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Ishtyle: Accenting Gay Indian Nightlife (Triangulations: Lesbian/Gay/Queer Theater/Drama/Performance)
by Kareem KhubchandaniIshtyle follows queer South Asian men across borders into gay neighborhoods, nightclubs, bars, and house parties in Bangalore and Chicago. Bringing the cultural practices they are most familiar with into these spaces, these men accent the aesthetics of nightlife cultures through performance. Kareem Khubchandani develops the notion of “ishtyle” to name this accented style, while also showing how brown bodies inadvertently become accents themselves, ornamental inclusions in the racialized grammar of desire. Ishtyle allows us to reimagine a global class perpetually represented as docile and desexualized workers caught in the web of global capitalism. The book highlights a different kind of labor, the embodied work these men do to feel queer and sexy together. Engaging major themes in queer studies, Khubchandani explains how his interlocutors’ performances stage relationships between: colonial law and public sexuality; film divas and queer fans; and race, caste, and desire. Ultimately, the book demonstrates that the unlikely site of nightlife can be a productive venue for the study of global politics and its institutional hierarchies.
Islam and Heritage in Europe: Pasts, Presents and Future Possibilities (Critical Heritages of Europe)
by Sharon Macdonald Katarzyna Puzon Mirjam ShatanawiIslam and Heritage in Europe provides a critical investigation of the role of Islam in Europe’s heritage. Focusing on Islam, heritage and Europe, it seeks to productively trouble all of these terms and throw new light on the relationships between them in various urban, national and transnational contexts. Bringing together international scholars from a range of disciplines, this collection examines heritage-making and Islam in the context of current events in Europe, as well as analysing past developments and future possibilities. Presenting work based on ethnographic, historical and archival research, chapters are concerned with questions of diversity, mobility, decolonisation, translocality, restitution and belonging. By looking at diverse trajectories of people and things, this volume encompasses multiple perspectives on the relationship between Islam and heritage in Europe, including the ways in which it has played out and transformed against the backdrop of the ‘refugee crisis’ and other recent developments, such as debates on decolonising museums or the resurgence of nationalist sentiments. Islam and Heritage in Europe discusses specific articulations of belonging and non-belonging, and the ways in which they create new avenues for re-thinking Islam and heritage in Europe. This ensures that the book will be of interest to academics, researchers and postgraduate students engaged in the study of heritage, museums, Islam, Europe, anthropology, archaeology and art history.
Islam, Security and Television News
by Christopher Flood Stephen Hutchings Galina Miazhevich Henri C. NickelsFocusing on British, French and Russian television news coverage of Islam as a security threat, this book provides the first comparative account of how television broadcasting in different geo- and socio-political environments integrates discourses on Islam into nationally oriented, representational systems.
Islamic Architecture on the Move: Motion And Modernity
by Christiane GruberEven a casual observer can spy traces of Islamic architecture and design on buildings all over the world, a reminder that artistic traditions and visual culture have never been limited to their region or country of origin, but rather are highly diffusible. <P><P> This book brings together scholars from architectural studies, design, art history, and other fields to challenge and expand concepts of Islamic architecture. Ranging from eighteenth-century Ottoman tents to manifestations of Islamic motifs in 1960s Hawaii, this richly illustrated volume raises key questions about Islamic architecture, and, more broadly, about how we can rethink our understanding of material, artistic, and cultural mobility in the modern world.
Islamic Art
by Barbara BrendFrom the Alhambra to the Taj Mahal, from the Dome of the Rock to the ever evolving art of calligraphy, Barbara Brend traces the development of classic Islamic art from the seventh through the twentieth century. Brend narrates this history region by region, illustrating her discussion with superb examples drawn from all areas in which Muslim artists and craftsmen have excelled--mosque and palace architecture; the art of the book (calligraphy, painting, and bindings); and the decorative arts, including metalwork, carvings, mosaics, pottery, textiles, and carpets. Throughout, the author elucidates forms, aesthetic principles, themes, and imagery. And she points to sources and influences in the different periods--for example, the prominence of jade and chinoiserie after the Mongol invasion.
Islamic Art and Architecture: 650-1250
by Richard Ettinghausen Oleg Grabar Marilyn Jenkins-Madina"This illustrated book provides an overview of Islamic art and architecture from the seventh to the thirteenth centuries, a time of the formation of a new artistic culture and its first, medieval, flowering in the vast area from the Atlantic to India. Inspired by Ettinghausen and Grabar's original text, this book has been completely rewritten and updated to take into account recent information and methodological advances. "--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Islamic Art and Beyond: Constructing the Study of Islamic Art, Volume III (Variorum Collected Studies)
by Oleg GrabarIslamic Art and Beyond is the third in a set of four volumes of studies on Islamic art by Oleg Grabar. Between them they bring together more than eighty articles, studies and essays, work spanning half a century by a master of the field. Each volume takes a particular section of the topic, the three other volumes being entitled: Early Islamic Art, 650-1100; Islamic Visual Culture, 1100-1800; and Jerusalem. Reflecting the many incidents of a long academic life, they illustrate one scholar's attempt at making order and sense of 1400 years of artistic growth. They deal with architecture, painting, objects, iconography, theories of art, aesthetics and ornament, and they seek to integrate our knowledge of Islamic art with Islamic culture and history as well as with the global concerns of the History of Art. In addition to the articles selected, each volume contains an introduction which describes, often in highly personal ways, the context in which Grabar's scholarship developed and the people who directed and mentored his efforts. The articles in the present volume illustrate how the author's study of Islamic art led him in two directions for a further understanding of the arts. One is how to define Islamic art and what impulses provided it with its own peculiar forms and dynamics of growth. Was it a faith or a combination of social, historical, and cultural events? And how has 'Islamic art' impacted on the contemporary arts of the Islamic world? The other issue is that of the meanings to be given to forms like domes, so characteristic of Islamic art, or to terms like symbol, signs, or aesthetic values in the arts, especially when one considers the contemporary world. The Islamic examples allow for the development of new intellectual positions for the history and criticism of the arts everywhere.
Islamic Art: Architecture, Painting, Calligraphy, Ceramics, Glass, Carpets
by Luca MozzatiFrom its birth in the seventh century through modern times, the Islamic religion has inspired glorious works of art. This stunning book includes more than four hundred reproductions of treasures of Islamic art that span the world: from southern Europe, along the entire Mediterranean basin to sub-Saharan Africa through the Middle East, India, and Central Asia. Arranged geographically, the objects include paintings, miniatures, ceramics, calligraphy, textiles, carpets, and metal works. Each region is given a thorough introduction that offers historical context and extensive descriptions of its artifacts. Accompanying essays offer guidance in interpreting the many themes that tie these works together, including typology, calligraphy, and religious beliefs. Despite its wide-ranging history and origins, Islamic art is unified by its devotion to faith and beauty. With its large format, exquisite reproductions, and extensive research, this book is a thorough introduction to the Islamic artistic tradition.
Islamic Arts
by Jonathan Bloom Sheila S. BlairA comprehensive survey that brilliantly captures the essence of Islamic culture. Islamic Arts, a comprehensive survey covering a thousand years, highlights those characteristics that connect the various arts of the Islamic lands without minimizing the differences. The book is divided into three time periods - 600-900, 900-1500 and 1500-1800 - and each section analyses architecture, the arts of the book, decorative and applied arts. Islamic Artsbrilliantly captures the essence of Islamic culture.
Islamic Culture (Discovering the Arts)
by Atif ToorThis book describes Islamic art, from the building of the Dome of the Rock in Jerusalem in 691 to the work of Pakistani artist Shahzia Sikander, who expresses modern ideas in her miniature paintings.
Islamic Gardens and Landscapes (Penn Studies in Landscape Architecture)
by D. Fairchild Ruggles"In the course of my research," writes D. Fairchild Ruggles, "I devoured Arabic agricultural manuals from the tenth through the fourteenth centuries. I love gardening, and in these texts I was able to enter the minds of agriculturalists and botanists of a thousand years ago who likewise believed it was important and interesting to record all the known ways of propagating olive trees, the various uses of rosemary, and how best to fertilize a garden bed."Western admirers have long seen the Islamic garden as an earthly reflection of the paradise said to await the faithful. However, such simplification, Ruggles contends, denies the sophistication and diversity of the art form. Islamic Gardens and Landscapes immerses the reader in the world of the architects of the great gardens of the Islamic world, from medieval Morocco to contemporary India.Just as Islamic culture is historically dense, sophisticated, and complex, so too is the history of its built landscapes. Islamic gardens began from the practical need to organize the surrounding space of human civilization, tame nature, enhance the earth's yield, and create a legible map on which to distribute natural resources. Ruggles follows the evolution of these early farming efforts to their aristocratic apex in famous formal gardens of the Alhambra in Spain and the Taj Mahal in Agra.Whether in a humble city home or a royal courtyard, the garden has several defining characteristics, which Ruggles discusses. Most notable is an enclosed space divided into four equal parts surrounding a central design element. The traditional Islamic garden is inwardly focused, usually surrounded by buildings or in the form of a courtyard. Water provides a counterpoint to the portioned green sections.Ranging across poetry, court documents, agronomy manuals, and early garden representations, and richly illustrated with pictures and site plans, Islamic Gardens and Landscapes is a book of impressive scope sure to interest scholars and enthusiasts alike.
Islamic Geometric Patterns
by Jay BonnerThe main focus of this unique book is an in-depth examination of the polygonal technique; the primary method used by master artists of the past in creating Islamic geometric patterns. The author details the design methodology responsible for this all-but-lost art form and presents evidence for its use from the historical record, both of which are vital contributions to the understanding of this ornamental tradition. Additionally, the author examines the historical development of Islamic geometric patterns, the significance of geometric design within the broader context of Islamic ornament as a whole, the formative role that geometry plays throughout the Islamic ornamental arts (including calligraphy, the floral idiom, dome decoration, geometric patterns, and more), and the underexamined question of pattern classification. Featuring over 600 beautiful color images, Islamic Geometric Patterns: Their Historical Development and Traditional Methods of Con struction is a valuable addition to the literature of Islamic art, architecture and geometric patterns. This book is ideal for students and scholars of geometry, the history of mathematics, and the history of Islamic art, architecture, and culture. In addition, artists, designers, craftspeople, and architects will all find this book an exceptionally informative and useful asset in their fields. Jay Bonner is an architectural ornamentalist and unaffiliated scholar of Islamic geometric design. He received his MDes from the Royal College of Art in London (1983). He has contributed ornamental designs for many international architectural projects, including the expansion of both the al-Masjid al-Haram (Grand Mosque) in Mecca, and the al-Masjid an Nawabi (Prophet's Mosque) in Medina, as well the Tomb of Sheikh Hujwiri in Lahore, and the Ismaili Centre in London - to name but a few. He is committed to the revitalization of Islamic geometric design through the teaching of traditional methodological practices. To this end, in addition to publishing, Jay Bonner has lectured and taught design seminars at many universities and conferences in North America, Europe, North Africa and Asia.
Islamic Visual Culture, 1100-1800: Constructing the Study of Islamic Art, Volume II (Variorum Collected Studies)
by Oleg GrabarIslamic Visual Culture, 1100-1800 is the second in a set of four volumes of studies on Islamic art by Oleg Grabar. Between them they bring together more than eighty articles, studies and essays, work spanning half a century by a master of the field. Each volume takes a particular section of the topic, the three other volumes being entitled: Early Islamic Art 650-1100; Islamic Art and Beyond; and Jerusalem. Reflecting the many incidents of a long academic life, they illustrate one scholar's attempt at making order and sense of 1400 years of artistic growth. They deal with architecture, painting, objects, iconography, theories of art, aesthetics and ornament, and they seek to integrate our knowledge of Islamic art with Islamic culture and history as well as with the global concerns of the History of Art. In addition to the articles selected, each volume contains an introduction which describes, often in highly personal ways, the context in which Grabar's scholarship developed and the people who directed and mentored his efforts. The focus of the present volume is on the key centuries - the eleventh through fourteenth - during which the main directions of traditional Islamic art were created and developed and for which classical approaches of the History of Art were adopted. Manuscript illustrations and the arts of objects dominate the selection of articles, but there are also forays into later times like Mughal India and into definitions of area and period styles, as with the Mamluks in Egypt and the Ottomans, or into parallels between Islamic and Christian medieval arts.
Island Landscapes: An Expression of European Culture
by Gloria PungettiIsland Landscapes takes a critical look at the evolution of European islandscapes and seascapes to examine the conditions facing them in the twenty first century. Considering island landscapes as an expression of European culture, this book envisages future trends and presents clearly the need to find a balance between preservation and development to ensure sustainability. Both large and small islands are illustrated in the book including the British Isles, Malta and Cyprus as well as archipelagos in Norway, Italy and Greece. Their unique identities and values reveal the remarkable breadth of cultural heritage possessed by these diverse European islands. An interdisciplinary approach is applied to the history, perception, characterisation and planning of islandscape and seascape in Europe, to support culturally-oriented strategies for these fragile landscapes.
Island Possessed
by Katherine DunhamJust as surely as Haiti is "possessed" by the gods and spirits of vaudun (voodoo), the island "possessed" Katherine Dunham when she first went there in 1936 to study dance and ritual. In this book, Dunham reveals how her anthropological research, her work in dance, and her fascination for the people and cults of Haiti worked their spell, catapulting her into experiences that she was often lucky to survive. Here Dunham tells how the island came to be possessed by the demons of voodoo and other cults imported from various parts of Africa, as well as by the deep class divisions, particularly between blacks and mulattos, and the political hatred still very much in evidence today. Full of the flare and suspense of immersion in a strange and enchanting culture,Island Possessedis also a pioneering work in the anthropology of dance and a fascinating document on Haitian politics and voodoo.
Island Style
by Jacob Termansen Gillian BealFrom medieval times, travelers have returned from the East bringing designs, artifacts and architectural ideas with them. The Indonesian archipelago - with its myriad peoples, cultures, and arts and crafts traditions - has long been a source of particular inspiration, Now many are choosing to stay there(or indeed are returning home) and building dream retreats in their natural tropical settings. Island Style showcases over 25 such dwellings - be they private homes, resort villas or island hideaways all harness Indonesia's unique architectural and design ethos and meld it with Western aesthetics. Simple yet exotic, clean lined and contemporary, metropolitan or in more remote locations. In addition, there are plenty of practical design ideas for interiors, doorways, walls, furnishings, furniture and lighting. Photographed entirely on location, Island Style showcases the application of Eastern ideals in any global setting.
Island Style
by Jacob Termansen Gillian BealFrom medieval times, travelers have returned from the East bringing designs, artifacts and architectural ideas with them. The Indonesian archipelago - with its myriad peoples, cultures, and arts and crafts traditions - has long been a source of particular inspiration, Now many are choosing to stay there(or indeed are returning home) and building dream retreats in their natural tropical settings. Island Style showcases over 25 such dwellings - be they private homes, resort villas or island hideaways all harness Indonesia's unique architectural and design ethos and meld it with Western aesthetics. Simple yet exotic, clean lined and contemporary, metropolitan or in more remote locations. In addition, there are plenty of practical design ideas for interiors, doorways, walls, furnishings, furniture and lighting. Photographed entirely on location, Island Style showcases the application of Eastern ideals in any global setting.
Island Zombie: Iceland Writings
by Roni HornAn evocative chronicle of the power of solitude in the natural worldI’m often asked, but have no idea why I chose Iceland, why I first started going, why I still go. In truth I believe Iceland chose me.—from the introductionContemporary artist Roni Horn first visited Iceland in 1975 at the age of nineteen, and since then, the island’s treeless expanse has had an enduring hold on Horn’s creative work. Through a series of remarkable and poetic reflections, vignettes, episodes, and illustrated essays, Island Zombie distills the artist’s lifelong experience of Iceland’s natural environment. Together, these pieces offer an unforgettable exploration of the indefinable and inescapable force of remote, elemental places, and provide a sustained look at how an island and its atmosphere can take possession of the innermost self.Island Zombie is a meditation on being present. It vividly conveys Horn’s experiences, from the deeply profound to the joyful and absurd. Through powerful evocations of the changing weather and other natural phenomena—the violence of the wind, the often aggressive birds, the imposing influence of glaciers, and the ubiquitous presence of water in all its variety—we come to understand the author’s abiding need for Iceland, a place uniquely essential to Horn’s creative and spiritual life. The dramatic surroundings provoke examinations of self-sufficiency and isolation, and these ruminations summon a range of cultural companions, including El Greco, Emily Dickinson, Judy Garland, Wallace Stevens, Edgar Allan Poe, William Morris, and Rachel Carson. While brilliantly portraying nature’s sublime energy, Horn also confronts issues of consumption, destruction, and loss, as the industrial and man-made encroach on Icelandic wilderness.Filled with musings on a secluded region that perpetually encourages a sense of discovery, Island Zombie illuminates a wild and beautiful Iceland that remains essential and new.
Isle Royale
by Richard E. Taylor Jessica J. PoyerThis history of Isle Royale traces almost 5,000 years of human efforts to harvest its natural resources. From the Paleo-Indians who extracted native copper to the 19th-century miners, fishermen, farmers, and sportsmen, this isle apart has been visited, mined, and plundered for centuries. Under the protection of the National Park Service since 1940, the island is returning to the natural regime that preceded the arrival of the first humans. Moose, wolves, and bald eagles now share the island with low-impact campers and boaters. The reader will visit the lighthouses, steamships, fish camps, and resorts and the people of the last two centuries who left their footprints on this jewel of Lake Superior.
Isle of Hope: Wormsloe and Bethesda
by Polly Wylly CooperIsle of Hope, Georgia, nine miles south of Savannah, is a charming settlement with a story reaching back into the 1700s. Visitors to the area marvel at scenic views along the Skidaway River, grand homes built by early Savannahians, numerous historic sites, abundant wildlife, and water sports. This treasured lifestyle is one that islanders have waged heated battles to protect, and their collective experience is celebrated within the pages of this impressive pictorial volume. An original land grant from King George II of England, photographs of early families, streetcars, Barbee's Pavilion, the original Mysterious Santa Claus, sailboat racing, and more are among the many notable items included in Isle of Hope, Wormsloe, and Bethesda. Wormsloe Plantation, home of Noble Jones built on land leased from the trustees of the colony of Georgia in 1736, is highlighted here, as well as the nearby community of Dutch Island, where Matthew Batson conducted his legendary aero-yacht experiments in 1913. Bethesda, founded in 1740 by Rev. George Whitefield and now America's oldest existing home for boys, comes to life in vintage photographs and a touching poem written by an orphan in 1917. Images culled from both public and private collections evoke memories of a way of life almost extinct in today's frantic world-a way of life held steadfast by the residents of this singular Georgia community.
Isle of the Dead
by Alex ConnorIn the dark winter of 1555 the flayed bodies of young women are washing up on the banks of the Venice's canals. When Angelico Vespucci, whose portrait was painted by the Italian master Titian, is discovered to be the monster responsible for these horrific crimes, he inexplicably vanishes along with the painting. All that remains was the chilling warning that when the portrait emerges, so will the man. Now, the lost Titian masterpiece has surfaced in modern-day London, and skinless corpses are amassing all around the world. And it will fall to Nino Bergstrom, the adopted son of a retired art dealer, to unravel half a millennium of myth, mystery, and murder.
Isms: Understanding Photography
by Emma LewisUnderstanding Photography packs an enormous amount of detail into a handy, attractive guide tracing the evolution of photography through a series of interconnected trends, groups, themes and movements – from the invention of the photographic process to the post-internet age. Organised chronologically, this is a uniquely international, comprehensive guide to photography with concise, readable and jargon-free but scholarly insight into major photographers, movements and themes of the past 170 years. In an age where photography is of more resonance and interest than ever before, Understanding Photography offers an in-depth and clear exposition of photography for the interested general reader or student.
Isosurfaces: Geometry, Topology, and Algorithms
by Rephael WengerEver since Lorensen and Cline published their paper on the Marching Cubes algorithm, isosurfaces have been a standard technique for the visualization of 3D volumetric data. Yet there is no book exclusively devoted to isosurfaces. Isosurfaces: Geometry, Topology, and Algorithms represents the first book to focus on basic algorithms for isosurface co
Israeli Bourekas Films: Their Origins and Legacy (Sephardi and Mizrahi Studies)
by Rami KimchiA genre of comic melodramas produced in the 1960s and '70s, Bourekas films are among the most popular films ever made in Israel. In Israeli Bourekas Films, author and filmmaker Rami Kimchi sets out a history of Bourekas films and discusses their origin.Kimchi considers the representation of Sephardi or Mizrahi Jews in the films, noting that the material culture reflected in the the films presented a culture that was closer to the European Yiddish culture than to the Middle Eastern world of the Mizrahim. Kimchi reflects on the enormous popularity and commercial success of Bourekas films, uncovers how they were made, who made them and why, and discusses the impact of the films on Israeli cinema today. Israeli Bourekas Films is a film insider's view of the characters, stories, and cultures that made Bourekas films such an important part of Israeli life.
Israeli Cinema
by Miri Talmon Yaron PelegWith top billing at many film forums around the world, as well as a string of prestigious prizes, including consecutive nominations for the Best Foreign Film Oscar, Israeli films have become one of the most visible and promising cinemas in the first decade of the twenty-first century, an intriguing and vibrant site for the representation of Israeli realities. Yet two decades have passed since the last wide-ranging scholarly overview of Israeli cinema, creating a need for a new, state-of-the-art analysis of this exciting cinematic oeuvre. The first anthology of its kind in English, Israeli Cinema: Identities in Motion presents a collection of specially commissioned articles in which leading Israeli film scholars examine Israeli cinema as a prism that refracts collective Israeli identities through the medium and art of motion pictures. The contributors address several broad themes: the nation imagined on film; war, conflict, and trauma; gender, sexuality, and ethnicity; religion and Judaism; discourses of place in the age of globalism; filming the Palestinian Other; and new cinematic discourses. The authors’ illuminating readings of Israeli films reveal that Israeli cinema offers rare visual and narrative insights into the complex national, social, and multicultural Israeli universe, transcending the partial and superficial images of this culture in world media.