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How Do We Look?: Resisting Visual Biopolitics (a Camera Obscura book)
by Fatimah Tobing RonyIn How Do We Look? Fatimah Tobing Rony draws on transnational images of Indonesian women as a way to theorize what she calls visual biopolitics—the ways visual representation determines which lives are made to matter more than others. Rony outlines the mechanisms of visual biopolitics by examining Paul Gauguin’s 1893 portrait of Annah la Javanaise—a trafficked thirteen-year-old girl found wandering the streets of Paris—as well as US ethnographic and documentary films. In each instance, the figure of the Indonesian woman is inextricably tied to discourses of primitivism, savagery, colonialism, exoticism, and genocide. Rony also focuses on acts of resistance to visual biopolitics in film, writing, and photography. These works, such as Rachmi Diyah Larasati’s The Dance that Makes You Vanish, Vincent Monnikendam’s Mother Dao (1995), and the collaborative films of Nia Dinata, challenge the naturalized methods of seeing that justify exploitation, dehumanization, and early death of people of color. By theorizing the mechanisms of visual biopolitics, Rony elucidates both its violence and its vulnerability.
How Does Disability Performance Travel?: Access, Art, and Internationalization (Routledge Series in Equity, Diversity, and Inclusion in Theatre and Performance)
by Yvonne Schmidt Christiane Czymoch Kate Maguire-RosierThis edited collection investigates the myriad ways in which disability performance travels in a globalized world. Disability arts festivals are growing in different parts of the world; theatre and dance companies with disabled artists are increasingly touring and collaborating with international partners. At the same time, theatre spaces are often not accessible, and the necessity of mobility excludes some disabled artists from being part of an international disability arts community. How does disability performance travel, who does not travel – and why? What is the role of funding and producing structures, disability arts festivals and networks around the world? How do the logics of international (co-)producing govern the way in which disability art is represented internationally? Who is excluded from being part of a touring theatre or dance company, and how can festivals, conferences, and other agents of a growing disability culture create other forms of participation, which are not limited to physical co-presence? This study will contextualize disability aesthetics, arts, media, and culture in a global frame, yet firmly rooted in its smaller national, state, and local community settings and will be of great interest to students and scholars in the field.
How Does It Feel?: A Life of Musical Misadventures
by Mark Kermode'Wonderful - such a terrific read. Brilliantly captures the passion, commitment, searing self-knowledge and dizzy happiness that comes with loving music. An enchanting book' STEPHEN FRY***Following a formative encounter with the British pop movie Slade in Flame in 1975, Mark Kermode decided that musical superstardom was totally attainable. And so, armed with a homemade electric guitar and very little talent, he embarked on an alternative career - a chaotic journey which would take him from the halls and youth clubs of North London to the stages of Glastonbury, the London Palladium and The Royal Albert Hall. Hilarious and blissfully nostalgic, this is a riotous account of a bedroom dreamer's attempts to conquer the world armed with nothing more than a chancer's enthusiasm and a simple philosophy: how hard can it be? *** 'At the heart of this entertaining memoir is a little boy in his back garden in Finchley, banging out a rhythm on saucepans with a couple of wooden spoons' Daily Mail'A rocking whirlwind of a tale' DANNY BAKER'Wonderful . . . will increase your zest for life' RICHARD AYOADE'Entertaining . . . what comes through every anecdote is the author's genuine enthusiasm for music' Spectator
How Does It Feel?: A Life of Musical Misadventures
by Mark KermodeFollowing a formative encounter with the British pop movie Slade in Flame in 1975, Mark Kermode decided that musical superstardom was totally attainable. And so, armed with a homemade electric guitar and very little talent, he embarked on an alternative career - a chaotic journey which would take him from the halls and youth clubs of North London to the stages of Glastonbury, the London Palladium and The Royal Albert Hall.HOW DOES IT FEEL? follows a lifetime of musical misadventures which have seen Mark striking rockstar poses in the Sixth Form Common Room, striding around a string of TV shows dressed from head to foot in black leather, getting heckled off stage by a bunch of angry septuagenarians on a boat on the Mersey, showing Timmy Mallet how to build a tea-chest bass - and winning the International Street Entertainers of the Year award as part of a new wave of skiffle. Really. Hilarious, self-deprecating and blissfully nostalgic, this is a riotous account of a bedroom dreamer's attempts to conquer the world armed with nothing more than a chancer's enthusiasm and a simple philosophy: how hard can it be?
How Does It Feel?: A Life of Musical Misadventures
by Mark KermodeFollowing a formative encounter with the British pop movie Slade in Flame in 1975, Mark Kermode decided that musical superstardom was totally attainable. And so, armed with a homemade electric guitar and very little talent, he embarked on an alternative career - a chaotic journey which would take him from the halls and youth clubs of North London to the stages of Glastonbury, the London Palladium and The Royal Albert Hall.HOW DOES IT FEEL? follows a lifetime of musical misadventures which have seen Mark striking rockstar poses in the Sixth Form Common Room, striding around a string of TV shows dressed from head to foot in black leather, getting heckled off stage by a bunch of angry septuagenarians on a boat on the Mersey, showing Timmy Mallet how to build a tea-chest bass - and winning the International Street Entertainers of the Year award as part of a new wave of skiffle. Really. Hilarious, self-deprecating and blissfully nostalgic, this is a riotous account of a bedroom dreamer's attempts to conquer the world armed with nothing more than a chancer's enthusiasm and a simple philosophy: how hard can it be?Written and Read by Mark KermodeMusic samples from the album 'Drive Train' are reproduced with kind permission from The Dodge Brothers(P) Orion Publishing Group 2018
How Drawings Work: A User-Friendly Theory
by Susan C. Piedmont-PalladinoHow Drawings Work cheekily explains that what architects make is information that enables other people to make buildings. That information comes in a variety of forms: drawings by hand and computer, models both physical and virtual, and words as needed. The book reflects in witty prose on the nature of architectural drawings as tools of communication, pulling from a diverse and eclectic landscape of theories from grammar, functional linguistics, philosophy, art criticism, science fiction, popular culture, and, of course, architecture, to propose a new way to think about architectural communication.
How Far We Go and How Fast
by Nora DecterSixteen-year-old Jolene, named after the girl in the Dolly Parton song, is from a long line of lowlifes, but at least they're musical lowlifes. Her mother is a tanning-salon manager who believes she can channel her karaoke habit into a professional singing career. Jolene's dad, a failed bass player, has gone back to the family demolition business and lives by the company motto: "We do not build things; we only tear them down." But Jolene and her big brother, Matt, are true musicians, writing songs together that make everything Jo hates about their lives matter less. <P><P>When Matt up and leaves in the middle of the night, Jo loses her only friend, her support system and the one person who made her feel cool. As it becomes clear that Matt is never coming back, Jo must use music to navigate her loss.
How Folklore Shaped Modern Art: A Post-Critical History of Aesthetics (Routledge Advances in Art and Visual Studies #15)
by Wes HillSince the 1990s, artists and art writers around the world have increasingly undermined the essentialism associated with notions of "critical practice." We can see this manifesting in the renewed relevance of what were previously considered "outsider" art practices, the emphasis on first-person accounts of identity over critical theory, and the proliferation of exhibitions that refuse to distinguish between art and the productions of culture more generally. How Folklore Shaped Modern Art: A Post-Critical History of Aesthetics underscores how the cultural traditions, belief systems and performed exchanges that were once integral to the folklore discipline are now central to contemporary art’s "post-critical turn." This shift is considered here as less a direct confrontation of critical procedures than a symptom of art’s inclusive ideals, overturning the historical separation of fine art from those "uncritical" forms located in material and commercial culture. In a global context, aesthetics is now just one of numerous traditions informing our encounters with visual culture today, symptomatic of the pull towards an impossibly pluralistic image of art that reflects the irreducible conditions of identity.
How Genre Governs Creation in the Medieval Icelandic Sagas (The New Middle Ages)
by Yoav TiroshThis book sets out to answer why genre matters when analysing sagas, medieval literature, and creation in general. How Genre Governs Creation in the Medieval Icelandic Sagas applies theoretical observations on the workings of genre to saga literature analysis, including media and film genre theory, as well as observations from reader-response theory. The text primarily focuses on Íslendingasögur, a group of prose or prosimetric texts that concern the medieval Norse world, usually taking place in the period between the end of the ninth and the mid-eleventh centuries and focusing on Iceland. Tirosh proposes new interpretations to several sagas, but more importantly provides a fresh perspective on the importance and application of genre theory to medieval literary studies.
How Good is David Mamet, Anyway?: Writings on Theater--and Why It Matters
by John HeilpernFirst Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
How Greek Tragedy Works: A Guide for Directors, Dramaturges, and Playwrights
by Brian KulickHow Greek Tragedy Works is a journey through the hidden meanings and dual nature of Greek tragedy, drawing on its foremost dramatists to bring about a deeper understanding of how and why to engage with these enduring plays. Brian Kulick dispels the trepidation that many readers feel with regard to classical texts by equipping them with ways in which they can unpack the hidden meanings of these plays. He focuses on three of the key texts of Greek theatre: Aeschylus' Agamemnon, Euripides' The Bacchae, and Sophocles' Electra, and uses them to tease out the core principles of the theatre-making and storytelling impulses. By encouraging us to read between the lines like this, he also enables us to read these and other Greek tragedies as artists' manifestos, equipping us not only to understand tragedy itself, but also to interpret what the great playwrights had to say about the nature of plays and drama. This is an indispensable guide for anyone who finds themselves confronted with tackling the Greek classics, whether as a reader, scholar, student, or director.
How Happy to Call Oneself a Turk
by Gavin D. BrockettThe modern nation-state of Turkey was established in 1923, but when and how did its citizens begin to identify themselves as Turks? Mustafa Kemal Ataturk, Turkey's founding president, is almost universally credited with creating a Turkish national identity through his revolutionary program to "secularize" the former heartland of the Ottoman Empire. Yet, despite Turkey's status as the lone secular state in the Muslim Middle East, religion remains a powerful force in Turkish society, and the country today is governed by a democratically elected political party with a distinctly religious (Islamist) orientation. In this history, Gavin D. Brockett takes a fresh look at the formation of Turkish national identity, focusing on the relationship between Islam and nationalism and the process through which a "religious national identity" emerged. Challenging the orthodoxy that Ataturk and the political elite imposed a sense of national identity from the top down, Brockett examines the social and political debates in provincial newspapers from around the country. He shows that the unprecedented expansion of print media in Turkey between 1945 and 1954, which followed the end of strict, single-party authoritarian government, created a forum in which ordinary people could inject popular religious identities into the new Turkish nationalism. Brockett makes a convincing case that it was this fruitful negotiation between secular nationalism and Islam--rather than the imposition of secularism alone--that created the modern Turkish national identity.
How I Broke into Hollywood: Success Stories from the Trenches
by Pablo F. Fenjves Rocky LangHollywood's survivors share their secrets to success -- where, they came from, how they made it, and how you can tooIn a heyday of reality television and overnight stardom, it's easy to forget that most players had to work hard to make it big. How I Broke into Hollywood brings together dozens of Tinseltown's greatest success stories, from legends Sydney Pollack and Lalo Schifrin to rising starlet Erika Christensen to über-producer Gavin Polone. Icons of their industry -- writers, actors, directors, designers, cinematographers, executives and more -- they were once outsiders themselves, and their beginnings have all the grit and glamour of the best Hollywood films. Among the figures profiled:Comedian Bernie Mac, whose earliest stand-up shows were on subway cars and at funeral parties.Actor Charles Dutton, who was convicted of manslaughter at age seventeen, then went on to the Yale School of Drama and a brilliant career on stage, screen, and television.Actor Peter Gallagher, who suffered a crippling bout of stage fright moments before leaping onstage as Snoopy -- but whose jitters moved him to a performance that brought the audience to its feet and launched his career.Superagent Jay Kanter, who started out as a mailroom guy -- before nabbing Marlon Brando as his first star client.Producer Caryn Mandabach, whose first job was making beer runs for the production guys at the Olympic Auditorium -- but who paid attention and soon was developing such hits as The Cosby Show, Roseanne, and That '70s Show.Director John Landis, who hunted down his first job as a production assistant by buying a one-way ticket to London, then hitchhiking and hopping trains all the way to the set . . . in Yugoslavia.How I Broke into Hollywood shares the voices of nearly fifty Hollywood survivors as they revisit the highs and lows of their careers in their own words, dishing dirt and imparting the wisdom they gained along the way. We learn what drew them to the industry and what made them stay, what inspired and appalled them, and what secrets propelled them to professional stardom. (Hint: a good attitude -- and an unflappable ego -- don't hurt.)The road to success is a bumpy, angst-ridden, star-studded thrill ride -- but for these insiders, at least, it was worth every pitfall and lesson learned. Often hilarious, always instructive, How I Broke into Hollywood is an irresistible read for anyone fascinated by those who've made it big . . . and for people everywhere hoping to make it big themselves.
How I Got This Way
by Regis PhilbinIn this entertaining memoir, the irrepressible "Reege" - consummate talk show host, man about town, loving husband, father, and yes, obsessive sports fan-looks back at his years in show business. One of the most popular television and cultural icons ever, Regis Philbin entertained television audiences for more than fifty years—as a beloved morning-show host (Live with Regis and Kelly), a nighttime game-show host (Who Wants to Be a Millionaire?) and also as a fixture on national and local late-night talk shows. The irrepressible “Reege” has regaled television audiences with his stories for more than half a century, but he’s saved the most hilarious, surprising, heartfelt, and inspiring tales for How I Got This Way. Both a fascinating show business memoir and a delightful primer for living the good life rolled into one, How I Got This Way is Reege being Reege, just the way we love him, as he shares the secrets to success and happiness that he has learned from his innumerable celebrity encounters, his close, personal friendships, and, of course, his relationship with his loving wife and family.
How Infrastructure Works: Inside the Systems That Shape Our World
by Deb ChachraNAMED A BEST BOOK OF 2023 BY PUBLISHERS WEEKLY"Revelatory, superbly written, and pulsing with wisdom and humanity, How Infrastructure Works is a masterpiece.&” —Ed Yong, author of An Immense WorldA new way of seeing the essential systems hidden inside our walls, under our streets, and all around us Infrastructure is a marvel, meeting our basic needs and enabling lives of astounding ease and productivity that would have been unimaginable just a century ago. It is the physical manifestation of our social contract—of our ability to work collectively for the public good—and it consists of the most complex and vast technological systems ever created by humans. A soaring bridge is an obvious infrastructural feat, but so are the mostly hidden reservoirs, transformers, sewers, cables, and pipes that deliver water, energy, and information to wherever we need it. When these systems work well, they hide in plain sight. Engineer and materials scientist Deb Chachra takes readers on a fascinating tour of these essential utilities, revealing how they work, what it takes to keep them running, just how much we rely on them—but also whom they work well for, and who pays the costs. Across the U.S. and elsewhere, these systems are suffering from systemic neglect and the effects of climate change, becoming unavoidably visible when they break down. Communities that are already marginalized often bear the brunt of these failures. But Chachra maps out a path for transforming and rebuilding our shared infrastructure to be not just functional but also equitable, resilient, and sustainable. The cost of not being able to rely on these systems is unthinkably high. We need to learn how to see them—and fix them, together—before it&’s too late.
How Institutions Think: Between Contemporary Art and Curatorial Discourse
by Paul O'Neill Lucy Steeds Mick Wilson<p>Reflections on how institutions inform art, curatorial, educational, and research practices while they shape the world around us. <p>Contemporary art and curatorial work, and the institutions that house them, have often been centers of power, hierarchy, control, value, and discipline. Even the most progressive among them face the dilemma of existing as institutionalized anti-institutions. This anthology-taking its title from Mary Douglas's 1986 book, How Institutions Think-reconsiders the practices, habits, models, and rhetoric of the institution and the anti-institution in contemporary art and curating. Contributors reflect upon how institutions inform art, curatorial, educational, and research practices as much as they shape the world around us. They consider the institution as an object of inquiry across many disciplines, including political theory, organizational science, and sociology. <p>Bringing together an international and multidisciplinary group of writers, How Institutions Think addresses such questions as whether institution building is still possible, feasible, or desirable; if there are emergent institutional models for progressive art and curatorial research practices; and how we can establish ethical principles and build our institutions accordingly. The first part, "Thinking via Institution," moves from the particular to the general; the second part, "Thinking about Institution," considers broader questions about the nature of institutional frameworks.</p>
How Like a Leaf: An Interview with Donna Haraway
by Donna Haraway Thyrza GoodeveThe author of four seminal works on science and culture, Donna Haraway here speaks for the first time in a direct and non-academic voice. How Like a Leaf will be a welcome inside view of the author's thought.
How Magicians Think: Misdirection, Deception, and Why Magic Matters
by Joshua JayThe door to magic is closed, but it&’s not locked. And now Joshua Jay, one of the world&’s most accomplished magicians, not only opens that door but brings us inside to reveal the artistry and obsessiveness, esoteric history, and long-whispered-about traditions of a subject shrouded in mystery. And he goes one step further: Joshua Jay brings us right into the mind of a magician—how they develop their other worldly skills, conjure up illusions, and leave the rest of us slack jawed with delight time after time. Along the way, Jay reveals another kind of secret, one all readers will find meaningful even if they never aspire to perform sleight of hand: What does it take to follow your heart and achieve excellence? In 52 short, compulsively readable essays, Jay describes how he does it, whether it&’s through the making of illusions, the psychology behind them, or the way technology influences the world of magic. He considers the aesthetics of performance, discusses contemporary masters, including David Copperfield, Penn & Teller, and David Blaine, and details how magicians hone their craft. And answers questions like: Can a magic trick be too good? How do you saw a person in half? Is there real magic in the universe? The answers, like so much in magic and life, depend on you.
How Many Ways Can You Make Five?: A Parent's Guide to Exploring Math with Children's Books
by The Vermont Center for the Book Sally AndersonUse your child’s favorite books to explore and investigate the world of mathematics! In a world filled with patterns, shapes, sequences, and numbers – math is all around us. From an early age, children begin to notice and make connections between math concepts and everyday life, asking: How many? How high? How long? and How much does that weigh?Children’s books can bring math concepts to life. With the help of the stories and activities in How Many Ways Can You Make Five? you and your child will have a blast reading about, talking about, and exploring the world of math. Use favorite children’s books to investigate patterns and puzzles, learn how to subtract, and make maps.With four chapters that cover a multitude of themes, it’s never been easier to deepen your child’s understanding of important math and reading concepts at the same time!
How McGruff and the Crying Indian Changed America: A History of Iconic Ad Council Campaigns
by Wendy MelilloHow McGruff and the Crying Indian Changed America: A History of Iconic Ad Council Campaigns details how public service advertising campaigns became part of our national conversation and changed us as a society. The Ad Council began during World War II as a propaganda arm of President Roosevelt's administration to preserve its business interests. Happily for the ad industry, it was a double play: the government got top-notch work; the industry got an insider relationship that proved useful when warding off regulation. From Rosie the Riveter to Smokey Bear to McGruff the Crime Dog, How McGruff and the Crying Indian Changed America explores the issues and campaigns that have been paramount to the nation's collective memory and looks at challenges facing public service campaigns in the current media environment.
How Much Energy Does Your Building Use? (Doshorts Ser.)
by Kerry Mashford Liz ReasonWhy do award-winning "green" buildings so often have higher energy bills than ordinary buildings? Why do expensive refurbishments deliver outcomes that are far from the promises of improved sustainability? Why does your building have high running costs and still the occupants complain about being too cold or too hot and are otherwise dissatisfied?The failure of many countries to produce buildings that are comfortable with excellent energy performance is a scandal. Achieving low energy buildings does not involve learning rocket science: just some basic building physics, a clear language for talking meaningfully about energy-efficient outcomes with all those in the buildings cycle, and an outlook that casts a new low energy perspective on old problems. This book provides that common language. It outlines a path towards understanding what makes for a good quality low energy building, the stakeholders that need to be engaged, and encourages new ways of thinking about how to reduce energy use and costs.This book is for everyone in the buildings cycle, from CEOs of major construction companies to Sustainability, Energy, Environment, Facilities and Utilities managers in any company that aims to reduce energy use in a non-domestic building.
How Museums Tell Stories
by Amelia WongHow Museums Tell Stories explains how museums “work” as a form of media that narrates stories intentionally and unintentionally. Story—in life and in museums—is a phenomenon that emerges as people perceive, represent, and interpret the qualities of tellability and narrativity in relation to stimuli. Tellability is noteworthiness: it attracts our attention. Narrativity is a set of elements that enables us to perceive a story is being or could be told. The book discusses how and why these qualities are so present in museums, and how they enable physical institutions to tell stories in many forms, at many scales, in many styles of representation, and to varying degrees. Drawing on conceptions of narrative from literary theory, film, psychology, and cognitive science, Wong offers a shared vocabulary for understanding and analyzing how story manifests in museums at the level of objects, collections, exhibitions, and space.How Museums Tell Stories will be essential reading for researchers and students interested in how and why museums engage audiences, as well as museum and cultural heritage practitioners seeking concepts and analytical tools for approaching and evaluating their work more critically and conscientiously.
How New York Became American, 1890–1924
by Art M. BlakeOriginally published in 2006. For many Americans at the turn of the twentieth century and into the 1920s, the city of New York conjured dark images of crime, poverty, and the desperation of crowded immigrants. In How New York Became American, 1890–1924, Art M. Blake explores how advertising professionals and savvy business leaders "reinvented" the city, creating a brand image of New York that capitalized on the trend toward pleasure travel. Blake examines the ways in which these early boosters built on the attention drawn to the city and its exotic populations to craft an image of New York City as America writ urban—a place where the arts flourished, diverse peoples lived together boisterously but peacefully, and where one could enjoy a visit. Drawing on a wide range of textual and visual primary sources, Blake guides the reader through New York's many civic identities, from the first generation of New York skyscrapers and their role in "Americanizing" the city to the promotion of Midtown as the city's definitive public face. His study ranges from the late 1890s into the early twentieth century, when the United States suddenly emerged as an imperial power, and the nation's industry, commerce, and culture stood poised to challenge Europe's global dominance. New York, the nation's largest city, became the de facto capital of American culture. Social reformers and tourism boosters, keen to see America's cities rival those of France or Britain, jockeyed for financial and popular support. Blake weaves a compelling story of a city's struggle for metropolitan and national status and its place in the national imagination.
How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom, And The Cold War
by Serge Guilbaut"A provocative interpretation of the political and cultural history of the early cold war years. . . . By insisting that art, even art of the avant-garde, is part of the general culture, not autonomous or above it, he forces us to think differently not only about art and art history but about society itself."—New York Times Book Review
How Not to Be a Basic Peasant: A Medieval Bard's Guide to Living Your Best Life
by Kristen MulrooneyHark Peasants! Let this Bard guide you on the journey to becoming a better version of your peasant self. Imagine if the Middle Ages had its own set of influencers and life coaches. Their collected wisdom would produce this very guide. Here, the ultimate Bard takes readers on a self-improvement journey—with lessons that any peasant can pick up and instantly start implementing into their lives. Examples include: How not to make a fool of thyself at the local tavern How to make a scene at a jousting tournament to stay relevant How to make your tiny home into a pleasant place to reside (spoiler: it involves sweeping out the rats) What not to wear (is chainmail in or out?) And what to do in case of a bear chase Including helpful and insightful illustrations inspired by medieval art, this handy guide will keep you become just slightly better than your peers, even if you may never achieve royalty status.