- Table View
- List View
Mary Thomas's Knitting Book
by Mary ThomasThere is a knitting book as dependable as your own private instructor, as complete, as explicit, and equally as helpful . . . Mary Thomas's Knitting Book. It's a veritable encyclopedia of knitting, clearly and definitively explaining and illustrating every method, operation and stitch, and a good number of the patterns you are ever likely to need or use. After an engaging history of the craft and its implements, Miss Thomas carefully lays the foundation of knitting in the opening chapters ― how to hold needles, wind yarn, gauge stitches, control tension, etc. ― and builds gradually upon it in the following sections. These explain in lucid progression every operation in common knitting, from basic knit stitch and purl, casting on and casting off, shaping by decreases and increases to turning, triangular shapes and mitres, and knitting on the diagonal or bias. For the reader who has mastered these fundamental procedures, Miss Thomas devotes the remainder of the book to fancy knitting stitches and techniques, including color knitting by stranding and weaving; pattern weaving; knitting woven, by frame with its complement of stitches (plain, raised, rib, etc.), looped, beaded, embroidered by chart, using cross stitch, honeycomb, etc.; and making patterns for garments and working out their details (armholes, belts, buttonholes, collars, hems, necklines, pockets et al). To put what the reader learns into practice, she offers instructions and patterns for making various Shetland shawls, gloves, and socks. More than 250 technique diagrams clearly illustrate every operation and pattern as to position of hands, yarn, and needle, so the knitter will have no trouble in following along. For all knitters, whether beginner or adept, a chapter of helpful knitting hints on blocking, picking up dropped stitches, lengthening, knitting up, mending, taking-back (correcting), etc. completes these invaluable and personalized lessons.Unabridged republication of original (1938) edition.
Mary Through the Centuries: Her Place in the History of Culture
by Jaroslav PelikanExamines all of Christian history & culture to create the most complete portrait of the Virgin Mary every written. Pelikan assesses the ways people throughout time & place have depicted, venerated, & been inspired by Mary.
Mary Wickes: I Know I've Seen That Face Before (Hollywood Legends Series)
by Steve TaravellaMoviegoers know her as the housekeeper in White Christmas, the nurse in Now, Voyager, and the crotchety choir director in Sister Act. This book, filled with never-published behind-the-scenes stories from Broadway and Hollywood, chronicles the life of a complicated woman who brought an assortment of unforgettable nurses, nuns, and housekeepers to life on screen and stage. Wickes (1910–1995) was part of some of the most significant moments in film, television, theatre, and radio history. On that frightening night in 1938 when Orson Welles recorded his earth-shattering “War of the Worlds” radio broadcast, Wickes was waiting on another soundstage for him for a rehearsal of Danton's Death, oblivious to the havoc taking place outside. When silent film star Gloria Swanson decided to host a live talk show on this new thing called television, Wickes was one of her first guests. When Lucille Ball made one of her first TV appearances, Wickes appeared with her—and became Lucy's closest friend for more than thirty years. Wickes was the original Mary Poppins, long before an umbrella carried Julie Andrews across the rooftops of London. And when Disney began creating 101 Dalmatians, Wickes was asked to pose for animators trying to capture the evil of Cruella De Vil. The pinched-face actress who cracked wise by day became a confidante to some of the day's biggest stars by night, including Bette Davis and Doris Day. Bolstered by interviews with almost three hundred people, and by private correspondence from Ball, Davis, Day, and others, Mary Wickes: I Know I've Seen That Face Before includes scores of never-before-shared anecdotes about Hollywood and Broadway. In the process, it introduces readers to a complex woman who sustained a remarkable career for sixty years.
Mary Wigman: Modernity And Mary Wigman, 1886--1973 (Routledge Performance Practitioners)
by Mary Anne Santos NewhallThis book considers dancer, teacher, and choreographer Mary Wigman, a leading innovator in Expressionist dance whose radical explorations of movement and dance theory are credited with expanding the scope of dance as a theatrical art. Now reissued, this book combines: a full account of Wigman’s life and work an analysis of her key ideas detailed discussion of her aesthetic theories, including the use of space as an "invisible partner" and the transcendent nature of performance a commentary on her key works, including Hexentanz and The Seven Dances of Life an extensive collection of practical exercises designed to provide an understanding of Wigman’s choreographic principles and her uniquely immersive approach to dance. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.
Mary and Lou and Rhoda and Ted
by Jennifer Keishin ArmstrongThe story of the making of a classic and groundbreaking TV show, as experienced by its producers, writers, and cast. Mary Tyler Moore made her name as Dick Van Dyke's wife on the eponymous show, a cute, unassuming housewife that audiences loved. But when her writer/producers James Brooks and Allan Burnes dreamed up an edgy show about a divorced woman with a career, network executives replied: "Americans won't watch television about New York City, divorcees, men with mustaches, or Jews." But Moore and her team were committed, and when the show finally aired, in spite of tepid reviews, fans loved it. Jennifer Armstrong introduces readers to the show's creators; its principled producer, Grant Tinker; and the writers and actors who attracted millions of viewers. As the first situation comedy to employ numerous women as writers and producers, The Mary Tyler Moore Show became a guiding light for women in the 1970s. The show also became the centerpiece of one of greatest evenings of comedy in television history, and Jennifer Armstrong describes how the television industry evolved during these golden years.
Mary's Household Tips and Tricks: Your Guide to Happiness in the Home
by Mary BerryGet organised in 2022 with Mary Berry's essential household tips that will make home your true happy place'Practical AND beautiful' Graham Norton, BBC Radio 2________'This book is a collection of skills I've learned for running a home. Gleaned from years of practical experience, along with all the hints that friends and family have imparted to me, I hope it will be a helping hand' Mary BerryJoin national treasure Mary Berry in her comprehensive, beautifully illustrated guide that shares her greatest tips on how to care for your home. Inside you'll find . . . - KITCHEN KNOW-HOW: Love the heart of your home with freezer tips and how to organise your food- CLEANING & CONFIGURING YOUR HOME: Create cleaning products from store cupboard items- LAUNDRY & WARDROBE WISDOM: Banish moths from your home for good, remove stains from every kind of fabric- GARDENING & FLOWERS: Bring greenery into your home even without a garden, create beautiful flower arrangementsEasy to use, practical and gorgeously illustrated, Mary's Household Tips & Tricks covers everything from Mary's golden rules for baking to her favourite flowers for each season, from how to polish silver to whether tea should be poured before or after milk.With secrets for accomplishing the most challenging home-keeping tasks with ease, Mary's wonderfully simple book will help turn any house into a home.'The Queen of British baking has whipped up a recipe for home happiness' Independent'A domestic goddess' Daily Telegraph
Maryland State Fair: Celebrating 125 Years, The (Images of America)
by Maryland State Fair Paige HorineAccording to Gov. Robert L. Ehrich Jr., "[The Maryland StateFair] is an annual opportunity as Marylanders to come together to celebrate the history, tradition, and charm of our State during the best days of summer." The Maryland State Fair has continued the tradition of delighting Marylanders near and far since the late 1800s. Hosting governors to 4-H'ers, farm animals to farm hands, home arts to computer arts, the fair has always promised something for everyone. Fair favorites such as the sweet, intoxicating scent of warm cotton candy and the heartthundering excitement and majesty of Thoroughbred racing were as much a part of the Maryland State Fair 125 years ago as they are today. Readers can find it all in The Maryland State Fair: Celebrating 125 Years.
Maryland in Black and White: Documentary Photography from the Great Depression and World War II
by Constance B. SchulzCompelling photographs of people and places throughout Maryland during one of the nation's most anxious decades.Between 1935 and 1943, the United States government commissioned forty-four photographers to capture American faces, along with living and working conditions, across the country. Nearly 180,000 photographs were taken—4,000 in Maryland—and they are now preserved in the Prints and Photographs Division of the Library of Congress. Constance B. Schulz presents a selection of these images in Maryland in Black and White. Maryland in the 1930s and early ‘40s truly represented a microcosm of America, a middle ground where beach and mountain, north and south, urban and rural, black and white, farmer and businessman, rich and poor, young and old met. This period also witnessed a turning point in the state’s history. The pace and nature of change varied from region to region, but even in areas that seemed most resistant to it—the Chesapeake Bay, where oyster tongers harvested their catch using methods unchanged for centuries, or the mountains and streams of Garrett County, where the seasons timelessly repeated themselves—the momentum toward a modern economy, influenced if not dominated by urban and national concerns, had significant impact.Within these pages, the farms and coal fields of 1930s and '40s Western Maryland, the tobacco fields of Southern Maryland, watermen in wooden boats along the Eastern Shore, and smiling couples dancing at a wartime senior prom come back to life. These photographs reveal places we know but scarcely recognize and give us another look at the people of "the greatest generation."
Maryland's Skipjacks
by David A. BerryChesapeake is an Algonquian word meaning "great shellfish bay," and for decades, the oyster was the undisputed king of Chesapeake Bay shellfish. Early settlers reported them to be as large as dinner plates, and the reefs or rocks in which they livedwere large enough to be hazards to navigation. In 1884, fifteen million bushels of oysters were harvested and shipped around the world. The skipjack was the perfect vessel for sailing into the Chesapeake Bay's shallow waters and dredging for oysters, and each winter, hundreds of these wooden craft set out across the bay's cold waters. The oyster population of the 21st century is a fraction of what it once was, and the skipjacks have disappeared along with them. No longer economically viable, the boats have been left to rot in the marshes along the bay. Only 25 boats are still operational, and fewer than five still dredge.
Mascoutah (Postcard History)
by Thomas S. SnyderGerman emigrants established Mascoutah in 1837, naming it after the Mascouten Indians. Despite being located in an area filled with swamps, snakes, and disease, the village prospered, owing primarily to a flour mill that drew farmers into town. This brought customers to merchants and tradesmen. By the 1850s, Mascoutah was thriving and had established itself as the social and cultural center of the surrounding area. By 1900, it was the third-largest town in St. Clair County and one of the most progressive. World War I, the establishment of Scott Air Force Base, Prohibition, and the Great Depression soon altered the course of Mascoutah's history, but the town retained its resiliency. For over 170 years, Mascoutah has grown and adapted to meet a changing world, retaining its small-town flair and pride in its German heritage.
Masculine Figures: Fashioning Men and the Novel in Nineteenth-Century Spain
by Nicholas WoltersBased on years of archival research in Madrid and Barcelona, this interdisciplinary study offers a fresh approach to understanding how men visualized themselves and their place in a nation that struggled to modernize after nearly a century of civil war, colonial entanglement, and imperial loss. Masculine Figures is the first study to provide a comprehensive overview of competing models of masculinity in nineteenth-century Spain, and it is particularly novel in its treatment of Catalan texts and previously unstudied evidence (e.g., department store catalogs, commercial advertisements, fashion plates, and men&’s tailoring journals). Fictional masculinity performs a symbolic role in representing and negotiating the contradictions male novelists often encountered in their attempts to professionalize not only as writers, but also as businessmen, professors, lawyers, and politicians. Through specific and recurring figures like the student, the priest, the businessman, and the heir, male novelists portray and represent an increasingly middle-class world at odds with the values and virtues it inherited from an imperial Spanish past, and those it imported from more industrialized nations like England and France. The visual culture of the time and place marks the material turn in middle-class masculinity and sets the stage for discussions of race and sexuality.
Masculinities and Manhood in Contemporary Irish Drama: Acting the Man
by Cormac O'BrienThis book charts the journey, in terms of both stasis and change, that masculinities and manhood have made in Irish drama, and by extension in the broader culture and society, from the 1960s to the present. Examining a diverse corpus of drama and theatre events, both mainstream and on the fringe, this study critically elaborates a seismic shift in Irish masculinities. This book argues, then, that Irish manhood has shifted from embodying and enacting post-colonial concerns of nationalism and national identity, to performing models of masculinity that are driven and moulded by the political and cultural practices of neoliberal capitalism. Masculinities and Manhood in Contemporary Irish Drama charts this shift through chapters on performing masculinity in plays set in both the Irish Republic and Northern Ireland, and through several chapters that focus on Women’s and Queer drama. It thus takes its readers on a journey: a journey that begins with an overtly patriarchal, nationalist manhood that often made direct comment on the state of the nation, and ultimately arrives at several arguably regressive forms of globalised masculinity, which are couched in misaligned notions of individualism and free-choice and that frequently perceive themselves as being in crisis.
Masculinities and Representation: The Eroticized Male in Early Modern Italy and England
by Konrad EisenbichlerIn studies on premodern masculinities that have enriched scholarship in recent years, relatively little attention has been paid to the eroticizing of the male body. Masculinities and Representation seeks to fill this lacuna, illustrating how gender construction served to affirm but also diversify premodern masculinity. In so doing, this collection details how, as a social construct, masculinity was not a single concept, but a dynamic and intricate notion. Focusing on the premodern period, Masculinities and Representation reveals how heteronormative masculinity was affirmed, but also how it was challenged when the male body was eroticized in art, literature, and devotion, or when “masculine” norms were transgressed by the assumption of “feminine” behaviours. Ultimately, the book demonstrates how masculinity itself could be transgressive in its focus of affection or in its inherent ambiguities.
Masculinities and the Contemporary Irish Theatre
by Brian SingletonIrish theatre and its histories appear to be dominated by men and their actions. This book's socially and culturally contextualized analysis of performance over the last two decades, however reveals masculinities that are anything but hegemonic, played out in theatres and other arenas of performance all over Ireland.
Masculinities and the Culture of Competitive Cycling (Palgrave Studies in Masculinity, Sport and Exercise)
by Jack HardwickeDrawing on extensive ethnographic, qualitative and quantitative research, this monograph provides a novel account of masculinities in an individual sport: competitive road cycling. Chapters present varied analyses on male cyclists’ relationship with masculinity, the culture of competitive road cycling, cyclists’ attitudes toward injury management, sexual minority and women’s experiences in the sport, and autoethnographic accounts of the author’s own experiences of being involved in the sport for over ten years. The author also examines how masculinity impacts male cyclists’ attitudes towards competition, risk taking and doping practices. This book will be of interest to scholars and researchers in sports sociology, gender studies, and masculinity studies.
Masculinity in the Contemporary Romantic Comedy: Gender as Genre (Routledge Advances in Film Studies #24)
by John AlbertiThis volume addresses the growing obsolescence of traditional constructions of masculine identity in popular romantic comedies by proposing an approach that combines gender and genre theory to examine the ongoing radical reconstruction of gender roles in these films. Alberti creates a unified theory of gender role change in the movies that combines the insights of both poststructuralist gender and narrative genre theory, avoiding binary approaches to the study of gender representation. He establishes the current "crises" in both gender representation and genre development within romantic comedies as examples of experimentation and change towards narratives that feature more egalitarian and less essentialist constructions of gender.
Masculinity, Class and Music Education: Boys Performing Middle-Class Masculinities through Music (Palgrave Studies in Gender and Education)
by Clare HallThis book offers a provocative sociological examination of masculinity, class and music education within the context of a unique and fascinating culture: the classical musical world of choirboys. The myriad cultural meanings embodied in the ‘boy voice’ are unravelled through compelling musical narratives of young choirboys, their mothers, and their teachers. The book investigates how boys negotiate dominant gender-class discourses and the various pedagogies involved in producing middle-class masculinities during primary school and early years contexts. Drawing on the theoretical resources of Bourdieu to develop the concept of ‘musical habitus’, the continued symbolic distinction of the choirboy is analysed in order to better understand how culture is simultaneously reproduced and evolving through music. This interdisciplinary work at the juncture of pedagogy and culture will appeal to social science researchers, educators and arts practitioners interested in the sociocultural dynamics of music.
Masculinity, Intersectionality and Identity: Why Boys (Don’t) Dance
by Beccy Watson Doug RisnerThis unparalleled collection, international and innovative in scope, analyzes the dynamic tensions between masculinity and dance. Introducing a lens of intersectionality, the book’s content examines why, despite burgeoning popular and contemporary representations of a normalization of dancing masculinities, some boys don’t dance and why many of those who do struggle to stay involved. Prominent themes of identity, masculinity, and intersectionality weave throughout the book’s conceptual frameworks of education and schooling, cultures, and identities in dance. Incorporating empirical studies, qualitative inquiry, and reflexive accounts, Doug Risner and Beccy Watson have assembled a unique volume of original chapters from established scholars and emerging voices to inform the future direction of interdisciplinary dance scholarship and dance education research. The book’s scope spans several related disciplines including gender studies, queer studies, cultural studies, performance studies, and sociology. The volume will appeal to dancers, educators, researchers, scholars, students, parents, and caregivers of boys who dance. Accessible at multiple levels, the content is relevant for undergraduate students across dance, dance education, and movement science, and graduate students forging new analysis of dance, pedagogy, gender theory, and teaching praxis.
Mask Making Techniques: Creating 3-D Characters from 2-D Designs for Theatre, Cosplay, Film, and TV
by Mary C. McClungMask Making Techniques: Creating 3-D Characters from 2-D Designs for Theatre, Cosplay, Film, and TV, introduces and demonstrates a variety of mask making materials, techniques, and styles to bring extraordinary characters to life. A foundation reference for mask making and design, the book features over 700 color photos and illustrations of different masks, as well as diagrams of construction and finishing techniques. It provides a wealth of practical information about material options, safety, how to build large- and small-scale masks, how to build armatures for appendages, options for coverings, and finishing techniques. Readers will learn how to use a wide range of materials, including latex, paper and fabric mâché, cold foam, thermoplastics, urethane, ethylene vinyl acetate (EVA) foam, resin, found objects, and organic materials. The book also provides tips on topics such as how to create rigid polyfoam head forms and three different ways to create eyes, as well as step-by-step instructions to construct 13 different masks. Mask Making Techniques is written for intermediate mask makers, students of theatrical mask making, costume crafts, and prop making courses, as well as prop builders, costume designers, and artists who create Halloween and cosplay costumes.
Masking the Blow: The Scene of Representation in Late Prehistoric Egyptian Art (California Studies in the History of Art #30)
by Whitney DavisThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1992.
Masks and Human Connections: Disruptive Meanings and Cultural Challenges
by Luísa Magalhães Cândido Oliveira MartinsThis interdisciplinary collection explores four distinct perspectives about the mask, as object of use for protection, identity, and disguise. In part I, contributors address human identities within collective social performance, with chapters on performativity and the far right and masked identities in political resistance and communication. Part II focuses on the mask as a signifying object with strong representational challenges, exploring representations in festivals, literature, and film. Part III investigates the ambiguous use of the mask as a protective and concealing element, delving into visual culture and digital social media contexts. Finally, Part VI draws on the work of Levinas and Deleuze to investigate a philosophical view of the mask that addresses memory and ethics within intersubjective relationships. Questioning the contemporary world, using communication, sociology, visual culture, and philosophical theory, the volume provides a pedagogical and formative perspective on the mask.
Masks of the Prophet: The Theatrical World of Karl Kraus
by Karl Grimstad'When the name "Hitler" is mentioned, nothing occurs to me' – so said Karl Kraus. For this leading Viennese Jewish critic and intellectual the touchstone of art was ethics. How could he be speechless in the face of a threat to all that ethics means? To answer this question, the author makes a detailed chronological study of Kraus's intellectual activity as reflected in his work on the theatre. The results are presented in five chapters, each dealing with a different 'mask' adopted by Kraus during the period 1892-1936. Grimstad considers not only theatre and drama criticism in Die Fackel and Kraus's dramatic writings, but also biographical data, to help uncover the rationale of his work. That rationale is the logic of the theatrical mode in which he lived and wrote. The stage was not only his subject matter, it determined what he would see and say. Grimstad argues that when Kraus wrote, his words were the speech of an 'actor' who was often infatuated with himself and obsessed with the need to overwhelm his rival 'actors.' When Hitler's storm-troopers began their march, he could say nothing for the world in which his thought took shape had become a world of theatrics, not 'Realpolitik.' Kraus criticized plays without reading them and performances without seeing them, obsessed with the belief that his was the voice of all that was true, good, and beautiful. Grimstad observes that he was a prophet who confused the divine inspiration with the Thespian urge, playing to an audience, using a mask for each of his roles, yet thinking he spoke to all mankind, bringing them pure ethos. This volume will be of particular interest to those working in the fields of theatre criticism, comparative literature, German literature, and Jewish intellectual history.
Masks or Faces?: A Study in the Psychology of Acting
by William Archer"Masks or Faces?: A Study in the Psychology of Acting" by William Archer is a seminal work that delves into the intricate world of acting, exploring the delicate balance between an actor's external performance and their internal psychological processes. Archer, a renowned theatre critic and playwright, provides a thorough analysis of the art and craft of acting, addressing the age-old question of whether actors genuinely experience the emotions they portray or merely simulate them.In this groundbreaking study, Archer examines various theories and techniques of acting, drawing on his extensive knowledge of theatre history and his keen observations of performances. He discusses the methods employed by different acting schools, from the classical traditions to the emerging naturalistic styles of his time. By dissecting the techniques of notable actors and their ability to convey authentic emotions, Archer provides readers with a comprehensive understanding of the psychological underpinnings of effective acting."Masks or Faces?" also explores the concept of the actor's dual identity—the mask they wear on stage versus their true self. Archer delves into the psychological impact of this duality on actors, considering how their craft influences their personal identities and emotional well-being. Through insightful anecdotes and critical analysis, he sheds light on the complexities of an actor's life, both on and off the stage.This book is an essential read for students of theatre, actors, directors, and anyone interested in the psychology of performance. Archer's eloquent writing and profound insights make "Masks or Faces?" a timeless exploration of the fascinating interplay between reality and illusion in the world of acting. It remains a vital resource for understanding the psychological depth required to bring characters to life and the enduring question of whether actors truly live the emotions they portray or skillfully craft an illusion for their audience.
Mason County
by Mason County Historical CommissionWhen an army scouting party headed north from Fredericksburg in 1851 to select a site for a new military post, they found an area of remarkable natural beauty on the northwestern edge of the Texas Hill Country. This land of clear streams, rocky hills, live oak thickets, and abundant wildlife had long served as a hunting ground for Comanches, Kiowas, and Lipan Apaches. A few German farmers had already settled along the Llano River, and a town soon sprang up in the shadow of Fort Mason. By the 1920s, Mason County's population included German Americans, descendants of old families from the southeastern states, Mexican immigrants who had fled the revolution, and African Americans whose ancestors had arrived in the 1850s. For decades, the region has attracted hunters, river enthusiasts, naturalists, and geologists. The town of Mason features one of the most picturesque courthouse squares in Texas. Its old-time storefronts and handsome sandstone houses make it a popular tourist destination today.
Mason County: 1850-1950
by Dr William Anderson David K. PetersenMason County: 1850-1950 portrays the settlement and growth of Mason County, Michigan, as the area transformed from a land covered in virgin pine and native settlements to communities of farmers and manufacturers. This history of the region begins with images of logging and mills and follows the growth of towns, villages, and individual townships. The adversity, struggles, successes, and joys of carving a new life from the wilderness are captured in more than 200 carefully selected images. These unique photographs illustrate a life of hardship, service, and dedication to faith, family, and community as the area transitioned and changed over the decades.