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Milton Glaser: Graphic Design
by Milton GlaserThis essential volume by the godfather of modern graphic design explores his process and showcases his highly influential early-career work. This gorgeously illustrated volume delves into the early decades of America’s pre-eminent graphic artist. Milton Glaser’s work ranges from the iconic I Love New York logo to the famous psychedelic Bob Dylan poster and numerous book and record covers; it encompasses everything from store and restaurant design to toy creations as well as magazine formats and logotypes, including New York magazine. In short, his work has helped define the look of our time.Here Glaser undertakes a remarkably wide-ranging representation of his oeuvre. In a new introduction, he speaks of the influences on his work, the responsibilities of the artist, the hierarchies of the traditional art world, and the role of graphic design in the area of his creative growth. First published in 1973, Milton Glaser: Graphic Design is an extraordinary achievement and an indisputable classic.
Milton Keynes in British Culture: Imagining England (Routledge Studies in Modern British History)
by Lauren PikóThe new town of Milton Keynes was designated in 1967 with a bold, flexible social vision to impose "no fixed conception of how people ought to live." Despite this progressive social vision, and its low density, flexible, green urban design, the town has been consistently represented in British media, political rhetoric and popular culture negatively. as a fundamentally sterile, paternalistic, concrete imposition on the landscape, as a "joke", and even as "Los Angeles in Buckinghamshire". How did these meanings develop at such odds from residents' and planners' experiences? Why have these meanings proved so resilient? Milton Keynes in British Culture traces the representations of Milton Keynes in British national media, political rhetoric and popular culture in detail from 1967 to 1992, demonstrating how the town's founding principles came to be understood as symbolic of the worst excesses of a postwar state planning system which was falling from favour. Combining approaches from urban planning history, cultural history and cultural studies, political economy and heritage studies, the book maps the ways in which Milton Keynes' newness formed an existential challenge to ideals of English landscapes as receptacles of tradition and closed, fixed national identities. Far from being a marginal, "foreign" and atypical town, the book demonstrates how the changing political fortunes of state urban planned spaces were a key site of conflict around ideas of how the British state should function, how its landscapes should look, and who they should be for.
Milwaukee County Zoo
by Elizabeth Frank Darlene Winter Mary KazmierczakFrom the inception of the Milwaukee County Zoo at West Park in 1892, the citizens of Milwaukee have worked diligently to make it one of the finest zoos in the country. Their tireless effort and faith were rewarded. The zoo experienced many firsts, including the first polar bear born in captivity in North America, and was home to Samson, one of the largest gorillas in captivity. Throughout its history, the zoo also gained fame for innovative exhibit design. The zoo has flourished through the cooperation of Milwaukee County and the Zoological Society of Milwaukee. This public-private relationship has existed successfully since 1910.
Milwaukee Frozen Custard (American Palate)
by Robert Tanzilo Kathleen MccannFrozen custard is more than a dessert in Milwaukee. It's a culture, a lifestyle and a passion. From the stand that inspired television's Happy Days to the big three--Gilles, Leon's and Kopp's--take a tour through the history of this guilty pleasure. Learn about its humble origins as an unexpected rival to ice cream and its phenomenal success as a concession at the Chicago World's Fair in 1933 that made the snack famous. Find the stories behind your favorite flavor at local festivals and homegrown neighborhood stands. Milwaukee authors and editors Kathleen McCann and Robert Tanzilo launch a celebration of custard lore, featuring a stand guide and much more. Dig into what makes Milwaukee the Frozen Custard Capital of the World.
Milwaukee Movie Theaters: A Pictorial History Of Milwaukee's Movie Theaters (Images of America)
by Larry WidenPrior to World War II, there were 90 single-screen movie theaters in Milwaukee. By 1960, that number had been reduced by half. With the arrival of television for the home market, the golden age of the movie theater in Milwaukee was dead. Yet their ghosts continue to haunt the old neighborhoods. Churches, warehouses, stores, nightspots, and other businesses now occupy the former Tivoli, Paris, Roosevelt, and Savoy Buildings. Others are simply vacant hulks, decaying from the inside out. The Elite, Regent, Lincoln, and Warner are but a few of the many silent sentinels from the days when Milwaukee was in love with the movies.
Milwaukee Rock and Roll
by Larry Widen Rick Nielsen of Cheap TrickThe history of rock music in Milwaukee began at an age when some musicians played in a segregated part of the city. At the same time, a young singer named Buddy Holly kicked off a tour that ended with a plane crash in Iowa 11 days later. The following years brought the Beatles, Rolling Stones, and the rest of the British Invasion. In the late 1960s came acid rock, civil unrest, and Summerfest, a music festival that continues to this day. Milwaukee has had its moments in the spotlight: Bob Dylan left the stage after two songs in 1964, Bruce Springsteen's 1975 concert was delayed for hours while police searched for a bomb in the theater, hundreds of Black Sabbath fans rioted after a 1980 show, and the Plasmatics' Wendy O. Williams was beaten by police in 1981. And then there was the helicopter crash in which blues guitarist Stevie Ray Vaughn perished.
Milwaukee in Stone and Clay: A Guide to the Cream City's Architectural Geology
by Raymond WiggersMilwaukee in Stone and Clay follows directly in the footsteps of Raymond Wiggers's previous award-winning book, Chicago in Stone and Clay. It offers a wide-ranging look at the fascinating geology found in the building materials of Milwaukee County's architectural landmarks. And it reveals the intriguing and often surprising links between science, art, and engineering. Laid out in two main sections, the book first introduces the reader to the fundamentals of Milwaukee's geology and its amazing prehuman history, then provides a site-by-site tour guide. Written in an engaging, informal style, this work presents the first in-depth exploration of the interplay among the region's most architecturally significant sites, the materials they're made of, and the sediments and bedrock they're anchored in. Raymond Wiggers crafted Milwaukee in Stone and Clay as an informative and exciting overview of this city. His two decades of experience leading architectural-geology tours have demonstrated the popularity of this approach and the subject matter.
Milwaukee's Brady Street Neighborhood
by Frank D. AliotoMilwaukee's Brady Street neighborhood, bounded by the Milwaukee River, Lake Michigan, Ogdon Avenue, and Kane Place, is arguably the most densely-populated square mile in the state of Wisconsin. A mix of historic shops, single-family homes, apartments, and condos, Brady Street boasts of great diversity that draws from many distinct eras. It began in the mid-19th century as a crossroads between middle-class Yankees from the east and early German settlers. Polish and Italian immigrants soon followed, working the mills, tanneries, and breweries that lined the riverbank. After these groups had assimilated and many of their descendents moved to the suburbs, the hippies in the 1960s arrived with their counterculture to fill the void. By the 1980s, the area fell into blight, neglect, and decay; now, a true model for new urbanism, the Brady Street neighborhood is in the midst of a renaissance.
Milwaukee's Bronzeville: 1900-1950 (Images of America)
by Paul H. Geenen Reuben K. HarpoleWith the migration of African American sharecroppers to northern cities in the first half of the 20th century, the African American population of Milwaukee grew from fewer than 1,000 in 1900 to nearly 22,000 by 1950. Most settled around a 12-block area along Walnut Street that came to be known as Milwaukee's Bronzeville, a thriving residential, business, and entertainment community. Barbershops, restaurants, drugstores, and funeral homes were started with a little money saved from overtime pay at factory jobs or extra domestic work taken on by the women. Exotic nightclubs, taverns, and restaurants attracted a racially mixed clientele, and daytime social clubs sponsored "matinees" that were dress-up events featuring local bands catering to neighborhood residents. Bronzeville is remembered by African American elders as a good place to grow up--times were hard, but the community was tight.
Milwaukee's Early Architecture
by Megan E. DanielsInitially dominated by simple renditions of East Coast architecture, Milwaukee developed from three pioneer settlements, those of Solomon Juneau, Byron Kilbourn, and George Walker--three hubs from which three villages radiated outward into one city. Following the Civil War, Milwaukee's growth at the onset of the Industrial Era afforded the city a fanciful array of Victorian streetscapes. The 1890s followed with an era of ethnic architecture in which bold interpretations of German Renaissance Revival and Baroque designs paid homage to Milwaukee's overwhelming German population. At the turn of the century, Milwaukee's proximity to Chicago influenced the streetscape with classicized civic structures and skyscrapers designed by Chicago architects. World War I and the ensuing anti-German sentiment, as well as Prohibition, inevitably had adverse effects on "Brew City." By the 1920s, Milwaukee's architecture had assimilated to the national aesthetic, suburban development was on the rise, and architectural growth would soon be stunted by the Great Depression.
Milwaukee's Historic Bowling Alleys (Images of America)
by Manya KaczkowskiFrom the U.S. Olympic team, to "Bowling with the Champs," to countless corner bars with a couple of lanes in the basement, Milwaukee has lived and breathed this sport. In the late 1800s, German brewers like Capt. Frederick Pabst and the Uihleins offered bowling in their Milwaukee beer gardens. When Abe Langtry brought the American Bowling Congress here in 1905, "Brew City" became bowling central. Today owning a bowling alley is a labor of love, with good reason. It's the place where you rolled that 700 series, met your wife, and taught your son how to bowl in the junior league. Even in this high-tech, immediate-gratification society, bowling still thrives in Milwaukee. Several old-school lanes still have steady business, and this book is a tribute to the people, the places, and the sport that made Milwaukee "America's Bowling Capital."
Milwaukee's Italian Heritage: Mediterranean Roots in Midwestern Soil (American Heritage)
by Anthony M. ZignegoThe shores of Lake Michigan might seem a far cry from the coastline of the Mediterranean, even for a country famous for its opera singers. Nevertheless, enough Italians responded to the call�and returned home to repeat it confidently to brothers, brides and strangers�to create a thriving community in Milwaukee. Historians often emphasize Milwaukee�s German heritage, content to relegate the story of Italian migration to New York or Chicago, but Anthony Zignego passionately explores the ways in which Italians shaped the Brew City and were shaped by it in turn. From the Gardetto family to the enterprising women of the Third Ward to Festa Italiana, Zignego presents a portrait of the immigrant experience with personal stories and interviews with �ordinary� immigrants and Milwaukeeans, explaining the community�s traditions and dispelling some of its myths. Milwaukee�s Italian Heritage highlights the struggles and triumphs that have always made immigration an opening clause and concluding question in the American story.
Milwaukee's Live Theater (Images of America)
by Jonathan WestMilwaukee's live theater scene is the sum of several exciting parts. For many, Milwaukee live theater means world-class productions done by resident actors at one of the nation's leading regional theaters. For others, it has been defined by the machinations of a respected experimental theater troupe that traveled throughout Europe in the 1980s and was once honored with an Obie Award. There was a time when Milwaukee live theater meant a big top arena where some of the biggest stars of American musical theater frolicked and played for local audiences. Audiences in Milwaukee have enjoyed the classics, new plays, and contemporary hits performed by never-say-die producers who boast personalities larger than the stages their companies play upon. The Milwaukee theater style is not fussy or overblown. It is informed by a thrilling past, buoyant future, unsurpassed community support, and unfailing devotion to solid midwestern work ethics channeled into artistic innovation. Simply put, Milwaukee's live theater scene is the best-kept artistic secret in the United States.
Milwaukee's Soldiers Home (Images of America)
by Patricia A. LynchAs the country sought healing and peace after the Civil War, Wisconsin citizens took up Pres. Abraham Lincoln's challenge "to care for him who shall have borne the battle." Their efforts paved the way for the establishment in Milwaukee of one of the original three branches of the National Asylum for Disabled Volunteer Soldiers. In May 1867, the first 60 veterans, including a musician from the War of 1812, moved to a single building on 400 rolling acres west of Milwaukee. By the end of the 19th century, the bustling campus boasted its own hospital, chapel, library, theater, and recreation hall, in addition to the grand main building. Subsequent wars and military conflicts created a need for additional buildings and services. Designated a National Historic Landmark in 2011, the campus continues to offer a healing environment for today's patients and stands as a testimony to advances in veteran health care.
Milwaukee, Wisconsin
by Richard PrestorIn April 1834, the Green-Bay Intelligencer newspaper reported that a sawmill was being erected in a new settlement on the Milwaukee River. Less than one year later, the paper reported that "Milwaukey [sic], which 10 months ago, had only a single trading house, has now some 20 or 30 houses, and two or three saw mills." Yankee settlers and land speculators had moved in and were here to stay. The steady growth of Milwaukee was never wholly due to the influx of ambitious Easterners though. In ever-expanding numbers, Europeans also made their way here, not merely as settlers, but frequently as hard-working business owners, skilled laborers, and artists. They were determined to make Milwaukee their home, and in this new homeland they surrounded themselves (and influenced the entire community) with their old traditions and languages. Thirty years after its first newspaper write-up, Milwaukee was a well-established city brimming with potential.
Mime Very Own Book
by Josh Poncemime" Perry Scott Allen Perry Eric Curtis Adam Mock Doug JonesA hilarious visual smorgasbord, this vibrant photo narrative offers a quiet, introspective look into life as a silent emoter. Replete with images of actor and mime artist Doug Jones shot against an array of artistic and real-world backdrops, this social commentary spoofs pop culture and fairy tale favorites. Witty photo parodies include Frank 'n mime, Marilyn Mime-roe, Mime-hammad Ali, Mime a Llama ding-dong, and Mimeageddon, as well as the "Once Upon a Mime" tales in which the big bad wolf gets bested in a series of mime encounters based on Little Red Miming Hood and the Three Little Pigs-poking fun at legendary personalities, characters, and moments while showcasing photographer Eric Curtis's trademark vision.
Mime into Physical Theatre: A UK Cultural History 1970–2000
by Simon Murray Mark EvansThis is the first book to investigate the social, political, cultural, artistic and economic forces which created conditions for the rise, success and decline of mime and physical theatre in the United Kingdom, from the 1970s to 2000. Unpicking the various routes through which mime and physical theatre emerged into wider prominence, this book outlines key thematic strands within this history of practice. The book blends historical description and refl ective analysis. It aims to juxtapose the various histories at play within this field, giving critical attention to the voices of the artists, funders and venue managers who were there at the time, particularly recognising the diversity of practitioners and the network of relationships that supported their work. Drawing upon over 40 original interviews, including, amongst others: Joseph Seelig, Helen Lannaghan, Steven Berkoff, Julian Chagrin, Annabel Arden, Nola Rae, Denise Wong, David Glass, Justin Case and Toby Sedgwick, the book offers unique testimonies and memories from key figures active during these three decades. This wide-ranging account of the history, social context, key moments and practical methods gives an unparalleled chronicle of one of the UK’s most vital and pioneering forms of theatre. From undergraduate students to established scholars, this is a comprehensive account for anyone studying contemporary theatre, theatre history, mime, physical theatre and the structures that support the performing arts in the United Kingdom.
Mina Loy, Twentieth-Century Photography, and Contemporary Women Poets
by Linda A. KinnahanIn Mina Loy, Twentieth-Century Photography, and Contemporary Women Poets, Linda A. Kinnahan explores the making of Mina Loy’s late modernist poetics in relation to photography’s ascendance, by the mid-twentieth century, as a distinctively modern force shaping representation and perception. As photography develops over the course of the century as an art form, social tool, and cultural force, Loy’s relationship to a range of photographic cultures emerging in the first half of the twentieth century suggests how we might understand not only the intriguing work of this poet, but also the shaping impact of photography and new technologies of vision upon modernist poetics. Framing Loy’s encounters with photography through intersections of portraiture, Surrealism, fashion, documentary, and photojournalism, Kinnahan draws correspondences between Loy’s late poetry and visual discourses of the body, urban poverty, and war, discerning how a visual rhetoric of gender often underlies these mappings and connections. In her final chapter, Kinnahan examines two contemporary poets who directly engage the camera’s modern impact –Kathleen Fraser and Caroline Bergvall – to explore the questions posed in their work about the particular relation of the camera, the photographic image, and the construction of gender in the late twentieth century.
Mind Invaders
by Stewart Home"The only movement to work consistently towards the death of history since the disbanding of the Situationist International has been the Global Neoist Network.Since 1979, Neoism has been defending the revolutionary gains made by the Situationists and Fluxus. The Neoists are the only group to have brought about the conjunction of nihilism and historical consciousness -- the two elements essential for the destruction of the old order, the order of history." You can never quite be sure to what degree Stewart Home, (or the Neoists from whom he noisily split, but under who's banner he long continued to write / agitate), is/was taking the p*ss. Decades of provocation, parody, backhanded agitation, ideological feuding, art, anti art, ideological feuding as both art and anti art, all of it written up, reported upon, exaggerated, added to, invented, and thrown into the face of late 20th / 21st century culture /subculture, first as polemic, eventually as farce. Mind Invaders was first published in 1997, culled from a panopoly of underported , unregarded, barely noticed sources : obscure zines, half finished manifesto's , loosely formed political strands starting to coalesce in shaded corners of the early web. Through force of will and a desire to exist, it pulled together a ramschackle, but somehow cohesive collection of currents that run deep through the post Situationist, anti-art, anti-trot, anti-spectacle European underground, tracing a definable lineage back from Dada > Bauhaus > Lettristes, through to the mail art movement of the 60's, loosely tied to Fluxus, and by it's very nature, a scattered, interconnected avant garde network, attempting to subvert the art-industrial complex by circumventing it, undermining commercial straitjackets by ignoring them. Techno paganism and Avant-bardism, 3 sided football, Five Year Plans for establishing community-based Autonomous space programmes around the world, psychogeographers planning to levitate . the Corn Exchange in Hulme...and most prominently,"The Luther Blissett Project, launched in Bologna, Summer '94, by an international gang of revolutionaries, mail artists, poets, performers, underground 'zines, cybernauts and squatters, collectively casting a long, long shadow.
Mind Museums: Former Asylums and the Heritage of Mental Health (Museums in Focus)
by Francesca LanzMind Museums offer a fresh perspective on the heritage of mental health,bringing museums into sharp focus. Drawing on interdisciplinary approachesfrom architecture, museum and exhibition design, and heritage and museumstudies, it examines former psychiatric asylums that have been converted intomuseums.The book presents a comprehensive investigation of mind museums, thefirst of its kind in Europe, and explores their potential in raising awarenessand dismantling the stigma surrounding mental health. Through an indepthexamination of selected European examples, Lanz describes whatmind museums are and how they came to be. The innovative visitor studiescarried out at the Museo di Storia della Psichiatria in Reggio Emilia, whichare presented here, explore people’s encounters with mind museums andreveal the profound impact of such experiences. By uncovering the power ofthese heritage sites in facilitating discussions on mental health, civility, andcare, Lanz provides new insights into the emotive capacity of the museumand visitors’ reflexivity at place-based memory sites.Mind Museums will be of great interest to scholars and postgraduatelevelstudents engaged in the study of museums, heritage, exhibitiondesign, architecture, and mental health. It should also be of interest toheritage professionals, particularly those working in mind museums andother similar sites, such as prison museums and sites of conscience.
Mind Of Steel And Clay: Camille Claudel
by Enrique Laso Emma May PriceMind of Steel and Clay: Camille Claudel is a diary. Through the guilt-ridden words of Edouard Faret, Director of the psychiatric hospital of Montdevergues, we are drawn into to the life of an exceptional woman, Camille Claudel.In the 19th century, Camille was an unrivalled sculptress and both the student and lover of Auguste Rodin. She wanted to make a name for herself in a world of men, to achieve the fame and prestige that her work deserved, but this never came to pass.In 1913, after the death of her adored father, her family committed her by force to an asylum. There she would stay, locked up against her will for 30 years until her death, despite the doctors and others who argued in defence of her sanity.Mind of Steel and Clay: Camille Claudel tells the tragic tale of an extraordinary woman, an artistic genius whose fate was sealed with misfortune.For the first time ever, the dark, unknown years of Camille's confinement, an era shrouded in mystery, are revealed and explored in great depth.Through his diary, the Medical Director of the psychiatric hospital describes the years of confinement of the sculptress Camille Claudel. This bloody, ruthless account is teamed with the hardship of the Vichy France regime in World War II, yet is dappled with moments of inspiring hope; art, passion, guilt, madness and genius are at the forefront of this short novel.Perhaps Enrique Laso's most acclaimed and profound novel to date, the author's admiration for Camille shines through, whilst on countless occasions he shares in her rage against the injustice of a world in which the cruel and deplorable are allowed to win.
Mind Reeling: Psychopathology on Film (SUNY series, Horizons of Cinema)
by Homer B. PetteyMind Reeling investigates how cinema displays and mirrors psychological disorders, such as bipolar disorder, amnesia, psychotic delusions, obsessive compulsive behavior, trauma, paranoia, and borderline personalities. It explores a range of genres, including biopics, comedies, film noirs, contemporary dramedies, thrillers, Gothic mysteries, and docufictions. The contributors open up critical approaches to audience fascination with film depictions of serious disturbances within the human psyche. Many films examined here have had little scholarly attention and commentary. These essays focus on how cinematic techniques contribute to popular culture's conception of mental dysfunction, trauma, and illness. This book reveals the complex artistic and generic patterns that produce contemporary images of psychopathology in cinema.
Mind in Architecture: Neuroscience, Embodiment, and the Future of Design (Mit Press Ser.)
by Juhani Pallasmaa Sarah RobinsonLeading neuroscientists and architects explore how the built environment affects our behavior, thoughts, emotions, and well-being.Although we spend more than ninety percent of our lives inside buildings, we understand very little about how the built environment affects our behavior, thoughts, emotions, and well-being. We are biological beings whose senses and neural systems have developed over millions of years; it stands to reason that research in the life sciences, particularly neuroscience, can offer compelling insights into the ways our buildings shape our interactions with the world. This expanded understanding can help architects design buildings that support both mind and body. In Mind in Architecture, leading thinkers from architecture and other disciplines, including neuroscience, cognitive science, psychiatry, and philosophy, explore what architecture and neuroscience can learn from each other. They offer historical context, examine the implications for current architectural practice and education, and imagine a neuroscientifically informed architecture of the future.Architecture is late in discovering the richness of neuroscientific research. As scientists were finding evidence for the bodily basis of mind and meaning, architecture was caught up in convoluted cerebral games that denied emotional and bodily reality altogether. This volume maps the extraordinary opportunity that engagement with cutting-edge neuroscience offers present-day architects.ContributorsThomas D. Albright, Michael Arbib, John Paul Eberhard, Melissa Farling, Vittorio Gallese, Alessandro Gattara, Mark L. Johnson, Harry Francis Mallgrave, Iain McGilchrist, Juhani Pallasmaa, Alberto Pérez-Gómez, Sarah Robinson
Mind in Art: Cognitive Foundations in Art Education
by Charles M. DornThis book is for the reader who believes that thinking about and making art is intelligent behavior and that art as a subject in the K-12 school curriculum should not be used as an alibi for other curricular objectives. It examines and makes explicit those cognitive behaviors normally associated with most higher order thinking and problem solving activity and explains how they function in the act of creative forming. Its goal is ultimately to find ways to use these behaviors in the construction of an intelligent art curriculum for K-12 American schools. This is perhaps the only text in the field designed to assist teachers in meeting the challenges of teaching in the Goals 2000 curriculum and evaluation reform effort, acquainting them with both the National Art Standards and with the assessment processes needed in order for them to become accountable. Mind in Art grapples with current and relevant theory, research, and unsolved problems. It is cohesive as it attempts to bring together information that is only partially known, even among those who are college professors. And it takes a critical look at the ideas and points of view that have created divisiveness and shabby thinking in the field. In this book Charles Dorn significantly advances thinking in the field of art education.
Mind in Motion: How Action Shapes Thought
by Barbara TverskyAn eminent psychologist offers a major new theory of human cognition: movement, not language, is the foundation of thoughtWhen we try to think about how we think, we can't help but think of words. Indeed, some have called language the stuff of thought. But pictures are remembered far better than words, and describing faces, scenes, and events defies words. Anytime you take a shortcut or play chess or basketball or rearrange your furniture in your mind, you've done something remarkable: abstract thinking without words. In Mind in Motion, psychologist Barbara Tversky shows that spatial cognition isn't just a peripheral aspect of thought, but its very foundation, enabling us to draw meaning from our bodies and their actions in the world. Our actions in real space get turned into mental actions on thought, often spouting spontaneously from our bodies as gestures. Spatial thinking underlies creating and using maps, assembling furniture, devising football strategies, designing airports, understanding the flow of people, traffic, water, and ideas. Spatial thinking even underlies the structure and meaning of language: why we say we push ideas forward or tear them apart, why we're feeling up or have grown far apart. Like Thinking, Fast and Slow before it, Mind in Motion gives us a new way to think about how--and where--thinking takes place.