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America, As Seen on TV: How Television Shapes Immigrant Expectations around the Globe
by Clara E. RodríguezFinalist, 2020 Latino Book Awards, Best Academic Themed BookThe surprising effects of American TV on global viewers As a dominant cultural export, American television is often the first exposure to American ideals and the English language for many people throughout the world. Yet, American television is flawed, and, it represents race, class, and gender in ways that many find unfair and unrealistic. What happens, then, when people who grew up on American television decide to come to the United States? What do they expect to find, and what do they actually find? In America, As Seen on TV, Clara E. Rodríguez surveys international college students and foreign nationals working or living in the US to examine the impact of American television on their views of the US and on their expectations of life in the United States. She finds that many were surprised to learn that America is racially and economically diverse, and that it is not the easy-breezy, happy endings culture portrayed in the media, but a work culture. The author also surveys US-millennials about their consumption of US TV and finds that both groups share the sense that American TV does not accurately reflect racial/ethnic relations in the US as they have experienced them. However, the groups differ on how much they think US TV has influenced their views on sex, smoking and drinking. America, As Seen on TV explores the surprising effects of TV on global viewers and the realities they and US millennials actually experience in the US.
American & British 410 Shotguns
by Ronald Gabriel410's are generally lightweight shotguns that produce little kick, making them a popular choice for beginners, youth, or anyone sensitive to recoil. However, their full choke barrels force them to concentrate the available shot, therefore they require the precision of an expert to be effective at any significant distant. Collectors, historians, enthusiasts, and those recapturing their youth will be captivated by this fascinating recount of the .410. Representing the culmination of 30 years of research, this book catalogs the 125-year developments history of the .410 shotgun in both the United States and Britain. A mixture of rich images and historic illustrations provide a treasure chest of information valuable to small-bore enthusiasts-both collectors and hunters alike. Coverage includes makers such as Browning, Ithaca, Winchester, Boss, Holland & Holland, Purdey, and others. Plus, all significant gunmakers include detailed listings of production numbers.
American Accent Drills for British and Australian Speakers
by Amanda QuaidAmerican Accent Drills for British and Australian Speakers provides a comprehensive guide to learning a "General American" accent, made specifically for native English speakers. Unlike most American accent guides, which are geared toward ESL learners, this handbook covers only the shifts that English speakers need to make – nothing more, nothing less. In addition to vowel and consonant drills, it covers the finer points of American intonation and elision, features that often elude English speakers of other dialects. Finally, it provides exercises for "owning" the dialect, finding authenticity and making it work for each individual actor in their own way. This is an excellent resource for students of speech and dialects, actors from the UK, Australia, and New Zealand, and advanced ESL learners who need to use an American accent on screen or on stage. American Accent Drills for British and Australian Speakers also includes access to downloadable audio files of the practice drills featured in the book, to help students practice and perfect their American accent.
American Allegory: Lindy Hop and the Racial Imagination
by Black Hawk HancockOC Perhaps, OCO wrote Ralph Ellison more than seventy years ago, OC the zoot suit contains profound political meaning; perhaps the symmetrical frenzy of the Lindy-hop conceals clues to great potential power. OCO As Ellison noted then, many of our most mundane cultural forms are larger and more important than they appear, taking on great significance and an unexpected depth of meaning. What he saw in the power of the Lindy HopOCothe dance that "Life "magazine once billed as OC AmericaOCOs True National Folk DanceOCOOCowould spread from black America to make a lasting impression on white America and offer us a truly compelling means of understanding our culture. But with what hidden implications? In "American Allegory," Black Hawk Hancock offers an embedded and embodied ethnography that situates dance within a larger Chicago landscape of segregated social practices. Delving into two Chicago dance worlds, the Lindy and SteppinOCO, Hancock uses a combination of participant-observation and interviews to bring to the surface the racial tension that surrounds white use of black cultural forms. Focusing on new forms of appropriation in an era of multiculturalism, Hancock underscores the institutionalization of racial disparities and offers wonderful insights into the intersection of race and culture in America.
American Antique Weather Vanes: The Complete Illustrated Westervelt Catalog of 1883 (Dover Jewelry and Metalwork)
by A. B. WesterveltWeather vanes were used by the ancient Greeks a hundred years before the birth of Christ; by early Scandinavians on their ships; and were common throughout England since William the Conqueror, and throughout Europe since the French Revolution. American vanes were recorded since the seventeenth century -- among the first known is the copper cockerel, made in 1656 for the Dutch Reformed Church at Albany. The weather vane found a welcome home in the expanding America of the eighteenth and nineteenth centuries. It was a jaunty bit of decoration that served an important utilitarian function and enlivened the whole landscape with its humorous and homespun motifs, bold and vigorous design, and spirited air of American individualism and independence.By the late nineteenth century weather vane design and manufacture had reached full maturity. There were several firms throughout the United States specializing in weather vanes, some of which issued catalogs displaying their wares. Among the largest and most important of these companies was A. B. & W. T. Westervelt of New York City, whose extensive illustrated 1883 catalog, featuring over 550 copper weather vanes and finials, is herein reprinted.This excellent primary source by one of the principal manufacturers of American weather vanes offers an extraordinarily wide range of styles and motifs, including: horse with sulky and driver, cow or bull, gun and cap, goddess of liberty, dog, ram or sheep, Indian chief, hook and ladder with number, oxen, ocean steamer, Roman banneret and scroll, rooster, cannon, fish, pen, locomotive and tender, initials, lion, liberty cap and arrows, malter's shovel and brew barrel, and many more. Vanes are illustrated with line engravings, are especially well suited to reproduction (all royalty-free), and are accompanied by relevant information on size, materials, and original prices.Indispensable for the architect, antique collector, and historian, this collection of authentic weather vane designs will also prove to be an unusually rich source of royalty-free art and graphic inspiration for the artist, designer, and crafter.
American Architects and the Single-Family Home: Lessons Learned from the Architects' Small House Service Bureau
by Lisa M. TuckerAmerican Architects and the Single-Family Home explains how a small group of architects started the Architects’ Small House Service Bureau in 1919 and changed the course of twentieth-century residential design for the better. Concepts and principles they developed related to public spaces, private spaces, and service spaces for living; details about the books they published to promote good design; as well as new essays from contemporary practitioners will inspire your own designs. More than 200 black and white images.
American Architectural History: A Contemporary Reader
by Keith Eggener<p>This major new text presents a collection of recent writings on architecture and urbanism in the United States, with topics ranging from colonial to contemporary times. In terms of content and scope, there is no collection, in or out of print, directly comparable to this one. The essays are drawn from the past twenty years' of publishing in the field, arranged chronologically from colonial to contemporary and accessible in thematic groupings, contextualized and introduced by Keith Eggener. <p>Drawing together 24 illustrated essays by major and emerging scholars in the field, American Architectural History is a valuable resource for students of the history of American art, architecture, urbanism, and material culture.</p>
American Architecture and Urbanism
by Vincent ScullyA classic book authored by the foremost architectural historian in America, this fully illustrated history of American architecture and city planning is based on Vincent Scully's conviction that architecture and city planning are inseparably linked and must therefore be treated together. He defines architecture as a continuing dialogue between generations which creates an environment across time. This definitive survey extends beyond the cities themselves to the American scene as a whole, which has inspired the reasonable balanced, closed and ordered forms, and above all the probity, that he feels typifies American architecture.
American Architecture and Urbanism
by Vincent ScullyA classic book authored by the foremost architectural historian in America, this fully illustrated history of American architecture and city planning is based on Vincent Scully's conviction that architecture and city planning are inseparably linked and must therefore be treated together. He defines architecture as a continuing dialogue between generations which creates an environment across time. This definitive survey extends beyond the cities themselves to the American scene as a whole, which has inspired the reasonable balanced, closed and ordered forms, and above all the probity, that he feels typifies American architecture.
American Architecture: 1607-1860
by Marcus Whiffen Frederick KoeperThe first volume of a two-volume survey of American Architecture, this book covers architectural developments from Jamestown to the Civil War.
American Architecture: A History
by Amanda C. Clark Leland M. RothThis widely acclaimed, highly illustrated introduction to the history of American architecture is now fully revised throughout. American Architecture introduces readers to the major developments that shaped the American-built environment from the first Americans to the present, from the everyday vernacular to the high style of aspiration.Significant updates include: A new chapter on the 21st century, detailing the green architecture movement and LEED status architecture, the influence of CAD design on recent architecture, the necessity of sustainable design, the globalization of architecture and international architects, and some of the preservation issues facing architecture today. An expanded section on Native American architecture including contemporary design by Native American architects, expanded discussions on architectural education and training, more examples of women architects and designers, and a thoroughly expanded glossary to help today's readers. A revised and expanded art program, including over 640 black and white images, and a new 32-page, full-color insert featuring over 60 new color images.American Architecture describes the impact of changes in conceptual imagery, style, building technology, landscape design, vernacular construction, and town-planning theory throughout U.S. history. Eleven chronologically organized chapters chart the social, cultural, and political forces that shaped the growth and development of American towns, cities, and suburbs, while providing full description, analysis, and interpretation of buildings and their architects. Accessible and engaging, American Architecture continues to set the standard as a guide, study, and reference.
American Architecture: A History
by Leland M. RothMore than fifteen years after the success of the first edition, this sweeping introduction to the history of architecture in the United States is now a fully revised guide to the major developments that shaped the environment from the first Americans to the present, from the everyday vernacular to the high style of aspiration. Eleven chronologically organized chapters chart the social, cultural, and political forces that shaped the growth and development of American towns, cities, and suburbs, while providing full description, analysis, and interpretation of buildings and their architects. The second edition features an entirely new chapter detailing the green architecture movement and architectural trends in the 21st century. Further updates include an expanded section on Native American architecture and contemporary design by Native American architects, new discussions on architectural education and training, more examples of women architects and designers, and a thoroughly expanded glossary to help today's readers. The art program is expanded, including 640 black and white images and 62 new color images. Accessible and engaging, American Architecture continues to set the standard as a guide, study, and reference for those seeking to better understand the rich history of architecture in the United States.
American Art Deco: An Illustrated Survey
by R. L. Leonard C. A. GlassgoldOne of the most popular forms of twentieth-century design, the Art Deco style dominated the decorative arts in the 1920s and '30s. Championed by progressive architects and inspired by such diverse influences as the industrial age and Native American art, it became a form of artistic self-expression for nearly three decades. This volume includes scores of photographs and important articles that describe the aesthetics of this distinctive style. An introduction by architectural critic Lewis Mumford is followed by commentaries by such notables as Frank Lloyd Wright on design principles; theatrical and industrial designer Norman Bel Geddes on outfitting business interiors; and Edward Steichen on commercial photography. A fascinating glimpse of an exciting and innovative period in the history of American design, this book will appeal to a wide audience ― from interior decorators and graphic artists to students of art and lovers of the Art Deco style.
American Art Since 1900: A Critical History
by Barbara RoseThe history of American art since 1900, especially with regard to its European roots and subsequent transformation.
American Art in Asia: Artistic Praxis and Theoretical Divergence (Routledge Research in Art History)
by Michelle LimThis book challenges existing notions of what is "American" and/or "Asian" art, moving beyond the identity issues that have dominated art-world conversations of the 1980s and the 1990s and aligning with new trends and issues in contemporary art today, e.g. the Global South, labor, environment, and gender identity. Contributors examine both historical and contemporary instances in art practices and exhibition-making under the rubric of "American art in Asia." The book complicates existing notions of what constitutes American art, Asian American (and American Asian) art. As today’s production and display of contemporary art takes place across diffused borders, under the fluid conditions of a globalized art world since transformed by the COVID-19 pandemic, new contexts and art historical narratives are forming that upend traditional Euro-American mappings of center-margins, migratory patterns and community engagement. The book will be of interest to scholars working in art history, American studies, Asian studies and visual culture.
American Art to 1900: A Documentary History
by John Davis Sarah BurnsFrom the simple assertion that "words matter" in the study of visual art, this comprehensive but eminently readable volume gathers an extraordinary selection of words—painters and sculptors writing in their diaries, critics responding to a sensational exhibition, groups of artists issuing stylistic manifestos, and poets reflecting on particular works of art. Along with a broad array of canonical texts, Sarah Burns and John Davis have assembled an astonishing variety of unknown, little known, or undervalued documents to convey the story of American art through the many voices of its contemporary practitioners, consumers, and commentators. American Art to 1900 highlights such critically important themes as women artists, African American representation and expression, regional and itinerant artists, Native Americans and the frontier, popular culture and vernacular imagery, institutional history, and more. With its hundreds of explanatory headnotes providing essential context and guidance to readers, this book reveals the documentary riches of American art and its many intersecting histories in unprecedented breadth, depth, and detail.
American Art, volume 36 number 2 (Summer 2022)
by American ArtThis is volume 36 issue 2 of American Art. American Art publishes innovative peer-reviewed scholarship on the history of art and related visual culture. The journal critically engages with the material and conceptual conditions of art and provides a forum for the expanding field of American art history. It welcomes scholarship on the role played by art in the ongoing transnational and transcultural formation of America as a contested geography, identity, and idea. Committed to rigorous inquiry, the journal presents a range of approaches to the production and consumption of art.
American Art, volume 36 number 3 (Fall 2022)
by American ArtThis is volume 36 issue 3 of American Art. American Art publishes innovative peer-reviewed scholarship on the history of art and related visual culture. The journal critically engages with the material and conceptual conditions of art and provides a forum for the expanding field of American art history. It welcomes scholarship on the role played by art in the ongoing transnational and transcultural formation of America as a contested geography, identity, and idea. Committed to rigorous inquiry, the journal presents a range of approaches to the production and consumption of art.
American Art, volume 37 number 1 (Spring 2023)
by American ArtThis is volume 37 issue 1 of American Art. American Art publishes innovative peer-reviewed scholarship on the history of art and related visual culture. The journal critically engages with the material and conceptual conditions of art and provides a forum for the expanding field of American art history. It welcomes scholarship on the role played by art in the ongoing transnational and transcultural formation of America as a contested geography, identity, and idea. Committed to rigorous inquiry, the journal presents a range of approaches to the production and consumption of art.
American Art, volume 37 number 2 (Summer 2023)
by American ArtThis is volume 37 issue 2 of American Art. American Art publishes innovative peer-reviewed scholarship on the history of art and related visual culture. The journal critically engages with the material and conceptual conditions of art and provides a forum for the expanding field of American art history. It welcomes scholarship on the role played by art in the ongoing transnational and transcultural formation of America as a contested geography, identity, and idea. Committed to rigorous inquiry, the journal presents a range of approaches to the production and consumption of art.
American Art, volume 37 number 3 (Fall 2023)
by American ArtThis is volume 37 issue 3 of American Art. American Art publishes innovative peer-reviewed scholarship on the history of art and related visual culture. The journal critically engages with the material and conceptual conditions of art and provides a forum for the expanding field of American art history. It welcomes scholarship on the role played by art in the ongoing transnational and transcultural formation of America as a contested geography, identity, and idea. Committed to rigorous inquiry, the journal presents a range of approaches to the production and consumption of art.
American Art, volume 38 number 1 (Spring 2024)
by American ArtThis is volume 38 issue 1 of American Art. American Art publishes innovative peer-reviewed scholarship on the history of art and related visual culture. The journal critically engages with the material and conceptual conditions of art and provides a forum for the expanding field of American art history. It welcomes scholarship on the role played by art in the ongoing transnational and transcultural formation of America as a contested geography, identity, and idea. Committed to rigorous inquiry, the journal presents a range of approaches to the production and consumption of art.
American Art, volume 38 number 2 (Summer 2024)
by American ArtThis is volume 38 issue 2 of American Art. American Art publishes innovative peer-reviewed scholarship on the history of art and related visual culture. The journal critically engages with the material and conceptual conditions of art and provides a forum for the expanding field of American art history. It welcomes scholarship on the role played by art in the ongoing transnational and transcultural formation of America as a contested geography, identity, and idea. Committed to rigorous inquiry, the journal presents a range of approaches to the production and consumption of art.
American Art, volume 38 number 3 (Fall 2024)
by American ArtThis is volume 38 issue 3 of American Art. American Art publishes innovative peer-reviewed scholarship on the history of art and related visual culture. The journal critically engages with the material and conceptual conditions of art and provides a forum for the expanding field of American art history. It welcomes scholarship on the role played by art in the ongoing transnational and transcultural formation of America as a contested geography, identity, and idea. Committed to rigorous inquiry, the journal presents a range of approaches to the production and consumption of art.
American Art, volume 39 number 1 (Spring 2025)
by American ArtThis is volume 39 issue 1 of American Art. American Art publishes innovative peer-reviewed scholarship on the history of art and related visual culture. The journal critically engages with the material and conceptual conditions of art and provides a forum for the expanding field of American art history. It welcomes scholarship on the role played by art in the ongoing transnational and transcultural formation of America as a contested geography, identity, and idea. Committed to rigorous inquiry, the journal presents a range of approaches to the production and consumption of art.