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Iris Murdoch and Harry Weinberger: Imaginations and Images (Iris Murdoch Today)
by Rebecca ModenThe novelist and philosopher Iris Murdoch and the painter Harry Weinberger engaged in over twenty years of close friendship and intellectual discourse, centred on sustained discussion of the practice, teaching and morality of art. This book presents a reappraisal of Murdoch’s novels – chiefly, three mature novels, The Sea, The Sea (1978), Nuns and Soldiers (1980) and The Good Apprentice (1985), and two enigmatic late novels, The Green Knight (1993) and Jackson’s Dilemma (1995) – which are perceived through the prism of her discourse with Weinberger. It draws on a run of almost 400 letters from Murdoch to Weinberger, and on Murdoch’s philosophical writings, Weinberger’s private writings, the remarks of both artists in interviews, and other material relating to their views on art and art history, much of which is unpublished and has received no previous critical attention. Scrutiny of their shared values, methods and the imagistic dialogue that takes place in their art provides original perspectives on Murdoch’s creativity, and new ways of understanding her experimentation with the visual arts. This book offers a new line of enquiry into Murdoch's novels, and into the relationship between literature and the visual arts.
Irish Anglican Literature and Drama: Hybridity and Discord
by David ClareThis book discusses key works by important writers from Church of Ireland backgrounds (from Farquhar and Swift to Beckett and Bardwell), in order to demonstrate that writers from this Irish subculture have a unique socio-political viewpoint which is imperfectly understood. The Anglican Ascendancy was historically referred to as a “middle nation” between Ireland and Britain, and this book is an examination of the various ways in which Irish Anglican writers have signalled their Irish/British hybridity. “British” elements in their work are pointed out, but so are manifestations of their proud Irishness and what Elizabeth Bowen called her community’s “subtle … anti-Englishness.” Crucially, this book discusses several writers often excluded from the “truly” Irish canon, including (among others) Laurence Sterne, Elizabeth Griffith, and C.S. Lewis.
Irish Butte (Images of America)
by Debbie Bowman SheaSummoned by the call of the copper mines in Butte, Montana, Irish immigrants left a struggling Ireland at the beginning of the 20th century in search of a better life. Around the mines peppering the hills of the mining city, these determined sons and daughters of Eire built strong Irish neighborhoods that engendered the best of Irish culture and influence. Faith, family, a strong work ethic, and a sense of humor would see these immigrants through the decades. Celebrations like St. Patrick's Day and An Ri Ra, Irish language workshops, and a new generation of Irish artisans acknowledge the contributions of this influential group.
Irish Contemporary Landscapes in Literature and the Arts
by Marie MianowskiLooking at representations of the Irish landscape in contemporary literature and the arts, this volume discusses the economic, political and environmental issues associated with it, questioning the myths behind Ireland's landscape, from the first Greek descriptions to present day post Celtic-Tiger architecture.
Irish Drama, Modernity and the Passion Play
by Alexandra PoulainThis book discusses Irish Passion plays (plays that rewrite or parody the story of the Passion of Christ) in modern Irish drama from the Irish Literary Revival to the present day. It offers innovative readings of such canonical plays as J. M. Synge’s The Playboy of the Western World, W. B. Yeats’s Calvary, Brendan Behan’s The Hostage, Samuel Beckett’s Endgame, Brian Friel’s Faith Healer and Tom Murphy’s Bailegangaire, as well as of less well-known plays by Padraic Pearse, Lady Gregory, G. B. Shaw, Seán O’Casey, Denis Johnston, Samuel Beckett and David Lloyd. Challenging revisionist readings of the rhetoric of “blood sacrifice” and martyrdom in the Irish Republican tradition, it argues that the Passion play is a powerful political genre which centres on the staged death of the (usually male) protagonist, and makes visible the usually invisible violence perpetrated both by colonial power and by the postcolonial state in the name of modernity.
Irish Housing Design 1950 – 1980: Out of the Ordinary (Ashgate Studies in Architecture)
by Brian Ward Michael Pike Gary BoydThis book examines the architectural design of housing projects in Ireland from the mid-twentieth century. This period represented a high point in the construction of the Welfare State project where the idea that architecture could and should shape and define community and social life was not yet considered problematic. Exploring a period when Ireland embraced the free market and the end of economic protectionism, the book is a series of case studies supported by critical narratives. Little known but of high quality, the schemes presented in this volume are by architects whose designs helped determine future architectural thinking in Ireland and elsewhere. Aimed at academics, students and researchers, the book is accompanied by new drawings and over 100 full colour images, with the example studies demonstrating rich architectural responses to a shifting landscape.
Irish Knit Murder (A Knit & Nibble Mystery #9)
by Peggy EhrhartA member of a prominent New Jersey family has been found dead on St. Patrick&’s Day—and Pamela Paterson and her knitting club have a parade of suspects . . . The Listers have been part of Arborville society for generations—though seventy-something Isobel Lister doesn&’t fit the role of upper-crust heiress. She&’s always been a colorful character, and her fun-loving spirit is on display at the senior center celebration as she performs some beloved Irish songs. But just minutes later, her body is found backstage. It&’s hard to imagine who&’d target such a harmless eccentric, but Pamela finds herself suspecting everyone. There&’s the Wiccan who thought St. Patrick wasn&’t so saintly; the woman upset about cultural appropriation who feels the commercialization of shamrocks is a sham; the two men Isobel was seeing, who could have been green with jealousy—and old friends and family who may have feared Isobel would spill their secrets. But Pamela&’s on the case, and that means for the killer, the jig will soon be up . . . Praise for Peggy Ehrhart and the Knit & Nibble Mysteries!&“This is one of the best in the series.&” —Kirkus Reviews on Death of a Knit Wit Knitting tips and delicious recipe included!
Irish National Cinema (National Cinemas)
by Ruth BartonFrom the international successes of Neil Jordan and Jim Sheridan, to the smaller productions of the new generation of Irish filmmakers, this book explores questions of nationalism, gender identities, the representation of the Troubles and of Irish history as well as cinema's response to the so-called Celtic Tiger and its aftermath. Irish National Cinema argues that in order to understand the unique position of filmmaking in Ireland and the inheritance on which contemporary filmmakers draw, definitions of the Irish culture and identity must take into account the so-called Irish diaspora and engage with its cinema. An invaluable resource for students of world cinema.
Irish Savannah (Images of America)
by Sheila Counihan WindersMost people have heard the words to this song: "Tis Irish I am and 'tis proud I am of it." But, what does it mean to be Irish? When the Irish first came to Savannah, it meant they were either "lace curtain" or "old fort." Lace curtain inferred that the family was prosperous, usually Protestant, and had come to Savannah with letters of introduction, money, and a plan. Old fort meant that the family had come to America in desperation and to Savannah with little but the clothes on their back, the desire to work, and hope for a better future. Old fort Irish were generally Catholic, attending Catholic schools and depending on the Church for far more than just Sunday worship. Today, the Irish have spread all over Savannah like shamrocks, making these designations a thing of the past. The Irish are involved in every facet of Savannah life, from politics, to business, to education. Catholicism remains the predominant religion and churches abound, as do Catholic schools. When the "Season of St. Patrick" begins, the Savannah Irish begin celebrating.
Irish St. Louis (Images of America)
by David A. LossosIt's quite unlikely that Pierre Laclede and Auguste Chouteau could have comprehended the scope of their undertaking in 1764 when they laid out the settlement on the western banks of the Mississippi that was to become the metropolis of St. Louis. Founded by the French, governed by the Spanish, and heavily populated by the English and Germans, the role that the Irish had in making St. Louis what it is today is often overlooked. The Irish are steeped in tradition, and that trait did not leave the Irish immigrants when they arrived in St. Louis and called this place home. Like many other cities in America, the heritage of Ireland is alive and well in St. Louis. This book visually captures their Irish spirit, and portrays a few of the Irish "movers and shakers" alongside the "Irish commoner" in their new and challenging lives here in St. Louis.
Irish Theatre in Transition
by Donald E. MorseThe Irish Theatre in Transition explores the ever-changing Irish Theatre from its inception to its vibrant modern-day reality. This book shows some of the myriad forms of transition and how Irish theatre reflects the changing conditions of a changing society and nation.
Irish in Haverhill, Massachusetts, The: Volume II (Images of America)
by Dr Patricia O'MalleyIrish immigration to Haverhill, Massachusetts, was a constant from the days of the Great Famine to the present. The immigrants, their children, and their grandchildren have become an integral part of the fabric of the city's history. Some were teachers, politicians, police officers, and business owners, while others spent their lives as city laborers and factory workers. Whether these new residents were wealthy or poor, well known or little known, their experiences in America could not eliminate their common ties to the Emerald Isle. They collectively share a place in this "family album" of those Irishcitizens who called Haverhill their new home. This volume is the sequel to the The Irish in Haverhill,Massachusetts, which was published in 1998. The response to that book was so enthusiastic that the author was overwhelmed with offers of additional photographs for a second volume.
Irish in Youngstown and the Greater Mahoning Valley (Images of America)
by The Irish American Archival SocietyIn 1796, Daniel Shehy of Tipperary was the first Irish man to settle in Youngstown. In the early nineteenth century, the Ulster Irish moved into the region. Later, massive waves of Irish refugees from the Potato Famine settled in the area and filled the labor needs of the steel mills, canals, and railroads. Irish in Youngstown and the Greater Mahoning Valley recounts the history of the first Irish immigrants to settle the Valley up to the present and their prominent roles in community politics, arts, business, sports, entertainment, and religion. Through vintage images of families, church leaders, business owners, politicians, Irish dancers, and philanthropists, this book celebrates the influence of the Irish on the Greater Mahoning Valley.
Iron Horses: American Locomotives 1829-1900 (Dover Transportation)
by E. P. AlexanderColorful stories of the old steam engines of yesteryear fill these pages -- from the steam carriage operated on the streets of Paris in 1769 to the mighty locomotives that thundered across the American West in the latter half of the 19th century. 98 plates of fine, rare illustrations, many rendered by the author.
Iron Man and Philosophy: Facing the Stark Reality
by Mark D. WhiteThe first look at the philosophy behind the Iron Man comics and movies, timed for the release of Iron Man 2 in March 2010. On the surface, Iron Man appears to be a straightforward superhero, another rich guy fighting crime with fancy gadgets. But beneath the shiny armor and flashy technology lies Tony Stark, brilliant inventor and eccentric playboy, struggling to balance his desires, addictions, and relationships with his duties as the Armored Avenger. Iron Man and Philosophy explores the many philosophical issues that emerge from the essential conflicts found in the decades of Iron Man stories in comics and movies. What kind of moral compass does Tony Stark have? Is Iron Man responsible for the death of Captain America after the Marvel Universe "Civil War"? Should people like Stark run the world? How does Tony's alcoholism impact his performance as Iron Man, and what does it say about moral character? Ultimately, what can Iron Man teach us about the role of technology in society? As absorbing as Iron Man comic books and movies, Iron Man and Philosophy: Gives you a new perspective on Iron Man characters, story lines, and themes Shows what philosophical heavy hitters such as Aristotle, Locke, and Heidegger can teach us about Tony Stark/Iron Man Considers issues such as addiction, personal responsibility, the use of technology, and the role of government Whether you've been reading the comic books for years or have gotten into Iron Man through the movies, Iron Man and Philosophy is a must-have companion for every fan.
Iron Muse: Photographing the Transcontinental Railroad
by Glenn WillumsonThe construction of the transcontinental railroad (1865–1869) marked a milestone in United States history, symbolizing both the joining of the country’s two coasts and the taming of its frontier wilderness by modern technology. But it was through the power of images—and especially the photograph—that the railroad attained its iconic status. Iron Muse provides a unique look at the production, distribution, and publication of images of the transcontinental railroad: from their use as an official record by the railroad corporations, to their reproduction in the illustrated press and travel guides, and finally to their adaptation to direct sales and albums in the late nineteenth and twentieth centuries. Tracing the complex relationships and occasional conflicts between photographer, publisher, and curator as they crafted the photographs’ different meanings over time, Willumson provides a comprehensive portrayal of the creation and evolution of an important slice of American visual culture.
Ironies of Faith: The Laughter at the Heart of Christian Literature
by Anthony EsolenIn Ironies of Faith, celebrated Dante scholar and translator Anthony Esolen provides a profound meditation upon the use and place of irony in Christian art and in the Christian life. Beginning with an extended analysis of irony as an essentially dramatic device, Esolen explores those manifestations of irony that appear prominently in Christian thinking and art: ironies of time (for Christians believe in divine Providence, but live in a world whose moments pass away); ironies of power (for Christians believe in an almighty God who took on human flesh, and whose "weakness" is stronger than our greatest enemy, death); ironies of love (for man seldom knows whom to love, or how, or even whom it is that in the depths of his heart he loves best); and the figure of the Child (for Christians ever hear the warning voice of their Savior, who says that unless we become like unto one of these little ones, we shall not enter the Kingdom of God).Esolen's finely wrought study draws from Augustine (Confessions), Dante (The Divine Comedy), Shakespeare (The Tempest), and Tolkien ("Leaf, By Niggle"); Francois Mauriac (A Kiss for the Leper), Milton (Paradise Lost), and Alessandro Manzoni (The Betrothed); the poems of George Herbert and Gerard Manley Hopkins, and Edmund Spenser (Amoretti); Charles Dickens (A Christmas Carol), Dostoyevsky (The Brothers Karamazov), and the anonymous author of the medieval poem Pearl, among other works. Readers who treasure the Christian literary tradition should not miss this illuminating book.
Ironies of Faith: The Laughter at the Heart of Christian Literature
by Anthony EsolenIn Ironies of Faith, celebrated Dante scholar and translator Anthony Esolen provides a profound meditation upon the use and place of irony in Christian art and in the Christian life. Beginning with an extended analysis of irony as an essentially dramatic device, Esolen explores those manifestations of irony that appear prominently in Christian thinking and art: ironies of time (for Christians believe in divine Providence, but live in a world whose moments pass away); ironies of power (for Christians believe in an almighty God who took on human flesh, and whose "weakness" is stronger than our greatest enemy, death); ironies of love (for man seldom knows whom to love, or how, or even whom it is that in the depths of his heart he loves best); and the figure of the Child (for Christians ever hear the warning voice of their Savior, who says that unless we become like unto one of these little ones, we shall not enter the Kingdom of God). Esolen's finely wrought study draws from Augustine, Dante, Shakespeare, Tolkien, Mauriac, Milton Herbert, Hopkins, and Dostoyevsky, among others, including the anonymous author of the medieval poem Pearl. Such authors, Anthony Esolen believes, teach us that the last laugh is on the world, because that grim old world, taking itself so seriously that even its laughter is a sneer, will finally - despite its proud resistance - be redeemed. That is the ultimate irony of faith. Readers who treasure the Christian literary tradition should not miss this illuminating book.
Ironwood, Hurley, and the Gogebic Range
by Matthew Liesch Ironwood Area Historical SocietySituated on the south shore of Lake Superior, the Gogebic Iron Range of Michigan and Wisconsin exudes a strong sense of place. During the 1880s, a mining boom lured settlers, investment, and controversy. Investors from Milwaukee, Chicago, and Cleveland hoped to become rich, but many were pulled into scams or poorly managed mines and ended up losing their money. After iron stocks crashed, mining investors were more cautious. Many mining locations were abandoned, but towns such as Ironwood, Bessemer, Wakefield, and Hurley grew. For over 80 years, iron mining gave the Gogebic Range distinctive ethnicity and settlement patterns resulting in its unique cultural landscapes. The physical setting enhances the drama of the Gogebic. Lake-effect snowfall results in picturesque yet harsh winters, and thundering waterfalls have long attracted visitors.
Irony in Film (Palgrave Close Readings in Film and Television)
by James MacdowellIrony in Film is the first book about ironic expression in this medium. We often feel the need to call films or aspects of them ironic; but what exactly does this mean? How do films create irony? Might certain features of the medium help or hinder its ironic potential? How can we know we are justified in dubbing any film or moment ironic? This book attempts to answer such questions, investigating in the process crucial and under-examined issues that irony raises for our understanding of narrative filmmaking.A much-debated subject in other disciplines, in film scholarship irony is habitually referred to but too seldom explored. Combining in-depth theorising with detailed close analysis, this pioneering study asks what ironic capacities films might possess, how film style may be used ironically, and what role intention should play in film interpretation. The proposed answers have significance for our understanding of not only ironic filmmaking, but the nature of expression in this medium.
Irrational Judgments
by Kirsten SwensonIrrational Judgments examines the close friendship and significant exchange of ideas between Eva Hesse (1936-1970) and Sol LeWitt (1928-2007) in New York City during the 1960s. Taking its title from LeWitt's statement "Irrational judgments lead to new experience," this book examines the breakthroughs of the artists' intertwined careers, offering a new understanding of minimal, post-minimal, and conceptual art amid the era's political and social upheavals. Kirsten Swenson offers the first in-depth discussion of the early critical developments of each artist: LeWitt's turn from commercial design to fine art, and Hesse's move from expressionist painting to reliefs and sculpture. Bringing together a wealth of documents, interviews, and images--many published here for the first time--this handsome publication presents an insightful account of the artists' influence on and support for each other's pursuit of an experimental practice. Swenson's analysis expands our understanding of the artists' ideas, the importance of their work, and, more broadly, the relationship of the 1960s New York art world to gender politics, the Vietnam War, and the city itself.
Irreplaceable: How to Create Extraordinary Places that Bring People Together
by Kevin Ervin KelleyAn Adam Grant Summer Reading Pick 2024Do we still need physical places like grocery stores, restaurants, and office buildings? Or will the &“Replacement Economy&” led by the tech titans and retail giants wipe out these venues in their rapid ascent to unicorn status? What about museums, universities, and performing arts venues? Considering the power of technology today, can&’t we replace these relics with faster, cheaper, and more efficient online tools, apps, and AI? Through engaging storytelling, human behavior insights, and proven design techniques, Kevin Kelley—an attention architect and cofounder of Shook Kelley, a strategic design firm that pioneered the field of &“convening&”—unfolds why physical places are essential to civil society, business, and community. In these pages, he reveals what it takes for brick-and-mortar establishments to attract an audience and maintain a competitive edge in our increasingly digital world, whether you&’re a: Retail leader or institutional manager trying to attract people to your offering while keeping the disruptors at bay Student of design who values social facilitation over object-oriented design Concerned citizen worried about the loss of community and civility Irreplaceable offers a welcomed antidote to the anti-human digital future crushing our main streets and infiltrating every corner of our lives. It provides a comprehensive roadmap for creating human experiences that have the power to convene and bring friends, neighbors, and strangers together in prosocial environments in ways the digital replacements can&’t replicate.
Irresistible History of Alabama Barbecue, An: From Wood Pit To White Sauce (American Palate)
by Mark A. JohnsonFrom Muscle Shoals to Mobile, Alabamians enjoy fabulous barbecue at home, at club meetings and at countless eateries. In the 1820s, however, a group of reformers wanted to eliminate the southern staple because politicians used it to entice voters. As the state and nation changed through wars and the civil rights movement, so did Alabama barbecue. Alabama restaurants like Big Bob Gibson’s, Dreamland and Jim ’n Nick’s have earned fans across the country. Mark A. Johnson traces the development of the state’s famous food from the earliest settlement of the state to the rise of barbecue restaurants.
Irrompendo na escrita para TV: entrevistas com informações privilegiadas
by Ana Claudia Antunes Gray Jones"Irrompendo na escrita para TV: entrevistas com informações privilegiadas" rompe mitos sobre como irromper nas salas dos roteiristas de Hollywood, e os substitu com informações privilegiadas e um plano de batalha sólido. Saiba como reconhecer o território, dicas e estratégias daqueles que vieram antes, oportunidades para aproveitar e armadilhas a evitar. Você vai encontrar um mapa de todas as ferramentas que você precisa para começar, e os caminhos tentados e testados para o seu objetivo. Além desses recursos, o livro apresenta transcrições completas de cinco entrevistas no podcast de roteiristas de TV: * Carole Kirschner (Plano de Jogo de Hollywood, Programa de Treinamento de showrunner) * Rick Muirragui (Suits, The Good Guys) * Matt MacLennan (The Listener, Call Me Fitz, Ecstasy de Irvine Welsh) * Aaron Ginsburg (The Finder, The Good Guys, The 100) * Bob DeRosa (Par Perfeito, Crimes do Colarinho Branco, Ligados Pelo Crime) Há muitos insights aplicáveis ao recurso para escrita de filmes também. Se você quiser irromper nesta indústria emocionante, comece aqui!
Irving (Images of America)
by Roxanne Del RioIrving, Texas, was founded in 1903 by two eager individuals, J.O. Schulze and Otis Brown, of the Chicago, Rock Island & Gulf Railway Company. Beginning as an agrarian area of farmland, cotton, and cattle, Irving grew to include industrial facilities while persevering through the financial difficulties resulting from the Civil War and the two world wars. Irving maintained its growth when other cities in the United States could not. Schulze and Brown recognized the importance of utilizing both agricultural and industrial resources in creating and sustaining a successful city. Remnants of early communities, such as Bear Creek, Elm, Estelle, Kit, Sowers, Twin Wells, and Union Bower, can still be identified. Situated between Dallas and Fort Worth, Irving is a robust and thriving city that has greatly contributed to the creation and preservation of Texas history.