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Modelling the Panzer IV in 1/72 scale
by Alex ClarkAlthough not as glamorous as vehicles such as the Panther and Tiger, the Panzer IV formed an extremely important part of the German armoured forces during World War II. This title provides detailed 1/72-scale build articles on a Panzer IV Ausf. H in winter camouflage, a Jagdpanzer IV, a late-version Sturmpanzer IV, a final version Sturmgeschütz IV, and a Flakpanzer IV Wirbelwind. Conversions, interior detailing, kit-bashing, adding aftermarket figures and parts, finishing and weathering, plus special scale techniques are all covered in detail. A gallery section also features Panzer IV Ausf. H, Panzer IV L/70 (V), and Panzer IV L/70 (A) variants.
Modelling the Socio-Economic Implications of Sustainability Issues in the Housing Market: A Stated Choice Experimental Approach
by Clinton Aigbavboa Wellington Thwala Solomon Pelumi Akinbogun Trynos GumboThis book discusses sustainable housing issues in urban areas throughout the Global South, revealing their complexity in terms of urban dynamics, housing markets and human interactions with the environment. Its main focus is on the location of graves within private residences, cemeteries in the immediate vicinity of private residences, and the implications of these factors for renters’ choices and rents. The book addresses the economics of land use for graves in connection with housing choices and the implications for the rented sector of the property market. By means of several model-based simulations, it demonstrates that the neoclassical economics remedy to the negative externality of graves in or near private residences remains generally unacceptable. Providing readers with a clear understanding of tenants’ priorities in their choice of housing, as well as a new approach to the negative externality of graves in the rented sector, the book will be of interest to policymakers, urban planners, investors in residential housing and land economists alike.
Modelling the Sturmgeschütz III
by Gary EdmundsonThe concept of the Sturmgeschutz III started well before the war when the German army announced the need for a self-propelled 75mm gun to be used for infantry support. By 1938, several '0-Serie' prototype vehicles were produced on earlier style Panzer IIIB chassis by Daimler-Benz. The manufacture of the first 30 production vehicles (StuG III Ausf. A) that went into combat in the invasion of France were made at the Alkett factory in Berlin. As the war progressed, the StuG III was continuously improved with variants A through E, and then given a longer, more powerful gun starting with the Ausf. F. The role of the AFV became more diverse, and duties as a tank hunter increased. Some StuG III were allotted to Panzer companies to supplement their losses. Significant changes to the hull were made with the introduction of the Ausf. G, with the later variant of the G being produced right up until April of 1945. The StuG III chassis was also used to house the 10.5 cm Sturmhaubitze 42 L/28 howitzer, of which over 1,200 were produced by Alkett. With the low silhouette and strongly armoured hull, the StuG III proved to be one of the more significant weapons of the German forces of World War II. The book details the construction of four models in 1/35 scale, and includes a gallery feature covering all variants of the StuG III. Aftermarket products are added to the basic kits to produce accurate replicas. References are extensive on this particular vehicle, and are clearly presented as each correction or enhancement to the kits is explained.
Modelling the T-55 Main Battle Tank
by Nicola CorteseThe T-55 tank first appeared in 1958, a result of numerous improvements made to the (1949) T-54 series, and with a lineage stretching back to the wartime T-34 and the T-44. The T-55 series has seen service around the world with many armed forces, including the Warsaw Pact countries, Afghanistan, Angola, Cambodia, China, Croatia, Egypt, Iran, North Korea, Poland, Somalia, Sudan, and Vietnam, and has seen action in key modern conflicts, most recently in the two Gulf Wars. This title showcases the talents of several leading modellers, and presents Serbian, Iraqi, Czech, Syrian, and Russian variants across 1/35 and 1/72 scales. It also features several challenging projects that involve extensive scratchbuilding.
Modelling the Tiger I
by Gary EdmundsonThe Tiger has proved to be one of the most popular modelling subjects of all time, with a vast and ever-increasing range of kits, aftermarket products and references available. Probably the most famous tank of World War II, the Tiger was designed in response to the German Army's fighting experience in Western Europe, North Africa and Russia. Armed with the most powerful German gun, the famous 88mm, the Panzer VI Tiger was intended to dominate the battlefield from the East to the West.In this book, some of the world's most talented modellers cover six separate Tiger projects, their work illustrated by a collection of step-by-step color photographs detailing everything from insignia to battle damage in a variety of combat theaters to illustrate the Tiger's full wartime experience. With varying degrees of difficulty, this will appeal to both experienced modelling enthusiasts and newcomers attempting their first project.
Modelling the Tiger Tank in 1/72 scale
by Alex ClarkThe Tiger tank is probably the most famous tank of World War II. Both the Tiger I and its successor, the Tiger II, were used as bases for other German vehicles. This book covers a wide range of vehicles based on the chassis of the Tiger I and II tanks in 1/72 scale. It provides a detailed guide to modelling the basic tank versions as well as the Sturmmörser Sturmtiger (Tiger I variant), Jagdtiger (Tiger II variant) and the Panzerjäger Tiger (P) Elefant tank destroyer. A variety of camouflage schemes are described in depth, and the text covers photo-etched parts, resin aftermarket sets, scratch-building, and the use of figures and groundwork.
Modelling the US Army M4 (75mm) Sherman Medium Tank
by Steven ZalogaThe Sherman tank was the principal US and Allied tank of World War II with more Shermans manufactured than all German tanks combined. Not only were large numbers manufactured, but there was a very wide range of variants powered by different types of engines, manufactured with different types of hulls, turrets and other details. As a result, a M4A1 tank from the Tunisian campaign in 1942 had nothing in common with a M4A3E8 tank from the 1945 campaign in Germany, even if they shared the same name. Consequently, the Sherman has proven to be an enormously popular modeling subject.Due to the enormity of the subject matter, this book is the first of three planned to deal with this tank and its many variants. It covers the early 75mm Shermans and runs the gamut from the US Army in Tunisia in 1942-43, Italy in 1943-45 and NW Europe in 1945. In so doing, it covers the broadest possible range of variants and details. The builds include:1.M4A1, 2/13th Armored in Tunisia 1942/43. This is mainly 'out of the box', and deals with cleaning up and correcting the popular Dragon kit and painting it in desert colors. 2.M4A3, 6th Armored Division, Battle of the Bulge, January 1945: an intermediate level build, correcting and enhancing the Tamiya kit, and dealing with the issue of assembling aftermarket (separately available add-on components) link-to-link tracks. 3.M4A1, 2nd Armored Division, Sicily 1943. This is actually an earlier version of the M4A1 than the first type (2nd Armored having been the first division with the Sherman); an advanced level project using the Formations resin hull for the proper 'direct vision' early hull. 4.M4, 8th Tank Battalion, 4th Armored Division, Normandy, July 1944: the 'super'project, including a number of advanced techniques such as swapping the suspension on the Tamiya kit, applying foliage camouflage, building and painting a turret interior and adding figures to the model.The book also showcases a number of other Shermans already built by the author to demonstrate the variety available.
Modelling the late Panzerkampfwagen IV Ausf. F2, Panzer-Regiment 8, 15.Panzer-Division, Deutsches Afrika Korps, 1942
by Tom CockleThe Panzerkampfwagen IV was the only German tank to have been produced continuously throughout the whole of World War II, going through several upgrades and improvements along the way. With the Panzerkampfwagen III, it provided the backbone of the Panzer Divisions over the years of both victory and defeat. This guide covers the Panzerkampfwagen IV Ausf. F2, Panzer-Regiment 8, 15.Panzer-Division, Deutsches Afrika Korps, 1942. This guide also features a gallery of other Panzer IV modelling projects. Further information for the modeller including a list of museums and collections, further reading, websites and a comprehensive list of available aftermarket products and kits of all scales is also available. This guide forms part of Osprey Modelling 38 Modelling the Late Panzerkampfwagen IV ebook.
Modelling the late Panzerkampfwagen IV Ausf. H 'Frühe' version, 4.Panzer-Division, Russia 1944
by Tom CockleThe Panzerkampfwagen IV was the only German tank to have been produced continuously throughout the whole of World War II, going through several upgrades and improvements along the way. With the Panzerkampfwagen III, it provided the backbone of the Panzer Divisions over the years of both victory and defeat. This guide covers the Panzerkampfwagen IV Ausf. H 'Frühe' version, 4.Panzer-Division, Russia 1944. This guide also features a gallery of other Panzer IV modelling projects. Further information for the modeller including a list of museums and collections, further reading, websites and a comprehensive list of available aftermarket products and kits of all scales is also available. This guide forms part of Osprey Modelling 38 Modelling the Late Panzerkampfwagen IV ebook.
Modelling the late Panzerkampfwagen IV Ausf. J, 5.Panzer-Division, East Prussia, 1944
by Tom CockleThe Panzerkampfwagen IV was the only German tank to have been produced continuously throughout the whole of World War II, going through several upgrades and improvements along the way. With the Panzerkampfwagen III, it provided the backbone of the Panzer Divisions over the years of both victory and defeat. This guide covers the Panzerkampfwagen IV Ausf. J, 5.Panzer-Division, East Prussia, 1944. This guide also features a gallery of other Panzer IV modelling projects. Further information for the modeller including a list of museums and collections, further reading, websites and a comprehensive list of available aftermarket products and kits of all scales is also available. This guide forms part of Osprey Modelling 38 Modelling the Late Panzerkampfwagen IV ebook.
Modelling the late Panzerkampfwagen IV Ausf. J, II.Panzer-Division, Kotzing, Bavaria, 1945
by Tom CockleThe Panzerkampfwagen IV was the only German tank to have been produced continuously throughout the whole of World War II, going through several upgrades and improvements along the way. With the Panzerkampfwagen III, it provided the backbone of the Panzer Divisions over the years of both victory and defeat. This guide covers the Panzerkampfwagen IV Ausf. J, II.Panzer-Division, Kotzing, Bavaria, 1945. This guide also features a gallery of other Panzer IV modelling projects. Further information for the modeller including a list of museums and collections, further reading, websites and a comprehensive list of available aftermarket products and kits of all scales is also available. This guide forms part of Osprey Modelling 38 Modelling the Late Panzerkampfwagen IV ebook.
Models and World Making: Bodies, Buildings, Black Boxes
by Annabel Jane WhartonFrom climate change forecasts and pandemic maps to Lego sets and Ancestry algorithms, models encompass our world and our lives. In her thought-provoking new book, Annabel Wharton begins with a definition drawn from the quantitative sciences and the philosophy of science but holds that history and critical cultural theory are essential to a fuller understanding of modeling. Considering changes in the medical body model and the architectural model, from the Middle Ages to the twenty-first century, Wharton demonstrates the ways in which all models are historical and political.Examining how cadavers have been described, exhibited, and visually rendered, she highlights the historical dimension of the modified body and its depictions. Analyzing the varied reworkings of the Holy Sepulchre in Jerusalem—including by monumental commanderies of the Knights Templar, Alberti’s Rucellai Tomb in Florence, Franciscans’ olive wood replicas, and video game renderings—she foregrounds the political force of architectural representations. And considering black boxes—instruments whose inputs we control and whose outputs we interpret, but whose inner workings are beyond our comprehension—she surveys the threats posed by such opaque computational models, warning of the dangers that models pose when humans lose control of the means by which they are generated and understood. Engaging and wide-ranging, Models and World Making conjures new ways of seeing and critically evaluating how we make and remake the world in which we live.
Models as Make-Believe
by Adam ToonScientists often try to understand the world by building simplified and idealised models of it. Adam Toon develops a new approach to scientific models by comparing them to the dolls and toy trucks of children's imaginative games, and offers a unified framework to solve difficult metaphysical problems and help to make sense of scientific practice.
Models of God and Alternative Ultimate Realities
by Jeanine Diller Asa KasherThe envisioned volume is a collection of recent essays about the philosophical exploration, critique and comparison of (a) the major philosophical models of God, gods and other ultimate realities implicit in the world's philosophical schools and religions, and of (b) the ideas of such models and doing such modeling per se. The aim is to identify exactly what a model of ultimate reality is; create a comprehensive and accessible collection of extant models; and determine how best, philosophically, to model ultimate reality, if possible and desirable.
Models of Influence
by Nigel BarkerA Collectible Anthology of the 50 Most Inf luential Models in Fashion HistoryIn Models of Influence, photographer, television host, and fashion authority Nigel Barker profiles fifty of the most noteworthy models from the 1940s to the present, revealing how their look or way of modeling not only made an indelible stamp on the industry but also influenced fashion design, the popular way of dress, and notions of female beauty worldwide.Each of the book's eight chapters focuses on a distinct period, from the postwar modeling boom, which ushered in an era of models who communicated a return to glamour, to the present day, with the emergence of media-savvy models who understand the power of branding themselves to the world at large. Each entry highlights the model's background and career, exploring her unique qualities and the secret to her staying power, whether it's her physical characteristics, daring approach to image making, transformative abilities, or a particular energy that captured or even redefined the zeitgeist of fashion and culture of the time.To complement the text, Barker has personally selected more than one hundred full-color and black-and-white photographs from the archives of the world's top fashion photographers--Richard Avedon, Irving Penn, David Bailey, Francesco Scavullo, Herb Ritts, and Mario Testino among them--to assemble a collectible anthology of many of the finest fashion images from the last seventy years.With an engaging, informative text and a vivid collection of seminal photographs, Models of Influence is the definitive word on the subject.With 110 full-color and black-and-white photographss, Models of Influence is a celebration of fashion and a group of unforgettable women who have helped shape and change modern culture.
Modelwork: The Material Culture of Making and Knowing
by Martin Brückner Sarah Wasserman Sandy IsenstadtHow making models allows us to recall what was and to discover what still might be Whether looking inward to the intricacies of human anatomy or outward to the furthest recesses of the universe, expanding the boundaries of human inquiry depends to a surprisingly large degree on the making of models. In this wide-ranging volume, scholars from diverse fields examine the interrelationships between a model&’s material foundations and the otherwise invisible things it gestures toward, underscoring the pivotal role of models in understanding and shaping the world around us. Whether in the form of reproductions, interpretive processes, or constitutive tools, models may bridge the gap between the tangible and the abstract.By focusing on the material aspects of models, including the digital ones that would seem to displace their analogue forebears, these insightful essays ground modeling as a tactile and emphatically humanistic endeavor. With contributions from scholars in the history of science and technology, visual studies, musicology, literary studies, and material culture, this book demonstrates that models serve as invaluable tools across every field of cultural development, both historically and in the present day.Modelwork is unique in calling attention to modeling&’s duality, a dynamic exchange between imagination and matter. This singular publication shows us how models shape our ability to ascertain the surrounding world and to find new ways to transform it. Contributors: Hilary Bryon, Virginia Tech; Johanna Drucker, UCLA; Seher Erdoğan Ford, Temple U; Peter Galison, Harvard U; Lisa Gitelman, New York U; Reed Gochberg, Harvard U; Catherine Newman Howe, Williams College; Christopher J. Lukasik, Purdue U; Martin Scherzinger, New York U; Juliet S. Sperling, U of Washington; Annabel Jane Wharton, Duke U.
Modern Acting
by Cynthia BaronEveryone has heard of Method acting . . . but what about Modern acting? This book makes the simple but radical proposal that we acknowledge the Modern acting principles that continue to guide actors' work in the twenty-first century. Developments in modern drama and new stagecraft led Modern acting strategies to coalesce by the 1930s - and Hollywood's new role as America's primary performing arts provider ensured these techniques circulated widely as the migration of Broadway talent and the demands of sound cinema created a rich exchange of ideas among actors. Decades after Strasberg's death in 1982, he and his Method are still famous, while accounts of American acting tend to overlook the contributions of Modern acting teachers such as Josephine Dillon, Charles Jehlinger, and Sophie Rosenstein. Baron's examination of acting manuals, workshop notes, and oral histories illustrates the shared vision of Modern acting that connects these little-known teachers to the landmark work of Stanislavsky. It reveals that Stella Adler, long associated with the Method, is best understood as a Modern acting teacher and that Modern acting, not Method, might be seen as central to American performing arts if the Actors' Lab in Hollywood (1941-1950) had survived the Cold War.
Modern American Drama on Screen
by William Robert Bray R. Barton PalmerFrom its beginnings, the American film industry has profited from bringing popular and acclaimed dramatic works to the screen. This is the first book to offer a comprehensive account, focusing on key texts, of how Hollywood has given a second and enduring life to such classics of the American theater as Long Day's Journey into Night, A Streetcar Named Desire and Who's Afraid of Virginia Woolf? Each chapter is written by a leading scholar and focuses on Broadway's most admired and popular productions. The book is ideally suited for classroom use and offers an otherwise unavailable introduction to a subject which is of great interest to students and scholars alike.
Modern American Literature and Contemporary Iranian Cinema: Identity, Appropriation, and Recontextualization (Routledge Studies in Comparative Literature)
by Morteza YazdanjooAs an endeavor to contribute to the burgeoning field of comparative literature, this monograph addresses the dynamic yet understudied "intertextual dialogism" between modern American literature and contemporary Iranian Cinema, pinpointing how the latter appropriates and recontextualizes instances of the former to construct and inculcate vestiges of national/gender identity on the silver screen. Drawing on Louis Montrose’s catchphrase that Cultural Materialism foregrounds "the textuality of history, [and] the historicity of texts", this book contends that literary "texts" are synchronic artifacts prone to myriad intertextual and extra-textual readings and understandings, each historically conditioned. The recontextualization of Herzog, Franny and Zooey, The Glass Menagerie, A Streetcar Named Desire, and Death of a Salesman into contemporary Iran provides an intertextual avenue to delineate the textuality of history and the historicity of texts
Modern Apartment Design
by Guy MarriageModern Apartment Design provides guidelines to the design of modern apartment buildings as well as a summation of current cutting-edge practice in engineered timber construction. The book covers a brief history of apartment buildings around the world, with a broad outline of different types of apartment blocks. It has a strong focus on the design and actual construction of apartment buildings, especially those utilising mass timber, such as cross-laminated timber and laminated veneer lumber. It also features six Case Study chapters from industry-leading practitioners in the area, enabling best practice in architecture and engineering of these new apartment building types to be more widely understood and propagated worldwide. The fully illustrated, full-colour case studies span the globe and include: Clearwater Quay in Christchurch, New Zealand (Pacific Environments NZ); Wynyard Central East 2 in Auckland, New Zealand (Architectus); Dalton Works in London, UK (Waugh Thistleton Architects); Mjøstårnet, Brumunddal, Norway (Voll Arkitekter); Brock Commons Tallwood House student housing in Vancouver, Canada (Acton Ostry Architects); and Regensbergstrasse apartments in Zurich, Switzerland (Dreicon). The book will be of great interest to architects and architecture students.
Modern Appliqué Illusions: 12 Quilts Create Perspective & Depth
by Casey YorkThe award-winning quilter and appliqué designer brings fine art principles to 12 stunning quilts in this surprisingly simple step-by-step guide.Casey York pushes creative boundaries in the quilting world with her graphic, contemporary designs and patterns. In Modern Appliqué Illusions, she combines easy quilting methods with the fine art secrets of depth and perspective to create modern quilted optical illusions. Though these sophisticated look like museum pieces, they are designed for everyday use.In Modern Appliqué Illusions, you will learn to create landscapes that recede into the distance, objects that look three-dimensional, even fish that seem to swim underwater—all with easy raw-edge appliqué and straight-line machine quilting! Hand stitching finishes the appliqué with a clean look that still has a handmade feeling.
Modern Architecture Since 1900
by William J. R. CurtisA penetrating analysis of the modern architectural tradition and its origins. Since its first publication in 1982, Modern Architecture Since 1900 has become established as a contemporary classic. Worldwide in scope, it combines a clear historical outline with masterly analysis and interpretation. Technical, economic, social and intellectual developments are brought together in a comprehensive narrative which provides a setting for the detailed examination of buildings. Throughout the book the author's focus is on the individual architect, and on the qualities that give outstanding buildings their lasting value. For the third edition, the text has been radically revised and expanded, incorporating much new material and a fresh appreciation of regional identity and variety. Seven chapters are entirely new, including expanded coverage of recent world architecture.
Modern Architecture Through Case Studies 1945 to 1990
by Peter Blundell Jones Eamonn CanniffeOnce again, new interpretations are presented of some of the most famous architecture of the period. Work by lesser-known architects, whose influence and role have been overlooked by conventional histories of the subject, is discussed. The case study structure allows each example to be discussed and used as a springboard to explore different theoretical approaches. Filled with beautiful photographs, plans and architect's drawings, this is a clear and accessible discussion on a period of architecture that engages many questions still under debate in architecture today.
Modern Architecture and Climate: Design before Air Conditioning
by Daniel A. BarberHow climate influenced the design strategies of modernist architectsModern Architecture and Climate explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II—before fossil-fuel powered air-conditioning became widely available—Daniel Barber brings to light a vibrant and dynamic architectural discussion involving design, materials, and shading systems as means of interior climate control. He looks at projects by well-known architects such as Richard Neutra, Le Corbusier, Lúcio Costa, Mies van der Rohe, and Skidmore, Owings, and Merrill, and the work of climate-focused architects such as MMM Roberto, Olgyay and Olgyay, and Cliff May. Drawing on the editorial projects of James Marston Fitch, Elizabeth Gordon, and others, he demonstrates how images and diagrams produced by architects helped conceptualize climate knowledge, alongside the work of meteorologists, physicists, engineers, and social scientists. Barber describes how this novel type of environmental media catalyzed new ways of thinking about climate and architectural design.Extensively illustrated with archival material, Modern Architecture and Climate provides global perspectives on modern architecture and its evolving relationship with a changing climate, showcasing designs from Latin America, Europe, the United States, the Middle East, and Africa. This timely and important book reconciles the cultural dynamism of architecture with the material realities of ever-increasing carbon emissions from the mechanical cooling systems of buildings and offers a historical foundation for today’s zero-carbon design.
Modern Architecture and Religious Communities, 1850-1970: Building the Kingdom
by Kate Jordan Ayla LepineSocial groups formed around shared religious beliefs encountered significant change and challenges between the 1860s and the 1970s. This book is the first collection of essays of its kind to take a broad, thematically-driven case study approach to this genre of architecture and its associated visual culture and communal experience. Examples range from Nuns’ holy spaces celebrating the life of St Theresa of Lisieux to utopian American desert communities and their reliance on the philosophy of Teilhard de Chardin. Modern religious architecture converses with a broad spectrum of social, anthropological, cultural and theological discourses and the authors engage with them rigorously and innovatively. As such, new readings of sacred spaces offer new angles and perspectives on some of the dominant narratives of the nineteenth, twentieth and twenty-first centuries: empire, urban expansion, pluralism and modernity. In a post-traditional landscape, religious architecture suggests expansive ways of exploring themes including nostalgia and revivalism; engineering and technological innovation; prayer and spiritual experimentation; and the beauty of holiness for a brave new world. Shaped by the tensions and anxieties of the modern era and powerfully expressed in the space and material culture of faith, the architecture presented here creates a set of new turning points in the history of the built environment.