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Kids Book About Boredom, A (A Kids Book)
by Kyle SteedLearn to embrace and discover the benefits of boredom and realize your full potential.We all know what it's like to feel bored—you must be pretty bored if you're reading the back of this book! But did you know that being bored is actually one of the most wonderful and powerful things in life? Some of the best things ever created or discovered happened when someone was bored. It's true! With this book, kids can learn to embrace and discover the benefits of boredom and realize their full potential.
Kids Book About Design, A (A Kids Book)
by Jason MaydenHelp kids understand the power and impact of good design.This is a book about design and exists to unlock the design potential within every kid. Designers work in different ways, but all of them use creativity and compassion to solve problems and make things that in turn make the world a better place. Through the author's personal experience and multi-step process, empower the kid in your life to share their ideas, make, create, and be the best designer they can be.
Kids Draw Big Book of Everything Manga (Kids Draw)
by Christopher HartAll manga, all the time, all the Chris Hart way!* Bumper book of 256 manga-packed pages* Learn to draw manga, step by step* One gigantic celebration of manga maniaKids are drawn to manga like magnets, and Christopher Hart's manga books are among the hottest sellers of all books, with more than 2.5 million copies in print. Now Watson-Guptill has gathered Hart's four best-selling Kids Draw books and combined them into one giant manga book. If they're out there in the world of manga, they're in here: cute little critters, sophisticated heroes, witches and wizards, magical boys and magical girls, and everything else manga! Each character is drawn in clear step-by-steps, so young artists can easily follow along. At just 19.95 dollars, Kids Draw Big Book of Everything Manga is one big bundle of manga-drawing fun for one, low price.
Kids Rule!: Nickelodeon and Consumer Citizenship
by Sarah Banet-WeiserIn Kids Rule! Sarah Banet-Weiser examines the cable network Nickelodeon in order to rethink the relationship between children, media, citizenship, and consumerism. Nickelodeon is arguably the most commercially successful cable network ever. Broadcasting original programs such as Dora the Explorer, SpongeBob SquarePants, and Rugrats (and producing related movies, Web sites, and merchandise), Nickelodeon has worked aggressively to claim and maintain its position as the preeminent creator and distributor of television programs for America's young children, tweens, and teens. Banet-Weiser argues that a key to its success is its construction of children as citizens within a commercial context. The network's self-conscious engagement with kids--its creation of a "Nickelodeon Nation" offering choices and empowerment within a world structured by rigid adult rules--combines an appeal to kids' formidable purchasing power with assertions of their political and cultural power. Banet-Weiser draws on interviews with nearly fifty children as well as with network professionals; coverage of Nickelodeon in both trade and mass media publications; and analysis of the network's programs. She provides an overview of the media industry within which Nickelodeon emerged in the early 1980s as well as a detailed investigation of its brand-development strategies. She also explores Nickelodeon's commitment to "girl power," its ambivalent stance on multiculturalism and diversity, and its oft-remarked appeal to adult viewers. Banet-Weiser does not condemn commercial culture nor dismiss the opportunities for community and belonging it can facilitate. Rather she contends that in the contemporary media environment, the discourses of political citizenship and commercial citizenship so thoroughly inform one another that they must be analyzed in tandem. Together they play a fundamental role in structuring children's interactions with television.
Kids Take the Stage: Helping Young People Discover the Creative Outlet of Theater
by Lenka Peterson Dan O'Connor• Foreword by Paul Newman • Completely revised and updated version of a beloved theater classic • ReplacesKids Take the Stage, ISBN 0-8230-7742-X • Clear, practical guide to helping kids ages 8 to 18 get a show up and running The classicKids Take the Stageis one of the best-selling Back Stage Books of all time. Now Back Stage is proud to present the completely revised and updated second edition of this indispensable guide to getting young people on stage and helping them create their own shows. For teachers, for parents, for budding actors, emerging crew, and incipient directors—this is the book that shows how to get a production up and running. . . and have fun in the process. Clear and accessible,Kids Take the Stageoutlines a systematic approach to staging, complete with basic lessons in acting, relaxation and trust-building exercises, and improvisations. From first read-through to opening night, from butterflies to bravos, this is the perfect book to help young people realize their creative potential. www. sherrihaab. com . Nina Edwardsis a graphic designer and illustrator. She lives in New York City.
Kids' TV: The First Twenty-Five Years
by Stuart FischerIn a freshly revisited and important text, Stuart Fischer summarizes the golden age of Kids' TV with entries for every important children's television program which aired between 1947 and 1972. It's a nostalgic journey that highlights the programs of imagination and creativity which influenced the baby boom generation and their children, listing important factual information for everything from "Howdy Doody" to "Sealab 2020."
Kierkegaard and the Staging of Desire: Rhetoric and Performance in a Theology of Eros
by Carl S. HughesTheology in the modern era often assumes that the consummate form of theological discourse is objective prose—ignoring or condemning apophatic traditions and the spiritual eros that drives them. For too long, Kierkegaard has been read along these lines as a progenitor of twentieth-century neo-orthodoxy and a stern critic of the erotic in all its forms. In contrast, Hughes argues that Kierkegaard envisions faith fundamentally as a form of infinite, insatiable eros. He depicts the essential purpose of Kierkegaard’s writing as to elicit ever-greater spiritual desire, not to provide the satisfactions of doctrine or knowledge.Hughes’s argument revolves around close readings of provocative, disparate, and (in many cases) little-known Kierkegaardian texts. The thread connecting all of these texts is that they each conjure up some sort of performative “stage setting,” which they invite readers to enter. By analyzing the theological function of these texts, the book sheds new light on the role of the aesthetic in Kierkegaard’s authorship, his surprising affinity for liturgy and sacrament, and his overarching effort to conjoin eros for God with this-worldly love.
Kierkegaard, Aesthetics, and Selfhood: The Art of Subjectivity (Routledge Studies in Theology, Imagination and the Arts)
by Peder JothenIn the digital world, Kierkegaard's thought is valuable in thinking about aesthetics as a component of human development, both including but moving beyond the religious context as its primary center of meaning. Seeing human formation as interrelated with aesthetics makes art a vital dimension of human existence. Contributing to the debate about Kierkegaard's conception of the aesthetic, Kierkegaard, Aesthetics, and Selfhood argues that Kierkegaard's primary concern is to provocatively explore how a self becomes Christian, with aesthetics being a vital dimension for such self-formation. At a broader level, Peder Jothen also focuses on the role, authority, and meaning of aesthetic expression within religious thought generally and Christianity in particular.
Kiki Man Ray: Art, Love and Rivalry in 1920s Paris
by Mark BraudeThe story of Alice Prin, aka Kiki -- who captivated 1920s Paris -- and her tumultuous relationship with photographer Man RayThough many have never heard her name, Alice Prin - Kiki de Montparnasse - was the icon of 1920s Paris. She captivated as a ground-breaking nightclub performer, wrote a bestselling memoir, sold out exhibitions of her paintings, and shared drinks with the likes of Pablo Picasso, Peggy Guggenheim, Marcel Duchamp and Gertrude Stein. She also shepherded along the career of the then-unknown American photographer: Man Ray.Following Kiki in the years between 1921 and 1929, when she lived and worked with Man Ray, Kiki Man Ray charts their decade-long entanglement and reveals how Man Ray - always the unabashed careerist - went on to become one of the most famous photographers of the twentieth century, enjoying wealth and fame, while Kiki's legacy was lost.But this isn't a story of an overbearing male genius and his defeated muse. During the 1920s it was Kiki, not Man Ray, who was the brighter of the two rising stars and a powerful figure among the close-knit community of models, painters, writers and café wastrels who made their homes in gritty Montparnasse. Following the couple as they created art, struggled for power and competed for fame, Kiki Man Ray illuminates for the first time Kiki's seminal influence on the culture of 1920s Paris, and challenges ideas about artists and muses, and the lines separating the two.(P) 2022 Hodder & Stoughton Limited
Kiki Man Ray: Art, Love and Rivalry in 1920s Paris
by Mark Braude'Exuberantly entertaining' NYT Book Review'Mark Braude's writing and subject make this book irresistible, as was Kiki herself.' Jim Jarmusch'A delightful, marvelously readable, meticulously-researched romp of a book, Kiki Man Ray brings to life not just the kaleidoscopically talented Kiki herself, but the endlessly fascinating Montparnasse milieu over which she reigned.' Whitney Scharer, author of THE AGE OF LIGHTThough many have never heard her name, Alice Prin - Kiki de Montparnasse - was the icon of 1920s Paris. She captivated as a ground-breaking nightclub performer, wrote a bestselling memoir, sold out exhibitions of her paintings, and shared drinks and ideas with the likes of Pablo Picasso, Peggy Guggenheim, and Marcel Duchamp. She also shepherded along the career of a then-unknown American photographer: Man Ray.Following Kiki in the years between 1921 and 1929, when she lived and worked with Man Ray, Kiki Man Ray charts their complicated entanglement and reveals how Man Ray - always the unabashed careerist - went on to become one of the most famous photographers of the twentieth century, enjoying wealth and prestige, while Kiki's legacy was lost.But this isn't a story of an overbearing male genius and his defeated muse. During the 1920s it was Kiki, not Man Ray, who was the brighter of the two rising stars and a powerful figure among the close-knit community of models, painters, writers and café wastrels who made their homes in gritty Montparnasse. Following the couple as they created art, struggled for power and competed for fame, Kiki Man Ray illuminates for the first time Kiki's seminal influence on the culture of 1920s Paris, and challenges ideas about artists and muses, and the lines separating the two.'Kiki de Montparnasse was more than a muse - she was a vivacious, independent woman whose talent and magnetism helped make Paris the center of the art world in the 1920s. In Mark Braude's riveting cultural history, the Queen of Montparnasse rises again. This is a lively and compassionate tribute to the chanteuse, model, and portraitist who held center stage in her life, and who inspired some of the finest Surrealist art of the twentieth century.' Heather Clark, author of Pulitzer Prize-finalist Red Comet: The Short Life and Blazing Art of Sylvia Plath
Kiki Man Ray: Art, Love, and Rivalry in 1920s Paris
by Mark BraudeA dazzling portrait of Paris’s forgotten artist and cabaret star, whose incandescent life asks us to see the history of modern art in new ways. In freewheeling 1920s Paris, Kiki de Montparnasse captivated as a nightclub performer, sold out gallery showings of her paintings, starred in Surrealist films, and shared drinks and ideas with the likes of Jean Cocteau and Marcel Duchamp. Her best-selling memoir—featuring an introduction by Ernest Hemingway—made front-page news in France and was immediately banned in America. All before she turned thirty. Kiki was once the symbol of bohemian Paris. But if she is remembered today, it is only for posing for several now-celebrated male artists, including Amedeo Modigliani and Alexander Calder, and especially photographer Man Ray. Why has Man Ray’s legacy endured while Kiki has become a footnote? Kiki and Man Ray met in 1921 during a chance encounter at a café. What followed was an explosive decade-long connection, both professional and romantic, during which the couple grew and experimented as artists, competed for fame, and created many of the shocking images that cemented Man Ray’s reputation as one of the great artists of the modern era. The works they made together, including the Surrealist icons Le Violon d’Ingres and Noire et blanche, now set records at auction. Charting their volatile relationship, award-winning historian Mark Braude illuminates for the first time Kiki’s seminal influence not only on Man Ray’s art, but on the culture of 1920s Paris and beyond. As provocative and magnetically irresistible as Kiki herself, Kiki Man Ray is the story of an exceptional life that will challenge ideas about artists and muses—and the lines separating the two.
Kill All Your Darlings
by Luc SanteIn his books and in a string of wide-ranging and inventive essays, Luc Sante has shown himself to be not only one of our pre-eminent stylists, but also a critic of uncommon power and range. He is "one of the handful of living masters of the American language, as well as a singular historian and philosopher of American experience," says the New Yorker's Peter Schjeldahl. Kill All Your Darlings is the first collection of Sante's articles-many of which first appeared in the New York Review of Books and the Village Voice-and offers ample justification for such high praise. Sante is best known for his groundbreaking work in urban history (Low Life), and for a particularly penetrating form of autobiography (The Factory of Facts). These subjects are also reflected in several essays here, but it is the author's intense and scrupulous writing about music, painting, photography, and poetry that takes center stage. Alongside meditations on cigarettes, factory work, and hipness, and his critical tour de force, "The Invention of the Blues," Sante offers his incomparable take on icons from Arthur Rimbaud to Bob Dylan, René Magritte to Tintin, Buddy Bolden to Walker Evans, Allen Ginsberg to Robert Mapplethorpe.
Kill Them with Canvas (A Paint by Murder Mystery #2)
by Bailee AbbottIn Bailee Abbott&’s second book in the Paint by Murder mysteries, Chloe and Izzie are taking their paint party business on the road—with murder as the first stop!Chloe Abbington and her sister, Izzie, are enjoying huge success running Paint with a View, their paint party business in the tranquil western New York lakeside town of Whisper Cove. Now, their aunt Constance—president of the local chapter of the Chautauqua Sisterhood—has hooked them up with a gig hosting a Halloween painting party. The guests will be painting a local ghost legend, the Lady of Chautauqua Lake, who died a hundred years earlier and rises from the lake every October to haunt anyone who dares venture out on All Hallows&’ Eve. The event seems to be going off without a hitch, until Chloe overhears an argument between Constance and Viola Finnwinkle, the Sisterhood director, about the fate of the local chapter. Both women leave and the sisters finish their painting. But the next morning, Viola&’s body is discovered floating face down near the town ferryboat dock, her long red hair spread around her. Eerily, the image is an exact replica of a painting Chloe and Izzie had discovered at the event the night before. What&’s more, the police find Constance&’s purple knit hat lying on the ground near the crime scene. Constance pleads innocence, saying the hat mysteriously went missing during the event. Frantic that she might be charged with murder, she begs Chloe and Izzie to help her. The sisters believe their aunt is innocent, but if so, who&’s the real killer—and when will the next victim turn up?
Kill for Peace: American Artists Against the Vietnam War
by Matthew IsraelThe Vietnam War (1964–1975) divided American society like no other war of the twentieth century, and some of the most memorable American art and art-related activism of the last fifty years protested U.S. involvement. At a time when Pop Art, Minimalism, and Conceptual Art dominated the American art world, individual artists and art collectives played a significant role in antiwar protest and inspired subsequent generations of artists. This significant story of engagement, which has never been covered in a book-length survey before, is the subject of Kill for Peace. Writing for both general and academic audiences, Matthew Israel recounts the major moments in the Vietnam War and the antiwar movement and describes artists’ individual and collective responses to them. He discusses major artists such as Leon Golub, Edward Kienholz, Martha Rosler, Peter Saul, Nancy Spero, and Robert Morris; artists’ groups including the Art Workers’ Coalition (AWC) and the Artists Protest Committee (APC); and iconic works of collective protest art such as AWC’s Q. And Babies? A. And Babies and APC’s The Artists Tower of Protest. Israel also formulates a typology of antiwar engagement, identifying and naming artists’ approaches to protest. These approaches range from extra-aesthetic actions—advertisements, strikes, walk-outs, and petitions without a visual aspect—to advance memorials, which were war memorials purposefully created before the war’s end that criticized both the war and the form and content of traditional war memorials.
Kill for Peace: American Artists Against the Vietnam War
by Matthew Israel&“The book addresses chronologically the most striking reactions of the art world to the rise of military engagement in Vietnam then in Cambodia.&” —Guillaume LeBot, Critique d&’art The Vietnam War (1964–1975) divided American society like no other war of the twentieth century, and some of the most memorable American art and art-related activism of the last fifty years protested U.S. involvement. At a time when Pop Art, Minimalism, and Conceptual Art dominated the American art world, individual artists and art collectives played a significant role in antiwar protest and inspired subsequent generations of artists. This significant story of engagement, which has never been covered in a book-length survey before, is the subject of Kill for Peace. Writing for both general and academic audiences, Matthew Israel recounts the major moments in the Vietnam War and the antiwar movement and describes artists&’ individual and collective responses to them. He discusses major artists such as Leon Golub, Edward Kienholz, Martha Rosler, Peter Saul, Nancy Spero, and Robert Morris; artists&’ groups including the Art Workers&’ Coalition (AWC) and the Artists Protest Committee (APC); and iconic works of collective protest art such as AWC&’s Q. And Babies? A. And Babies and APC&’s The Artists Tower of Protest. Israel also formulates a typology of antiwar engagement, identifying and naming artists&’ approaches to protest. These approaches range from extra-aesthetic actions—advertisements, strikes, walk-outs, and petitions without a visual aspect—to advance memorials, which were war memorials purposefully created before the war&’s end that criticized both the war and the form and content of traditional war memorials. &“Accessible and informative.&” —Art Libraries Society of North America
Kill or Bee Killed (A Bee Keeping Mystery #2)
by Jennie MartsPerfect for fans of Laura Childs and Amanda Flower, this second Bee Keeping mystery takes Bailey Briggs to the brink as murders threaten the future of her granny&’s Bee Festival.The small town of Humble Hills, Colorado, is abuzz with excitement over the upcoming annual Bee Festival, sponsored by Bailey&’s Granny Bee and the Honeybuzz Mountain Ranch. The long weekend of festivities includes a beauty pageant, beekeeping demonstrations, a local restaurant bake-off, and a 3K Bear Run where all the participants are dressed as bears. The bake-off brings in a television crew from California to film, so it&’s the most drama-filled part of the weekend, especially when the famous celebrity host winds up dead.Because the celebrity was holding her bracelet and had been witnessed having an altercation with Bailey&’s best friend Evie shortly before his death, everyone suspects Evie of the murder—and Bailey is quickly on the hunt for clues to clear Evie&’s name, alongside Granny Bee and her bunch of geriatric misfit friends. Bailey&’s potential new honey, Sheriff Sawyer Dunn, is none too pleased to have Bailey buzzing around the investigation, but Bailey&’s determined to uncover the truth, rescue her grannie&’s beloved Bee Festival, and save her bestie.They say you get more flies with honey, but in this case, more honey may mean you end up dead. And a little competition never hurt anyone—unless it ends up killing you.
Kill the Boy Band (Point Ser.)
by Goldy MoldavskyThe New York Times–bestselling debut story of four superfan friends whose devotion to their favorite band has darkly comical and deadly results.Just know from the start that it wasn’t supposed to go like this. All we wanted was to get near them. That’s why we got a room in the hotel where they were staying.We were not planning to kidnap one of them. Especially not the most useless one. But we had him—his room key, his cell phone, and his secrets.We were not planning on what happened next. We swear.Praise for Kill the Boy Band“Moldavsky’s sharp, shocking debut is like no other.” —Entertainment Weekly“Fiercely entertaining . . . One of the smartest YA releases of the year.” —New York Daily News“Misery for the Belieber generation.” —Observer.com“Boy bands gets the Heathers treatment in this madcap macabre . . . A sendup of the artificiality of the fame-making machine from both sides, the novel’s humor is mercilessly black, and no one comes up smelling like roses.” —Kirkus Reviews“Wickedly funny.” —NPR.org“Bitingly satirical.” —Publishers Weekly“[For] anyone who’s ever had the fortune-or misfortune-of being a fan.” —Booklist “Hilarious . . . A must-have.” —School Library Journal
Kill the Documentary: A Letter to Filmmakers, Students, and Scholars (Investigating Visible Evidence: New Challenges for Documentary)
by Jill GodmilowCan the documentary be useful? Can a film change how its viewers think about the world and their potential role in it? In Kill the Documentary, the award-winning director Jill Godmilow issues an urgent call for a new kind of nonfiction filmmaking. She critiques documentary films from Nanook of the North to the recent Ken Burns/Lynn Novick series The Vietnam War. Tethered to what Godmilow calls the “pedigree of the real” and the “pornography of the real,” they fail to activate their viewers’ engagement with historical or present-day problems. Whether depicting the hardships of poverty or the horrors of war, conventional documentaries produce an “us-watching-them” mode that ultimately reinforces self-satisfaction and self-absorption.In place of the conventional documentary, Godmilow advocates for a “postrealist” cinema. Instead of offering the faux empathy and sentimental spectacle of mainstream documentaries, postrealist nonfiction films are acts of resistance. They are experimental, interventionist, performative, and transformative. Godmilow demonstrates how a film can produce meaningful, useful experience by forcefully challenging ways of knowing and how viewers come to understand the world. She considers her own career as a filmmaker as well as the formal and political strategies of artists such as Luis Buñuel, Georges Franju, Harun Farocki, Trinh T. Minh-ha, Rithy Panh, and other directors. Both manifesto and guidebook, Kill the Documentary proposes provocative new ways of making and watching films.
Killer Camera Rigs That You Can Build: How to Build Your Own Camera Cranes, Car Mounts, Stabilizers, Dollies, and More!
by Dan SelakovichThe singular beauty of this book is that Mr. Selakovich has successfully dedicated himself to producing clarity with every page." - Michael Ferris, Camera Operator/DP (Die Hard) For filmmakers who like to shoot their films with a mobile camera withough spending a fortune on equipment rentals, this book is a great gift indeed. I highly recommend it for its clarity and common sense." - Kris Malkiewica, Cinematographer/Author Don't buy or rent your fillm equipment-build it! Construct professional-quality camera rigs on your own with this comprehensive, step-by-step guide and stop wasting your money on overpriced equipment rentals and purchases! Dan Selakovich guides you through the creation of jibs, dollies, cranes, car-mounts, sandbags, tripods, and more. Features include: Build inexpensive but reliable and sturdy rigs-including cranes, dollies, stabilizers, car-mounts, and more; most for much less than $100!Includes over 2,000 photographs with clear step-by-step instructions, safety guidelines, material lists, and tool lists for each rig. American standard and meric measurements included. Includes a companion web site: http://dvcamerarigs.com/
Killer Fortnite Strategies: An Ultimate Unofficial Battle Royale Guide
by Jason R. RichMaster Strategies for Achieving #1 Victory RoyaleKiller Fortnite Strategies: The Ultimate Unofficial Battle Royale Guide is an all-new, full-color, unofficial guide for adult gamers specifically covering the Windows PC and Mac versions of Fortnite: Battle Royale. With pro tips, expert strategies, and in-depth information, this guide covers everything from tweeking your computer and customizing your keyboard for your own personal game play experience to advanced tactics for resource gathering and weapon utilization. Features: Hundreds of full-color screenshots Customizing tips for the ultimate gaming experience Thorough exploration of the island In-depth information on weapons, ammo, and loot items Proven strategies for resource gathering and building structures Expert combat and survival tactics Tips for avoiding the storm and surviving the End Game (the Final Circle) And more! Regardless of your skill or experience level playing Fortnite: Battle Royale on a PC or Mac, this info-packed resource will up your game, improve your kill scores, and help you achieve #1 Victory Royale.
Killer Images
by Joram Ten Brink Joshua OppenheimerCinema has long shaped not only how mass violence is perceived but also how it is performed. Today, when media coverage is central to the execution of terror campaigns and news anchormen serve as embedded journalists, a critical understanding of how the moving image is implicated in the imaginations and actions of perpetrators and survivors of violence is all the more urgent. If the cinematic image and mass violence are among the defining features of modernity, the former is significantly implicated in the latter, and the nature of this implication is the book's central focus. This edited anthology brings together a range of newly commissioned essays and interviews from the world's leading academics and documentary filmmakers, including Ben Anderson, Errol Morris, Harun Farocki, Rithy Phan, Avi Mograbi, Brian Winston, and Michael Chanan. Contributors explore such topics as the tension between remembrance and performance, the function of moving images in the execution of political violence, and nonfiction filmmaking methods that facilitate communities of survivors to respond to, recover, and redeem a history that sought to physically and symbolically annihilate them
Killer Images: Documentary Film, Memory, and the Performance of Violence (Nonfictions)
by Joshua Ten Brink Joram OppenheimerCinema has long shaped not only how mass violence is perceived but also how it is performed. Today, when media coverage is central to the execution of terror campaigns and news anchormen serve as embedded journalists, a critical understanding of how the moving image is implicated in the imaginations and actions of perpetrators and survivors of violence is all the more urgent. If the cinematic image and mass violence are among the defining features of modernity, the former is significantly implicated in the latter, and the nature of this implication is the book's central focus. This book brings together a range of newly commissioned essays and interviews from the world's leading academics and documentary filmmakers, including Ben Anderson, Errol Morris, Harun Farocki, Rithy Phan, Avi Mograbi, Brian Winston, and Michael Chanan. Contributors explore such topics as the tension between remembrance and performance, the function of moving images in the execution of political violence, and nonfiction filmmaking methods that facilitate communities of survivors to respond to, recover, and redeem a history that sought to physically and symbolically annihilate them
Killer Story: The Truth Behind True Crime Television
by Claire St. AmantFollow a journalist and TV producer from 48 Hours and 60 Minutes as she carves out a career in the ruthless, knives-out world of true crime television . . . one killer story at a time.Serial killers. Homicidal spouses. Sociopathic criminals. Claire St. Amant has met them all. She spent nearly a decade in network television chasing the biggest true crime stories in the country, including the murder of Chris Kyle, plastic-surgeon-turned-murder-for-hire suspect Thomas Michael Dixon, the Parkland high school mass shooting, the disappearance of Christina Morris, and serial killer Samuel Little. Bringing a true crime story to network television requires quick thinking and tenacious stamina, and in her debut memoir, Claire offers true crime fans a rare in-depth look from the other side of the yellow tape. In Killer Story, readers will learn what it really takes to get these gripping cases on the air with insights such as: How it feels to share space with a dead-eyed murderer Which TV show has a reputation for &“eating their young&” How reporters win over skeptical cops and reluctant lawyers Why TV journalists are always racing against the clock—and competitor sabotage What happens when a district attorney decides journalists have committed a felony The unresolved crimes that still haunt Claire to this day This eye-opening look behind the scenes of true crime television offers an unforgettable read—and a window into the daily reality of investigative journalism.
Killer Stuff and Tons of Money
by Maureen StantonMillions of Americans are drawn to antiques and flea-market culture, either as Participants or as viewers of the popular Antiques Roadshow and American Pickers. This world has the air of a lottery, where a $20 purchase could net you six figures. Master dealer Curt Avery, star of Killer Stuff and Tons of Money, plays that lottery every day, and he wins it more than most. Occasionally he gets lucky, but more often he draws on a deep knowledge of America's past and the odd, fascinating and beautiful objects that have survived it. Book jacket.
Killer Stuff and Tons of Money: An Insider's Look at the World of Flea Markets, Antiques, and Collecting
by Maureen StantonOne dealer's journey from the populist mayhem of flea markets to the rarefied realm of auctions reveals the rich, often outrageous subculture of antiques and collectibles. Millions of Americans are drawn to antiques and flea-market culture, whether as participants or as viewers of the perennially popular Antiques Roadshow or the recent hit American Pickers. This world has the air of a lottery: a $20 purchase might net you four, five, or six figures. Master dealer Curt Avery, the unlikely star of Killer Stuff and Tons of Money, plays that lottery every day, and he wins it more than most. Occasionally he gets lucky, but more often, he draws on a deep knowledge of America's past and the odd, fascinating, and beautiful objects that have survived it. Week in, week out, Avery trawls the flea and antiques circuit-buying, selling, and advising other dealers in his many areas of expertise, from furniture to glass to stoneware, and more. On the surface, he's an improbable candidate for an antiques dealer. He wrestled in high school and still retains the pugilistic build; he is gruff, funny, and profane; he favors shorts and sneakers, even in November; and he is remarkably generous toward both competitors and customers who want a break. But as he struggles for a spot in a high-end Boston show, he must step up his game and, perhaps more challenging, fit in with a white-shoe crowd. Through his ascent, we see the flea-osphere for what it truly is-less a lottery than a contact sport with few rules and many pitfalls. This rich and sometimes hilarious subculture rewards peculiar interests and outright obsessions-one dealer specializes in shrunken heads; another wants all the postal memorabilia he can get. So Avery must be a guerrilla historian and use his hard-earned knowledge of America's past to live by and off his wits. Only the smartest survive in one of America's most ruthless meritocracies. Killer Stuff and Tons of Money is many things: an insider's look at a subculture replete with arcane traditions and high drama, an inspiring account of a self-made man making his way in a cutthroat field, a treasure trove of tips for those who seek out old things themselves, and a thoroughly fresh, vibrant view of history as blood sport.