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Improvised Theatre and the Autism Spectrum: A Practical Guide to Teaching Social Connection and Communication Skills
by Gary Kramer Richie PloeschThis guide provides educators, professionals, and parents with an easy-to-follow and comprehensive approach to utilizing improvised theatre as a tool to teach social and communication skills to individuals on the autism spectrum. Opening with the philosophy of the curriculum and the considerations of mental health, play, and environmental factors on individuals with autism, the book then breaks down specific activities, suggests course sequencing, and explains how each activity works and applies to desired outcomes. Packed with dozens of activities and explanations, the book includes all the information necessary to design a full curriculum or create an at-home learning program for parents. By combining the fun and engaging atmosphere of improvisational theatre with the systematic teaching of social skills, professionals and parents can cultivate learning in a way that keeps students engaged while providing long-lasting improvements in social interaction, self-confidence, and communication.
Improvising Cinema (Film Culture in Transition)
by Gilles MouëllicThis spirited volume explores the history and diversity of improvisation in the cinema, including works by Jean Renoir, Jean-Luc Godard, and Nobuhiro Suwa. Gilles Mouëllic examines improvisational practices that can be specifically attributed to the cinema and argues in favors of their powers as instigators of unprecedented forms of expression. Improvising Cinema reflects both on the permanence of attempting improvisation and the relationship between technology and aesthetics. Mouëllic concludes preservation becomes even more invaluable in the case of improvisation, as the creative act exists only within the brief time span of the performance.
Improvising Tradition: 18 Quilted Projects Using Strips, Slices, and Strata
by Alexandra LedgerwoodImprovisational piecing methods anchored within traditional quilting designs. Improvising Tradition pairs improvisationally pieced elements with more structured, and perhaps more familiar, quilt patterns to create projects that share a fresh, clean, and modern aesthetic. Author Alexandra Ledgerwood introduces readers to three basic improv piecing techniques: strip sets, piecing improvised strata, and slice and insert, then marries them with traditional quilting designs such as log cabins, coin and bar quilts, and even Hawaiian quilts. By using improvised elements within traditional patchwork quilt designs, Alexandra merges new and old quilting styles into projects that will appeal to a wide range of quilters. Eighteen original and modern quilting projects combine the beauty and familiarity of traditional techniques with the fresh, fun spirit of improvised quilting.
Improvising With and In Higher Education: All Together Now (Palgrave Studies In Play, Performance, Learning, and Development)
by Luke PeroneHow and why does improvisational theater (improv) serve the learning and development of adults in higher education? What new approaches to higher education are possible with and because of improv activities? This edited collection considers these questions while illustrating the power of improv activities with and in higher education to co-create revolutionary opportunities for holistic human development, learning, community building, social change, and research. Moreover, this collection emphasizes the presence and significance of life-span imaginative play in the form of improv both as a topic of scholarship and as a means of teaching, learning, research, and administration in higher education. It provides illustrations of the imaginative, playful activities of the authors and offers reflections of, theoretical groundings for, and current sociopolitical contexts of these activities.
Improvising the Score: Rethinking Modern Film Music through Jazz
by Gretchen L. Carlson2023 Jazz Journalists Association (JJA) Jazz Awards for Books of the Year—Honorable Mention RecipientOn December 4, 1957, Miles Davis revolutionized film soundtrack production, improvising the score for Louis Malle’s Ascenseur pour l’échafaud. A cinematic harbinger of the French New Wave, Ascenseur challenged mainstream filmmaking conventions, emphasizing experimentation and creative collaboration. It was in this environment during the late 1950s to 1960s, a brief “golden age” for jazz in film, that many independent filmmakers valued improvisational techniques, featuring soundtracks from such seminal figures as John Lewis, Thelonious Monk, and Duke Ellington. But what of jazz in film today? Improvising the Score: Rethinking Modern Film Music through Jazz provides an original, vivid investigation of innovative collaborations between renowned contemporary jazz artists and prominent independent filmmakers. The book explores how these integrative jazz-film productions challenge us to rethink the possibilities of cinematic music production. In-depth case studies include collaborations between Terence Blanchard and Spike Lee (Malcolm X, When the Levees Broke), Dick Hyman and Woody Allen (Hannah and Her Sisters), Antonio Sánchez and Alejandro González Iñárritu (Birdman), and Mark Isham and Alan Rudolph (Afterglow). The first book of its kind, this study examines jazz artists’ work in film from a sociological perspective, offering rich, behind-the-scenes analyses of their unique collaborative relationships with filmmakers. It investigates how jazz artists negotiate their own “creative labor,” examining the tensions between improvisation and the conventionally highly regulated structures, hierarchies, and expectations of filmmaking. Grounded in personal interviews and detailed film production analysis, Improvising the Score illustrates the dynamic possibilities of integrative artistic collaborations between jazz, film, and other contemporary media, exemplifying its ripeness for shaping and invigorating twenty-first-century arts, media, and culture.
Impure Acts: The Practical Politics of Cultural Studies
by Henry A. GirouxHenry A. Giroux challenges the contemporary politics of cynicism by addressing a number of issues including the various attacks on cultural politics, the multicultural discourses of academia, the corporate attack on higher education, and the cultural politics of the Disney empire.
In Balanchine’s Company
by Barbara FisherDuring her twelve years with Ballet Society and the New York City Ballet, Barbara Milberg worked under the direction of George Balanchine. She rose from corps de ballet to soloist, danced leading roles in Swan Lake and Illuminations, and performed in celebrated world premieres. In this observant and poignant memoir, she shares her recollections of Balanchine, his craft and his values, and lends insight into surprising aspects of his personality. Fisher gives readers a rare glimpse inside Balanchine's artistry, including vivid accounts of the makings of such important ballets as Schoenberg's Opus 34, AGON, and the world-famous Nutcracker. Told through the eyes of a young dancer in what seemed a truly magical place and time, In Balanchine's Company is ideal for ballet fans young and old. Rich in anecdote, insight, and humor, it offers a unique perspective on one of the twentieth century's cultural giants. Ebook Edition Note: All illustrations have been redacted.
In Between Subjects: A Critical Genealogy of Queer Performance
by Amelia JonesThis volume is a study of the connected ideas of "queer" and "gender performance" or "performativity" over the past several decades, providing an ambitious history and crucial examination of these concepts while questioning their very bases. Addressing cultural forms from 1960s–70s sociology, performance art, and drag queen balls to more recent queer voguing performances by Pasifika and Māori people from New Zealand and pop culture television shows such as RuPaul’s Drag Race, the book traces how and why "queer" and "performativity" seem to belong together in so many discussions around identity, popular modes of gender display, and performance art. Drawing on art history and performance studies but also on feminist, queer, and sexuality studies, and postcolonial, indigenous, and critical race theoretical frameworks, it seeks to denaturalize these assumptions by questioning the US-centrism and white-dominance of discourses around queer performance or performativity. The book’s narrative is deliberately recursive, itself articulated in order performatively to demonstrate the specific valence and social context of each concept as it emerged, but also the overlap and interrelation among the terms as they have come to co-constitute one another in popular culture and in performance and visual arts theory, history, and practice. Written from a hybrid art historical and performance studies point of view, this will be essential reading for all those interested in art, performance, and gender, as well as in queer and feminist theory.
In Black and White: The Life of Sammy Davis, Jr.
by Wil HaygoodHe was, for decades, one of the most recognizable figures in the cultural landscape, his image epitomizing a golden age of American show business. His career spanned a lifetime, but for years he has remained hidden behind the persona he so vigorously generated, and so fiercely protected. Now, in this surprising, illuminating, and compulsively readable biography, we are taken beyond the icon, into the extraordinary, singular life of Sammy Davis, Jr. In scrupulous detail and with stunning powers of evocation, Wil Haygood takes us back to the era of vaudeville, where it all began for four-year-old Sammy who ran out onstage one night and stole the show. From then on it was a motherless childhood on the road, singing and dancing his way across a segregated America with his father and the formidable showman Will Mastin, struggling together to survive the Depression and the demise of vaudeville itself. With an ambition honed by poverty and an obsessive need for applause, Sammy drove his way into the nightclub circuit of the 1940s and 1950s, when, his father and Mastin aging and out of style, he slowly began to make a name for himself, hustling his way to top billing and eventually to recording contracts. From there, he was to stake his claim on Broadway, in Hollywood, and, of course, in Las Vegas. Haygood brings Sammy's showbiz life into full relief against the backdrop of an America in the throes of racial change. Sammy grew up trapped between the worlds of blacks and whites, with so much invested in both. He made his living entertaining white people but was often denied service in the very venues he played. Drafted into a newly integrated U.S. Army in the 1940s, he saw up close the fierce tensions that seethed below the surface. Dragged into the civil rights movement, he witnessed a hatred that often erupted into violence. In his broad and varied friendships and alliances (with Frank Sinatra; Martin Luther King, Jr.; Richard Nixon; Sidney Poitier; Marilyn Monroe, to name just a few), not to mention his romances (his relationship with Kim Novak and his marriage to the blond beauty May Britt drew death threats), he forged uncharted paths across racial lines. Admired and reviled by both blacks and whites, he was tormented all his life by raging insecurities, and never quite came to terms with his own skin. Ultimately, his only true sense of his identity was as a performer.Based on painstaking research and more than 250 interviews, Wil Haygood brings us a sweeping and vivid cultural history of the twentieth century, chronicling black entertainment from its beginnings and the birth of popular culture as we know it. In Black and White transcends simple biography to become an important record, both celebratory and elegiacal, of a vanished America and its greatest entertainer.
In Broad Daylight
by Gabriele PedullaFrom plasma screens to smartphones, today moving images are everywhere. How have films adapted to this new environment? And how has the experience of the spectator changed because of this proliferation? In Broad Daylight investigates one of the decisive shifts in the history of Western aesthetics, exploring the metamorphosis of films in the age of individual media, when the public is increasingly free but also increasingly resistant to the emotive force of the pictures flashing around us. Moving deftly from philosophy of mind to film theory, from architectural practice to ethics, from Leon Battista Alberti to Orson Welles, Gabriele Pedullà examines the revolution that is reshaping the entire system of the arts and creativity in all its manifestations.
In Camera: How to Get Perfect Pictures Straight Out of the Camera
by Gordon LaingWith amazing low-light capabilities, incredible definition, intelligent autofocus and a host of other features, digital cameras have now become so powerful that they have left their users behind. Most photographers can take competent shots in a range of conditions, or fix imperfect exposures in Photoshop or Lightroom, but very few have the skill to push their cameras to the limit and capture the perfect shot, under all conditions, with no post-processing required.In Camera is the perfect way to take your photography to that level; to master your camera, understand light, exposure and composition, and make amazing photographs, whatever your camera, without cheating after the event. One hundred of Gordon's beautiful photos are given with his own expert commentary; full settings and camera details are included, and a host of tips and tricks let photographers of any level learn something from every example. The shots are taken with a wide range of cameras, and the emphasis is on getting results by improving your own skills, not wasting money on expensive equipment.
In Camera: Perfect Pictures Straight Out Of The Camera
by Gordon LaingWith amazing low-light capabilities, incredible definition, intelligent autofocus and a host of other features, digital cameras have now become so powerful that they have left their users behind. Most photographers can take competent shots in a range of conditions, or fix imperfect exposures in Photoshop or Lightroom, but very few have the skill to push their cameras to the limit and capture the perfect shot, under all conditions, with no post-processing required.In Camera is the perfect way to take your photography to that level; to master your camera, understand light, exposure and composition, and make amazing photographs, whatever your camera, without cheating after the event. One hundred of Gordon's beautiful photos are given his own expert commentary; full settings and camera details are included, and a host of tips and tricks let photographers of any level learn something from every example. The shots are taken with a wide range of cameras, and the emphasis is on getting results by improving your own skills, not wasting money on expensive equipment.
In Camera: Perfect Pictures Straight Out Of The Camera
by Gordon LaingWith amazing low-light capabilities, incredible definition, intelligent autofocus and a host of other features, digital cameras have now become so powerful that they have left their users behind. Most photographers can take competent shots in a range of conditions, or fix imperfect exposures in Photoshop or Lightroom, but very few have the skill to push their cameras to the limit and capture the perfect shot, under all conditions, with no post-processing required.In Camera is the perfect way to take your photography to that level; to master your camera, understand light, exposure and composition, and make amazing photographs, whatever your camera, without cheating after the event. One hundred of Gordon's beautiful photos are given with his own expert commentary; full settings and camera details are included, and a host of tips and tricks let photographers of any level learn something from every example. The shots are taken with a wide range of cameras, and the emphasis is on getting results by improving your own skills, not wasting money on expensive equipment.
In Concert
by Carl A. VigelandAn intimate, moving, dramatic story about the musicians in a great orchestra who make music come alive in performance and recording. The musicians here are members of the fabled Boston Symphony Orchestra, led by conductor Seiji Ozawa, during a season highlighted by Mahler's Second Symphony, The Resurrection.
In Concert: Performing Musical Persona
by Philip AuslanderThe conventional way of understanding what musicians do as performers is to treat them as producers of sound; some even argue that it is unnecessary to see musicians in performance as long as one can hear them. But musical performance, counters Philip Auslander, is also a social interaction between musicians and their audiences, appealing as much to the eye as to the ear. In Concert: Performing Musical Persona he addresses not only the visual means by which musicians engage their audiences through costume and physical gesture, but also spectacular aspects of performance such as light shows. Although musicians do not usually enact fictional characters on stage, they nevertheless present themselves to audiences in ways specific to the performance situation. Auslander’s term to denote the musician’s presence before the audience is musical persona. While presence of a musical persona may be most obvious within rock and pop music, the book’s analysis extends to classical music, jazz, blues, country, electronic music, laptop performance, and music made with experimental digital interfaces. The eclectic group of performers discussed include the Beatles, Miles Davis, Keith Urban, Lady Gaga, Nicki Minaj, Frank Zappa, B. B. King, Jefferson Airplane, Virgil Fox, Keith Jarrett, Glenn Gould, and Laurie Anderson.
In Crime's Archive: The Cultural Afterlife of Evidence
by Katherine BiberThis book investigates what happens to criminal evidence after the conclusion of legal proceedings. During the criminal trial, evidentiary material is tightly regulated; it is formally regarded as part of the court record, and subject to the rules of evidence and criminal procedure. However, these rules and procedures cannot govern or control this material after proceedings have ended. In its ‘afterlife’, criminal evidence continues to proliferate in cultural contexts. It might be photographic or video evidence, private diaries and correspondence, weapons, physical objects or forensic data, and it arouses the interest of journalists, scholars, curators, writers or artists. Building on a growing cultural interest in criminal archival materials, this book shows how in its afterlife, criminal evidence gives rise to new uses and interpretations, new concepts and questions, many of which are creative and transformative of crime and evidence, and some of which are transgressive, dangerous or insensitive. It takes the judicial principle of open justice – the assumption that justice must be seen to be done – and investigates instances in which we might see too much, too little or from a distorted angle. It centres upon a series of case studies, including those of Lindy Chamberlain and, more recently, Oscar Pistorius, in which criminal evidence has re-appeared outside of the criminal process. Traversing museums, libraries, galleries and other repositories, and drawing on extensive interviews with cultural practitioners and legal professionals, this book probes the legal, ethical, affective and aesthetic implications of the cultural afterlife of evidence.
In Defence of Theatre: Aesthetic Practices and Social Interventions
by Kathleen Gallagher Barry FreemanWhy theatre now? Reflecting on the mix of challenges and opportunities that face theatre in communities that are necessarily becoming global in scope and technologically driven, In Defence of Theatre offers a range of passionate reflections on this important question.Kathleen Gallagher and Barry Freeman bring together nineteen playwrights, actors, directors, scholars, and educators who discuss the role that theatre can - and must - play in professional, community, and educational venues. Stepping back from their daily work, they offer scholarly research, artists' reflections, interviews, and creative texts that argue for theatre as a response to the political and cultural challenges emerging in the twenty-first century. Contributors address theatre's contribution to local and global politics of place, its power as an antidote to various modern social ailments, and its pursuit of equality. Of equal concern are the systematic and practical challenges that confront those involved in realizing theatre's full potential.
In Dog We Trust: A Celebration of Those Who Never Let Us Down
by Mary ZaiaMary Zaia's In Dog We Trust is a heartwarming coffee table book for dog loversAs any dog lover knows, people may disappoint, betray, and leave you hanging, but dogs never do. With adorable photos of all kinds of dogs—purebreds and mutts alike—along with uplifting quotes about friendship, loyalty, and connection, In Dog We Trust is the celebration of human-canine love we all need.
In Fading Light: The Films of the Amber Collective
by James LeggottFor over five decades, the Newcastle-based Amber Film and Photography Collective has been a critical (if often unheralded) force within British documentary filmmaking, producing a variety of innovative works focused on working-class society. Situating their acclaimed output within wider social, political, and historical contexts, In Fading Light provides an accessible introduction to Amber’s output in both national and transnational perspectives, including experimental, low-budget documentaries in the 1970s; more prominent feature films in the 1980s; studies of post-industrial life in the 1990s; and the distinctive perils and opportunities posed by the digital era.
In Fashion: From Runway to Retail, Everything You Need to Know to Break Into the Fashion Industry
by Annemarie IversonFor anyone who has ever dreamed of working at "Vogue," photographing supermodels, or outfitting celebrities, "In Fashion" will equip them with everything they need to know to get an "in" into fashion. Packed with insightful tips, along with advice from leaders at Michael Kors, Bergdorf Goodman, Conde Nast, and more, "In Fashion" offers straightforward, honest, and insightful advice to land a dream job in fashion.
In Fashion: Fun! Fame! Fortune!
by Elaine StoneChoosing a career in fashion? InFashion: Fun! Fame! Fortune! is an introduction as dynamic as the business itself. Students will learn about the big picture-fashion's history, cyclical nature, and development-and all about materials, producers, and retailing. Whether the plan is to be a designer, stylist, product developer, merchandiser, buyer, manufacturer, or entrepreneur, the various career paths available are woven into each chapter's structure so that students will learn how to accomplish their goals in today's fast-paced, everchanging industry. Hundreds of examples and color illustrations bring this exciting world alive.
In Fitting Memory: The Art and Politics of Holocaust Memorials
by Sybil Milton Ira NowinskiIn Fitting Memory, a critical survey of Holocaust memorials and monuments in Europe, Israel, and the United States, focuses on the archeological remains at the original sites of Nazi terror which constituted the first postwar memorials. The Holocaust is defined here as the collective designation for the Nazi mass murder of Jews, Gypsies, and the handicapped, and for the related persecution of Soviet prisoners of war and other ideological opponents. Featuring text and photographs, the book shows how, since 1945, memorials and monuments have served not only as secular shrines, but also as temporal institutions reflecting changing public constituencies and distinctive political, social, and cultural contexts. Sybil Milton poses two vital and provocative questions about the memorials built since the end of World War II: to whose memory were they built and how fitting are they? <P><P> The Holocaust is a sensitive subject whose representation demands accuracy and tact. This volume, the first study of the institutionalization of public memory, demonstrates how various nations, politicians, and designers have attempted to do justice to this subject in public art and sculpture, and shows how national origin, ethnic allegiance, political ideology, and prevailing artistic style determined how memorials were commissioned and installed. This book also provides an analysis of the complex interrelationship between authentic historic sites, disparate and ephemeral representations of history, and the changing political and aesthetic balance between commemoration and escapism. <P><P> In Fitting Memory includes 127 specially commissioned photographs by Ira Nowinski from seven European countries, the United States, and Israel. Nine additional photographs are by photographers from Italy, the Netherlands, and the United States. The riveting images provide the reader with a visual tour of these memorials. Along with an annotated bibliography, the volume also contains a comprehensive list of memorials in Europe, the United States, and Israel. An essential tool for those interested in visiting the memorial sites, the book also provides a critical analysis for serious researchers. <P><P> Sybil Milton is the Resident Historian at the United States Holocaust Memorial Council in Washington, D.C. She is coauthor of Art of the Holocaust, the definitive work on the subject and the winner of the National Jewish Book Award in Visual Arts in 1981. She is also the editor of The Art of Jewish Children, Germany: 1936-1941; Innocence and Persecution. Sybil Milton earned her Ph.D. from Stanford University. <P><P> Ira Nowinski, an independent photographer, is a graduate of the San Francisco Art Institute and a recipient of three grants from the National Endowment for the Arts. His work is represented in many permanent collections, including the Museum of Modern Art, the Library of Congress, Yad Vashem, and the Judah L. Magnes Museum. His books include Cafe Society: Photographs and Poetry from San Francisco's North Beach; No Vacancy: Urban Renewal and the Elderly; and Grandissimo Pavarotti.
In God's Image: How Western Civilization Was Shaped by a Revolutionary Idea
by Tomer PersicoThe idea that all human beings were created in God’s image was core to the creation of the modern WestIn God’s Image examines the central role that the idea that all people were created in the image of God played in the development of Western civilization. Focusing on five themes—selfhood, freedom, conscience, equality, and meaning—the book guides the reader through a cultural history of the West, from ancient times through modernity. It explains how each of these ideals was profoundly influenced by the central biblical conception of humanity’s creation in God’s image, embracing an essential equality among all people, while also emphasizing each human life’s singularity and significance.The book argues that the West, and particularly Protestant Christianity, grew out of ideas rooted deeply in this notion, and that it played a core role in the development of individualism, liberalism, human rights discourse, and indeed the secularization process. Making the case for a cultural understanding of history, the volume focuses on ideas as agents of change and challenges the common scholarly emphasis on material conditions. Offering an innovative perspective on the shaping of global modernity, In God’s Image examines the relationship between faith and society and posits the fundamental role of the idea of the image of God in the making of the moral ideals and social institutions we hold dear today.
In Her Kitchen
by Gabriele GalimbertiIn a gorgeous keepsake volume based on the slideshow that captured the world's attention, Gabriele Galimberti's beautiful portraits of grandmothers from all over the world with their signature dishes stunningly illustrates the international language of food and family.On the eve of a photography trip around the world, Gabriele Galimberti sat down to dinner with his grandmother Marisa. As she had done so many times before, she prepared his favorite ravioli--a gesture of love and an expression of the traditions by which he had come to know her as a child. The care with which she prepared this meal, and the evident pride she took in her dish, led Gabriele to seek out grandmothers and their signature dishes in the sixty countries he visited. The kitchens he photographed illustrate both the diversity of world cuisine and the universal nature of a dish served up with generosity and love. At each woman's table, Gabriele became a curious and hungry grandson, exploring new ingredients and gathering stories. These vibrant and intimate profiles and photographs pay homage to grandmothers and their cooking everywhere. From a Swedish housewife and her homemade lox and vegetables to a Zambian villager and her Roasted Spiced Chicken, this collection features a global palate: included are hand-stuffed empanadas from Argentina, twice-fried pork and vegetables from China, slow-roasted ratatouille from France, and a decadent toffee trifle from the United States. Taken together or bite by bite, In Her Kitchen taps into our collective affection for these cherished family members and the ways they return that affection.In Her Kitchen is an evocative, loving portrait of the power of food and family, no matter where in the world you sit down for dinner.
In Her Voice: Women Directors Talk Directing
by Melissa SilversteinIn Her Voice is the first book that takes the words and experiences of a diverse group of celebrated women film directors and puts their voices front and center. This unique volume of interviews presents more than 40 feature and documentary directors from around the world, including Debra Granik (Winter's Bone), Courtney Hunt (Frozen River), Callie Khouri (Mad Money), Sally Potter (Rage), Lone Scherfig (An Education) and Lynn Shelton (Humpday). In Her Voice is a call to arms and a reminder to movie lovers, students and the entertainment industry about the significance of women directors and their growing, integral position in the world of filmmaking. It is also a message for women directors to not give up?--your voice counts. Your vision matters.