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Investor Financing of Independent Film: A Guide for Producers, Attorneys and Film School Lecturers
by John W. ConesThis book explains how to comply with the federal and states securities regulations when seeking to raise money from private investors for the development, production and/or distribution of a feature or documentary film. Drawing from the experience and expertise of a securities and entertainment attorney who has worked with independent filmmakers for 30 plus years, this resource explores securities law compliance in order to help readers comply with the law and avoid criminal and civil liability, while successfully raising investor funds for their film projects. Readers will gain an understanding of why the securities laws apply to most investor financing transactions, what choices need to be made by the filmmaker, what information needs to be disclosed to prospective investors, how to comply with the SEC’s policy regarding financial projections, what is the appropriate investment vehicle for various forms of investor financing, what limitations are imposed on the use of finders and how to handle the required federal and state notice filings. It is an essential resource for any film student taking a film finance course (or a production course with a film finance component), as well as any independent film producers, entertainment/securities attorneys and film school instructors, who want to be informed about the legal and practical aspects of investor financing of independent films.
Invisibility in Visual and Material Culture
by Øyvind Vågnes Asbjørn GrønstadThe essays in Invisibility in Visual and Material Culture contribute pioneering and revelatory insights into the phenomenon of invisibility, forging new and multi-disciplinary approaches at the intersection of aesthetics, technology, representation and politics. Importantly, they acknowledge the complex interaction between invisibility and its opposite, visibility, arguing that the one cannot be fully grasped without the other. Considering these entanglements across different media forms, the chapters reveal that the invisible affects many cultural domains, from digital communication and operative images to the activism of social movements, as well as to identity, race, gender and class issues. Whether the subject is comic books, photographic provocations, biometric and brainwave sensing technologies, letters, or a cinematic diary, the analyses in this book engage critically and theoretically with the topic of invisibility and thus represent the first scholarly study to identify its importance for the field of visual culture.
Invisible Connections: Dance, Choreography and Internet Communities (Innovations In Art And Design Ser.)
by Sita PopatThe first and only book to focus on dance on the Internet, Sita Popat‘s fascinating Invisible Connections examines how Internet and communication technologies offer dance and theatre new platforms for creating and performing work, and how opportunities for remote interaction and collaboration are available on a scale never before imaginable.Drawing
Invisible Storytellers: Voice-Over Narration in American Fiction Film
by Sarah KozloffSarah Kozloff examines and analyzes voice-over narration through examples from films and refutes the assumptions that words should only play a minimal role in film, that "showing" is superior to "telling," or that the technique is inescapably authoritarian.
Invitation to the Party
by Donna Walker-Kuhne George C. WolfeAcknowledged as the nation's foremost expert on audience development involving America's growing multicultural population by the Arts and Business Council, Donna Walker-Kuhne has now written the first book describing her strategies and methods to engage diverse communities as participants for arts and culture. By offering strategic collaborations and efforts to develop and sustain nontraditional audiences, this book will directly impact the stability and future of America's cultural and artistic landscape. Donna Walker-Kuhne has spent the last 20 years developing and refining these principles with such success as both the Broadway and national touring productions of Bring in 'Da Noise, Bring in 'Da Funk, as well as transforming the audiences at one of the U.S.'s most important and visible arts institutions, New York's Public Theater. This book is a practical and inspirational guide on ways to invite, engage and partner with culturally diverse communities, and how to enfranchise those communities into the fabric of arts and culture in the United States.Donna Walker-Kuhne is the president of Walker International Communications Group. From 1993 to 2002, she served as the marketing director for the Public Theater in New York, where she originated a range of audience-development activities for children, students and adults throughout New York City. Ms. Walker-Kuhne is an Adjunct Professor in marketing the arts at Fordham University, Brooklyn College and New York University. She was formerly marketing director for Dance Theatre of Harlem. Ms. Walker-Kuhne has given numerous workshops and presentations for arts groups throughout the U.S., including the Arts and Business Council, League of American Theaters and Producers, the Department of Cultural Affairs, and the National Endowment for Arts to name a few. She has been nominated for the Ford Foundation's 2001 Leadership for a Changing World Fellowship.
Involuntary Motion: The Somatics of Refugee Performance
by Jeff KaplanInvoluntary Motion contributes to the study of refugee flight by using movement as a lens to explore problems in refugee performance and understand the experience of bodies in motion. Drawing from Somatics, Movement Analysis, and dance praxis, the chapters explore forces that set bodies in motion; the spaces in which forced movement occurs; the movement of refugee identity arcs; the monstrosity of refugee performance; and the relationship between writing and body culture. How does forced movement impact identity? What are the philosophical implications of robbing agency over motion? What performances does involuntary motion necessitate? These questions are important as the world confronts the threat of a return of the horrors of the Twentieth Century. Bringing together debates in Migration Studies and Movement Studies, the book argues that refugees are akin to dancers performing on disappearing stages, not of their choosing. It will be of great interest to students and scholars of performance, dance and politics.
Iosco County: The Photography of Ard G. Emery 1892-1904
by H. Roger Miller Huron Shores Genealogical SocietyIn 1892, artistic photographer Ard G. Emery established a studio and gallery business in a bustling East Tawas community overlooking Lake Huron on the sunrise side of Iosco County, Michigan. For 12 years, Emery captured the culture and history of the area through his camera lens. His collodion glass negatives celebrated personal triumphs, honored the strength of the working man, and saluted the candidness of the young. Emery used the most modern techniques and finest materials, but he was fascinated by the ordinary. Emery often journeyed with his travelling studio to the countryside to photograph the everyday life of normal people. Zealous about his craft, Emery not only preserved days gone by, but he also preserved his own spirit--one that will be forever remembered in Iosco County.
Iowa Caucus, The (Images of Modern America)
by Rachel Paine CaufieldFor more than 40 years, Iowa has held the first-in-the-nation presidential caucuses. A vibrant political culture has emerged as a result of this role, and Iowa voters have a unique opportunity to get to know the nation's presidential candidates as they travel the state, attend small-group meetings, and hone their messages. Candidates come to Iowa--where "retail politics" is the name of the game--early and often. But the campaign trail in Iowa isn't just about candidates. It's about average Americans in small-town diners, church basements, and high school gyms. In an age of public cynicism about politics, the Iowa caucuses continue to demonstrate the importance of real people talking about issues with would-be presidents.
Iowa City (Postcard History)
by Bob HibbsAfter raucous times on the western frontier during the 1840s and 1850s, Iowa City settled into a relatively sleepy existence while its principal industry, the University of Iowa, was finding its way from obscurity into an important Iowa resource. Its once-too-small-to-succeed university hospital has blossomed into a medical and economic powerhouse. Research in widely varied fields, from space science to microbiology, finds fertile grounds and minds. Big Ten football beckons on fall Saturdays.
Iowa Class Battleships
by Lester AbbeyThe 'ShipCraft' series provides in-depth information about building and modifying model kits of famous warship types. Lavishly illustrated, each book takes the modeller through a brief history of the subject class, highlighting differences between sister-ships and changes in their appearance over their careers. This includes paint schemes and camouflage, featuring colour profiles and highly-detailed line drawings and scale plans. The modelling section reviews the strengths and weaknesses of available kits, lists commercial accessory sets for super-detailing of the ships, and provides hints on modifying and improving the basic kit. This is followed by an extensive photographic gallery of selected high-quality models in a variety of scales, and the book concludes with a section on research references books, monographs, large-scale plans and relevant websites.The Iowa class were the largest, fastest and most modern US battleships of the war, and the formal surrender of Japan was signed on the deck of one of them, USS Missouri. Modernised post-war, they served in Korea, Vietnam and as late as the first Gulf War. They are among the most popular subjects of all for model kits.
Iowa State Fair: In Vintage Postcards, The (Postcard History Series)
by Ron PlayleEach August, the Iowa State Fairgrounds, home to America's quintessential state fair, becomes 400 acres of sights, sounds, and aromas. More than just a showcase for farm machinery, the fair has one of the world's largest livestock shows, hundreds of competitive events, first-class entertainment, and ever imaginable food-on-a-stick. The first Iowa State Fair, held in 1854 at Fairfield, drew 10,000 visitors, and attendance now tops one million each year. Listed on the National Register of Historic Places, it has been held at its present location in Des Moines since 1886. In the early 1900s, fairgoers could choose from a large selection of postcards, stick on a penny stamp, and mail them to friends to describe their blue ribbon, an exciting midway ride, or the great entertainment. Over 190 vintage postcards provide glimpses of the fair from the 1890s to the mid-1950s in The Iowa State Fair.
Ipswich: No. 1-6 (Images of America)
by Ipswich Historical Society William M. VarrellFounded in 1634, Ipswich is one of the oldest towns in America. It currently has more First Period houses still lived in than any other community in the United States. It was originally the home of Colonial governors, renowned furniture makers, sea captains, and the Heard family, who were giants in the China trade. Added to the early settlers were immigrant millworkers and millionaires who built summer mansions. As nearby towns with broader rivers and deeper harbors became commercial successes, Ipswich went into decline. It was this "hibernation" that enabled Ipswich to maintain its earliest homes, spectacular scenery, and local charm.Through more than two hundred vintage images, Ipswich takes the reader on an exciting journey through the history of this unique town. It presents the town's creative artists, the lives and occupations of its everyday citizens, beautiful landscapes, the mills and the country stores, and the ships and shipwrecks that met the Ipswich coast.
Ira Gershwin: A Life in Words
by Michael OwenThe man behind some of the most memorable lyrics in the Great American Songbook steps from behind his brother’s shadow. The first lyricist to win the Pulitzer Prize, Ira Gershwin (1896–1983) has been hailed as one of the masters of the Great American Songbook, a period which covers songs written largely for Broadway and Hollywood from the 1920s to the 1950s. Now, in the first full-length biography devoted to his life, Michael Owen brings Ira out at last from the long shadow cast by his younger and more famous brother George. Drawing on extensive archival sources and often using Ira’s own words, Owen has crafted a rich portrait of the modest man who penned the words to many of America’s best-loved songs, like “Fascinating Rhythm,” “Embraceable You,” and “They Can’t Take That Away from Me.” These fruits of Ira’s lyric genius sprang from the simplest of seeds: a hand-drawn weekly created for a cousin, an amateur newspaper co-written with friend and future lyricist Yip Harburg, columns in the school papers at Townsend Harris High School and, later, City College of New York. The details of his early literary efforts demonstrate both his developing ambition and the early signs of his talent. But while the road to becoming a successful lyricist was neither short nor smooth, it did lead Ira to the greatest creative partnership of his life. George and Ira Gershwin collaborated on a string of hit Broadway shows in the 1920s and 1930s that resulted in popular and financial success and spawned a long string of songs that have become classics. Owen offers fascinating glimpses of their creative process, drawing on Ira’s diaries and other contemporary sources, as well as the close relationship between the two brothers. Hollywood soon beckons and the brothers head west to California to work in the movie business. Greater fame and fortune seem right around the corner. George Gershwin died in a Los Angeles hospital in July 1937. He was only 38 years old. His death marked a stark dividing line in Ira’s life, and from that point on much of his time and energy was devoted to the management of his brother’s estate and the care of his legacy. Accustomed to living in his brother’s shadow, it now threatened to overwhelm him. He worked to balance all the administrative tasks with a new series of collaborations with composers like Kurt Weill, Jerome Kern, Harry Warren, and Harold Arlen. Ira’s last Broadway work was in 1946, and several films and a book project—a collection of his lyrics with the stories behind them—occupied his later years along with the ongoing management of George’s affairs. Ira Gershwin’s work with George left an enduring mark on American culture, as recognized by the Library of Congress in 2007 when it established the Gershwin Prize for Popular Song, which has been awarded to artists like Paul Simon, Carole King, Tony Bennett, Paul McCartney, and Elton John. In Ira Gershwin: A Life in Words, Michael Owen brings the publicity shy lyricist into the spotlight he deserves.
Ira Township
by Paul Torney Gail Zabowski Richard Gonyeau Bob Mack Lynn LyonIn 1679, French explorer Fr. Louis Hennepin planted a cross on the shore of Anchor Bay beside Michigan's Lake St. Clair. There, Ira Township was incorporated on March 11, 1837, and the Immaculate Conception Catholic Church was founded. A settlement called Anchorville, for Anchor Bay, formed around the church. Down the road was another community, first called Swan Creek and later known as Fair Haven. Ira Township was once the nexus for the Interurban Railroad, had one of the first oxen-driven railroads in the state, and has one of the oldest Little League baseball organizations in the country. Shipbuilding has long been a major industry of the area, and the winter carnival known as Shantytown attracts hundreds of ice fishermen to Ira each winter.
Iran and the Deccan: Persianate Art, Culture, and Talent in Circulation, 1400–1700
by Keelan OvertonIn the early 1400s, Iranian elites began migrating to the Deccan plateau of southern India. Lured to the region for many reasons, these poets, traders, statesmen, and artists of all kinds left an indelible mark on the Islamic sultanates that ruled the Deccan until the late seventeenth century. The result was the creation of a robust transregional Persianate network linking such distant cities as Bidar and Shiraz, Bijapur and Isfahan, and Golconda and Mashhad.Iran and the Deccan explores the circulation of art, culture, and talent between Iran and the Deccan over a three-hundred-year period. Its interdisciplinary contributions consider the factors that prompted migration, the physical and intellectual poles of connectivity between the two regions, and processes of adaptation and response. Placing the Deccan at the center of Indo-Persian and early modern global history, Iran and the Deccan reveals how mobility, liminality, and cultural translation nuance the traditional methods and boundaries of the humanities.
Iranian Cinema in a Global Context: Policy, Politics, and Form (Routledge Advances in Film Studies)
by Peter Decherney Blake AtwoodIranian films have been the subject of much critical and scholarly attention over the past several decades, and Iranian filmmakers are mainstays of international film festivals. Yet most of the attention has been focused on a small segment of Iranian film production: auteurist art cinema. Iranian Cinema in a Global Context, on the other hand, takes account of the wide range of Iranian cinema, from popular youth films to low budget underground films. The volume also reassesses the global circulation of Iranian art cinema, looking at its reception at international festivals, in university curricula, and at the Academy Awards. A final theme of the volume explores the intersection between politics and film, with essays on post-Khatami reform influences, representations of ineffective drug policies, and the representation of Jewish characters in Iranian film. Taken together, the essays in this volume present a new definition of the field of Iranian film studies, one that engages global media flows, transmedia interaction, and a heterogeneous Iranian national cinema.
Iranian National Cinema: The Interaction of Policy, Genre, Funding and Reception (Iranian Studies)
by Anne Demy-GeroeThis book examines transformations in the production and domestic and international reception of Iranian cinema between 2000 and 2013 through the intersection of the political markers – the presidential terms of Reformist president Mohammad Khatami and his successor, the conservative Mahmoud Ahmadinejad – and filmic markers, particularly Jafar Panahi’s The Circle (2000) and Asghar Farhadi’s About Elly (2009). Through extensive field and media research, the book considers the interaction of a range of factors including government policy, Iranian national cinema genres and categories, intended audience, funding source, and domestic and international reception, to demonstrate the interplay between filmmakers and the government over these two successive presidencies. While the impact of politics on Iranian filmmaking has been widely examined, this work argues for a more nuanced understanding of politics in and of the Iranian cinema than has generally been previously acknowledged. Drawing on both personal experience as a juror at the Fajr International Film festival and interviews with significant filmmakers, producers, actors and other industry insiders, including senior bureaucrats and politicians, the volume is a key resource for anyone interested in politics and Iranian cinema.
Ireland, Memory and Performing the Historical Imagination
by Christopher Collins Mary P. CaulfieldThis book explores the performance of Irish collective memories and forgotten histories. It proposes an alternative and more comprehensive criterion of Irish theatre practices. These practices can be defined as the 'rejected', contested and undervalued plays and performativities that are integral to Ireland's political and cultural landscapes.
Irene Rice Pereira: Her Paintings and Philosophy
by Karen A. BearorArtist Irene Rice Pereira was a significant figure in the New York art world of the 1930s and 1940s, who shared an interest in Jungianism with the better-known Abstract Expressionists and with various women artists and writers seeking "archetypal" imagery. Yet her artistic philosophy and innovative imagery elude easy classification with her artistic contemporaries. In consequence, her work is rarely included in studies of the period and is almost unknown to the general public. This first intellectual history of the artist and her work seeks to change that. Karen A. Bearor thoroughly re-creates the artistic and philosophical milieu that nourished Pereira's work. She examines the options available to Pereira as a woman artist in the first half of the twentieth century and explores how she used those options to contribute to the development of modernism in the United States. Bearor traces Pereira's interest in the ideas of major thinkers of the period--among them, Spengler, Jung, Einstein, Cassirer, and Dewey--and shows how Pereira incorporated their ideas into her art. And she demonstrates how Pereira's quest to understand something of the nature of ultimate reality led her from an early utopianism to a later interest in spiritualism and the occult. This lively intellectual history amplifies our knowledge of a time of creative ferment in American art and society. It will appeal to a wide range of readers interested in the modernist period.
Irene Strange's Curious Crochet Creatures: Amazing Amigurumi Patterns for Wonderfully Weird Animals
by Irene StrangeStuffed toy crochet patterns like you've never seen before ; weird and wonderful creatures in crochet! Irene Strange is bored of bunnies and has had enough of elephants. It's not that they're not cute, but with the amazing biodiversity on our planet, isn't it time we started celebrating ; and crocheting ; some of life's more unusual creatures? In this extraordinary collection, crochet designer Irene Strange opens our eyes to the wonders of nature with amigurumi patterns for odd and unexpected animals that you won't find in other books. Think an aardvark can't be adorable? Think again! In this book you'll meet 16 rather curious creatures. You'll create furry tummies, spiky backs, scaly tails, and feathery necks. Some have long dangly legs, some have swirly tails, and some have features that baffle us all! But however strange, all the creatures included are surprisingly squishable when created in crochet. Remarkable Mammals ; Aardvark, Echidna, Slender Loris, Orangutan, Wombat Surreal Sea Life ; Puffer Fish, Lobster, Narwhal, Octopus, Leafy Sea Dragon Bizarre Birds and Irregular Reptiles ; Cassowary, Flamingo, Hoopoe, Chameleon, Crocodile, Mary River Turtle All of the projects in this book are made in amigurumi style, characterised by a smooth all-over single crochet texture, worked in a continuous spiral. You will learn how to crochet in the round and how to shape with increasing and decreasing, adding different effects through combination of yarns or stitches, and how combining materials and embellishments can bring out the personality in the strangest things. With easy crochet techniques and step-by-step instructions, this book will delight crocheters and animal lovers alike, and give you a fresh cohort of amazing crochet animals to hug.
Ireneusz Iredynski: Selected One-Act Plays for Radio
by Kevin WindleThis vibrant anthology of radio plays features works by one of Poland's 'angry young men' playwrights. Ireneusz Iredynski made his début in literature as a Polish 'angry young man' in the late 1950s. He moved with great versatility from verse to stage plays, film-scripts and plays for radio. While some of the plays in this collection seem to present a bleak view of life, they show a gentler side of Iredynski. Here it is people's dreams rather than their worst nightmares that are explored. In these plays, situations are kept simple and the theatrical technique is spare and economical, but yet, the playwright demonstrates an unfailing theatrical flair and shows himself a master of dramatic tension and the final unexpected twist.
Irigaray for Architects (Thinkers for Architects)
by Peg RawesSpecifically for architects, the third title in the Thinkers for Architects series examines the relevance of Luce Irigaray’s work for architecture. Eight thematic chapters explore the bodily, spatio-temporal, political and cultural value of her ideas for making, discussing and experiencing architecture. In particular, each chapter makes accessible Irigaray’s ideas about feminine and masculine spaces with reference to her key texts. Irigaray’s theory of ‘sexed subjects’ is explained in order to show how sexuality informs the different ways in which men and women construct and inhabit architecture. In addition, her ideas about architectural forms of organization between people, exterior and interior spaces, touch and vision, philosophy and psychoanalysis are explored. The book also suggests ways in which these strategies can enable architectural designers and theorists to create ethical architectures for the user and his or her physical and psychological needs. Concisely written, this book introduces Irigaray’s work to practitioners, academics, undergraduate and postgraduate students in architectural design and architectural history and theory, helping them to understand the value of cross- and inter-disciplinary modes of architectural practice.
Irina Nakhova: Museum on the Edge
by Gabriella A. Ferrari Natalia SidlinaThroughout her extensive career, Russian conceptual artist Irina Nakhova has frequently pushed the limits of what constitutes art and how we experience the art museum. One of her famous early pieces, for instance, transformed a room in her very own Moscow apartment into an art installation. Released in conjunction with Nakhova’s first museum retrospective exhibition in the United States, this book includes many full-color illustrations of her work, spanning the entirety of her forty-year career and demonstrating her facility with a variety of media. It also includes essays by a variety of world-renowned curators and art historians, each cataloging Nakhova’s artistic innovations and exploring how she deals with themes of everyday life, memory, viewer engagement, and moral responsibility. It concludes with a new interview with Nakhova herself, giving new insight into her creative process and artistic goals. Irina Nakhova: Museum on the Edge provides a vivid look at the work of a visionary artist. Published in partnership with the Zimmerli Museum.
Iris Apfel: A Little Golden Book Biography (Little Golden Book)
by Deborah BlumenthalHelp your little one dream big with a Little Golden Book biography about Iris Apfel, the style icon and beloved tastemaker known for her eclectic eyewear! Little Golden Book biographies are the perfect introduction to nonfiction for preschoolers.This Little Golden Book about Iris Apfel—businessperson, interior designer, and fashion icon who has captivated the world with her colorful and unique style—is an inspiring read-aloud for young children.Look for more Little Golden Book biographies: • Misty Copeland • Frida Kahlo • Bob Ross • Queen Elizabeth II • Harriet Tubman
Iris Apfel: Accidental Icon
by Iris ApfelFrom the fashion icon, “a joyous, colorful collection of photographs; drawings; reflections; and personal mottos on marriage, business, fame and style” (Boca Raton Observer).The late great Iris Apfel was a woman who transcended time and trends—one of the most original and dynamic personalities in the worlds of fashion, textiles, and interior design. Written a few years before her passing at age 102, this is a lavishly illustrated memoir in which she shares her musings, anecdotes, and incomparable wisdom.As the cofounder with her husband of Old World Weavers, an international textile manufacturing company that specialized in reproducing antique fabrics, she served a prestigious clientele including Greta Garbo, Estee Lauder, Montgomery Clift, and Joan Rivers. She also acted as a restoration consultant and replicated fabric for the White House over nine presidential administrations. Iris’s worldwide travels and devotion to flea markets inspired her work and fueled her passion for collecting fashion and accessories. In 2005, she was the first living person who was not a designer to have her clothing and accessories exhibited at the Costume Institute at the Metropolitan Museum of Art, a blockbuster show that catapulted her to fame and a career as a model, muse, and collaborator for renowned brands from Citroen to Tag Heuer. In 2015, acclaimed director Albert Maysles released Iris, his Emmy Award-nominated documentary, to a global audience.This celebratory volume captures her unique joie de vivre and features 180 full-color and black-and-white photos and illustrations—presented in the same improvisational, multifaceted style that made Iris a much-loved legend. “It’s hard to resist this self-proclaimed ‘geriatric starlet.’ With her owlish glasses, loud prints and necklaces upon necklaces, even in her 90s, Apfel is a fashion icon who combines a memoir with photos of the vibrant contents of her closets.” —The New York Times Book Review