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Orson Welles in Focus: Texts and Contexts
by James Naremore Sidney Gottlieb James N. GilmoreThrough his radio and film works, such as The War of the Worlds and Citizen Kane, Orson Welles became a household name in the United States. Yet Welles’s multifaceted career went beyond these classic titles and included lesser-known but nonetheless important contributions to television, theater, newspaper columns, and political activism. Orson Welles in Focus: Texts and Contexts examines neglected areas of Welles’s work, shedding light on aspects of his art that have been eclipsed by a narrow focus on his films. By positioning Welles’s work during a critical period of his activity (the mid-1930s through the 1950s) in its larger cultural, political, aesthetic, and industrial contexts, the contributors to this volume examine how he participated in and helped to shape modern media. This exploration of Welles in his totality illuminates and expands our perception of his contributions that continue to resonate today.
Orson Welles in Focus: Texts and Contexts
by James N. Gilmore and Sidney Gottlieb“A wonderful and distinct addition to the Welles canon . . . these pieces explore key elements of Welles’s career, personality, and political beliefs.” —Library JournalThrough his radio and film works, such as The War of the Worlds and Citizen Kane, Orson Welles became a household name in the United States. Yet Welles’s multifaceted career went beyond these classic titles and included lesser-known but nonetheless important contributions to television, theater, newspaper columns, and political activism. Orson Welles in Focus: Texts and Contexts examines neglected areas of Welles’s work, shedding light on aspects of his art that have been eclipsed by a narrow focus on his films. By positioning Welles’s work during a critical period of his activity (the mid-1930s through the 1950s) in its larger cultural, political, aesthetic, and industrial contexts, the contributors to this volume examine how he participated in and helped to shape modern media. This exploration of Welles in his totalityilluminates and expands our perception of his contributions that continue to resonate today.“Anyone who thinks they know Welles will have their eyes opened [by this book].” —Paul Heyer, author of The Medium and the Magician“This is a fascinating collection, several of the contributions making the reader wish for more.” —Film International“A team of scholars has examined the many facets of Orson Welles’ amazing life—theatrical innovator, radio star, celebrated filmmaker, newspaper columnist and progressive activist.” —Wellesnet
Orson Welles's Last Movie: The Making of The Other Side of the Wind
by Josh KarpJournalist Josh Karp shines a spotlight on the making of The Other Side of the Wind—the final unfinished film from the auteur of Citizen Kane in Orson Welles’s Last Movie, the basis of Oscar-winning director Morgan Neville’s Netflix Original Documentary, They’ll Love Me When I’m Dead.In the summer of 1970, legendary but self-destructive director Orson Welles returned to Hollywood from years of self-imposed exile in Europe and decided it was time to make a comeback movie. Coincidentally, it was the story of a legendary self-destructive director who returns to Hollywood from years of self-imposed exile in Europe. Welles swore it wasn’t autobiographical.The Other Side of the Wind was supposed to take place during a single day, and Welles planned to shoot it in eight weeks. It took six years during his lifetime—only to be finally completed more than thirty years after his death by The Last Picture Show director Peter Bogdanovich, who narrates the film, and released by Netflix. Orson Welles’s Last Movie is a fast-paced, behind-the-scenes account of the bizarre, hilarious, and remarkable making of what has been called “the greatest home movie that no one has ever seen.” Funded by the shah of Iran’s brother-in-law, and based on a script that Welles rewrote every night for years, the film was a final attempt to one-up his own best work. It’s a production best encompassed by its star—the celebrated director of The Maltese Falcon, John Huston—who described the making of the film as “an adventure shared by desperate men that finally came to nothing.”
Orson Welles, Volume 3: One-Man Band
by Simon CallowThe third volume of Simon Callow's acclaimed Orson Welles biography, covering the period of his exile from America (1947-1964), when he produced some of his greatest works, including Touch of EvilIn One-Man Band, the third volume in his epic and all-inclusive four-volume survey of Orson Welles's life and work, the celebrated British actor Simon Callow again probes in comprehensive and penetrating detail into one of the most complex, contradictory artists of the twentieth century, whose glorious triumphs (and occasional spectacular failures) in film, radio, theater, and television introduced a radical and original approach that opened up new directions in the arts. This volume begins with Welles's self-exile from America, and his realization that he could function only to his own satisfaction as an independent film maker, a one-man band, in fact, which committed him to a perpetual cycle of money raising. By 1964, he had filmed Othello, which took three years to complete; Mr. Arkadin, the most puzzling film in his output; and a masterpiece in another genre, Touch of Evil, which marked his one return to Hollywood, and like all too many of his films was wrested from his grasp and reedited. Along the way he made inroads into the fledgling medium of television and a number of stage plays, of which his 1955 London Moby-Dick is considered by theater historians to be one of the seminal productions of the century. His private life was as spectacularly complex and dramatic as his professional life. The book reveals what it was like to be around Welles, and, with an intricacy and precision rarely attempted before, what it was like to be him, answering the riddle that has long fascinated film scholars and lovers alike: Whatever happened to Orson Welles?
Orthodox by Design: Judaism, Print Politics, and the ArtScroll Revolution
by Jeremy StolowOrthodox by Design, a groundbreaking exploration of religion and media, examines ArtScroll, the world's largest Orthodox Jewish publishing house, purveyor of handsomely designed editions of sacred texts and a major cultural force in contemporary Jewish public life. In the first in-depth study of the ArtScroll revolution, Jeremy Stolow traces the ubiquity of ArtScroll books in local retail markets, synagogues, libraries, and the lives of ordinary users. Synthesizing field research conducted in three local Jewish scenes where ArtScroll books have had an impact--Toronto, London, and New York--along with close readings of key ArtScroll texts, promotional materials, and the Jewish blogosphere, he shows how the use of these books reflects a broader cultural shift in the authority and public influence of Orthodox Judaism. Playing with the concept of design, Stolow's study also outlines a fresh theoretical approach to print culture and illuminates how evolving technologies, material forms, and styles of mediated communication contribute to new patterns of religious identification, practice, and power.Finalist for the National Jewish Book Award in the scholarship category, Jewish Book Council
Orzel: Scottsdale's Legendary Arabian Stallion (Sports)
by Stephanie J. Corum Tobi Lopez TaylorIn 1967, Scottsdale's longtime Arabian horse breeder Ed Tweed embarked on a mission to race the horses he bred. He imported a chestnut stallion from Poland named Orzel, or "Eagle" in English, that flew past competitors to become the first U.S. National Racing Champion. Among other wins in halter and performance, Orzel was the victor in the debut of the U.S. National Championship Ladies' Sidesaddle category, partnered with Tweed's granddaughter Shelley Groom Trevor. Thousands of fans visited the legendary performer in retirement at Brusally Ranch. Decades after Orzel's death, horses he sired continue his winning legacy. Author Tobi Lopez Taylor chronicles this triumphant story.
Os Dez Melhores Filmes De James Bond... De Todos Os Tempos! #10: 007 Contra a Chantagem Atômica
by Mark WilliamsOs Dez Melhores Filmes De James Bond... De Todos Os Tempos? Não poderia ser mais subjetivo que isto. Ou mais divertido! Venha se juntar ao autor de best-sellers internacionais Mark Williams em uma odisseia de James Bond enquanto ele explora o fenômeno James Bond, neste quinquagésimo aniversário do lançamento do filme de James Bond que entra em décimo lugar na lista: 007 Contra a Chantagem Atômica.
Osborn, The (Images of America)
by Andrew F. Horn Mark R. Zwerger Janet M. MalangOn opening day of The Osborn, Tuesday, April 21, 1908, 12 elderly gentlewomen stepped down from horse-drawn carriages and into a new life, a life that happened because of the vision of one remarkablewoman: Miriam Osborn. Seven years later, the first recorded history of the institution noted, ,"Every effort has been made to make this institution the finest in the world, and not only a fine institutionbut a real home.," Polished by the sands of time, the modern Osborn has sustained that world-class status as one of the nation,'s premier retirement communities. This volume celebrates those who preserved not so much a way of life but a philosophy of caring and a commitment to provide a real home that has endured for 100 years.
Oscar Buzz and the Influence of Word of Mouth on Movie Success
by Owen EaganThis book explores why word of mouth is the most important determinant of a movie’s success. Beginning with a discussion of the enduring appeal of movies, and why the box office has survived the disruption of television and will likely survive the disruption of streaming services, Owen Eagan goes on to discuss the unpredictable nature of movies and ways to mitigate their risk. His astute analysis sheds light on the role of film festivals, film critics, Oscar campaigns, and word of mouth in influencing a film's success. Eagan concludes with a summary of why word of mouth is the most influential among all the variables that affect a film’s outcome. Expertly synthesizing quantitative analyses of box office data with illuminating insights from industry experts, this concise and engaging book presents findings with important implications for scholars, industry insiders and marketing professionals alike.
Oscar Faber's Reinforced Concrete
by John G Faber F.H. MeadThis E. & F. N. Spon title is now distributed by Routledge in the US and Canada. It contains detailed coverage of the basic theory of reinforced and prestressed concrete, and demonstrates a wide range of practical applications. Examples and diagrams are used extensively throughout for ease of understanding.
Oscar Hammerstein II and the Invention of the Musical
by Laurie WinerA new look at artist Oscar Hammerstein II as a pivotal and underestimated force in the creation of modern American culture You know his work—Show Boat, Oklahoma!, Carousel, The King and I. But you don’t really know Oscar Hammerstein II, the man who, more than anyone else, invented the American musical. Among the most commercially successful artists of his time, he was a fighter for social justice who constantly prodded his audiences to be better than they were. Diving deep into Hammerstein’s life, examining his papers and his lyrics, critic Laurie Winer shows how he orchestrated a collective reimagining of America, urging it forward with a subtly progressive vision of the relationship between country and city, rich and poor, America and the rest of the world. His rejection of bitterness, his openness to strangers, and his optimistic humor shaped not only the musical but the American dream itself. His vision can continue to be a touchstone to this day.
Oscar López Rivera: Between Torture and Resistance
by Desmond Tutu Matt Meyer Osacar Lopez Rivera Luis Nieves Falcón Nozomi Ikuta<p>The life story of Puerto Rican freedom fighter and leader Oscar López Rivera, outlined in this book, is one of courage, valor, and sacrifice. In 1981, Oscar was convicted of seditious conspiracy and other crimes for which he is still imprisoned, making him the longest-held political prisoner in the world. This is the story of his fight for the political independence of Puerto Rico based on letters between him and the renowned lawyer, sociologist, educator, and activist Luis Nieves Falcón. <p>Also included is Oscar’s art, including photography and paintings created in his many years behind bars. Readers will explore his early life as a Latino child growing up in the small towns of Puerto Rico, following him as an adolescent as he and his family move to the big cities of the United States. After serving in Vietnam and earning a Bronze Star, Oscar returned home and worked to improve the quality of life for his people by becoming a community activist, which led to his underground life as a Puerto Rican Nationalist and his subsequent arrest. <p>With a vivid assessment of the ongoing colonial relationship between the United States and Puerto Rico, the book helps to illustrate the sad tale of largely unreported human rights abuses for political prisoners in the United States, but it is also a story of hope and his ongoing struggle for freedom for his people and himself—a hope that there is beauty and strength in resistance.</p>
Oscar Micheaux and His Circle
by Pearl Bowser Jane Gaines Charles MusserOscar Micheaux--the most prolific African American filmmaker to date and a filmmaking giant of the silent period--has finally found his rightful place in film history. Both artist and showman, Micheaux stirred controversy in his time as he confronted issues such as lynching, miscegenation, peonage and white supremacy, passing, and corruption among black clergymen. In this important collection, prominent scholars examine Micheaux's surviving silent films, his fellow producers of race films who alternately challenged or emulated his methods, and the cultural activities that surrounded and sustained these achievements. The relationship between black film and both the stage (particularly the Lafayette Players) and the black press, issues of underdevelopment, and a genealogy of Micheaux scholarship, as well as extensive and more accurate filmographies, give a richly textured portrait of this era. The essays will fascinate the general public as well as scholars in the fields of film studies, cultural studies, and African American history. This thoroughly readable collection is a superb reference work lavishly illustrated with rare photographs.
Oscar Micheaux: The Great and Only
by Patrick McgilliganOscar Micheaux was the Jackie Robinson of film, the black D. W. Griffith: a bigger-than-life American folk hero whose important life story is nearly forgotten today. Now, in a feat of historical investigation and vivid storytelling, one of our greatest film biographers takes on one of the most talented and complex figures in the history of American entertainment. The son of freed slaves, Micheaux grew up in Metropolis, Illinois, then roamed America as a Pullman porter before making his first mark as a homesteader in South Dakota. Disaster and defeat there led him to forge a career publishing a successful series of autobiographical novels. Ever the entrepreneur, when Hollywood failed to bid high enough for film rights to his stories, he answered by forming his own film production company. Going on to produce or direct twenty-two silent and fifteen sound films in his lifetime, Micheaux became the king of the "race cinema" industry at a time when black-produced films had to scrounge for venues in a segregated society. In this groundbreaking new biography, award-winning film historian Patrick McGilligan offers a vivid and fascinating portrait of this little-known pioneer. Part visionary, part raffish Barnum-like showman, Micheaux was both a maverick filmmaker and an inveterate hustler who used every weapon at his disposal to break the color barrier and thrive in a profession he helped to invent. He made a fortune and lost it again, and launched repeated con games that were followed by public arrests and bankruptcies. He eagerly took credit for the work of others-including his unsung-heroine wife. In his desperate later years, he even sunk to plagiarizing his final novel-a discovery McGilligan reveals here for the first time. In this searching exploration, McGilligan tracks down long-lost financial records, unpublished letters, and unmarked pauper's graves, pinpointing Micheaux's birthplace, his tangled personal life, and the circumstances of his tragic death. The result is an epic that bridges a fascinating period in American history, and offers lessons for anyone who would understand the role of black America in forming the culture of our time.
Oscar Wars: A History of Hollywood in Gold, Sweat, and Tears
by Michael SchulmanThe author of the New York Times bestseller Her Again: Becoming Meryl Streep returns with a lively history of the Academy Awards, focusing on the brutal battles, the starry rivalries, and the colorful behind-the-scenes drama.America does not have royalty. It has the Academy Awards. For nine decades, perfectly coiffed starlets, debonair leading men, and producers with gold in their eyes have chased the elusive Oscar. What began as an industry banquet in 1929 has now exploded into a hallowed ceremony, complete with red carpets, envelopes, and little gold men. But don’t be fooled by the pomp: the Oscars, more than anything, are a battlefield, where the history of Hollywood—and of America itself—unfolds in dramas large and small. The road to the Oscars may be golden, but it’s paved in blood, sweat, and broken hearts.In Oscar Wars, Michael Schulman chronicles the remarkable, sprawling history of the Academy Awards and the personal dramas—some iconic, others never-before-revealed—that have played out on the stage and off camera. Unlike other books on the subject, each chapter takes a deep dive into a particular year, conflict, or even category that tells a larger story of cultural change, from Louis B. Mayer to Moonlight. Schulman examines how the red carpet runs through contested turf, and the victors aren't always as clear as the names drawn from envelopes. Caught in the crossfire are people: their thwarted ambitions, their artistic epiphanies, their messy collaborations, their dreams fulfilled or dashed.Featuring a star-studded cast of some of the most powerful Hollywood players of today and yesterday, as well as outsiders who stormed the palace gates, this captivating history is a collection of revelatory tales, each representing a turning point for the Academy, for the movies, or for the culture at large.
Oscar Wilde and Contemporary Irish Drama: Learning to be Oscar's Contemporary
by Graham PriceThis book is about the Wildean aesthetic in contemporary Irish drama. Through elucidating a discernible Wildean strand in the plays of Brian Friel, Tom Murphy, Thomas Kilroy, Marina Carr and Frank McGuinness, it demonstrates that Oscar Wilde's importance to Ireland's theatrical canon is equal to that of W. B. Yeats, J. M. Synge and Samuel Beckett. The study examines key areas of the Wildean aesthetic: his aestheticizing of experience via language and self-conscious performance; the notion of the dandy in Wildean texts and how such a figure is engaged with in today's dramas; and how his contribution to the concept of a ‘verbal theatre’ has influenced his dramatic successors. It is of particular pertinence to academics and postgraduate students in the fields of Irish drama and Irish literature, and for those interested in the work of Oscar Wilde, Brian Friel, Tom Murphy, Thomas Kilroy, Marina Carr and Frank McGuinness.
Oscar Wilde's Aesthetic Education: The Oxford Classical Curriculum (Palgrave Studies in Nineteenth-Century Writing and Culture)
by Leanne GrechThis book focuses on the role that the Oxford classical curriculum has had in shaping Oscar Wilde’s aestheticism. It positions Wilde as a classically trained intellectual and outlines the path he took to gain recognition as a writer and promoter of the aesthetic movement. This narrative is conveyed through a broad range of literary sources, including Wilde’s travel poetry, American lectures, and canonical works like ‘The Critic as Artist’, The Soul of Man, The Picture of Dorian Gray and De Profundis. This study proposes that Wilde approached aestheticism as a personalised, self-directed learning experience – a mode of self-culture – which could be used to maintain an intellectual life outside of the university. It also explores Wilde’s thoughts on education and considers the significance of male friendship at Oxford, and in Wilde’s life and literature.
Oscar Wilde's Last Stand: Decadence, Conspiracy, and the Most Outrageous Trial of the Century
by Philip HoareA New York Times Notable Book of the Year that Sir Ian McKellen called "a shocking tale of heroes and villains-illuminating and upsetting in equal measure.”The first production of Oscar Wilde’s Salomé in 1918, with American exotic dancer Maud Allan dancing lead, ignited a firestorm in London spearheaded by Noel Pemberton Billing, a member of Parliament and self-appointed guardian of family values. Billing attacked Allan in the right-wing newspaper Vigilante as a member of the "Cult of the Clitoris,” a feminine version of the "Cult of the Wilde,” a catchall for the degeneracy and perversion he was convinced had infected the land. He claimed that a black book was in the hands of their enemies the Germans, a book that contained the names of thousands of the British establishment who without doubt were members of the cult. Threat of exposure was costing England the war.Allan sued Billing for libel, and the ensuing trial, brought to life in this authoritative, spellbinding book, held the world in thrall. Was there or was there not a black book? What names did it contain? The trial was both hugely entertaining and deadly serious and raised specters of hysteria, homophobia, and paranoia that, like Oscar Wilde himself, continue to haunt us. As in Wilde’s own trial in 1895, libel was hardly the issue; the fight was for control over the country’s moral compass. In Oscar Wilde’s Last Stand, biographer and historian Philip Hoare gives us the full drama of the Billing trial, gavel to gavel, and brings to life this unique, bizarre, and fascinating event.Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
Oscar of the Waldorf
by Karl SchriftgiesserThe present volume is the biography of Oscar Tschirky (1866-1943), known throughout the world as Oscar of the Waldorf, who worked as maître d’hôtel of the Waldorf Astoria Hotel in New York City from 1893 to 1943. The book contains many recollections devoted to the Waldorf Astoria Hotel and its founder, George C. Boldt, and his wife, Louise Kehrer Boldt.Richly illustrated throughout with black and white photographs.
Osgoode Hall: An Illustrated History
by John HonsbergerWinner of the 2006 Fred Landon Award Osgoode Hall is a national monument and one of the architectural treasures of Canada. Of the many public buildings erected in pre-confederation Canada and British North America, it best encapsulates the diverse stylistic forces that shaped public buildings in the first half of the nineteenth century. The gated lawns, grandly Venetian rotunda, the noble dimensions of its library, handsome and ornate courtroom, portrait-lined walls and stained glass evoke a venerable dignity to which few Canadian institutions even aspire. It has been the seat of the Law Society of Upper Canada since 1832 and of several of the Superior Courts of the province for almost as long. Intended to be the focal point of the legal profession in Upper Canada it has become a symbol of the legal tradition not only in Ontario but throughout Canada and beyond.
Ossining Remembered (Images of America)
by The Ossining Historical SocietyOssining commands a position high on the banks of the Hudson River, at the edge of Westchester County, New York. Perhaps best known as the location of Sing Sing Prison, Ossining is rich in history and in personal memories. The history and memories come through clearly in this book of exceptional photographs. Ossining Remembered focuses on the heart of the town, from Main Street out to the river. Included are images of places that made downtown Ossining the dynamic community it once was--the theater, the cigar store, and the bakery. Also featured are vintage photographs of the riverfront mansions and estates, the numerous educational institutions and churches, and, of course, the famous prison.
Ostalgie in German Cinema After Reunification
by Tatiana AstafevaThis book provides a thorough overview of the ostalgie films about the German Democratic Republic (GDR) produced since the 1990s. Far from being a homogenous phenomenon that romanticizes the totalitarian state, the ostalgie genre is multifaceted, reflexive, and at times subversive. Thus, Astafeva argues, the core of "ostalgie" is an experience of distance that is ‘prefocused’ by various aesthetic strategies. This genre-based definition makes it possible to conceptualize the phenomenon of ostalgie film in its heterogeneity and to reveal the mechanisms that lay in the essence of ostalgic experience. The cognitivist-phenomenological approach is underpinned by historiographic and genre theory and close analysis of film examples—from the most popular ostalgie films such as Goodbye, Lenin! (Wolfgang Becker, 2003) to lesser-known film productions and recent series such as Kleo (2022–2024)—that allow exploration of various functions of the ostalgic experience. Ostalgie films can foster uncritical reactionary and conservative views of history and expose the experience of distance by orienting aesthetics toward kitsch and retro. They can also encourage reflexive and meta-reflexive understandings of history so that the GDR past is critically discussed and reworked. Furthermore, ostalgie films can in some cases activate historical consciousness, facilitate the production of historical knowledge, and generate ethical thinking and empathy.
Osterville
by Jennifer Morgan WilliamsIn the late 1800s, Osterville emerged as a destination. People would arrive by stagecoach and train to stay at the many inns and lodges around this coastal village. West Bay Inn and East Bay Lodge became social gathering spots where people would stay for weeks or months. Churches, family markets, and the library lined Main Street. In 1914, the Crosby family designed a special racing class of boats--the Wianno Seniors. The Wianno Senior Knockabouts were commissioned by the wealthy families that founded the exclusive clubs Seapuit, Osterville-Wianno, and Oyster Harbors; Osterville-Wianno and Oyster Harbors are still known for their golf courses and are enjoyed by residents and visitors today.
Osterville (Images of America)
by Shirley EastmanThe tiny seaside village of Osterville was settled in the 1700s by hardy Colonists determined to make a living harvesting oysters. The village is home to the Crosby Yacht Yard, which has been turning out superior craft since the 1840s. Pres. John F. Kennedy often sailed his Crosby Wianno Senior on Nantucket Sound when he vacationed at his Cape Cod home. Osterville follows this town's evolution, from a haven for captains of great merchant ships to a summer playground for such storied families as the Mellons and DuPonts. Today, Osterville's superb beaches and laid-back lifestyle attract not only the rich and famous but also year-round residents who enjoy a relaxed and sophisticated lifestyle.
Osterville Village Library (Images of America)
by Anthony M. LibSince its beginnings in 1882, the Osterville Village Library has long fulfilled its founding promise to be “a free library and reading room at Osterville in the Town of Barnstable in this Commonwealth” and to support “the promotion of study and reading.” William Lloyd Garrison Jr. and a group of civic-minded residents led the effort to establish this fourth library on Cape Cod. It has seen tremendous growth since then, with the opening of a new library designed by Stanley Alger of Alger & Gunn in 1958, followed by a new state-of-the-art library designed by Charles Bellingrath and completed by Jeremiah Ford of Ford3 Architects in 2012. The Osterville Village Library is justifiably the pride of Osterville, from its professional and welcoming staff and generous supporters to its cupola that boasts a copper weather vane of the Wianno Senior.