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Original Sisters: Portraits of Tenacity and Courage (Pantheon Graphic Library)
by Anita KunzFrom the internationally acclaimed artist, a stunning collection of portraits of ground-breaking women—Joan of Arc, Josephine Baker, Greta Thunberg, Misty Copeland, and many more history-making women whose names have been forgotten and are finally being brought to light. With a Foreword by Roxane Gay &“This book, as a whole, offers the reader possibility and promise … You will be introduced to many of these women for the first time, because history is rarely kind to women until it is forced to be. You will learn about artists and activists, rulers and rebels.&” —Roxane Gay, from the Foreword Original Sisters was born from the COVID-19 quarantine. In early March 2020, locked down in her home-studio in Toronto and longing for inspiration, artist Anita Kunz started researching women on the Internet. She wasn&’t sure what she was looking for, but she soon found an array of astonishing people who had done amazing things—some of whom she had heard of, but most of whom she had not. And then she began to paint their pictures and write down their stories. The result is a jaw-dropping feat of historic and artistic research. The wide variety of lives, occupations, time periods, and achievements is absolutely mind-bending. From Joan of Arc to Josephine Baker, from Hippolyta to Greta Thunberg, from Anne Frank to Misty Copeland: these women made and changed history. But there are just as many whom you&’ve never heard of, who were never recognized in their lifetimes, whose achievements need to be brought to light. They include the anti-Nazi activist Sophie Scholl, who was executed at age twenty-one by the Third Reich, and Alice Ball, a young African American scientist who discovered a treatment for leprosy but died tragically before she could receive credit for it. This is not only a breathtaking art book. Original Sisters also recounts a secret history that must be told so that it is a secret no more.
Original Sisters: Portraits of Tenacity and Courage (Pantheon Graphic Library)
by Anita KunzFrom the internationally acclaimed artist, a stunning collection of portraits of ground-breaking women—Joan of Arc, Josephine Baker, Greta Thunberg, Misty Copeland, and many more history-making women whose names have been forgotten and are finally being brought to light. With a Foreword by Roxane Gay.&“This book, as a whole, offers the reader possibility and promise … You will be introduced to many of these women for the first time, because history is rarely kind to women until it is forced to be. You will learn about artists and activists, rulers and rebels.&” —Roxane Gay, from the Foreword Original Sisters was born from the COVID-19 quarantine. In early March 2020, locked down in her home-studio in Toronto and longing for inspiration, artist Anita Kunz started researching women on the Internet. She wasn&’t sure what she was looking for, but she soon found an array of astonishing people who had done amazing things—some of whom she had heard of, but most of whom she had not. And then she began to paint their pictures and write down their stories. The result is a jaw-dropping feat of historic and artistic research. The wide variety of lives, occupations, time periods, and achievements is absolutely mind-bending. From Joan of Arc to Josephine Baker, from Hippolyta to Greta Thunberg, from Anne Frank to Misty Copeland: these women made and changed history. But there are just as many whom you&’ve never heard of, who were never recognized in their lifetimes, whose achievements need to be brought to light. They include the anti-Nazi activist Sophie Scholl, who was executed at age twenty-one by the Third Reich, and Alice Ball, a young African American scientist who discovered a treatment for leprosy but died tragically before she could receive credit for it.This is not only a breathtaking art book. Original Sisters also recounts a secret history that must be told so that it is a secret no more.
Origins of Arabia
by Andrew ThompsonFirst Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Orlando (Queer Film Classics)
by Russell SheafferA film that transcends time, Sally Potter’s Orlando follows its titular character through nearly four hundred years of British history. Orlando starts life as a young man in the 1600s and then, mid-film, becomes a woman in the 1800s. Plot, production, and performance have all contributed to the film becoming a touchstone for Tilda Swinton’s ethereal and gender-bending mode.A Russian-French-Dutch-American-Italian-British co-production, Orlando was hailed as a monumental work of international art house cinema upon its release in 1992. Some understood Potter’s film, a work of ruthless and ingenious adaptation, as moving away from the lesbian content of Virginia Woolf’s novel. Russell Sheaffer uses a detailed analysis of screenplay drafts and more than three decades of reception to argue that while the film moves away from a direct investment in same-sex relationships, Orlando’s articulations of embodiment, desire, and time have made the film continually more queer in the years since its release.Taking cues from adaptation theory and gender studies, this book meticulously charts the distinct shift from lesbian feminist text to queer film classic, arguing that the film is as much an adaptation of Woolf’s A Room of One’s Own as it is of its eponymous novel.
Orlando in Vintage Postcards (Postcard History)
by Lynn M. Homan Thomas Reilly"Beautiful weather here. When are you coming?" Those words have been written millions of times on postcards mailed from Orlando. Known today as home to America's most famous theme parks, Orlando has always been a destination for visitors from all over the world. During its early period as "The Phenomenal City," through the years as "The City Beautiful," to the era of "The Action Center of Florida," Orlando has a story to tell.
Orleans
by Daniel LombardoOrleans, at the crook of Cape Cod's elbow, is a place of extraordinary beauty and unforgettable people. From the first known Cape Cod shipwreck, the Sparrowhawk in 1626, to the last Cape Cod wreck of a sailing ship, the Montclair in 1927, the town is bursting with tales to be told. There are the quiet stories of windmills, quahog fishermen, and cranberry harvesters set against the hanging of pirates, the threat of sea serpents, and attacks on Orleans by foreign countries. People flock to Rock Harbor on the west to watch the fishing boats go out or to watch the sun go down. Town Cove, with its windmill and inn, is on the north. To the east and south, Orleans opens up to the great Atlantic. The long spit of Nauset Beach is battered by the sea, as it protects Pleasant Bay and Pochet, Sampson, and Hog islands. With vivid photographs, Orleans brings to life the era of sailors such as Captain Linnell, who was as familiar with Calcutta and Hong Kong as he was with Rock Harbor; the time that Henry David Thoreau stayed at Higgins Tavern and met two young Italian organ grinders; and the day of the bombing of Orleans, when the Ainsleigh boy threatened a German submarine with his .22-caliber rifle.
Ornament
by Antoine PiconOnce condemned by Modernism and compared to a 'crime' by Adolf Loos, ornament has made a spectacular return in contemporary architecture. This is typified by the works of well-known architects such as Herzog & de Meuron, Sauerbruch Hutton, Farshid Moussavi Architecture and OMA. There is no doubt that these new ornamental tendencies are inseparable from innovations in computer technology. The proliferation of developments in design software has enabled architects to experiment afresh with texture, colour, pattern and topology.Though inextricably linked with digital tools and culture, Antoine Picon argues that some significant traits in ornament persist from earlier Western architectural traditions. These he defines as the 'subjective' - the human interaction that ornament requires in both its production and its reception - and the political. Contrary to the message conveyed by the founding fathers of modern architecture, traditional ornament was not meant only for pleasure. It conveyed vital information about the designation of buildings as well as about the rank of their owners. As such, it participated in the expression of social values, hierarchies and order. By bringing previous traditions in ornament under scrutiny, Picon makes us question the political issues at stake in today's ornamental revival. What does it tell us about present-day culture? Why are we presently so fearful of meaning in architecture? Could it be that by steering so vehemently away from symbolism, contemporary architecture is evading any explicit contribution to collective values?
Ornament And Crime
by Adolf LoosAdolf Loos, the great Viennese pioneer of modern architecture, was a hater of the fake, the fussy and the lavishly decorated, and a lover of stripped down, clean simplicity. He was also a writer of effervescent, caustic wit, as shown in this selection of essays on all aspects of design and aesthetics, from cities to glassware, furniture to footwear, architectural training to why 'the lack of ornament is a sign of intellectual power'.
Ornament and Class: Modern Architecture and the Rise of the Bourgeoisie (Routledge Research in Architecture)
by Gary Huafan HeThis groundbreaking study examines the intricate relationship between the rise of the nineteenth-century bourgeoisie and the emergence of modern architecture, exploring this connection through major intellectual and theoretical works while also analyzing their tangible manifestations in buildings and architectural projects.Contrary to received narratives that describe the birth of modern architecture as primarily an aesthetic movement, Ornament and Class argues that the social and political maturation of the European bourgeoisie as a distinct-yet-heterogeneous group influenced modern attitudes toward architecture at every level. Bringing architecture into conversation with recent histories of the bourgeoisie in the social sciences, the book considers how architecture was used as a tool to separate the modern bourgeoisie from the aristocratic and clerical forces above and the working classes below. It explores how architects, clients, planners, and administrators grappled with and dealt with ornament, architecture, and modernity from within the new realities of urban and global capitalism, and shows how these realities serve as pedagogical touchstones that remain with us today.Historians, architecture scholars, and students interested in modern architecture, aesthetics, and European history, especially those focusing on the interplay between modern architecture and social development, will find this book an invaluable resource.
Ornament and Crime
by Adolf LoosRevolutionary essays on design, aesthetics and materialism - from one of the great masters of modern architectureAdolf Loos, the great Viennese pioneer of modern architecture, was a hater of the fake, the fussy and the lavishly decorated, and a lover of stripped down, clean simplicity. He was also a writer of effervescent, caustic wit, as shown in this selection of essays on all aspects of design and aesthetics, from cities to glassware, furniture to footwear, architectural training to why 'the lack of ornament is a sign of intellectual power'.Translated by Shaun WhitesideWith an epilogue by Joseph Masheck
Ornament and European Modernism: From Art Practice to Art History (Routledge Research in Art History)
by Loretta VandiThese in-depth, historical, and critical essays study the meaning of ornament, the role it played in the formation of modernism, and its theoretical importance between the mid-nineteenth century and the late twentieth century in England and Germany. Ranging from Owen Jones to Ernst Gombrich through Gottfried Semper, Alois Riegl, August Schmarsow, Wilhelm Worringer, Adolf Loos, Henry van de Velde, and Hermann Muthesius, the contributors show how artistic theories are deeply related to the art practice of their own times, and how ornament is imbued with historical and social meaning.
Ornament and Order: Graffiti, Street Art and the Parergon
by Rafael SchacterOver the last forty years, graffiti and street-art have become a global phenomenon within the visual arts. Whilst they have increasingly been taken seriously by the art establishment (or perhaps the art market), their academic and popular examination still remains within old debates which argue over whether these acts are vandalism or art, and which examine the role of graffiti in gang culture and in terms of visual pollution. Based on an in-depth ethnographic study working with some of the world’s most influential Independent Public Artists, this book takes a completely new approach. Placing these illicit aesthetic practices within a broader historical, political, and aesthetic context, it argues that they are in fact both intrinsically ornamental (working within a classic architectonic framework), as well as innately ordered (within a highly ritualized, performative structure). Rather than disharmonic, destructive forms, rather than ones solely working within the dynamics of the market, these insurgent images are seen to reface rather than deface the city, operating within a modality of contemporary civic ritual. The book is divided into two main sections, Ornament and Order. Ornament focuses upon the physical artifacts themselves, the various meanings these public artists ascribe to their images as well as the tensions and communicative schemata emerging out of their material form. Using two very different understandings of political action, it places these illicit icons within the wider theoretical debate over the public sphere that they materially re-present. Order is focused more closely on the ephemeral trace of these spatial acts, the explicitly performative, practice-based elements of their aesthetic production. Exploring thematics such as carnival and play, risk and creativity, it tracks how the very residue of this cultural production structures and shapes the socio-ethico guidelines of these artists’ lifeworlds.
Ornament of the Italian Renaissance
by Arthur L. BlakesleeThis glorious gallery of stunning architectural accents from Italy's Middle Ages has been assembled from a rare, early-twentieth-century publication: * Grotesques from carved panels of choir stalls* Breathtaking tombstone and ceiling ornaments * Sumptuous stone balcony panels... and much more, all reproduced in sixty richly detailed illustrations. Designers and artists of every variety will revel in this modestly priced treasury of authentic Renaissance style.
Ornamental Borders, Scrolls and Cartouches in Historic Decorative Styles (Dover Pictorial Archive)
by Syracuse Ornamental Co.Hundreds of beautiful copyright-free line illustrations of intricately carved furniture trimmings. Delicate floral wreaths, scrolls, more.
Ornamental Designs from Architectural Sheet Metal: The Complete Broschart & Braun Catalog, ca. 1900 (Dover Pictorial Archive)
by Wm. A. Braun Jacob BroschartA must for architectural historians, restoration specialists and vintage home enthusiasts: 1,095 late Victorian-era designs, superbly drawn or photographed, including egg and dart enrichments; bead, flute and ogee enrichments; drapery and drop ornaments; urns, vases and wreaths; eagles, lion heads and gargoyles; rosettes, ribbons, garlands and festoons; sunbursts, weather vanes and more.
Ornamental Ironwork: Over 670 Illustrations (Dover Pictorial Archive)
by A. DurenneFinely detailed illustrations, selected from rare turn-of-the-century sources, provide striking examples of decorative ironwork designed to embellish balconies, gates, window grilles, staircases, doorways, and other architectural features. A rich source of inspiration and elegant, royalty-free material for graphic artists, designers, and craftworkers.
Ornamental Lakes: Their Origins and Evolution in English Landscapes
by Wendy BishopOrnamental Lakes traces the history of lakes in England, from their appearance in the early eighteenth century, through their development in the 1750s, and finally to their decline in the nineteenth century. Aside from the natural lakes in the Lake District, the bodies of water we see in England today are man-made, primarily intended to ornament the landscapes of the upper classes. Through detailed research, author Wendy Bishop argues that, contrary to accepted thinking, the development of lakes led to the dissolution of formal landscapes rather than following changes in landscape design. Providing a comprehensive overview of lakes in England, including data on who made these lakes, how, and when, it additionally covers fishponds, water gardens, cascades and reservoirs. Richly illustrated and accompanied by case studies across the region, this book offers new insights in landscape history for students, researchers and those interested in how landscapes evolve.
Oro de rey: Luis Miguel. La biografía
by Francisco Javier León HerreraEsta nueva biografía, impactante y reveladora como las anteriores, profundiza en los aspectos más importantes de su vida. Desnuda al ser humano que hay detrás de la leyenda, comparte las claves de su extenso legado musical lleno de anécdotas y complicadas decisiones, así como el bagaje existencial de amor, dolor, amistades, traiciones, heridas familiares, sueños rotos, amargura y esperanza. Tras sus dos bestsellers sobre el Sol: Luis Mi Rey, biografía autorizada por el artista que sirvió de base para la serie televisiva sobre su vida, y el más reciente, Luis Miguel: la historia, Javier León Herrera y Juan Manuel Navarro completan la trilogía sobre la existencia del cantante más amado en México, Argentina, Colombia, Estados Unidos, Chile, Puerto Rico, Perú, Bolivia, Brasil, España, Italia y Centroamérica. Oro de Rey ayuda a comprender más al artista adentrándose en el adulto lejos de la sombra -no del fantasma- de Luisito Rey. Gracias a sus confesiones y al testimonio de las personas que más lo conocen, los autores desvelan, con rigor y respeto, a un Luis Miguel más íntimo. En estas páginas se descubrirán los miedos, las luces y las sombras de un luchador que no deja de preguntarse por qué ha tenido que nadar tanto tiempo refugiado en un caparazón, a contracorriente de su propio espíritu y deseo, urgido de una catarsis definitiva que cierre círculos y sane su alma de tantas heridas. Los autores se adentran en aspectos determinantes de su vida: sus huellas de abandono, la ausencia materna, su hogar roto, los hermanos separados, sus éxitos y su estancamiento en la más reciente y profunda crisis en la que tocó fondo: el "Trienio Horribilis" de 2015 a 2017, y su resurgir en 2018, con los detalles de su renacer con el que celebró 50 años: sus bodas de oro con la vida. ¡Larga vida al Rey!
Oro su Argento
by Elena Chernikova Paola SambrunaUn racconto di vita reale, sul ritorno alla vita. L'anima che esce dal corpo, difficilmente riesce a ritornarvi.
Orozco's American Epic: Myth, History, and the Melancholy of Race
by Mary K. CoffeyBetween 1932 and 1934, José Clemente Orozco painted the twenty-four-panel mural cycle entitled The Epic of American Civilization in Dartmouth College's Baker-Berry Library. An artifact of Orozco's migration from Mexico to the United States, the Epic represents a turning point in his career, standing as the only fresco in which he explores both US-American and Mexican narratives of national history, progress, and identity. While his title invokes the heroic epic form, the mural indicts history as complicit in colonial violence. It questions the claims of Manifest Destiny in the United States and the Mexican desire to mend the wounds of conquest in pursuit of a postcolonial national project. In Orozco's American Epic Mary K. Coffey places Orozco in the context of his contemporaries, such as Diego Rivera and David Alfaro Siqueiros, and demonstrates the Epic's power as a melancholic critique of official indigenism, industrial progress, and Marxist messianism. In the process, Coffey finds within Orozco's work a call for justice that resonates with contemporary debates about race, immigration, borders, and nationality.
Orphan Black Classified Clone Reports: The Secret Files of Dr. Delphine Cormier
by Delphine CormierThe ultimate guide to all of the characters, conspiracies, and shadowy organizations in the smart, innovative BBC America television thriller Orphan Black.Designed to resemble the classified files and notes of Dr. Delphine Cormier, this in-world compendium chronicles the inner workings of the mysterious people and organizations at the heart of the acclaimed hit television series Orphan Black. A detailed and creative look at the thrilling international hit series, Orphan Black Classified Clone Report includes detailed dossiers of Sarah Manning, Felix Dawkins, and all of the show’s beloved characters; examines every twist and turn from season one to the present; provides exclusive information on the Dyad Institute, the Neolution clone program, and the notorious Proletheans; and features observations of the different clones from their monitors, classified intelligence, breakthroughs in Cosima’s research, and private journal entries chronicling Delphine’s experience with the clone club and her own complicated love for Cosima.Packed with exclusive concept art, photos, and ephemera, Orphan Black Classified Clone Report is an immersive reading experience and essential companion for fans of Orphan Black.
Orphan Black and Philosophy
by Richard Greene Rachel Robison-GreeneIn Orphan Black, several apparently unconnected women discover that they are exact physical doubles, that there are more of them out there, that they are all illegally produced clones, and that someone is having them killed. They find themselves in the midst of a secret and violent struggle between a fundamentalist religious group, a fanatical cult of superhuman biological enhancement, a clandestine department of the military, and a giant biotech corporation. Law enforcement is powerless and easily manipulated by these sinister forces. The clones are forced to form their own Clone Club, led by the resourceful Sarah Manning, to defend themselves against their numerous enemies and to find out exactly where they came from and why. <p><p> Orphan Black continually raises philosophical issues, as well as ethical and policy questions deserving philosophical analysis. What makes a person a unique individual? Why is it so important for us to know where we came from? Should we have a say in whether a clone is made of us? Is it immoral to generate clones with built-in health problems or personality defects - and if so, does that mean that producers of clones must practice eugenic selection? What light does the behavior of members of the Clone Club shed on the nature-nurture debate? Is it relevant that most are heterosexual, one is a lesbian, and one is a transgender male? <p> This TV show shows us problems of biotechnology which will soon be vital everyday issues. But what kind of a future faces us when human clones are commonplace? Will groups of human clones have a tight bond of solidarity making them a threat to democracy? If the world is going to be taken over by an evil conspiracy, would it better be a scientific cult like Neolution or a religious cult like the Prolethians? Should biotech corporations be able to own the copyright on human DNA sequences? What rules of morality apply when you can't trust the police and powerful groups are ready to murder you?
Orphan Block Quilts: Making a Home for Antique, Vintage, Collectible and Leftover Quilt Blocks
by Tricia Lynn MaloneyMake a home for your orphaned blocks!Orphaned blocks can find their way into any quilter's life. Whether they are leftover from an unfinished project, collectible blocks found at a garage sale, or even antique blocks discovered in your great-aunt's attic, Tricia Lynn Maloney will teach you how to care for your orphan blocks, and make a home for them.Orphan Block Quilts includes: *14 projects, with 11 variations. From full-size bed quilts to table runners, these projects incorporate blocks from the 1880s to the 1950s.*Instructions on caring for your orphan blocks. Find out about the common problems you might encounter with your orphans, and how to work with them.*Advice on designing a setting. Not only does Tricia provide guidance on creating companions blocks and finding companion fabric, she also offers insight on how she overcame the design challenges of each project. *The story behind each quilt. In addition to historical information about various fabrics and blocks, Tricia shares the stories of two of the blockmakers, providing a precious glimpse of the lives sewn into the seams of the blocks. If you don't have any orphan blocks, Tricia gives you advice on locating potential sources, whether from your own family or online. And it's easy to substitute brand-new blocks, and make a new quilt from the ground up. Check out the 11 variations in the book, where Tricia did just that! Whether your orphan blocks are antique, vintage, collectible or simply leftover from a recent project, you can sew the perfect setting that will let the blocks shine!
Orphan, Agent, Prima, Pawn
by Elizabeth KiemThe Bolshoi Saga: SvetlanaThe year is 1958, and sixteen-year-old Svetlana is stuck in a Moscow orphanage designated for the unwanted children of Stalin’s enemies. Ballet is her obsession and salvation, her only hope at shedding a tainted family past. When she is invited to join the Bolshoi Ballet—the crown jewel of Russian culture and the pride of the Soviet Union—her dreams appear to have been realized. But she quickly learns that nobody’s past or secrets are safe.The dreaded KGB knows about the mysterious trances Sveta has suffered, inexplicable episodes that seem to offer glimpses of the past. Some very powerful people believe Sveta is capable of serving the regime as more than a ballerina, and they wish to recruit her to spy on the West as part of the nascent Soviet psychic warfare program. If she is to erase the sins of her family, if she is to dance on the world stage for the Motherland—if she is to survive—she has no choice but to explore her other gift.
Orphaned Landscapes: Violence, Visuality, and Appearance in Indonesia
by Patricia SpyerLess than a year after the end of authoritarian rule in 1998, huge images of Jesus Christ and other Christian scenes proliferated on walls and billboards around a provincial town in eastern Indonesia where conflict had arisen between Muslims and Christians. A manifestation of the extreme perception that emerged amid uncertainty and the challenge to seeing brought on by urban warfare, the street paintings erected by Protestant motorbike-taxi drivers signaled a radical departure from the aniconic tradition of the old colonial church, a desire to be seen and recognized by political authorities from Jakarta to the UN and European Union, an aim to reinstate the Christian look of a city in the face of the country’s widespread islamicization, and an opening to a more intimate relationship to the divine through the bringing-into-vision of the Christian god.Stridently assertive, these affectively charged mediations of religion, masculinity, Christian privilege and subjectivity are among the myriad ephemera of war, from rumors, graffiti, incendiary pamphlets, and Video CDs, to Peace Provocateur text-messages and children’s reconciliation drawings. Orphaned Landscapes theorizes the production of monumental street art and other visual media as part of a wider work on appearance in which ordinary people, wittingly or unwittingly, refigure the aesthetic forms and sensory environment of their urban surroundings. The book offers a rich, nuanced account of a place in crisis, while also showing how the work on appearance, far from epiphenomenal, is inherent to sociopolitical change. Whether considering the emergence and disappearance of street art or the atmospherics and fog of war, Spyer demonstrates the importance of an attunement to elusive, ephemeral phenomena for their palpable and varying effects in the world.Orphaned Landscapes: Violence, Visuality, and Appearance in Indonesia is available from the publisher on an open-access basis.