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Ingmar Bergman Out of Focus: Film Cultures and International Reception
by Jono Van Belle, Fernando Ramos Arenas, and María Paz PeiranoDirector Ingmar Bergman occupies a central place in the history of modern cinema. Credited with igniting a cinematic revolution, his ability to produce work which resonated with audiences globally has brought scholarly attention to the impact of Bergman’s Swedish background on his oeuvre. Ingmar Bergman Out of Focus revises this question of Bergman’s “familiarity” to produce a more expansive understanding of Bergman’s cultural heritage. Considering the impact of Bergman’s films on film festival organizers, critics, academics, and audiences all over the world, this volume illuminates how Bergman’s film aesthetics simultaneously shaped modern culture and were themselves reshaped by the debates and concerns that preoccupied his viewers.
Ingmar Bergman's Face to Face (Treasury Of The Indic Sciences Ser.)
by Michael TapperThe 1976 premiere of Face to Face came at the height of director-screenwriter Ingmar Bergman's career. Prestigious awards and critical acclaim had made him into a leading name in European art cinema, yet today Face to Face is a largely overlooked and dismissed work.This book tells the story of its rise and fall. It presents a new portrait of Bergman as a political artist exploring a new medium with huge public impact: television. Inspired by Henrik Ibsen, feminism, and alternative psychotherapy, he made a series of portraits of the modern bourgeois family focusing on the plight of women; Face to Face followed in the tracks of The Lie (1970) and Scenes from a Marriage (1973). By his workbooks, engagement planners, and other archival material, we can trace his investigation into the heart of repressive family structures to eventually glimpse a way out. This volume culminates in an extensive study of the two-year process from the first outlines of the screenplay to the reception and aftermath of Face to Face. It thus offers a unique insight into Bergman's world, his ideas and artistry during a turbulent time in cinema history.
Ingmar Bergman, Cinematic Philosopher: Reflections on His Creativity (The Irving Singer Library)
by Irving SingerThe development of themes, motifs, and techniques in Bergman's films, from the first intimations in the early work to the consummate resolutions in the final movies.Known for their repeating motifs and signature tropes, the films of Ingmar Bergman also contain extensive variation and development. In these reflections on Bergman's artistry and thought, Irving Singer discerns distinctive themes in Bergman's filmmaking, from first intimations in the early work to consummate resolutions in the later movies. Singer demonstrates that while Bergman's output is not philosophy on celluloid, it attains an expressive and purely aesthetic truthfulness that can be considered philosophical in a broader sense. Through analysis of both narrative and filmic effects, Singer probes Bergman's mythmaking and his reliance upon the magic inherent in his cinematic techniques. Singer traces throughout the evolution of Bergman's ideas about life and death, and about the possibility of happiness and interpersonal love. In the overtly self-referential films that he wrote or directed (The Best Intentions, Fanny and Alexander, Sunday's Children) as well as the less obviously autobiographical ones (including Wild Strawberries, The Seventh Seal, and the triad that begins with Through a Glass Darkly) Bergman investigates problems in his existence and frequently reverts to childhood memories. In such movies as Smiles of a Summer Night, Scenes from a Marriage, and Saraband, Bergman draws upon his mature experience and depicts the troubled relationships between men who are often weak and women who are made to suffer by the damaged men with whom they live. In Persona, Cries and Whispers, and other works, his experiments with the camera are uniquely masterful. Inspecting the panorama of Bergman's art, Singer shows how the endless search for human contact motivates the content of his films and reflects Bergman's profound perspective on the world.
Ingmar Bergman: New Edition
by Barry Keith Grant Robin Wood Richard LippeAt a time when few reviewers and critics were taking the study of film seriously, Robin Wood released a careful and thoroughly cinematic commentary on Ingmar Bergman's films that demonstrated the potential of film analysis in a nascent scholarly field. The original Ingmar Bergman influenced a generation of film scholars and cineastes after its publication in 1969 and remains one of the most important volumes on the director. This new edition of Ingmar Bergman, edited by film scholar Barry Keith Grant, contains all of Wood's original text plus four later pieces on the director by Wood that were intended for a new volume that was not completed before Wood's death in 2010. In analyzing a selection of Bergman's films, Wood makes a compelling case for the logic of the filmmaker's development while still respecting and indicating the distinctiveness of his individual films. Wood's emphasis on questions of value (What makes a work important? How does it address our lives?) informed his entire career and serve as the basis for many of these chapters. In the added material for this new edition, Wood considers three important films Bergman made after the book was first published-Cries and Whispers, Fanny and Alexander, and From the Life of the Marionettes-and also includes significant reassessment of Persona. These pieces provocatively suggest the more political directions Wood might have taken had he been able to produce Ingmar Bergman Revisited, as he had planned to do before his death. In its day, Ingmar Bergman was one of the most important volumes on the Swedish director published in English, and it remains compelling today despite the multitude of books to appear on the director since. Film scholars and fans of Bergman's work will enjoy this updated volume.
Ingrained: The Making of a Craftsman
by Callum RobinsonLONGLISTED FOR THE 2025 ANDREW CARNEGIE MEDAL FOR EXCELLENCE IN NONFICTIONFor fans of H Is for Hawk and Shop Class as Soulcraft comes a captivating literary memoir, immersing readers in the life of a Scottish carpenter as he perfects his craft, builds a business, and reflects on what inheritance and shared responsibility really mean.The eldest son of a master woodworker, Callum Robinson spent his childhood surrounded by wood and trees, absorbing craft lessons in his father’s workshop. In time he became his father’s apprentice, helping to create exquisite bespoke objects. But eventually the need to find his own path led him to establish his own workshop and chase ever bigger and more commercial projects, until the devastating loss of one major job threatened to bring it all crashing down. Faced with the end of his business, his team, and everything he had worked so hard to build, he was forced to question what mattered most. In beautifully wrought prose, Callum tells the story of returning to the workshop and to the wood, to handcrafting furniture for people who will love it and then pass it on to the next generation—an antidote to a culture where everything seems so easily disposable. As he does so, he brings us closer to nature and the physical act of creation—and we begin to understand how he has been shaped, as both a craftsman and a son. Blending memoir and nature writing at its finest, Ingrained is an uplifting meditation on the challenges of working with your hands in our modern age, on community, consumerism, and the beauty of the natural world—one that asks us to see our local trees, and our own wooden objects, in a new and revelatory light.
Ingram
by Ingram Historical SocietyFounded in 1902, the history of Ingram borough goes back to 1752, when the land was part of Chartiers Township. A grand jury granted a petition to incorporate Ingram as a borough in 1902, and it was named after Thomas Ingram who owned much of the land. The new borough was promoted as a peaceful community located away from the smoke and noise of Pittsburgh's heavy industry. Efficient transportation came to the area in 1865 when the Pittsburgh and Steubenville Railroad completed a line west of Pittsburgh known as the Panhandle. At its peak, a total of 98 trains operated along this route each day. With the coming of electric trolley cars and the formation of Pittsburgh Railways Company, Ingram had two reliable modes of travel.Through vintage photographs, Ingram showcases how this dedicated and friendly community has forged into the 21st century while remaining committed to its many fond traditions.
Ingres Then, and Now (Re Visions Ser.)
by Adrian RifkinIngres Then, and Now is an innovative study of one of the best-known French artists of the nineteenth century, Jean Auguste Dominique Ingres. Adrian Rifkin re-evaluates Ingres' work in the context of a variety of literary, musical and visual cultures which are normally seen as alien to him. Re-viewing Ingres' paintings as a series of fragmentary symptoms of the commodity cultures of nineteenth-century Paris, Adrian Rifkin draws the artist away from his familiar association with the Academy and the Salon.Rifkin sets out to show how, by thinking of the historical archive as a form of the unconscious, we can renew our understanding of nineteenth-century conservative or academic cultures by reading them against their 'other'. He situates Ingres in the world of the Parisian Arcades, as represented by Walter Benjamin, and examines the effect of this juxtaposition on how we think of Benjamin himself, following Ingres' image in popular cultures of the twentieth century. Rifkin then returns to the late eighteenth and early nineteenth centuries to find traces of the emergence of bizarre symptoms in Ingres' early work, symptoms which open him to a variety of conflicting readings and appropriations. It concludes by examining his importance for the great French art critic Jean Cassou on the one hand, and in making a bold, contemporary gay appropriation on the other.Ingres Then, and Now transforms the popular image we have of Ingres. It argues that the figure of the artist is neither fixed in time or place - there is neither an essential man named Ingres, nor a singular body of his work - but is an effect of many, complex and overlapping historical effects.
Ingrid Bergman (Great Stars)
by David Thomson"Ingrid Bergman was far more than just a sweet, virtuous, ‘natural' Swedish girl—she was a dark sensualist over whom many men might go mad. Her very gaze delivered a climate of adult romantic expectation."Adored by millions for her luminous beauty and elegance, at the height of her career Bergman commanded a love that has hardly ever been matched, until her marriage fell apart and created an international scandal. Here the renowned film writer David Thomson gives his own unique take on a woman who was constantly driven by her passions and by her need to act, even if it meant sacrificing everything.
Inhabitable Infrastructures: Science fiction or urban future?
by CJ LimInhabitable Infrastructures: Science fiction or urban future?, the follow up to Food City and Smartcities and Eco-Warriors, from one of the world’s leading urban design and architectural thinkers, explores the potential of climate change-related multi-use infrastructures that address the fundamental human requirements to protect, to provide and to participate. The stimulus for the infrastructures derives from postulated scenarios and processes gleaned from science fiction and futurology as well as the current body of scientific knowledge regarding changing environmental impacts on cities. Science fiction is interdisciplinary by nature, aggregates the past and present, and evaluates both lay opinions and professional strategies in an attempt to develop foresight and to map possible futures. The research culminates in the creation of innovative multi-use infrastructures and integrated self-sustaining support systems that meet the challenges posed through climate change and overpopulation, and the reciprocal benefits of simultaneously addressing the threat and the shaping of cities. J. G. Ballard has written that the psychological realm of science fiction is most valuable in its predictive function, and in projecting emotions into the future. The knowledge from the book is widely transferable, constituting both solutions and speculative visions of future urban environments. The book is indispensable reading for professionals and students in the fields of urban design, architecture, engineering and environmental socio-politics.
Inhabiting the Impossible: Dance and Experimentation in Puerto Rico (Studies in Dance: Theories and Practices)
by Susan Homar and nibia pastrana santiagoThis first-of-its-kind book brings together writing by artists and scholars to survey the lively field of Puerto Rican experimental dance across four decades. Originally published as Habitar lo Imposible, the translation in English features essays, artist statements, and interviews plus more than 100 photos of productions, programs, posters, and scores. Throughout, Inhabiting the Impossible provides fresh, invaluable perspectives on experimentation in dance as a sustained practice that has from the start deeply engaged issues of race, gender, sexuality, and politics. The book is also enhanced by a bibliographic section with detailed resources for further study.
Inhabiting the In-Between: Childhood and Cinema in Spain’s Long Transition (Toronto Iberic)
by Sarah ThomasAlthough children have proliferated in Spain’s cinema since its inception, nowhere are they privileged and complicated in quite the same way as in the films of the 1970s and early 1980s, a period of radical political and cultural change for the nation as it emerged from almost four decades of repressive dictatorship under the rule of General Francisco Franco. In Inhabiting the In-Between: Childhood and Cinema in Spain’s Long Transition, Sarah Thomas analyzes the cinematic child within this complex historical conjuncture of a nation looking back on decades of authoritarian rule and forward to an uncertain future. Examining films from several genres by four key directors of the Transition – Carlos Saura, Antonio Mercero, Víctor Erice, and Jaime de Armiñán – Inhabiting the In-Between explores how the child is represented as both subject and object, self and other, and consistently cast in a position between categories or binary poles. Its readings demonstrate how the cinematic child that materializes in this period is a fundamentally shifting, oscillating, ambivalent figure that points toward the impossibility of fully comprehending the historical past and the figure of the other, while inviting an ethical engagement with each.
Inherent Vice: Bootleg Histories of Videotape and Copyright
by Lucas HilderbrandIn an age of digital technology and renewed anxiety about media piracy, Inherent Vice revisits the recent analog past with an eye-opening exploration of the aesthetic and legal innovations of home video. Analog videotape was introduced to consumers as a blank format, essentially as a bootleg technology, for recording television without permission. The studios initially resisted VCRs and began legal action to oppose their marketing. In turn, U. S. courts controversially reinterpreted copyright law to protect users' right to record, while content owners eventually developed ways to exploit the video market. Lucas Hilderbrand shows how videotape and fair use offer essential lessons relevant to contemporary progressive media policy. Videotape not only radically changed how audiences accessed the content they wanted and loved but also altered how they watched it. Hilderbrand develops an aesthetic theory of analog video, an "aesthetics of access" most boldly embodied by bootleg videos. He contends that the medium specificity of videotape becomes most apparent through repeated duplication, wear, and technical failure; video's visible and audible degeneration signals its uses for legal transgressions and illicit pleasures. Bringing formal and cultural analysis into dialogue with industrial history and case law, Hilderbrand examines four decades of often overlooked histories of video recording, including the first network news archive, the underground circulation of Superstar: The Karen Carpenter Story, a feminist tape-sharing network, and the phenomenally popular website YouTube. This book reveals the creative uses of videotape that have made essential content more accessible and expanded our understanding of copyright law. It is a politically provocative, unabashedly nostalgic ode to analog.
Inherit the Wind: The Powerful Courtroom Drama in which Two Men Wage the Legal War of the Century
by Robert E. Lee Jerome LawrenceThe accused was a slight, frightened man who had deliberately broken the law. His trial was a Roman circus. The chief gladiators were two great legal giants of the century. Like two bull elephants locked in mortal combat, they bellowed and roared imprecations and abuse. The spectators sat uneasily in the sweltering heat with murder in their hearts, barely able to restrain themselves. At stake was the freedom of every American. One of the most moving and meaningful plays of our generation. "a tidal wave of a drama." -- New York World-Telegram And Sun
Injichaag: Anishinaabe Poetics in Art and Words
by Rene MeshakeThis book shares the life story of Anishinaabe artist Rene Meshake in stories, poetry, and Anishinaabemowin “word bundles” that serve as a dictionary of Ojibwe poetics. Meshake was born in the railway town of Nakina in northwestern Ontario in 1948, and spent his early years living off-reserve with his grandmother in a matriarchal land-based community he calls Pagwashing. He was raised through his grandmother’s “bush university,” periodically attending Indian day school, but at the age of ten Rene was scooped into the Indian residential school system, where he suffered sexual abuse as well as the loss of language and connection to family and community. This residential school experience was lifechanging, as it suffocated his artistic expression and resulted in decades of struggle and healing. Now in his twenty-eighth year of sobriety, Rene is a successful multidisciplinary artist, musician and writer. Meshake’s artistic vision and poetic lens provide a unique telling of a story of colonization and recovery. The material is organized thematically around a series of Meshake’s paintings. It is framed by Kim Anderson, Rene’s Odaanisan (adopted daughter), a scholar of oral history who has worked with Meshake for two decades. Full of teachings that give a glimpse of traditional Anishinaabek lifeways and worldviews, Injichaag: My Soul in Story is “more than a memoir.”
Injury Illustrated: How Medical Images Win Legal Cases
by R. Annie GoughThe best storytellers and presenters know that a picture is worth a thousand words. Pictures simplify stories. They make stories memorable. They clarify complex concepts and they educate the audience in the easiest way. That is why attorneys work with artists—medical illustrators, to be exact. Injury Illustrated is the first book of its kind. It is the essential guide on medical illustrations used in the legal context. This book examines the creation of visual graphics known as demonstrative exhibits. These exhibits provide an understanding of traumatic injuries, surgeries, and radiology studies for the jury, judges, adjustors, mediators, and the attorneys. These chapters describe how to tell a clear story about gross anatomy, medical malpractice, and/or death investigation in court by using medical images. While medical illustration and injury law are very different professions, illustrators are the ideal partners for lawyers when solving problems and preparing for litigation. Divided into five sections, this book details who medical illustrators are, how they are educated in medicine, the skills and services they can provide to trial lawyers, and the countless benefits resulting from record review and case preparation. Find techniques to best use medical images during all stages of litigation Learn how graphic exhibits engage a jury and empower justice Understand why attorneys win more cases by collaborating with medical illustrators All readers will learn about this unique career and the attorney-illustrator relationship. More specifically, attorneys, artists, animators, law students, medical students, forensic scientists, and medical experts will understand how demonstrative exhibits assist legal proceedings in forensic matters and civil lawsuits. Warning; these images will be graphic and the cases at times will be catastrophic.
Injustice in Urban Sustainability: Ten Core Drivers (Routledge Equity, Justice and the Sustainable City series)
by Isabelle Anguelovski Panagiota Kotsila Melissa García-Lamarca Filka SekulovaThis book uses a unique typology of ten core drivers of injustice to explore and question common assumptions around what urban sustainability means, how it can be implemented, and how it is manifested in or driven by urban interventions that hinge on claims of sustainability. Aligned with critical environmental justice studies, the book highlights the contradictions of urban sustainability in relation to justice. It argues that urban neighbourhoods cannot be greener, more sustainable and liveable unless their communities are strengthened by the protection of the right to housing, public space, infrastructure and healthy amenities. Linked to the individual drivers, ten short empirical case studies from across Europe and North America provide a systematic analysis of research, policy and practice conducted under urban sustainability agendas in cities such as Barcelona, Glasgow, Athens, Boston and Montréal, and show how social and environmental justice is, or is not, being taken into account. By doing so, the book uncovers the risks of continuing urban sustainability agendas while ignoring, and therefore perpetuating, systemic drivers of inequity and injustice operating within and outside of the city. Accessibly written for students in urban studies, critical geography and planning, this is a useful and analytical synthesis of issues relating to urban sustainability, environmental and social justice.
Ink and Light
by Andrew BrinkClaude Lorrain (1600-1682), an eminent seventeenth-century landscape painter, was an equally talented graphic artist. Lorrain's etchings match the mastery and execution of his paintings and yet are largely unrecognized by contemporary collectors and art historians. Andrew Brink, an astute and discriminating art collector, amassed an impressive collection of etchings, engravings, and mezzotints by European master printmakers from the sixteenth century onwards. The keystone works in the Brink Collection, now housed in Guelph, Ontario's Macdonald Stewart Art Centre, are by Claude Lorrain. In Ink and Light, Brink positions Lorrain's prints as seminal to the establishment of seventeenth- and eighteenth-century aesthetics in England, which gave rise to the English pictorialism in art and landscape architecture that would have international influence in the nineteenth and twentieth centuries. He discusses the technical and material character of Lorrain's etchings, as well as their connection to literature and philosophy in early modern times. While Brink's main focus is the impact of the etchings, he also looks at paintings and drawings by Lorrain, in addition to works made by other artists after Lorrain. Featuring forty of Claude Lorrain's etchings from the Brink Collection, Ink and Light fills a significant gap in British art history by providing a close reading of Lorrain's prints, their reception in England, and the enduring impact they had on a distinctive British aesthetic.
Ink and Light: The Influence of Claude Lorrain's Etchings on England
by Andrew BrinkClaude Lorrain (1600-1682), an eminent seventeenth-century landscape painter, was an equally talented graphic artist. Lorrain's etchings match the mastery and execution of his paintings and yet are largely unrecognized by contemporary collectors and art historians. Andrew Brink, an astute and discriminating art collector, amassed an impressive collection of etchings, engravings, and mezzotints by European master printmakers from the sixteenth century onwards. The keystone works in the Brink Collection, now housed in Guelph, Ontario's Macdonald Stewart Art Centre, are by Claude Lorrain. In Ink and Light, Brink positions Lorrain's prints as seminal to the establishment of seventeenth- and eighteenth-century aesthetics in England, which gave rise to the English pictorialism in art and landscape architecture that would have international influence in the nineteenth and twentieth centuries. He discusses the technical and material character of Lorrain's etchings, as well as their connection to literature and philosophy in early modern times. While Brink's main focus is the impact of the etchings, he also looks at paintings and drawings by Lorrain, in addition to works made by other artists after Lorrain. Featuring forty of Claude Lorrain's etchings from the Brink Collection, Ink and Light fills a significant gap in British art history by providing a close reading of Lorrain's prints, their reception in England, and the enduring impact they had on a distinctive British aesthetic.
Ink in the Blood (Ink in the Blood Duology #1)
by Kim SmejkalA lush, dark YA fantasy debut that weaves together tattoo magic, faith, and eccentric theater in a world where lies are currency and ink is a weapon, perfect for fans of Leigh Bardugo and Kendare Blake. Celia Sand and her best friend, Anya Burtoni, are inklings for the esteemed religion of Profeta. Using magic, they tattoo followers with beautiful images that represent the Divine&’s will and guide the actions of the recipients. It&’s considered a noble calling, but ten years into their servitude Celia and Anya know the truth: Profeta is built on lies, the tattooed orders strip away freedom, and the revered temple is actually a brutal, torturous prison. Their opportunity to escape arrives with the Rabble Mob, a traveling theater troupe. Using their inkling abilities for performance instead of propaganda, Celia and Anya are content for the first time . . . until they realize who followed them. The Divine they never believed in is very real, very angry, and determined to use Celia, Anya, and the Rabble Mob&’s now-infamous stage to spread her deceitful influence even further. To protect their new family from the wrath of a malicious deity and the zealots who work in her name, Celia and Anya must unmask the biggest lie of all—Profeta itself.
Ink-Stained Hollywood: The Triumph of American Cinema’s Trade Press
by Eric HoytA free open access ebook is available upon publication. Learn more at www.luminosoa.org. For the first half of the twentieth century, no American industry boasted a more motley and prolific trade press than the movie business—a cutthroat landscape that set the stage for battle by ink. In 1930, Martin Quigley, publisher of Exhibitors Herald, conspired with Hollywood studios to eliminate all competing trade papers, yet this attempt and each one thereafter collapsed. Exploring the communities of exhibitors and creative workers that constituted key subscribers, Ink-Stained Hollywood tells the story of how a heterogeneous trade press triumphed by appealing to the foundational aspects of industry culture—taste, vanity, partisanship, and exclusivity. In captivating detail, Eric Hoyt chronicles the histories of well-known trade papers (Variety, Motion Picture Herald) alongside important yet forgotten publications (Film Spectator, Film Mercury, and Camera!), and challenges the canon of film periodicals, offering new interpretative frameworks for understanding print journalism’s relationship with the motion picture industry and its continued impact on creative industries today.
Ink: Culture, Wonder, and Our Relationship with the Written Word
by Ted BishopA rich and imaginative discovery of how ink has shaped culture and why it is here to stay.Ink is so much a part of daily life that we take it for granted, yet its invention was as significant as the wheel. Ink not only recorded culture, it bought political power, divided peoples, and led to murderous rivalries. Ancient letters on a page were revered as divine light, and precious ink recipes were held secret for centuries. And, when it first hit markets not so long ago, the excitement over the disposable ballpoint pen equalled that for a new smartphone--with similar complaints to the manufacturers. Curious about its impact on culture, literature, and the course of history, Ted Bishop sets out to explore the story of ink. From Budapest to Buenos Aires, he traces the lives of the innovators who created the ballpoint pen--revolutionary technology that still requires exact engineering today. Bishop visits a ranch in Utah to meet a master ink-maker who relishes igniting linseed oil to make traditional printers' ink. In China, he learns that ink can be an exquisite object, the subject of poetry, and a means of strengthening (or straining) family bonds. And in the Middle East, he sees the world's oldest Qur'an, stained with the blood of the caliph who was assassinated while reading it. An inquisitive and personal tour around the world, Ink asks us to look more closely at something we see so often that we don't see it at all.
Inka Bodies and the Body of Christ: Corpus Christi in Colonial Cuzco, Peru
by Carolyn J DeanIn Inka Bodies and the Body of Christ Carolyn Dean investigates the multiple meanings of the Roman Catholic feast of Corpus Christi as it was performed in the Andean city of Cuzco after the Spanish conquest. By concentrating on the era's paintings and its historical archives, Dean explores how the festival celebrated the victory of the Christian God over sin and death, the triumph of Christian orthodoxy over the imperial Inka patron (the Sun), and Spain's conquest of Peruvian society. As Dean clearly illustrates, the central rite of the festival--the taking of the Eucharist--symbolized both the acceptance of Christ and the power of the colonizers over the colonized. The most remarkable of Andean celebrants were those who appeared costumed as the vanquished Inka kings of Peru's pagan past. Despite the subjugation of the indigenous population, Dean shows how these and other Andean nobles used the occasion of Corpus Christi as an opportunity to construct new identities through tinkuy, a native term used to describe the conjoining of opposites. By mediating the chasms between the Andean region and Europe, pagans and Christians, and the past and the present, these Andean elites negotiated a new sense of themselves. Dean moves beyond the colonial period to examine how these hybrid forms of Inka identity are still evident in the festive life of modern Cuzco. Inka Bodies and the Body of Christ offers the first in-depth analysis of the culture and paintings of colonial Cuzco. This volume will be welcomed by historians of Peruvian culture, art, and politics. It will also interest those engaged in performance studies, religion, and postcolonial and Latin American studies.
Inked: The World’s Most Impressive, Unique and Innovative Tattoos
by Lola MarsInked brings you a stunning collection of the most intricate, unique and exquisite tattoos, from the subtle and delicate to one-of-a-kind whole-body pieces. Showcasing a range of innovative new styles as well as traditional designs, and packing a punch of colour and charisma, every one of the tattoos in this book is proof that a tattoo is not just ink; it’s art.
Inked: The World’s Most Impressive, Unique and Innovative Tattoos
by Lola MarsInked brings you a stunning collection of the most intricate, unique and exquisite tattoos, from the subtle and delicate to one-of-a-kind whole-body pieces. Showcasing a range of innovative new styles as well as traditional designs, and packing a punch of colour and charisma, every one of the tattoos in this book is proof that a tattoo is not just ink; it’s art.
Inklings
by Jeffrey KoterbaWhen Jeffrey Koterba was six, he started drawing his first cartoons, painstakingly copying from the Sunday Omaha World Herald's funny papers and making up his own characters. With a pen and a sheet of white paper, he was able to escape into a world that was clean, expansive, and comfortable-a refuge from the pandemonium surrounding him.The tiny house Koterba grew up in was full-to-bursting with garage-sale treasures and televisions his father Art repaired and sold for extra money. A hard-drinking one-time jazz drummer whose big dreams never seemed to come true, Art was subject to violent facial and vocal tics-symptoms of Tourette's Syndrome, a condition Jeffrey inherited-as well as explosions of temper and eccentricity that kept the Koterba family teetering on the brink of disaster.From the canyons of broken electronics, the lightning strikes, screaming matches, and discouragements great and small emerged a young man determined to follow his creative spirit to grand heights. And much to his surprise, he found himself on a journey back to his family and the father he once longed to escape. An exuberant, heart-felt memoir that calls to mind The Tender Bar and Fun Home, Inklings is infused with an irresistible optimism all its own.