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Hopepunk

Following the disappearance of her sister, Hope Cassidy rebels against a life that once controlled her, as she learns about forgiveness and redemption—and how hope is the ultimate act of rebellion—in this heartfelt and funny novel. Growing up in a conservative Christian household isn&’t easy for rock-obsessed Hope Cassidy. She's spent her whole life being told that the devil speaks through Led Zeppelin, but it&’s even worse for her sister, Faith, who feels like she can&’t be honest about dating the record shop cashier, Mavis. That is, until their youngest sister hears word of their "sinful" utopia and outs Faith to their parents. Now there&’s nowhere for Faith to go but the Change Through Grace conversion center…or running away. Following Faith&’s disappearance, their family is suddenly broken. Hope feels a need to rebel. She gets a tattoo and tries singing through the hurt with her Janis Joplin-style voice. But when her long-time crush Danny comes out and is subsequently kicked out of his house, Hope can&’t stand by and let history repeat itself. Now living in Faith&’s room, Danny and Hope strike up a friendship...and a band. And their music just might be the answer to dethroning Alt-Rite, Danny&’s twin brother's new hate-fueled band. With a hilarious voice and an open heart, Hopepunk is a novel about forgiveness, redemption, and finding your home, and about how hope is the ultimate act of rebellion.

Hopes and Fears for Art

Hopes for Great Happenings: Alternatives in Education and Theatre (Routledge Revivals)

When Albert Hunt joined the staff of the Regional College of Art, Bradford, in 1965, he found himself working mostly with ‘non-academic’ students on a fascinating range of games, projects and theatre events outside the main stream of exam-oriented education. In this title, first published in 1976, Albert Hunt describes this experience, and explains how he himself evolved from a conventional grammar school teacher to a radical and experimental educator. In particular, Hunt describes the evolution of new working relationships between teachers and students, which in turn highlight an alternative way of viewing society. Hopes for Great Happenings is not only a vividly interesting account of Albert Hunt’s teaching methods, but is of practical value to anybody involved in the study of liberal arts, theatre studies or in community arts work.

Hopewell Valley

The picturesque Hopewell Valley is one of New Jersey's finest treasures. Sprawled over more than sixty square miles, the valley encompasses the boroughs of Hopewell and Pennington, the village of Titusville, and the township of Hopewell. From Christmas night of 1776, when George Washington and his troops crossed the Delaware River, to the twentieth century and the saga of Charles Lindbergh'smissing infant son, Hopewell Valley has been steeped in history and drama. Rare images gathered from the Hopewell Valley Historical Society and local residents make up this monumental pictorial journey. Hopewell Valley combines the famous and not-so-famous elements of these communities nestled between the Delaware River and the Sourland Mountains. Home to key figures in American history, the Hopewell Valley has also seen important developments in architecture and industry. Although modernization hastaken hold, the rural character of the area remains intact. And although the area has been home to well-known faces and events, Hopewell Valley is peppered with the lesser-known faces and places that bring out the full flavor.

Hopkinsville

Hopkinsville, the seat of Christian County, Kentucky, has experienced extensive change over the years. This volume studies the transition of a small-town culture from the days of dirt streets and horse-drawn vehicles to paved thoroughfares and motor traffic.

Hopkinsville

Hopkinsville is an enlightening collection designed to inform, entertain, 0and educate history buffs with images of the Pearl of the Pennyroyal." In this volume, authors William T. Turner and Donna K. Stone have teamed up to present more than 200 vintage images from Turner's personal collection to bring to life the people, events, communities, and industries that helped to shape and transform Hopkinsville. Portrayed in this postcard collection is a sampling of the city's past. Showcased are landmarks and people unique to this area, downtown memories, churches, schools and colleges, hotels, the Black Patch Tobacco War, and leisure activities. Personalities include Confederate president Jefferson Davis and world-famous clairvoyant Edgar Cayce, who made postcard views of the area."

Hopkinton (Images of America)

Hopkinton has always been a rural town, but it grew up on pioneer industry. The mills on Wood River and other waterways form only part of this collection of Hopkinton images. You will also see town residents putting on plays, going to Camp Yawgoog by wagon, and fishing on Yawgoog Pond. Here is Hopkinton from the dawn of photography to the middle of the twentieth century: stone walls and farmsteads, horse-drawn buggies and early autos, and the fondly remembered Wood River Branch Railroad.

Hopper

James Dean to Hopper "I saw what you did today. Today you were great. " Jack Nicholson to Hopper "We're geniuses, you know that? Isn't it great to be a genius?" The chopper-riding hippie outlaw in Easy Rider. The prophetic madman in the jungle in Apocalypse Now. The terrifying psychopath in Blue Velvet. The kid gone wrong in Rebel Without a Cause. The actor taken under the wing of James Dean who longed to be the next Orson Welles. The hell-raising director who revolutionized Hollywood. An enigmatic man from Dodge City, Kansas, on an endless quest to realize the American Dream. Dennis Hopper has been described as a rebel, an icon, an addict plagued by demons, and one of the most important champions of the pop-art movement. Friend to Warhol, muse to David Lynch, mentor to Sean Penn, champion of Ice-T, Dennis Hopper built a career that was a half-century of rebellion waged at the edge of American popular culture. Tom Folsom's Hopper is a wild ride through Dennis's many lives. Featuring hundreds of interviews with Hopper's fellow actors, artists, musicians, and residents of Taos, New Mexico (where he spent much of his most manic time), as well as his ex-wives and many other people who knew him, Hopper takes you on an extraordinary-and sometimes troubling-journey. From Dennis's early days with his grandparents on a dusty farm in Kansas, where he watched trains go by on their way to Los Angeles, to his formative time in Hollywood as one of a bright new crop of actors straddling the edge of the studio system, to the rebellious 1960s and the start of the independent film movement, to the drug-addled 1970s and beyond, when Hopper staged one of the greatest Hollywood comebacks of all time-Tom Folsom has crafted a biography as unconventional as Dennis Hopper himself.

Hopper: Writers on Art

Now in rich color, thirty of American painter Edward Hopper's masterpieces with critiques from acclaimed poet Mark Strand. Strand deftly illuminates the work of the frequently misunderstood American painter, whose enigmatic paintings--of gas stations, storefronts, cafeterias, and hotel rooms--number among the most powerful of our time. In brief but wonderfully compelling comments accompanying each painting, the elegant expressiveness of Strand's language is put to the service of Hopper's visual world. The result is a singularly illuminating presentation of the work of one of America's best-known artists. Strand shows us how the formal elements of the paintings--geometrical shapes pointing beyond the canvas, light from unseen sources--locate the viewer, as he says, "in a virtual space where the influence and availability of feeling predominate." An unforgettable combination of prose and painting in their highest forms, this book is a must for poetry and art lovers alike.

Horace Walpole (The A. W. Mellon Lectures in the Fine Arts #9)

An illuminating biographical study of the eighteenth-century English man of letters and patron of the artsHorace Walpole (1717–1797) was a collector, printer, novelist, arbiter of taste, and renowned writer of letters. In this book, eminent scholar Wilmarth Sheldon Lewis provides an unprecedented look at the life and work of one of England’s greatest men of letters. Lewis sheds light on Walpole’s relationships with his family and friends, his politics, his writings and printmaking activities, and his correspondence. Featuring portraits of Walpole, his relatives, and friends; images of Walpole's sketches and manuscripts; pages from books printed at Walpole’s Strawberry Hill Press; and views and plans of Strawberry Hill, the house, its rooms and furnishings, and its grounds, and accompanied by Lewis’s extensive annotations, this book provides an invaluable history of an extraordinary man.

Horace's Carmen Saeculare: Ritual Magic and the Poet's Art

"This is the first book devoted to Horace's Carmen Saeculare, a poem commissioned by Roman emperor Augustus in 17 B. C. E. for choral performance at the Ludi Saeculares, the Secular Games. The poem is the first fully preserved Latin hymn whose circumstances of presentation are known, and it is the only lyric by Horace that we can be certain was first presented orally. Michael C. J. Putnam offers a close and sensitive reading of this hymn shedding new light on the richness and virtuosity of its poetry, on the many sources Horace drew on, and on the poem's power and significance as a public ritual.

Horacio Quiroga y Alfonsina Storni: Amor, locura y muerte

Una investigación histórica con el pulso de novela que revela un amor –hasta ahora poco conocido– entre Horacio Quiroga y Alfonsina Storni. Con rigor histórico y pluma de novelista Fernando Klein nos pinta Montevideo, Buenos Aires, la selva misionera, personajes, y un amor en un tiempo fermental en ambas orillas del Plata. Alfonsina Storni una mujer de apariencia frágil de carácter fuerte y resuelto, inteligencia y fuerza de mujer viva, enamorada de la vida y de la muerte, y sobre todo de la libertad, con una pluma que enfrentó a una sociedad hipócrita y Horacio Quiroga un hombre marcado por la genialidad y la tragedia con mil vidas: dandy, naturalista, motor intelectual de una generación, excelso escritor, apasionado de la vida, coinciden en un camino marcado por la pasión carnal e intelectual. En 1916 –bajo la sombra de la Gran Guerra que atormentaba el mundo, en un Buenos Aires y Montevideo con el encendido de sus primeras luces que brillarán en las siguientes décadas– Horacio y Alfonsina construirán una historia de amor que será un remanso para los fantasmas de la locura y la depresión que sobrevuela esos corazones y mentes. Horacio Quiroga y Alfonsina Storni. Amor, locura y muerte es una reconstrucción histórica y documentada, pero también una novela donde Fernando Klein suelta la pluma y nos dibuja un paisaje bucólico lleno amor, locura y muerte. A través de estas páginas el lector podrá adentrarse en una época, un tiempo, la literatura y una sociedad a través de los ojos y corazones de dos referentes de la cultura rioplatense.

Horicon and Horicon Marsh (Images of America)

The city of Horicon has grown beyond its mill town roots to become home to John Deere, Gardner Manufacturing, and many community events. Meanwhile, Horicon Marsh has loomed to the north with its own story to tell. Over the years, what was once the land of the Winnebagos has been flooded, drained, dredged, and farmed. However, thanks to a restoration movement that began in the 1920s, Horicon Marsh stands today as the largest freshwater cattail marsh in the United States.

Horizontal Art History and Beyond: Revising Peripheral Critical Practices (Studies in Art Historiography)

This book is devoted to the concept of horizontal art history—a proposal of a paradigm shift formulated by the Polish art historian Piotr Piotrowski (1952–2015)—that aims at undermining the hegemony of the discourse of art history created in the Western world. The concept of horizontal art history is one of many ideas on how to conduct nonhierarchical art historical analysis that have been developed in different geopolitical locations since at least the 1970s, parallel to the ongoing process of decolonization. This book is a critical examination of horizontal art history which provokes a discussion on the original concept of horizontal art history and possible methods to extend it. This is an edited volume written by international scholars who acknowledge the importance of the concept, share its basic assumptions and are aware both of its advantages and limitations. The book will be of interest to scholars working in art history, art historiography and postcolonial studies.

Horizontal Hold: The Making and Breaking of a Network Television Pilot

Absurdly funny, trenchant, and provocative, this outside-looking-in account of the stillbirth of one particular television series is a must read for every serious and not-so-serious television viewer.

Horn, or The Counterside of Media (Sign, Storage, Transmission)

We regularly touch and handle media devices. At the same time, media devices such as body scanners, car seat pressure sensors, and smart phones scan and touch us. In Horn, Henning Schmidgen reflects on the bidirectional nature of touch and the ways in which surfaces constitute sites of mediation between interior and exterior. Schmidgen uses the concept of "horn"—whether manifested as a rhinoceros horn or a musical instrument—to stand for both natural substances and artificial objects as spaces of tactility. He enters into creative dialogue with artists, scientists, and philosophers, ranging from Salvador Dalí, William Kentridge, and Rebecca Horn to Sigmund Freud, Walter Benjamin, and Marshall McLuhan, who plumb the complex interplay between tactility and technological and biological surfaces. Whether analyzing how Dalí conceived of images as tactile entities during his “rhinoceros phase” or examining the problem of tactility in Thomas Pynchon’s The Crying of Lot 49, Schmidgen reconfigures understandings of the dynamic phenomena of touch in media.

Horrible Harry and the Scarlet Scissors (Horrible Harry #32)

Will the best artist win? The art teacher asks the students of Room 3B to draw posters of things they love, and one of them will get to display his or her artwork on South School's brand-new TV show. Harry doesn't care about the contest. Mary, on the other hand, is convinced that her poster is the best, and she can't wait for her television debut. But if Mary's poster doesn't get selected, then she's going to make horrible trouble for Room 3B--especially Harry!

Horror (Routledge Film Guidebooks)

Horror cinema is a hugely successful, but at the same time culturally illicit genre that spans the history of cinema. It continues to flourish with recent cycles of supernatural horror and torture porn that span the full range of horror styles and aesthetics. It is enjoyed by audiences everywhere, but also seen as a malign influence by others. In this Routledge Film Guidebook, audience researcher and film scholar Brigid Cherry provides a comprehensive overview of the horror film and explores how the genre works. Examining the way horror films create images of gore and the uncanny through film technology and effects, Cherry provides an account of the way cinematic and stylistic devices create responses of terror and disgust in the viewer. Horror examines the way these films construct psychological and cognitive responses and how they speak to audiences on an intimate personal level, addressing their innermost fears and desires. Cherry further explores the role of horror cinema in society and culture, looking at how it represents various identity groups and engages with social anxieties, and examining the way horror sees, and is seen by, society.

Horror Film and Affect: Towards a Corporeal Model of Viewership (Routledge Advances in Film Studies)

This book brings together various theoretical approaches to Horror that have received consistent academic attention since the 1990s – abjection, disgust, cognition, phenomenology, pain studies – to make a significant contribution to the study of fictional moving images of mutilation and the ways in which human bodies are affected by those on the screen on three levels: representationally, emotionally and somatically. Aldana Reyes reads Horror viewership as eminently carnal, and seeks to articulate the need for an alternative model that understands the experience of feeling under corporeal threat as the genre’s main descriptor. Using recent, post-millennial examples throughout, the book also offers case studies of key films such as Hostel, [REC], Martyrs or Ginger Snaps, and considers contemporary Horror strands such as found footage or 3D Horror.

Horror Film and Otherness (Film and Culture Series)

What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society’s fear of the “others” that threaten the “normal.” The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film’s depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes.Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across “normal” self and “monstrous” other. This “transformative otherness” confronts viewers with the other’s experience—and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined.Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror’s significance for culture, politics, and art.

Horror Films - Virgin Film

From the Slick horror of Alien, Scream and The Ring and the cult classics Dracula, Frankenstein and The Mummy to the slasher icons Jason, Freddy and Leatherface, horror just won’t stay dead. The genre has earned its place in the moviegoing psyche, with many of the key films spawning numerous copycats. But what are the 20 most influential horror films of all time? And what made them so important?James Marriott give an incisive account of the definitive works (and the most influential directors) of the genre over the last 80 years – from silent Expressionist classics to Japanese wraiths. The book reveals the inspiration behind each film and examines the choice of director, cast, soundtrack and marketing. Marriott analyzes the critical reception of each film and examines the subsequent impact on the industry and the public worldwide.

Horror Movie Freak

You'll scream with delight while reading this fun and engaging book that discusses fright flicks all horror fans need to see to ascend to the level of a true Horror Freak -from classics (Dracula and Psycho) to modern movies (Drag Me to Hell) and lesser-known gems (Dog Soldiers). Movies are divided into various categories including Asian horror, beginners, homicidal slashers, supernatural thrillers, and zombie invasion. Features more than 130 movies, 250+ photos of movie stills and posters, and a chapter on remakes and reimaginings. The book also includes the DVD of George A. Romero's original 1968 version of "Night of the Living Dead."

Horror Noire: A History of Black American Horror from the 1890s to Present

From King Kong to Candyman, the boundary-pushing genre of horror film has always been a site for provocative explorations of race in American popular culture. This book offers a comprehensive chronological survey of Black horror from the 1890s to present day. In this second edition, Robin R. Means Coleman expands upon the history of notable characterizations of Blackness in horror cinema, with new chapters spanning the 1960s, 2000s, and 2010s to the present, and examines key levels of Black participation on screen and behind the camera. The book addresses a full range of Black horror films, including mainstream Hollywood fare, art-house films, Blaxploitation films, and U.S. hip-hop culture-inspired Nollywood films. This new edition also explores the resurgence of the Black horror genre in the last decade, examining the success of Jordan Peele’s films Get Out (2017) and Us (2019), smaller independent films such as The House Invictus (2018), and Nia DaCosta’s sequel to Candyman (2021). Means Coleman argues that horror offers a unique representational space for Black people to challenge negative or racist portrayals, and to portray greater diversity within the concept of Blackness itself. This book is essential reading for anyone seeking to understand how fears and anxieties about race and race relations are made manifest, and often challenged, on the silver screen.

Horror Noire: Blacks in American Horror Films from the 1890s to Present

From King Kong to Candyman, the boundary-pushing genre of the horror film has always been a site for provocative explorations of race in American popular culture. In Horror Noire: Blacks in American Horror Films from 1890's to Present, Robin R. Means Coleman traces the history of notable characterizations of blackness in horror cinema, and examines key levels of black participation on screen and behind the camera. She argues that horror offers a representational space for black people to challenge the more negative, or racist, images seen in other media outlets, and to portray greater diversity within the concept of blackness itself. Horror Noire presents a unique social history of blacks in America through changing images in horror films. Throughout the text, the reader is encouraged to unpack the genre’s racialized imagery, as well as the narratives that make up popular culture’s commentary on race. Offering a comprehensive chronological survey of the genre, this book addresses a full range of black horror films, including mainstream Hollywood fare, as well as art-house films, Blaxploitation films, direct-to-DVD films, and the emerging U.S./hip-hop culture-inspired Nigerian "Nollywood" Black horror films. Horror Noire is, thus, essential reading for anyone seeking to understand how fears and anxieties about race and race relations are made manifest, and often challenged, on the silver screen.

Horror Television in the Age of Consumption: Binging on Fear (Routledge Advances in Television Studies)

Characterized as it is by its interest in and engagement with the supernatural, psycho-social formations, the gothic, and issues of identity and subjectivity, horror has long functioned as an allegorical device for interrogations into the seamier side of cultural foundations. This collection, therefore, explores both the cultural landscape of this recent phenomenon and the reasons for these television series’ wide appeal, focusing on televisual aesthetics, technological novelties, the role of adaptation and seriality, questions of gender, identity and subjectivity, and the ways in which the shows’ themes comment on the culture that consumes them. Featuring new work by many of the field’s leading scholars, this collection offers innovative readings and rigorous theoretical analyses of some of our most significant contemporary texts in the genre of Horror Television.