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Political Postmodernisms: Architecture in Chile and Poland, 1970–1990 (Architext)
by Lidia KleinPolitical Postmodernisms shows how sites outside of Western Europe and North America undermine an established narrative of architecture theory and history. It focuses specifically on postmodern architecture, which is traditionally understood as embodying the flippant and apolitical aesthetics of capitalist affluence. By investigating postmodern architecture’s manifestations in the unlikely settings of Chile during the neoliberal dictatorship of Augusto Pinochet and Poland during the late socialist Polish People’s Republic, the book argues for a new account that incorporates the political roles it plays when seen in a global perspective. Political Postmodernisms has three goals. First, it challenges the familiar narrative regarding postmodern architecture as following the “cultural logic of late capitalism” (Fredric Jameson) or as a socially conservative project (Jürgen Habermas). Second, it fills in portions of Chilean and Polish architectural history that have been neglected by Chilean and Polish architectural historians themselves. Third, Political Postmodernisms shows how architecture can work as a political form – serving propagandistic purposes and functioning as part of oppositional projects. The book is projected to be of use to students and scholars in global modern and contemporary architecture history, history of urban planning, East European Studies, and Latin American Studies.
Political and Protest Theatre after 9/11: Patriotic Dissent (Routledge Advances in Theatre & Performance Studies)
by Jenny SpencerThis collection documents and examines political and protest theatre produced between the 9/11 attacks in 2001 and Obama’s election in 2008 by British and American artists responding to their own governments’ actions and policies during this time. The plays take up topics such as the ongoing wars on terror, Blair’s support of U.S. policies, the flawed intelligence that led to the Iraq war, and illegal detentions and torture at Abu Ghraib. The authors argue that engaged artists faced a radically different sociopolitical context for their work after 9/11 compared to earlier social protest movements and new forms of theatre, and different emotional strategies were necessary to meet the challenges. The subtitle Patriotic Dissent suggests the double stance of many artists-- influenced by patriotic expressions of national solidarity, yet critical of the ways that patriotic language was put to use against others. The articles represent a broad range of theatre: Broadway musicals, documentary theatre, adaptations of classical theatre, new plays by British playwrights, street performances and installations, and musical concerts. The contributors’ case studies evaluate the effectiveness of important instances of political theatre and protest from this decade, arguing for the significance, relevance, and continuing necessity for evolving forms of political theatre today.
Politically Animated: Non-fiction Animation from the Hispanic World (Toronto Iberic)
by Jennifer NagtegaalPolitically Animated studies the convergence of animation and actuality within films, television series, and digital shorts from across the Spanish-speaking world. It interrogates the many ways in which animation as a stylistic tool and storytelling device participates in political projects underpinning an array of non-fiction works. The case studies in the book cover a diverse geographical scope, including Spain, Argentina, Colombia, and Mexico. They critically analyse different works such as feature-length animated documentary films, a work of animated journalism, a short animated essay, and micro-short episodes from a televised animated documentary series. Jennifer Nagtegaal employs the term "politically animated" in reference to the ideological implications of choosing specific techniques and styles of animation within certain socio-historical and cultural contexts. Nagtegaal illuminates the creative union of animated documentary and the comics medium currently being exploited by Spanish and Latin American cartoonists and filmmakers alike. By paying particular attention to cultural production beyond the big screen, Politically Animated continues to stretch the bounds of animated documentary scholarship.
Politics And Theatre In Twentieth-century Europe
by Margot MorganThis book explores the connection between politics and theatre by looking at the works and lives of Shaw, Brecht, Sartre, and Ionesco, providing a cultural history detailing the changing role of political theatre in twentieth-century Europe.
Politics Unseen: Group f.64 Photography and the Problem of Purity
by Ellen MacfarlaneIn Politics Unseen, Ellen Macfarlane radically reframes the "pure photographs" of California art photography society Group f.64, known for depicting Western landscapes, fruits and vegetables, flowers, and faces. By foregrounding f.64 members’ and their prints’ alliances across commercial, political, and artistic domains, the book shatters entrenched understandings of the group as disinterested in contemporary events and unseats conceptions of its prints as icons of modernist purity. Instead, Politics Unseen argues the politics of f.64’s photographs become visible when interwar ideas about "purity" in the areas of eugenics, racial essence, nutrition, colonialism, and horticulture are interrogated. Ultimately, Politics Unseen alters perceptions not only of f.64, but also of what constituted a political image in 1930s America.
Politics and Aesthetics of the Female Form, 1908-1918
by Georgina WilliamsThis book examines the pictorial representation of women in Great Britain both before and during the First World War. It focuses in particular on imagery related to suffrage movements, recruitment campaigns connected to the war, advertising, and Modernist art movements including Vorticism. This investigation not only considers the image as a whole, but also assesses tropes and constructs as objects contained within, both literal and metaphorical. In this way visual genealogical threads including the female figure as an ideal and William Hogarth’s 'line of beauty' are explored, and their legacies assessed and followed through into the twenty-first century. Georgina Williams contributes to debates surrounding the deliberate and inadvertent dismissal of women’s roles throughout history, through literature and imagery. This book also considers how absence of a pictorial manifestation of the female form in visual culture can be as important as her presence.
Politics and Heidegger’s Concept of Thinking in Contemporary Art (Routledge Research in Art and Politics)
by Louise Carrie WalesResponding to Heidegger’s stark warnings concerning the essence of technology, this book demonstrates art’s capacity to emancipate the life-world from globalized technological enframing. Louise Carrie Wales presents the work of five contemporary artists – Martha Rosler, Christian Boltanski, Krzysztof Wodiczko, and collaborators Noorafshan Mirza and Brad Butler – who challenge our thinking and compel a dramatic re-positioning of social norms and hidden beliefs. The through-line is rooted in Heidegger’s question posed at the conclusion of his technology essay as understood through artworks that provides a counter to enframing while using increasingly sophisticated technological methods. The themes are political in nature and continue to have profound resonance in today’s geopolitical climate. The book will be of interest to scholars working in art history, aesthetics, philosophy, and visual culture.
Politics and Heidegger’s Concept of Thinking in Contemporary Art (Routledge Research in Art and Politics)
by Louise Carrie WalesResponding to Heidegger’s stark warnings concerning the essence of technology, this book demonstrates art’s capacity to emancipate the life-world from globalized technological enframing. Louise Carrie Wales presents the work of five contemporary artists – Martha Rosler, Christian Boltanski, Krzysztof Wodiczko, and collaborators Noorafshan Mirza and Brad Butler – who challenge our thinking and compel a dramatic re-positioning of social norms and hidden beliefs. The through-line is rooted in Heidegger’s question posed at the conclusion of his technology essay as understood through artworks that provides a counter to enframing while using increasingly sophisticated technological methods. The themes are political in nature and continue to have profound resonance in today’s geopolitical climate. The book will be of interest to scholars working in art history, aesthetics, philosophy, and visual culture.
Politics and Preservation: A policy history of the built heritage 1882-1996 (Planning, History and Environment Series #Vol. 22)
by John Delafons J. DelafonsThis book traces the policy history of urban conservation and its relationship to the town planning process and both are set in their political context. Part One deals with the origins of conservation and its cultural background. Part Two deals with the post-war legislation and the increasing scope of conservation. Part Three deals with churches and their separate control system, and Part Four brings the story up to the present time. New issues such as sustainable conservation and the latest government policy are addressed in the conclusion. This book will aid current practice and help to inform future directions.
Politics as Public Art: The Aesthetics of Political Organizing and Social Movements (Routledge Advances in Theatre & Performance Studies)
by Martin Zebracki Z. Zane McNeillPolitics as Public Art presents a keystone collection that pursues new frameworks for a critical understanding of the relationship between public art and protest movements through the utilization of socially engaged and choreopolitical approaches. This anthology draws from a unique combination of interdisciplinary scholarship and activism where it integrates geographically rich perspectives from political and grassroots community contexts spanning the United States, Europe, Australia, and Southeastern Africa. The volume questions, and reimagines, not only how public art practice can be integral to politics, including forms of surveillance and control of bodily movement. It also probes into how political participation itself can be construed as a form of public artmaking for radical social change and just worlds. This collection advocates for scholar-activist inquiry into how socially engaged public art practices can pave the way for thinking through—and working toward—championing more inclusive futures and, as such, choreographing greater intersectional justice. This book provides a wide appeal to audiences across humanities and social science scholarship, arts practice, and activism seeking conceptual and empirically informed tools for moving from public art and choreopolitical theory into modes of praxis: critical reflection and action.
Politics in Color and Concrete: Socialist Materialities and the Middle Class in Hungary (New Anthropologies of Europe)
by Krisztina FehérváryA historical anthropology of material transformations of homes in Hungary from the 1950s o the 1990s.Material culture in Eastern Europe under state socialism is remembered as uniformly gray, shabby, and monotonous—the worst of postwar modernist architecture and design. Politics in Color and Concrete revisits this history by exploring domestic space in Hungary from the 1950s through the 1990s and reconstructs the multi-textured and politicized aesthetics of daily life through the objects, spaces, and colors that made up this lived environment. Krisztina Féherváry shows that contemporary standards of living and ideas about normalcy have roots in late socialist consumer culture and are not merely products of postsocialist transitions or neoliberalism. This engaging study decenters conventional perspectives on consumer capitalism, home ownership, and citizenship in the new Europe.“A major reinterpretation of Soviet-style socialism and an innovative model for analyzing consumption.” —Katherine Verdery, The Graduate Center, City University of New York“Politics in Color and Concrete explains why the everyday is important, and shows why domestic aesthetics embody a crucially significant politics.” —Judith Farquhar, University of Chicago“The topic is extremely timely and relevant; the writing is lucid and thorough; the theory is complex and sophisticated without being overly dense, or daunting. I thoroughly enjoyed reading it.” —Brad Weiss, College of William and Mary
Politics of Architecture in Contemporary Argentine Cinema
by Amanda HolmesThis book considers how architectural landmarks, imagined buildings and urban landscapes take part in the production of meaning in contemporary Argentine cinema. From the iconic Buenos Aires Obelisk to the Hilton International Hotel, the shopping center to the caf#65533; and the Le Corbusier-designed Curutchet House to the gated community, architecture in these films evokes the political. Tracing architecture's expression through six films produced since the 1990s--Pizza birra faso, Mundo gr#65533;a, Nueve reinas, La ni#65533;a santa, La antena and El hombre de al lado--Amanda Holmes studies how architecture in cinema elicits political memory, underscores marginalization and class discrepancies, creates nostalgia for neighborhoods and re-evaluates existing communities. Generously illustrated and carefully researched, the book offers an in-depth reading of key contemporary Argentine films and a fresh architectural approach to film analysis.
Politics of Memory: Making Slavery Visible in the Public Space (Routledge Studies in Cultural History)
by Ana Lucia AraujoThe public memory of slavery and the Atlantic slave trade, which some years ago could be observed especially in North America, has slowly emerged into a transnational phenomenon now encompassing Europe, Africa, and Latin America, and even Asia – allowing the populations of African descent, organized groups, governments, non-governmental organizations and societies in these different regions to individually and collectively update and reconstruct the slave past. This edited volume examines the recent transnational emergence of the public memory of slavery, shedding light on the work of memory produced by groups of individuals who are descendants of slaves. The chapters in this book explore how the memory of the enslaved and slavers is shaped and displayed in the public space not only in the former slave societies but also in the regions that provided captives to the former American colonies and European metropoles. Through the analysis of exhibitions, museums, monuments, accounts, and public performances, the volume makes sense of the political stakes involved in the phenomenon of memorialization of slavery and the slave trade in the public sphere.
Politics of Practice: A Rhetoric of Performativity (Performance Philosophy)
by Lynette HunterThis book discusses affective practices in performance through the study of four contemporary performers – Keith Hennessy, Ilya Noé, Caro Novella, and duskin drum – to suggest a tentative rhetoric of performativity generating political affect and permeating attempts at social justice that are often alterior to discourse. The first part of the book makes a case for the political work done alongside discourse by performers practising with materials that are not-known, in ways that are directly relevant to people carrying out their daily lives. In the second part of the book, four case study chapters circle around figures of irresolvable paradox – hendiadys, enthymeme, anecdote, allegory – that gesture to what is not-known, to study strategies for processes of becoming, knowing and valuing. These figures also shape some elements of these performances that make up a suggested rhetorical stance for performativity.
Politics of Recognition and Representation in Indian Stand-Up Comedy (Palgrave Studies in Comedy)
by Rashi Bhargava Richa ChilanaThis book, first of its kind in the Indian context, brings together both a theoretical understanding of various aspects of the humour, aesthetics and politics of stand-up comedy, and case studies of various forms of stand-up comedy in India. This volume is interdisciplinary wherein the contributors raise pertinent issues about the role of stand-up comedy in India in contemporary times. With an increased presence of OTT platforms and internet penetration that allows for easy access to this art form, stand-up comedy in India cannot be ignored anymore. The book includes chapters on Indian stand-up comedy related to the themes of: interrogating the term ‘Indian stand-up comedy’; historical lineage of stand-up in India; the politics of language and laughter; ‘charged humour’ vs ‘safe’/profitable comedy; stand-up comics as parrhesiastes, performance of the self and comic personas; comedy and other forms of artistic expression; laughter clubs, urbanism and stand-up comedy; surveillance, censorship and trolling; the economy of production and consumption of stand-up comedy and the ‘silences’ and limitations in the contemporary form of stand-up in India.
Politics of the Dunes: Poetry, Architecture, and Coloniality at the Open City (Space and Place #19)
by Maxwell WoodsFounded in the late 1960s on Chile’s Pacific coast, the Open City (la Ciudad Abierta) has become an internationally recognized site of cutting-edge architectural experimentation. Yet with a global reputation as an apolitical collective, little has been discussed about the Open City’s relationship with Chilean history and politics. Politics of the Dunes explores the ways in which the Open City’s architectural and urban practice is devoted to keeping open the utopian possibility for multiplicity, pluralism, and democratization in the face of authoritarianism, a powerful mode of postcolonial environmental urbanism that can inform architectural practices today.
Politics of the Oberammergau Passion Play: Tradition as Trademark (Routledge Advances in Theatre & Performance Studies)
by Jan Mohr Julia StenzelThis collection provides a comprehensive overview of the Oberammergau Passion play and its history from the 19th century onwards. Specialists in theatre and performance studies, comparative literature, theology, political studies, history, and ethnology initiate an interdisciplinary discussion of how Oberammergau has built a trademark from tradition. A typological and historical outline of this development is followed by detailed analyses of the blending of spaces, temporalities, and cultures, through which Oberammergau as an institution is stabilized while at the same time remaining open to the dynamics of historical change. The authors comprise the formation of a theatrical public sphere, literary imaginations, and layers of authenticity in modern practices of distributed communication that culminate in the notion of tradition as trademark. This collection is analysed from a wide spectrum of cultural historical perspectives, ranging from literary studies, theatre and performance studies to theology, political studies, and ethnology.
Politics without Stories
by David RicciLiberal candidates, scholars, and activists mainly promote pragmatism rather than large and powerful narratives - which may be called 'alpha stories' for their commanding presence over time. Alternatively, conservative counterparts to such liberals tend to promote their policy preferences in alpha stories praising effective markets, excellent traditions, and limited government. In this face-off, liberals represent a post-Enlightenment world where many modern people, following Max Weber, are 'disenchanted', while many conservatives, echoing Edmund Burke, cherish stories borrowed from the past. Politics without Stories describes this storytelling gap as an electoral disadvantage for liberals because their campaigning lacks, and will continue to lack, the inspiration and shared commitments that great, long-term stories can provide. Therefore, Ricci argues that, for tactical purposes, liberals should concede their post-Enlightenment skepticism and rally around short-term stories designed to frame, in political campaigns, immediate situations which they regard as intolerable. These may help liberals win elections and influence the course of modern life.
Politics, Planning and Homes in a World City (Housing, Planning and Design Series)
by Duncan BowieThis is an insightful study of spatial planning and housing strategy in London, focusing on the period 2000-2008 and the Mayoralty of Ken Livingstone. Duncan Bowie presents a detailed analysis of the development of Livingstone’s policies and their consequences. Examining the theory and practice of spatial planning at a metropolitan level, Bowie examines the relationships between: planning, the residential development market and affordable housing environmental, economic and equity objectives national, regional and local planning agencies and their policies. It places Livingstone’s Mayoralty within its historical context and looks forward to the different challenges faced by Livingstone’s successors in a radically changed political and economic climate. Clear and engaging, this critical analysis provides a valuable resource for academics and their students as well as planning, housing and development professionals. It is essential reading for anyone interested in politics and social change in a leading ‘world city’ and provides a base for parallel studies of other major metropolitan regions.
Politics, Planning and Housing Supply in Australia, England and Hong Kong
by Nick Gallent Nicole Gurran Rebecca L.H. ChiuIn recent years many nations have asked why not enough housing is being built or, when it is built, why it isn't of the highest quality or in the best, most sustainable, locations. Politics, Planning and Housing Supply in Australia, England and Hong Kong examines the politics and planning of new homes in three very different settings, but with shared political traditions: in Australia, in England and in Hong Kong. It investigates the power-relationships and politics that underpin the allocation of land for large-scale residential schemes and the processes and politics that lead to particular development outcomes. Using a comparative framework, it asks: how different systems of urban governance and planning mediate the supply of land for housing; whether and how these system differences influence the location, quantity and price of residential land and the implications for housing outcomes; what can be learned from these different systems for allocating land, building consensus between different stakeholders, and delivering a steady supply of high quality and well located homes accessible to, and appropriate for, diverse housing needs. This book frames each case study in a comprehensive examination of national and territorial frameworks before dissecting key local cases. These local cases – urban renewal and greenfield growth centres in Australia, new towns and strategic sites in England, and major development schemes in Hong Kong – explore how broader urban planning and housing policy goals play out at the local level. While the book highlights a number of potential strategies for improving planning and housing delivery processes, the real challenge is to give voice to a broader array of interests, reconstituting the political process surrounding planning and housing development to prioritise homes in well-planned places for the many, rather than simply facilitating investment opportunities for the few.
Politik in der Kunst – Kunst in der Politik: Zum Potential ästhetischer Zugänge zur Politik (Politische Bildung)
by Werner Friedrichs Thomas GollDer Band versammelt Beiträge der Arbeitsgruppe Hermeneutische Politikdidaktik zum Thema Politik und Kunst. Politik hat sich schon immer ästhetischer Mittel bedient, um sich zu inszenieren. Umgekehrt ist Kunst ein Reflex auf die politische Verfasstheit der Gesellschaft. Kunst eröffnet damit einen Zugang zur Politik mit hohem Potential für die politische Bildung.
Politik und Film: Ein Überblick (essentials)
by Ulrich HamenstädtDieses Essential bietet einen Überblick zu unterschiedlichen Interpretationen der Verbindung zwischen Politik und Film. Filme und Fernsehserien werden dabei als wichtige Darstellungsformen von Politik begriffen. In zahlreichen Formaten wird dies in den letzten Jahren deutlich. Interessant wird es jedoch, wenn Filme und Serien nicht den Anspruch erheben politisch zu sein, dies jedoch implizit sind. Denn Filme spielen zum einen immer mit Vorannahmen des Publikums, produzieren andererseits aber auch spezifische politische Annahmen und Weltanschauungen bei ihrem Publikum. So sind beispielsweise Ängste oder gesellschaftlich verbreitete Feindbilder für die Wirkung von Filmen bedeutungsvoll. James Bond bekommt heute keine Liebesgrüße mehr aus Moskau, dafür rücken Cyberangriffe und die zunehmende Macht Chinas in den Mittelpunkt der Filmreihe.
Politiken des Populären: Medien – Kultur – Wissenschaft (Neue Perspektiven der Medienästhetik)
by Ivo Ritzer Harald SteinwenderDer Band befragt populäre Kultur auf ihre politischen Implikationen in medialen Erscheinungsformen. Dabei problematisiert er die tradierte Dichotomie von „Kunst“ und „Pop“, um den Fokus auf offene Forschungsfragen globaler Wechselwirkungen zu legen und über die akademischen Disziplinen hinaus zu erweitern. Die einzelnen Beiträge des Bandes nähern sich dem Untersuchungsgegenstand anhand mehrerer Konfliktlinien, die ein Themenspektrum von Fragen der Ideologie, Postkolonialität und Queerness populärer Medienkulturen eröffnen. Der InhaltMediale Regimes und Populärkultur ● Genre, Gesellschaft und Politik ● Gender und RaceDie HerausgeberProf. Dr. Ivo Ritzer lehrt Medienwissenschaft an der Universität Bayreuth. Dr. Harald Steinwender ist Redakteur im Programmbereich Spiel – Film – Serie des Bayerischen Rundfunks und Programmplaner für das BR Fernsehen.
Politisierung des Theaters und Theatralisierung der Politik im Nationalsozialismus: Müthels „Hamlet“-Inszenierung und Riefenstahls „Triumph des Willens“ (Szene & Horizont. Theaterwissenschaftliche Studien #13)
by Silke Christiane KleineVorliegende Arbeit beschäftigt sich mit den Fragen nach der Politisierung der Bühne während des „Dritten Reiches“ und der Nutzbarmachung theatraler Operativität für die politische nationalsozialistische Massenversammlung anhand der Analysen einer massenwirksamen Hamlet-Inszenierung (Lothar Müthel, Berlin 1936) und von Leni Riefenstahls filmischer Dokumentation des „Reichsparteitags der Einheit und Stärke“ 1934 („Triumph des Willens“). Während sich das Medium der Theaterbühne als nicht sonderlich fruchtbar für propagandistische Zwecke erwiesen hatte, ereignete sich das „eigentliche“ Theater des „Dritten Reiches“ auf den Plätzen und in den Arenen des politischen Massenauftritts. Es geschah also ein Transfer theatraler Mittel und Operativität hin zu öffentlichen Massenveranstaltungen des Regimes. Theatrale, dramaturgische Elemente der Theaterbühne erwiesen sich in Kombination mit massenpsychologischen Grundmechanismen als besonders tragfähig, sodass man sagen kann, dass es sich bei NS-tendenziösen Theaterinszenierungen um Präfigurationen des politischen Massenauftritts handelte. Dies wird anhand öffentlicher Veranstaltungen im Nationalsozialismus erörtert; diese werden im Hinblick auf theatrale Kategorien wie der Ausgestaltung/Architektur des Raumes, Auditivität (Stimme und Rede, die Rolle der Lautsprechertechnologie), Licht/Beleuchtung und Requisiten analysiert. Neben diesen Aspekten der Theaterregie kamen (hier: pseudo-) religiöse Aspekte der Kirchenregie zum Tragen. Leni Riefenstahls filmische Dokumentation „Triumph des Willens“ zeigt eindrücklich die Kulmination der bis dato in vielen Auftritten erprobten massenpsychologischen Dramaturgie im Großereignis von Nürnberg. Zudem entgrenzt Riefenstahl das Ereignis durch die Reproduzierbarkeit des Mediums „Film“. Einerseits stellt der Film den Initiationsprozess für die jungen Nationalsozialisten auf dem „Reichsparteitag“ in Nürnberg dar, andererseits war die „Lektüre“ des Films gleichsam ein Initiationsprozess für den Zuschauer; das filmische Zeugnis Leni Riefenstahls konnte so die Präsenzteilnahme am „Reichsparteitag der Einheit und Stärke“ ersetzen.
Pollutant Effects in Freshwater: Applied Limnology
by J. Jacoby E. WelchPollutant Effects in Freshwater provides a practical and concise introduction to the ecological consequences of water pollution in aquatic ecosystems. In tackling the problem of water quality deterioration, this book combines the limnological and water pollution literature to describe how pollutants in wastewater affect populations of organisms in freshwater environments.Substantially revised, updated and expanded, with additional specialist contributors, this retitled new edition of Ecological Effects of Wastewater will continue to focus on the effects and management of eutrophication, water quality standards to protect aquatic life, and widen the debate over micro organisms and their public health significance in the aquatic environment.With ever tighter controls on pollution levels of freshwater bodies being implemented and enforced world wide, this book is essential reading for students of public health and environmental engineering, and a reference tool for professionals in consultancies, contractors and for those in regulatory and enforcement bodies.