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Pop Art: A Colourful History

by Alastair Sooke

Pop Art by the BBC's Alastair Sooke - an essential but snappy new guide to our favourite art movementPop Art is the most important 20th-century art movement. It brought Modernism to the masses, making art sexy and fun with coke cans and comics. Today, in our age of selfies and social networking, we are still living in a world defined by Pop.Full of brand new interviews and research, Sooke describes the great works by Warhol, Lichtenstein and other key figures, but also re-examines the movement for the 21st century and asks if it is still art? He reveals a global story, tracing Pop's surprising origins in 19th-century Paris to uncovering the forgotten female artists of the 1960s."A clear and lively outline of the history of pop art ... a pleasure to read" - Sunday Times

Pop Beckett: Intersections with Popular Culture (Samuel Beckett in Company #6)

by Paul Stewart

When Samuel Beckett’s work first appeared, it was routinely described, by Adorno among others, as a clear example of European high culture. However, this judgement ignored an aspect of Beckett’s work and its reception that is, arguably, not yet fully understood; the intimate relation between his work and popular culture. Beckett used popular cultural forms; but popular culture has also found a place both for the work and for the man. This collection of essays examines how popular cultural forms and media are woven into the fabric of Beckett’s works and how Beckett continues to have far-reaching impact on popular culture today in a host of different forms, in film and on television, from comics to meme culture, tourism to marketing.

Pop Culture Pioneers: The Women Who Transformed Fandom in Film, Television, Comics, and More

by Cher Martinetti

Celebrate the empowering and inspiring women who helped create, shape, and make pop culture great, from the creator of SYFY WIRE's FANGRRLS and the podcast "Forgotten Women of Genre"! In every medium in popular culture—from books, films, and video games to comics, television, and animation—women have been instrumental in creating and shaping the worlds, characters, and genres that we know and love. However, much of their hard work and innovation has gone largely unrecognized—until now. With a foreword by American Gods actress Yetide Badaki and essays exploring the history and transformation of pop culture's genres and mediums, Pop Culture Pioneers explores and pays respect to the women who played a crucial role in creating and influencing of some of the most famous worlds and characters in pop culture including:Directors & Producers like Karyn Kusama (Aeon Flux, Jennifer's Body), Denise Di Novi (co-producer of Batman Returns, The Nightmare Before Christmas), and Jean MacCurdy (producer of Batman: The Animated Series, Animaniacs)Writers & Editors like Jeanette Khan (editor and publisher of DC Comics), Alice Bradley Sheldon (writing as James Tiptree Jr.), and Alison Bechdel (Fun Home)Animators & Artists like Rebecca Sugar (Steven Universe), Noelle Stevenson (She-Ra and the Princesses of Power) and Brenda Chapman (animator and director of Brave)As well as Marlene Clark (Blaxploitation actress), Roberta Williams (creator of the adventure game genre), Yvonne Blake (costume designer for Superman), Bonnie Erickson (co-creator of Miss Piggy), and many more.

Pop Goes Korea: Behind the Revolution in Movies, Music, and Internet Culture

by Mark James Russell

From kim chee to kim chic! South Korea came from nowhere in the 1990s to become one of the biggest producers of pop content (movies, music, comic books, TV dramas, online gaming) in Asia--and the West.<P><P> Why? Who's behind it? Mark James Russell tells an exciting tale of rapid growth and wild success marked by an uncanny knack for moving just one step ahead of changing technologies (such as music downloads and Internet comics) that have created new consumer markets around the world. Among the media pioneers profiled in this book is film director Kang Je-gyu, maker of Korea's first blockbuster film Shiri; Lee Su-man, who went from folk singer to computer programmer to creator of Korea's biggest music label; and Nelson Shin, who rose from North Korea to the top of the animation business. Full of fresh analysis, engaging reportage, and insightful insider anecdotes, Pop Goes Korea explores the hallyu (the Korean Wave) hitting the world's shores in the new century.Mark James Russell has been living in Korea since 1996. His articles about Korean and Asian cultures have appeared in Newsweek, The New York Times, International Herald-Tribune, and many other publications. He is currently the Korea/Japan Bureau Chief for Asian Movie Week magazine.

Pop Manga Drawing: 30 Step-by-Step Lessons for Pencil Drawing in the Pop Surrealism Style

by Camilla d'Errico

An easy-to-follow, step-by-step manga drawing instruction book from fan favorite manga artist and painter Camilla d'Errico, featuring 30 lessons on illustrating cute, cool, and quirky characters in the Pop Surrealist style with pencils.With wildly popular appearances at Comic Cons and her paintings displayed in art galleries around the world, Camilla d'Errico has established herself as a go-to resource for manga-influenced art. Following in the footsteps of her past art instruction books Pop Manga and Pop Painting, Pop Manga Drawing provides the most direct and accessible lessons yet for rendering characters in her signature Pop Surrealist style. Written in the fun and encouraging voice that fans have come to expect, Pop Manga Drawing takes you step-by-step through lessons on drawing with graphite and mechanical pencils, along with insights on enhancing pieces with other mediums (including acrylics, markers, and colored pencils). It also provides tips and expert advice on drawing specific elements, including hair, eyes, and animals, that can take your manga art to the next level. Pop Manga Drawing grants one-of-a-kind access to the basic building blocks of artistic expression, giving you the tools you need to create your own pop manga masterpieces.

Pop Manga: How to Draw the Coolest, Cutest Characters, Animals, Mascots, and More

by Stephen W. Martin Camilla D'Errico

Renowned manga artist and comics creator Camilla D'Errico's beginner's guide to drawing her signature Japanese-style characters.From comics to video games to contemporary fine art, the beautiful, wide-eyed-girl look of shoujo manga has infiltrated pop culture, and no artist's work today better exemplifies this trend than Camilla D'Errico's. In her first instructional guide, D'Errico reveals techniques for creating her emotive yet playful manga characters, with lessons on drawing basic body construction, capturing action, and creating animals, chibis, and mascots. Plus, she gives readers a behind-the-scenes look at her character design process, pointers on creating their own comics, and prompts for finishing her drawings. Pop Manga is both a celebration of creativity and an indespensible guide that is sure to appeal to manga diehards and aspiring artists alike.

Pop Modernism: Noise and the Reinvention of the Everyday

by Juan A. Suárez

Pop Modernism examines the popular roots of modernism in the United States. Drawing on a wide range of materials, including experimental movies, pop songs, photographs, and well-known poems and paintings, Juan A. Suárez reveals that experimental art in the early twentieth century was centrally concerned with the reinvention of everyday life. Suárez demonstrates how modernist writers and artists reworked pop images and sounds, old-fashioned and factory-made objects, city spaces, and the languages and styles of queer and ethnic “others.” Along the way, he reinterprets many of modernism’s major figures and argues for the centrality of relatively marginal ones, such as Vachel Lindsay, Charles Henri Ford, Helen Levitt, and James Agee. As Suárez shows, what’s at stake is not just an antiquarian impulse to rescue forgotten past moments and works, but a desire to establish an archaeology of our present art, culture, and activism.

Pop Out: Queer Warhol

by Jennifer Doyle José Esteban Muñoz Jonathan Flatley

Andy Warhol was queer in more ways than one. A fabulous queen, a fan of prurience and pornography, a great admirer of the male body, he was well known as such to the gay audiences who enjoyed his films, the police who censored them, the gallery owners who refused to show his male nudes, and the artists who shied from his swishiness, not to mention all the characters who populated the Factory. Yet even though Warhol became the star of postmodernism, avant-garde, and pop culture, this collection of essays is the first to explore, analyze, appreciate, and celebrate the role of Warhol's queerness in the making and reception of his film and art. Ranging widely in approach and discipline, Pop Out demonstrates that to ignore Warhol's queerness is to miss what is most valuable, interesting, sexy, and political about his life and work.Written from the perspectives of art history, critical race theory, psychoanalysis, feminist theory, cinema studies, and social and literary theory, these essays consider Warhol in various contexts and within the history of the communities in which he figured. The homoerotic subjects, gay audiences, and queer contexts that fuel a certain fascination with Warhol are discussed, as well as Batman, Basquiat, and Valerie Solanas. Taken together, the essays in this collection depict Warhol's career as a practical social reflection on a wide range of institutions and discourses, including those, from the art world to mass culture, that have almost succeeded in sanitizing his work and his image.Contributors. Jennifer Doyle, Jonathan Flatley, Marcie Frank, David E. James, Mandy Merck, Michael Moon, José Esteban Muñoz, Eve Kosofsky Sedgwick, Brian Selsky, Sasha Torres, Simon Watney, Thomas Waugh

Pop Painting

by Camilla D'Errico

A unique behind-the-scenes guide to the painting process of one of the most popular artists working in the growing, underground art scene of Pop Surrealism.Painting superstar Camilla d'Errico opens up her studio and offers readers an insider scoop on the tools, techniques, and inspirations she draws from to create stunningly beautiful, otherworldly works of art. Pop Surrealism, with its unique blend of high art and popular culture, has been a growing force in the art world for years. Artists working in Pop Surrealism use elements of manga, cartoons, movies, and more to produce paintings that have been displayed in galleries and purchased by collectors around the globe. In addition to her work in manga and as the author of the best-selling Pop Manga, d'Errico is also one of the Pop Surrealism movement's biggest names. From high-end art galleries to comic book conventions, d'Errico's works draw legions of fans, collectors, and admirers. With Pop Painting, fans and aspiring painters get an up-close look at the step-by-step processes she employs to transform oil and acrylic paints into unforgettable images of her ethereal and beautiful characters. This one-of-a-kind look at a painter at the top of her field reveals all the materials and methods readers need to join the ranks of the Pop Surrealism movement.From the Trade Paperback edition.

Pop Song: Adventures in Art & Intimacy

by Larissa Pham

"A fresh, energetic voice with a brilliant mind to power it," brings readers an endlessly inventive, intimate, and provocative memoir-in-essays that celebrates the strange and exquisite state of falling in love--whether with a painting or a person--and interweaves incisive commentary on modern life, feminism, art and sex with the author's own experiences of obsession, heartbreak, and past trauma (Esmé Weijun Wang, New York Times bestselling author of The Collected Schizophrenias).Like a song that feels written just for you, Larissa Pham's debut work of nonfiction captures the imagination and refuses to let go. Pop Song is a book about love and about falling in love--with a place, or a painting, or a person--and the joy and terror inherent in the experience of that love. Plumbing the well of culture for clues and patterns about love and loss--from Agnes Martin's abstract paintings to James Turrell's transcendent light works, and Anne Carson's Eros the Bittersweet to Frank Ocean's Blonde--Pham writes of her youthful attempts to find meaning in travel, sex, drugs, and art, before sensing that she might need to turn her gaze upon herself. Pop Song is also a book about distances, near and far. As she travels from Taos, New Mexico, to Shanghai, China and beyond, Pham meditates on the miles we are willing to cover to get away from ourselves, or those who hurt us, and the impossible gaps that can exist between two people sharing a bed. Pop Song is a book about all the routes by which we might escape our own needs before finally finding a way home. There is heartache in these pages, but Pham's electric ways of seeing create a perfectly fractured portrait of modern intimacy that is triumphant in both its vulnerability and restlessness.

Pop Trash

by Jason Mercier

Artist Jason Mecier creates insanely detailed portraits of celebrities using trash, candy, and other items, crafting sculptural celebrations as beautiful as they are outrageous. Here is Amy Sedaris assembled from her own trash, David Bowie made out of cosmetics and feathers, Snoop Dogg sculpted out of weed, Justin Timberlake and Miley Cyrus crafted out of candy, Kevin Bacon bespoke in bacon, and many, many more. Fun process shots offer behind-the-scenes insights into the meticulous work required to create these candy-colored—and literally trashy—spotlights (how much licorice does it take to make Harry Potter?). With mesmerizing tributes to icons ranging from Stevie Nicks to Farrah Fawcett to Honey Boo Boo, this gallery of the famous and infamous is a visual treat for fans of pop culture and pop art alike.

Pop with Gods, Shakespeare, and AI: Popular Film, (Musical) Theatre, and TV Drama​

by Iris H. Tuan

Applying the theories of Popular Culture, Visual Culture, Performance Studies, (Post)Feminism, and Film Studies, this interdisciplinary and well-crafted book leads you to the fascinating and intriguing world of popular film, (musical) theatre, and TV drama. It explores the classical and contemporary cases of the literature works, both Eastern and Western, adapted, represented and transformed into the interesting artistic medium in films, performances, TV dramas, musicals, and AI robot theatre/films. ‘Iris Tuan’s book is wide ranging in scope and diversity, examining theatre, music, film and television productions from both Western and Asian countries. Tuan also surveys an extensive range of critical and theoretical perspectives, especially from performance studies and popular cultural studies, to offer context for her descriptions of the many different works. Some of her examples are well-known (Shakespeare’s Romeo & Juliet, Disney’s The Lion King) while others little known outside their place of origin (such as the Hakka Theatre of Taiwan) -- all are approached by the author with enthusiasm.’ —Susan Bennett, Professor of English, University of Calgary, Canada ‘Tuan takes us through multiple examples of contemporary popular performance in theatre/film/TV ranging from "high" art sources (Shakespeare or Journey to the West in films, Hirata's robotic theatre experiments) to "low" (Taiwanese TV soap operas Hakka Theatre: Roseki and Story of Yangxi Palace, Korean film Along with the Gods: The Two Worlds). The reader moves at a speed-dating pace through contemporary culture production and interpretive theories, encountering significant works, controversies (i. e., yellow face), and conundrums selected from China, Korea, Japan and the U. S. and filtered through a Taiwanese female gaze.’ —Kathy Foley, Professor of Theatre Arts, University of California Santa Cruz, USA

Pop-Up Paper Projects: Step-by-step paper engineering for all ages

by Paul Johnson

The techniques of creating pop-up forms are demonstrated in a series of practical lessons. The book also suggests ways in which pop-up forms can be used to enrich the study of English and art, and contains illustrations of childrens work.

Pop: How Graphic Design Shapes Popular Culture

by Steven Heller

"Pop culture is often maligned as fleeting, but history shows that sometimes what is pop in one culture has time-honored resonance in later ones. This book is an attempt to show that pop culture, especially as seen through the lenses of design, illustration, satiric and political art (and other things), is integral to a broader understanding of who we are and where we are going. "-Steven Heller, from the Introduction. How do popular culture and graphic design influence one another? What are the goals of design? Are they to sell? To package? To entertain? The answers to these questions are complicated and are intimately tied to the effect design has on the overall culture. POP is the first book to analyze the role of graphic design in the broader culture, as well as the impact of design on other art and entertainment forms, from album covers to baseball stadiums. Author Steven Heller addresses such subjects as: --pop icons --viral and guerrilla advertising --political satire --the history of Interview, Monocle, Mad,and other magazines --illusionism and three-dimensional design --art for art's sake --design vs. decoration --the return of hand lettering --art for the masses. POP spans over 150 years during which popular culture has influenced mass perception and behavior.

Popism: The Warhol Sixties

by Andy Warhol Pat Hackett

Anecdotal, funny, frank, POPism is Warhol's personal view of the Pop phenomenon in New York in the 1960s.A cultural storm swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-garde.In the detached, back-fence gossip style he was famous for, Warhol tells all in POPism—the ultimate inside story of a decade of cultural revolution.

Poplar Forest: Thomas Jefferson's Villa Retreat

by Travis C. McDonald

Poplar Forest is one of two personal residences that Thomas Jefferson designed for himself, the other being Monticello. Jefferson’s wife, Martha Wayles Skelton Jefferson, inherited the land—originally a 6,861-acre parcel—at her father’s death in 1773, but Jefferson did not begin construction on the house until 1806, and at his death in 1826, he was still working on his little "getaway." Despite its audacious design—it was the first documented octagonal residence in America—and the fact that it is one of the very few extant Jeffersonian structures, Poplar Forest is not nearly so well-known today as its sibling seventy miles to the northeast. Undoubtedly, this is due in large part to its more remote location in Bedford County. Additionally, the house remained in private hands until 1984. Travis McDonald situates the site in its rightful position as a historically important Virginia house, and he documents its story as central to Jefferson’s life and approach to architecture, including details of the enslaved community at his western retreat. This new, informed account will appeal to architectural historians and visitors to the villa retreat, as well as to those interested in Jefferson’s work and legacy.

Poppy in the Wild: A Lost Dog, Fifteen Hundred Acres Of Wilderness, And The Dogged Determination That Brought Her Home

by Teresa Rhyne

From the #1 New York TImes bestselling author of The Dog Lived (And So WIll I) comes a tale of love and devotion defying all the odds.After losing her beloved beagle Daphne to lymphoma, author Teresa Rhyne launches herself into fostering other dogs in need, including Poppy, a small, frightened beagle rescued from the China dog meat trade. The elation of rescue quickly turns to hysteria when Poppy breaks free from a potential adopter during a torrential thunderstorm and disappears into a rugged, mountainous, 1,500 acre wilderness park. In the quest to find Poppy, Teresa will work with rescue specialists, volunteers, psychics, a Native American who communes with owls, helpful neighbors, decidedly unhelpful strangers, a howling woman, the police, crushing dead ends, glimmers of hope, and her own emotional and physical limits as she sits in the wind and rain in the wilderness park for hours each dusk and dawn with bags of roasted chicken and her dirty socks, the human lure for a terrified beagle and packs of less terrified coyotes. Meanwhile, Poppy encounters heavy rains, a homeless encampment, the Sheriff and his wife, a series of strangers, speeding traffic, hawks, and, ultimately, a world of people willing to do anything to protect rather than harm her. Through an unexpected late night encounter, Poppy is finally caught. After her time in the wild, a surprisingly transformed Poppy reunites with Teresa. Now newly confident and brave Poppy is ready to be welcomed into her forever home.

Popular Advertising Cuts of the Twenties and Thirties (Dover Pictorial Archive)

by Leslie Cabarga

Commercial artists and others looking for distinctive illustrations to enhance their various projects will be impressed by the attractive graphics in this comprehensive collection. Selected from rare magazines, newspapers, catalogs, and other printed materials from the 1920s and '30s, over 900 cuts cover a wide range of categories: men, women, sports, animals, food and refreshments, communications, entertainment, holidays, trades and services, and much more.Here are lively illustrations of old-time radio announcers, pianists and other musicians, a barbershop quartet, a ukulele player, ballroom dancers, orators and town criers, candlelit Christmas trees, Santa Claus, horses, roosters, storks, hairstyles for women, and many other images.Sure to bring period charm to any graphic assignment, these sharply detailed, eye-catching illustrations will also intrigue nostalgia buffs with their fascinating commentary on lifestyles of the early 20th century.

Popular Cinema and Politics in South India: The Films of MGR and Rajinikanth

by S. Rajanayagam

This work breaks new ground in the understanding of South Indian cinema and politics. Through incisive analysis and original concepts it illustrates the private, public and cinematic personas of MGR and Rajinikanth. It challenges the popular and scholarly myths surrounding them and shows the constant negotiation of their on-screen and off-screen identities. The book revisits the entire political history of post-Independent Tamil Nadu through its cinema,and presents a refreshing psycho-political and cultural map of contemporary South India. This absorbing volume will be an important read for scholars, teachers and students of film studies, culture and media studies, and politics, especially those interested in South India.

Popular Cinema of the Third Reich

by Sabine Hake

Too often dismissed as escapist entertainment or vilified as mass manipulation, popular cinema in the Third Reich was in fact sustained by well-established generic conventions, cultural traditions, aesthetic sensibilities, social practices, and a highly developed star system—not unlike its Hollywood counterpart in the 1930s. This pathfinding study contributes to the ongoing reassessment of Third Reich cinema by examining it as a social, cultural, economic, and political practice that often conflicted with, contradicted, and compromised the intentions of the Propaganda Ministry. Nevertheless, by providing the illusion of a public sphere presumably free of politics, popular cinema helped to sustain the Nazi regime, especially during the war years.

Popular Culture in Indonesia: Fluid Identities in Post-Authoritarian Politics (Media, Culture and Social Change in Asia)

by Ariel Heryanto

This book examines popular culture in Indonesia, the world’s most populous Muslim nation, and the third largest democracy. It provides a full account of the key trends since the collapse of the authoritarian Suharto regime (1998), a time of great change in Indonesian society more generally. It explains how one of the most significant results of the deepening industrialization in Southeast Asia since the 1980s has been the expansion of consumption and new forms of media, and that Indonesia is a prime example of this development. It goes on to show that although the Asian economic crisis in 1997 had immediate and negative impacts on incumbent governments, as well as the socioeconomic life for most people in the region, at the same time popular cultures have been dramatically reinvigorated as never before. It includes analysis of important themes, including political activism and citizenship, gender, class, age and ethnicity. Throughout, it shows how the multilayered and contradictory processes of identity formation in Indonesia are inextricably linked to popular culture. This is one of the first books on Indonesia's media and popular culture in English. It is a significant addition to the literature on Asian popular culture, and will be of interest to anyone who is interested in new developments in media and popular culture in Indonesia and Asia.

Popular Culture: The Metropolitan Experience (Studies in Culture and Communication)

by Iain Chambers

First published in 1986. Routledge is an imprint of Taylor & Francis, an informa company.

Popular Hindi Cinema: Aesthetic Formations of the Seen and Unseen (Routledge Contemporary South Asia Series)

by Ronie Parciack

The popular Hindi film industry is the largest in India and the most conspicuous film industry in the non-Western world. This book analyses the pivotal visual and narrative conventions employed in popular Hindi films through the combined prism of film studies and classical Indian philosophy and ritualism. The book shows the films outside Western paradigms, as visual manifestations and outcomes of the evolution of classical Hindu notions and esthetic forms. These include notions associated with the Advaita-Vedānta philosophical school and early Buddhist thought, concepts and dynamism stemming from Hindu ritualism, rasa esthetic theories, as well as Brahmanic notions such as dharma (religion, law, order), and mokṣa (liberation). These are all highly abstract notions which the author defines as "the unseen": a cluster of diversified concepts denoting what subsists beyond the phenomenal, what prevails beyond the empirical world of saṁsāra and stands out of this world (alaukika), while simultaneously being embodied and transformed within visual filmic imagery, codes and semiotics that are teased out and analyzed. A culturally sensitive reading of popular Hindi films, the interpretations put forward are also applicable to the Western context. They enable a fuller understanding of religious phenomena outside the primary religious field, within the vernacular arenas of popular culture and mass communication. The book is of interest to scholars in the fields of Indology, modern Indian studies, film, media and cultural studies.

Popular Mechanics The Complete Boy Mechanic: 359 Fun & Amazing Things to Build

by The Editors of Popular Mechanics

The Boy Mechanic--bigger and better! This handsome hardcover features every one of the fantastic vintage projects and handy advice from both The Boy Mechanic and The Boy Mechanic Makes Toys. Taken from the turn-of-the-last-century volumes of The Boy Mechanic, these 359 projects are still doable and delightful today. Like a miscellany for the home how-to crowd, the book offers instructions for making toy boats and planes, hammocks, sleds, skates, and special equipment for your own spy lab (such as periscopes), as well as fortune-telling tricks, illusions, games, and more. Charming original illustrations throughout make this an appealing, nostalgic, and fun guide for everyone.

Popular Music Fandom: Identities, Roles and Practices (Routledge Studies in Popular Music)

by Mark Duffett

This book explores popular music fandom from a cultural studies perspective that incorporates popular music studies, audience research, and media fandom. The essays draw together recent work on fandom in popular music studies and begin a dialogue with the wider field of media fan research, raising questions about how popular music fandom can be understood as a cultural phenomenon and how much it has changed in light of recent developments. Exploring the topic in this way broaches questions on how to define, theorize, and empirically research popular music fan culture, and how music fandom relates to other roles, practices, and forms of social identity. Fandom itself has been brought center stage by the rise of the internet and an industrial structure aiming to incorporate, systematize, and legitimate dimensions of it as an emotionally-engaged form of consumerism. Once perceived as the pariah practice of an overly attached audience, media fandom has become a standardized industrial subject-position called upon to sell box sets, concert tickets, new television series, and special editions. Meanwhile, recent scholarship has escaped the legacy of interpretations that framed fans as passive, pathological, or defiantly empowered, taking its object seriously as a complex formation of identities, roles, and practices. While popular music studies has examined some forms of identity and audience practice, such as the way that people use music in daily life and listener participation in subcultures, scenes and, tribes, this volume is the first to examine music fans as a specific object of study.

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