and that architects can mature from being artists of space to becoming artists of time. From the connected farmhouses of New England to I.M. Pei's Media Lab, from "satisficing" to "form follows funding," from the evolution of bungalows to the invention of Santa Fe Style, from Low Road military surplus buildings to a High Road English classic like Chatsworth--this is a far-ranging survey of unexplored essential territory. More than any other human artifacts, buildings improve with time--if they're allowed to. How Buildings Learn shows how to work with time rather than against it.
How Buildings Learn
by Stewart BrandBuildings have often been studies whole in space, but never before have they been studied whole in time. How Buildings Learn is a masterful new synthesis that proposes that buildings adapt best when constantly refined and reshaped by their occupants, and that architects can mature from being artists of space to becoming artists of time.From the connected farmhouses of New England to I.M. Pei's Media Lab, from "satisficing" to "form follows funding," from the evolution of bungalows to the invention of Santa Fe Style, from Low Road military surplus buildings to a High Road English classic like Chatsworth-this is a far-ranging survey of unexplored essential territory.More than any other human artifacts, buildings improve with time-if they're allowed to. How Buildings Learn shows how to work with time rather than against it.
How Buildings Work
by Huw M EvansAn understanding of building physics is fundamental for the design and construction of safe, functional, energy efficient buildings. Without it, occupants’ health and comfort is compromised, energy bills become unmanageable, or the building fabric itself can fail. But it’s not just about providing a heating source or stopping the cold coming in; at the heart of building physics is a fine balancing act: how much ventilation will be required for the occupants and how can that be provided without compromising the thermal performance? How will the layout and fenestration affect light levels and cooling demand? How Buildings Work provides construction professionals with a clear understanding of the basic mechanisms of physics and how they affect the performance and operation of buildings. Heat, air, moisture, sound, light and radioactivity are explained in turn, yet all the while reminding the reader that none of these phenomena can be considered in isolation when designing a building. Whether you’re a student trying to get your head round the basics, or a seasoned practitioner looking for a quick refresher course.
How Can I Overcome the Fear of Public Speaking?
by Lizzie WadeSome people are afraid of public speaking more than others. Learn about some surprising ways to overcome stage fright.
How Can Some People Be Good at Singing?
by Lizzie WadeSome people are better at singing than others. Why is that? A researcher explains why some people love doing karaoke, and others simply can't do it.
How Creativity Rules the World: The Art and Business of Turning Your Ideas into Gold
by Maria BritoLearn to make creativity work for your career.Anyone, regardless of who you are or what you do, can cultivate the habits, actions, and attitudes that inspire creativity and foster innovation.Creativity is the key to innovation in any business. How Creativity Rules the World shows that, despite contrary beliefs, creativity is an inexhaustible resource that can be learned by anyone.This timeless guide promises to make the creative process of billion-dollar entrepreneurs and successful seven-figure artists accessible and actionable for you. With revealing studies and stories spanning business and art, this book is a deep dive into history, culture, psychology, science, and entrepreneurship; analyzing the elements used by some of the most creative minds throughout the last 600 years.In How Creativity Rules the World, you will learn how to:Overcome limiting thoughts and dispel myths about creativity.Understand creativity through concrete data, historical passages, and examples of modern entrepreneurship.Develop timeless habits, principles, and tools that worked six centuries ago and continue to work today.Employ creativity in an everyday context to produce extraordinary results.Contemporary art curator and writer of the popular newsletter, The Groove, Maria Brito discovered the power of creativity when she transitioned from being an unhappy Harvard-trained corporate lawyer to a thriving entrepreneur and innovator in the art world. After applying the principles in How Creativity Rules the World to her own business, Maria started teaching struggling professionals, ranging from entrepreneurs to artists to CEOs. Proven by her students&’ creative successes, Maria will guide you to strike gold with your ideas as well.There has never been a more crucial time than now to develop your creativity and your ability to innovate. Coming up with original ideas of value is today&’s most precious skill.
How Deep Is Your Love: A Children's Picture Book
by Bee GeesA majestic picture book based on the Bee Gees's classic love song "How deep is your love? I really mean to learn 'Cause we're living in a world of fools Breaking us down When they all should let us be We belong to you and me . . ." How Deep Is Your Love is a fantastical picture book based on one of the Bee Gees's biggest hits. The song topped the Billboard Hot 100 chart, remaining in the top ten for seventeen weeks, and won the band's first of eight GRAMMY awards. With lyrics by the Bee Gees and illustrations by J.L. Meyer, the picture book tells the tale of two bunny mermaids who meet on a rock and descend into the water together. As the bunnies escape traps, skirt around nets and hooks, and protect each other in this thrilling adventure, they realize how deep their love is. Meyer's imaginative story compliments the hit song perfectly and will delight children and adults alike.
How Design Makes Us Think: And Feel and Do Things
by Sean AdamsFrom posters to cars, design is everywhere. While we often discuss the aesthetics of design, we don't always dig deeper to unearth the ways design can overtly, and covertly, convince us of a certain way of thinking. How Design Makes Us Think collects hundreds of examples across graphic design, product design, industrial design, and architecture to illustrate how design can inspire, provoke, amuse, anger, or reassure us.Graphic designer Sean Adams walks us through the power of design to attract attention and convey meaning. The book delves into the sociological, psychological, and historical reasons for our responses to design, offering practitioners and clients alike a new appreciation of their responsibility to create design with the best intentions. How Design Makes Us Think is an essential read for designers, advertisers, marketing professionals, and anyone who wants to understand how the design around us makes us think, feel, and do things.
How Designers Are Transforming Healthcare
by Evonne Miller Abbe Winter Satyan ChariThis is an open access book.How Designers are Transforming Healthcare is a bold manifesto for change, demonstrating the value of a strategic design-led approach. Drawing on a rich array of real-world projects, this book illustrates how designers, in collaboration with clinicians and consumers, are co-creating transformative change across healthcare environments, products, services, and systems.In a fascinating multi-voice conversation, this book outlines how design methods and mindsets, including co-design, prototyping, design and futures thinking, facilitates creative problem-solving. The ideas, tools, and challenges in How Designers are Transforming Healthcare make it a vital text - a doer’s guide - for designers, clinicians, academics, consumers, and policymakers seeking innovative strategies for engagement, innovation and improvement in healthcare.
How Designers Think: The Design Process Demystified
by Bryan LawsonHow Designers Think is based on Bryan Lawson's many observations of designers at work, interviews with designers and their clients and collaborators. This extended work is the culmination of forty years' research and shows the belief that we all can, and do, design, and that we can learn to design better. The creative mind continues to have the power to surprise and this book aims to nurture and extend this creativity. Neither the earlier editions, nor this book, are intended as authoritative prescriptions of how designers should think but provide helpful advice on how to develop an understanding of design.In this fourth edition, Bryan Lawson continues to try and understand how designers think, to explore how they might be better educated and to develop techniques to assist them in their task. Some chapters have been revised and three completely new chapters added. The book is now intended to be read in conjunction with What Designers Know which is a companion volume. Some of the ideas previously discussed in the third edition of How Designers Think are now explored more thoroughly in What Designers Know. For the first time this fourth edition works towards a model of designing and the skills that collectively constitute the design process.
How Did I Get Here?: A Memoir
by Bruce McCallFrom his hardscrabble post-World War II Ontario childhood and coming of age to Mad Men-era New York City and the creative pinnacle of advertising, to the hallowed halls of Saturday Night Live and The New Yorker, Bruce McCall&’s personal and creative journey is stunningly honest, bittersweet, and, above all, inspiring. Beloved for his strikingly original and wickedly perceptive New Yorker covers, as well as his many Shouts and Murmurs, Bruce is a rare double threat as an artist and writer. Self-taught in both disciplines, his artistic world has captured the imagination of a loyal fan base that includes no less than David Letterman (whom he coauthored a book with) and other satire aficionados. Pulling no punches, How Did I Get Here? chronicles the evolution of his artistic genius as well as his journey from gifted childhood scribbler to passionate automobile enthusiast, a hobby that took him to the heights of the Detroit and Manhattan advertising worlds. His long-held passion for drawing and writing, which mostly lay dormant during his Mad Men days, reemerged later in life as he left the realm of advertising for the world of arts and letters, most notably at the National Lampoon, as a writer for Saturday Night Live in its first incarnation, and then of course at The New Yorker, as well as other Conde Nast magazines, such as Vanity Fair. His is an unorthodox life and career path, traversing through worlds that have now become iconic, giving us rich first-hand insight into Bruce's unique creative development and process, and providing a rare window into both the highs and the lows that define an artist's career and life. With wit, candor, and cover illustrations showcasing Bruce's storied career, Bruce McCall&’s memoir will charm his many fans and anyone who knows and loves the places and eras he describes so well.
How Did I Get Here?: A Memoir
by Bruce McCallFrom his hardscrabble post-World War II childhood and coming of age in Ontario to Mad Men-era New York City and the creative pinnacle of advertising, to the hallowed halls of Saturday Night Live and The New Yorker, Bruce McCall&’s personal and creative journey is stunningly honest, bittersweet, and, above all, inspiring. Beloved for his strikingly original and wickedly perceptive New Yorker covers (77 to date), as well as his many Shouts and Murmurs, Bruce is a rare double threat as an artist and writer. A Toronto high school dropout who is self-taught in both disciplines, his artistic world has captured the imagination of a loyal fan base for over forty years. Pulling no punches, How Did I Get Here? chronicles the evolution of his artistic genius as well as his journey from gifted childhood scribbler to passionate automobile enthusiast, a hobby that took him to the heights of the Detroit and Manhattan advertising worlds. His long-held passion for drawing and writing, which mostly lay dormant during his Mad Men days, reemerged later in life as he left the realm of advertising for the world of arts and letters, most notably at the National Lampoon, as a writer for Saturday Night Live in its first incarnation, and then of course at The New Yorker, as well as other Conde Nast magazines, such as Vanity Fair. His is an unorthodox life and career path, traversing through worlds that have now become iconic, giving us rich first-hand insight into Bruce's unique creative development and process, and providing a rare window into both the highs and the lows that define an artist's career and life. With wit, candor, and cover illustrations showcasing Bruce's storied career, Bruce McCall&’s memoir will charm his many fans and anyone who knows and loves the places and eras he describes so well.
How Did Lubitsch Do It?
by Joseph McBrideOrson Welles called Ernst Lubitsch (1892–1947) “a giant” whose “talent and originality are stupefying.” Jean Renoir said, “He invented the modern Hollywood.” Celebrated for his distinct style and credited with inventing the classic genre of the Hollywood romantic comedy and helping to create the musical, Lubitsch won the admiration of his fellow directors, including Alfred Hitchcock and Billy Wilder, whose office featured a sign on the wall asking, “How would Lubitsch do it?” Despite the high esteem in which Lubitsch is held, as well as his unique status as a leading filmmaker in both Germany and the United States, today he seldom receives the critical attention accorded other major directors of his era.How Did Lubitsch Do It? restores Lubitsch to his former stature in the world of cinema. Joseph McBride analyzes Lubitsch’s films in rich detail in the first in-depth critical study to consider the full scope of his work and its evolution in both his native and adopted lands. McBride explains the “Lubitsch Touch” and shows how the director challenged American attitudes toward romance and sex. Expressed obliquely, through sly innuendo, Lubitsch’s risqué, sophisticated, continental humor engaged the viewer’s intelligence while circumventing the strictures of censorship in such masterworks as The Marriage Circle, Trouble in Paradise, Design for Living, Ninotchka, The Shop Around the Corner, and To Be or Not to Be. McBride’s analysis of these films brings to life Lubitsch’s wit and inventiveness and offers revealing insights into his working methods.
How Do I Photograph A Sunset?: More than 150 essential photography questions answered
by Chris GatcumHow do we learn? We learn by asking questions. But what if we don't know what questions we should be asking? Thanks to the digital revolution, photography has never been so popular, and whether you shoot on a phone or a top-spec DSLR or CSC camera, the urge to improve is relentless. In this book, author Chris Gatcum asks the questions that every photographer will have in mind at some point in their image-making journey, and then answers them in a clear, concise, straightforward and inspirational manner. Laid out in intuitive sections, this book tackles the questions that are on every photographer's mind, as well as those that they haven't thought of yet. And with a clear progression through each chapter, from the simple to more complex, the book asks - and answers - questions to satisfy the complete novice as well as the advanced practitioner.
How Do I Photograph A Sunset?: More than 150 essential photography questions answered
by Chris GatcumHow do we learn? We learn by asking questions. But what if we don't know what questions we should be asking? Thanks to the digital revolution, photography has never been so popular, and whether you shoot on a phone or a top-spec DSLR or CSC camera, the urge to improve is relentless. In this book, author Chris Gatcum asks the questions that every photographer will have in mind at some point in their image-making journey, and then answers them in a clear, concise, straightforward and inspirational manner. Laid out in intuitive sections, this book tackles the questions that are on every photographer's mind, as well as those that they haven't thought of yet. And with a clear progression through each chapter, from the simple to more complex, the book asks - and answers - questions to satisfy the complete novice as well as the advanced practitioner.
How Do I Quilt It?: Learn Modern Machine Quilting Using Walking-Foot & Free-Motion Techniques
by Christa WatsonYour go-to guide to modern machine quilting Prepare your quilt, choose your designs, and find your path! This comprehensive guide to modern machine quilting uses both walking-foot and free-motion techniques, all done on a domestic sewing machine. Learn how to create a quilting plan, then apply that plan to complete the quilt of your dreams with as few starts and stops as possible. Includes a gallery of popular machine quilting designs and 3 quilt projects to practice skills. Each of the 3 project quilts is shown quilted 3 different ways: walking foot, free motion, and a combination of walking foot and free motion quilting. Create a quilting plan and master the ins and outs with innovative techniques Learn how to machine quilt using walking-foot and free-motion techniques, all done on a domestic sewing machine. Includes a gallery of popular machine quilting designs and 3 quilt projects in 3 different ways to practice skills
How Do We Look/The Eye of Faith
by Mary BeardThe idea of 'civilisation' has always been debated, even fought over. At the heart of those debates lies the big question of how people - from prehistory to the present day - have depicted themselves and others, both human and divine. Distinguished historian Mary Beard explores how art has shaped, and been shaped by, the people who created it. How have we looked at these images? Why have they sometimes been so contentious?In Part One, she examines how the human figure was portrayed in some of the earliest art in the world - from the gigantic stone heads carved by the Olmec of Central America to the statues and pottery of the ancient Greeks to the terracotta army of the first emperor of China. And she explains how one particular version of representing the human body, which goes back to the ancient world, still influences (and sometimes distorts) how people in the West see their own culture and that of others. Throughout this story, she is concerned not only with the artists who made images, but with those who have used them, viewed them and interpreted them. In other words: How Do We Look?In Part Two, Mary Beard turns to the relationship between art and religion. For centuries, religion has inspired art: from the Hindu temple at Angkor Wat to the Christian mosaics of Ravenna to the exquisite calligraphy of Islamic mosques. But making the divine visible in the human world has never been simple. All religions havewrestled with idolatry and iconoclasm, destroying art as well as creating it - and asking how to look with The Eye of Faith.
How Do We Look: The Body, The Divine, And The Question Of Civilization
by Mary BeardFrom prehistoric Mexico to modern Istanbul, Mary Beard looks beyond the familiar canon of Western imagery to explore the history of art, religion, and humanity. Conceived as a gorgeously illustrated accompaniment to “How Do We Look” and “The Eye of Faith,” the famed Civilisations shows on PBS, renowned classicist Mary Beard has created this elegant volume on how we have looked at art. Focusing in Part I on the Olmec heads of early Mesoamerica, the colossal statues of the pharaoh Amenhotep III, and the nudes of classical Greece, Beard explores the power, hierarchy, and gender politics of the art of the ancient world, and explains how it came to define the so-called civilized world. In Part II, Beard chronicles some of the most breathtaking religious imagery ever made—whether at Angkor Wat, Ravenna, Venice, or in the art of Jewish and Islamic calligraphers— to show how all religions, ancient and modern, have faced irreconcilable problems in trying to picture the divine. With this classic volume, Beard redefines the Western-and male-centric legacies of Ernst Gombrich and Kenneth Clark.