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Printed Textile Design
by Amanda Briggs-GoodeThis books explains the fundamentals of printed textile design, from design brief through to the completed collection, and introduces the basics of colour, drawing, composition and repeat with a series of step-by-step exercises and examples. Printed Textile Design helps to demystify the design process and provides an invaluable guide to the study and practice of textile design. The book includes case studies of designers working in both the fashion and interiors sectors. It covers hand and traditional print techniques and the latest digital print technologies, with specially commissioned photographs of the processes. All aspects of textile design are covered, from sustainability to manufacturing and marketing the finished product.
Printer's Devil: Mark Twain and the American Publishing Revolution
by Bruce MichelsonThis book speaks about Mark Twain and the history of print culture in America.
Printer's Error: Irreverent Stories of Books History
by Rebecca Romney J. P. RomneyDelve into the curious history of print and publishing—from the Gutenberg Bible and Shakespeare&’s folios to rare book forgers, literary scandals, and more. The printing press is one history&’s greatest achievements. It allowed us to record and spread some of humanity&’s most brilliant ideas. But let&’s not forget that humankind is also full of idiots. In Printer&’s Error, historian J.P. Romney and rare book specialist Rebecca Romney take readers on a rollicking ride through some of the greatest and strangest moments in book history. Readers will meet intriguing characters such as Marino Massimo De Caro, the Italian librarian and master book thief; bookbinder Thomas Cobden-Sanderson, who created the world&’s most beautiful typeface—then plotted to destroy it; and William Tyndale, who made the Holy Bible accessible to countless worshippers—and was also burned at the stake for heresy. The Romneys scoured five hundred years of book history and collected some of its most absurd episodes. And then like so many humans before them, they wrote a book about it.
Printing Architecture: Innovative Recipes for 3D Printing
by Ronald Rael Virginia San FratelloAlthough 3D printing promises a revolution in many industries, primarily industrial manufacturing, nowhere are the possibilities greater than in the field of product design and modular architecture. Ronald Rael and Virginia San Fratello, of the cutting-edge San Francisco–based design firm Emerging Objects, have developed remarkable techniques for "printing" from a wide variety of powders, including sawdust, clay, cement, rubber, concrete, salt, and even coffee grounds, opening an entire realm of material, phenomenological, and ecological possibilities to designers. In addition to case studies and illustrations of their own work, Rael and San Fratello offer guidance for sourcing alternative materials, specific recipes for mixing compounds, and step-by-step instructions for conducting bench tests and setting parameters for material testing, to help readers to understand the process of developing powder-based materials and their unique qualities.
Printing in Relation to Graphic Art
by George FrenchFrom art in printing to binding, the author explores the printers role in graphic arts. The author answers such questions as: how does one decide which typeface to use? Why do some margins look better than others? What is the purpose of white space? How big should the book be? What is the best way to bind it? What is the best material for the cover? An easy-to-read, interesting, informative book.
Printing with Adobe Photoshop CS4
by Tim DalyPhotoshop users:Ever feel like your printer is letting you down? Sick of seeing the bright, saturated tones of photos on your monitor turn into washed-out, drab prints? Frustrated by the lack of resources on this essential process?If the answer to any of these questions is yes, then you really need "The Complete Guide to Digital Printing" by Tim Daly. This essential resource is the only guide you'll ever need to printing with Photoshop. Acclaimed author and photographer Tim Daly brings a wealth of experience to this under-resourced topic, covering every aspect of the printing process using Photoshop. Not content with simply covering the software, Tim approaches the entire workflow. This means that right from the moment of capture, your photos are optimised for the highest print quality from Photoshop. Topics covered include image capture and management, file processing, creative emphasis, proofing, Photoshop print functions, color management (both input and output), printer hardware and software, and, of course, the actual printing. Buy this book, and see an immediate difference to the quality of your prints. Authoritative, practical and comprehensive, this is a must-have for every photographer using Photoshop.
Printmaking + Mixed Media: Simple Techniques and Projects for Paper and Fabric
by Dorit ElishaReinterpreting traditional methods, this resource presents creative, affordable, and accessible techniques for mixed-media artists and printmakers of all experience levels looking to incorporate printed images onto paper or fabric. From screen printing to collagraphy to sun printing, the techniques are shown with step-by-step photographs and can be done without printing presses or special papers. A variety of projects are included to demonstrate a wide range of possible creations, such as fabric-arts books, hand-printed calendars, wall-art collages, aprons, holiday books, greeting cards, and more. For further inspiration beyond the projects, a gallery of completed works by the author and other artists make up the final portion of this resource.
Printmaking Bible, Revised Edition: The Complete Guide to Materials and Techniques
by Ann d'Arcy Hughes Hebe Vernon-MorrisAt over 400 pages and packed with 1000 full-color photos and illustrations, this is truly the category-defining book on the subject of printmaking. Perfect for students and casual and professional artists, with lots of great reference information for print collectors as well, this is the ultimate guide to the ins and outs of every variety of printmaking practiced today.In addition to in-depth step-by-step instructions, The Printmaking Bible features artist profiles that take you behind the scenes to show how professionals in the field create their work. You'll also find historical information on printmaking techniques, troubleshooting tips, and an extensive resource section. The revised edition includes new and original material, bringing it up to date with the latest methods and technologies utilized all over the world.Far outpacing other printmaking books on the market, The Printmaking Bible is the ultimate volume for anyone interested or involved in this evergreen creative field.BACK AND BETTER THAN EVER!: With 25% new and updated content, the revised edition of The Printmaking Bible more than delivers on the promise of the original—it exceeds it. THE DEFINITIVE GUIDE: Featuring step-by-step instructions for a myriad of techniques, more than 1000 full-color images, and profiles and interviews with prominent printmakers, this volume is more comprehensive than any other on the subject. And the deluxe package and elevated design make it a gorgeous addition to your coffee table book collection, too!AN ART BOOK FOR MODERN PRINTMAKERS: The arts and crafts renaissance is alive and well! Whether you're a regular at a printmaking studio, an avid collector of limited-edition prints, or considering enrolling in a class or a workshop, the new and improved edition of this uniquely comprehensive compendium will soon become your new best friend. Make room on your shelf because The Printmaking Bible is not to be missed.Perfect for:Art students interested in screen printing, letterpress, typography, graphic design, and moreArt Instructors and teachersPrintmakersPrint collectorsBirthday, holiday, or graduation gift for anyone interested in the art of printing and printmaking
Printmaking Revolution: New Advancements In Technology, Safety, And Sustainability
by Dwight PogueA tome of the newest advances in printmaking for today's environmentally conscious art students, master printers, teachers, and artists Etching, lithography, and screenprinting shouldn't be harmful to the artist or the planet. With cutting edge, never-before-published advances in printmaking media, Printmaking Revolution provides artists, students, and teachers alike with safer, environmentally friendly and non-carcinogenic methods for creating beautiful prints. Inside, teacher and professional artist, Dwight Pogue offers groundbreaking information on embracing green, petroleum-free, nontoxic materials that comply with the Environmental Protection Agency (EPA) and Occupational Safety and Health Administration (OSHA) requirements. With new alternatives for the modern era, and work by some of today's most notable artists, including Janet Fish, James Rosenquist Walton Ford, and Louisa Chase, this book truly revolutionizes the techniques, materials, and processes of a time-honored medium.
Printmaking Second Edition: A Complete Guide to Materials & Process
by Bill Fick Beth GrabowskiPrintmaking is a practical and comprehensive guide to printmaking techniques. This fully updated edition includes expanded chapters on digital and mixed media processes, and a brand new 'Print & Make' chapter, which explores the opportunities for creative expression within the many processes available to print makers. The more traditional techniques of relief, intaglio, collograph, lithography, screen printing and monoprint have also been refreshed with the addition of new images showing a broader range of subject matter, including more contemporary prints and international artists. Each technique is explored from the development of the printing or digital matrix, through the different stages of creation to image output. Guidance on how to set up a print studio, sections on troubleshooting techniques and the inclusion of up-to-date lists of suppliers, workshops and galleries make this an essential volume for beginner and experienced printmakers alike.
Printmaking Second Edition: A Complete Guide to Materials & Process
by Bill Fick Beth GrabowskiPrintmaking is a practical and comprehensive guide to printmaking techniques. This fully updated edition includes expanded chapters on digital and mixed media processes, and a brand new 'Print & Make' chapter, which explores the opportunities for creative expression within the many processes available to print makers. The more traditional techniques of relief, intaglio, collograph, lithography, screen printing and monoprint have also been refreshed with the addition of new images showing a broader range of subject matter, including more contemporary prints and international artists. Each technique is explored from the development of the printing or digital matrix, through the different stages of creation to image output. Guidance on how to set up a print studio, sections on troubleshooting techniques and the inclusion of up-to-date lists of suppliers, workshops and galleries make this an essential volume for beginner and experienced printmakers alike.
Printmaking Unleashed: More Than 50 Techniques for Expressive Mark Making
by Traci BautistaUnleash your inner artist and join Traci Bautista as she shares inventive ideas for making marks with handmade tools, nontraditional materials and simple DIY printmaking techniques. Pulsing with exploration and whimsy, Printmaking Unleashed features 60+ step-by-step demonstrations and countless possibilities for creating original prints, fabrics, art journal pages, mixed-media collage, and so much more. WHAT'S INSIDE... Tools Galore! Create a variety of handmade mark-making tools and texture plates using everything from encaustic paints, Collage Pauge and chipboard letters to modeling compound, needlepoint canvas and recycled cardboard. Mix-and-Match Techniques! Discover digital and traditional techniques for producing one-of-a-kind monoprints. Start with the basics, then build up layer after luscious layer of color and texture. Pure inspiration! Every page offers new ideas, original artwork and creative jumpstarts. Flip through the pages and learn how anything with interesting texture or shape (rubber bands, vintage lace, the bottom of a bottle) can be incorporated into printmaking for exciting, unique effects. You will never look at a toothpick, freezer bag or plastic zip tie in the same way again!
Printmaking: A Complete Guide to Materials and Processes
by Bill Fick Beth GrabowskiPrintmaking; a Complete Guide to Materials and Process covers fundamental printmaking techniques including relief, intaglio, collagraph, lithography, screen print and monoprint. The book outlines current practices in the contemporary print studio, including integrating digital processes with all techniques. Each chapter features clear, step-by-step illustrations plus expanded case studies, which help convey the technical aspects of each printmaking technique. Throughout the book, special attention is given to the best practices with regard to reducing toxicity and safety. Useful appendices featuring troubleshooting charts, which cover the common problems the beginning printmaker might face, as well as sources for further information, complete this useful guide. <p><p> In addition to technical information, this book explores the processes and functions of print media that inform the very strategy of art-making. It considers the "how" and the "why" of printmaking as an artistic practice. Each chapter features a profile with an international contemporary printmaker, including an interview as well as examples of their work. Works illustrated in this book offer innovative examples from across the globe that position print at the cutting edge of contemporary art.
Printmaking: How to Print Anything on Everything
by Christine MedleyBefore the digital age, printing was a handcraft — and it still is! This guide presents 12 easy-to-follow projects that demonstrate time-honored techniques for decorating gift bags and coasters, transferring images to mugs and t-shirts, and embellishing other items. Suitable for crafters at all levels of ability and of all ages, the projects employ common household items such as cardboard tubes, cork, and rubber erasers. More than 100 photographs accompany complete directions for the easy and accessible process of relief printing: creating a stencil, inking it up, applying the stencil to the item, and then repeating. An introduction to tools, materials, and equipment is followed by chapters on making your own toolbox, creating art with found and natural objects, printing with your own custom stamps and plates, screen printing and photographic techniques, and more. Each project features helpful tips for turning out a high-quality product and suggestions for adding personal touches.
Printreading for Residential and Light Commercial Construction, Part 2 (4th Edition)
by Thomas E. Proctor Leonard P. ToenjesPrintreading for Residential and Light Commercial Construction--Part 2, 4th Edition, provides printreading experience in residential and light commercial construction. Printreading fundamentals, construction materials, and light frame construction utilized in residential and light commercial buildings are covered in detail. Heavy emphasis is placed on residential and commercial building code requirements and Americans with Disabilities Act (ADA) requirements. Expanded coverage is provided for including engineered wood products, exterior insulation and finish systems (EIFS), and electrical and mechanical systems. Chapter 11--Quantity Takeoff--provides an introduction to quantity takeoff principles and techniques for calculating quantities of structural components, finish materials, and mechanical and electrical systems.
Prints And Printmaking: An Introduction To The History And Techniques
by Antony GriffithsA print is a pictorial image that has been produced by a process that enables it to be multiplied, and many of the best-known works by some of the world's greatest artists are prints. Yet little is understood about this popular art form. Now Antony Griffiths provides an excellent introduction for anyone who wishes to acquire a basic understanding of prints and printmaking. In succinct and lucid language, he explains the different printmaking techniques and shows both details and whole prints to demonstrate the effects that can be achieved. Woodcuts, engraving, etching, mezzotint, and lithography are among the many processes explained, illustrated, and placed within a historical context. This fully revised and updated edition of the highly praised 1980 British publication is available for the first time in the United States. With its complete glossary, index, and helpful illustrations, Griffiths's book is the essential foundation for an intelligent appreciation of the printmaker's art.
Prints Charming: Create Absolutely Beautiful Interiors with Prints & Patterns
by John Loecke Jason Oliver NixonUnlock the secrets to creating gorgeous, pattern-filled rooms with the joyful spirit that every home deserves.Layers of pattern bring serious style to any interior—and the pages of every shelter magazine have featured this well-loved look. This bright, lively interior design book is like no other: it shows readers how to choose and use pattern (whether on upholstered furniture, walls, and floors, or in curtains, rugs, and accessories) to create gorgeous room designs. It also teaches readers how to layer pattern for fresh, exciting, personalized spaces. The book is delightfully illustrated with inspiring images of design elements and finished rooms—and each chapter is packed with lively DIY projects, plus Dos and Don’ts, Try This, and more.Praise for Prints Charming“For a home that’s warm, personal, and above all HAPPY, follow the lead of the Madcap gents: “Expressive not expensive” decor ideas come to life through their joyful designs—it’s hard to put this book down without crafting a plan and cracking a smile.” —Sophie Donelson, Editor in Chief, House Beautiful“A good reminder that one should have fun with decorating . . . Prints Charming is a must for every design library.” —Susan Feldman, Cofounder, One Kings Lane“With a reverent eye firmly upon the works of legendary traditional designers, the Madcap Cottage gents’ vision for mixing pattern, color, far-flung treasures, and classic furniture forms is remarkably approachable and written with their inimitable wit.” —Jill Waage, Editor in Chief, Traditional Home“John and Jason have crafted a must-have bible of prints, patterns, and personality to help everyone learn how to customize their own unique environment.” —Mindy Grossman, CEO and Director, HSN, Inc.“A wonderful book celebrating print, texture, and beauty.” —Christian Siriano, CFDA Designer
Prints and Drawings of Käthe Kollwitz
by Carl Zigrosser Käthe Kollwitz"The Weavers," a landmark of class-conscious art, which depicts, in a series of prints, the plight of the worker and his age-long struggle to better his lot. "Death as a Friend," showing a man greeting his death as an old friend, with a hysterical mixture of joy and terror. "The People," in which a mother shields her offspring from phantoms of hate, poverty, and ignorance -- and symbolizes woman as creator, begetter of the human race, link between past and future.These works represent the recurrent themes which most characterize the work of Käthe Kollwitz: social consciousness and a sense of the suffering of mankind, an urge to voice the basic maternal attitude, and a preoccupation with death. She has been called a propagandist, a crusader, yet her art is essentially apolitical. Her concern was not with partisan causes, but rather with universal rights.Fundamentally a dramatic artist, Käthe Kollwitz (1867-1945) brought to each of her works an uncanny ability to evoke human emotions through subtle gestures and facial expressions. The reactions of her characters were psychologically true primarily because she tested them on herself.The present collection contains 83 of Mrs. Kollwitz's finest works, including the last great print cycles: "The Weavers" of 1898; "The Peasant War" of 1908; "War" of 1925; and "Death" of 1935. These selections provide a full panorama of Mrs. Kollwitz's development as a master of the graphic techniques of etching, woodcutting and lithography. Over 69 of the illustrations have been rephotographed from the original works specially for this edition, and new techniques in photolithography and a larger format have resulted in reproductions that are as close as possible to the prints and drawings themselves.
Prints as Agents of Global Exchange: 1500-1800 (Visual and Material Culture, 1300-1700)
by Heather MadarThe significance of the media and communications revolution occasioned by printmaking was profound. Less a part of the standard narrative of printmaking’s significance is recognition of the frequency with which the widespread dissemination of printed works also occurred beyond the borders of Europe and consideration of the impact of this broader movement of printed objects. Within a decade of the invention of the Gutenberg press, European prints began to move globally. Over the course of the fifteenth to the eighteenth centuries, numerous prints produced in Europe traveled to areas as varied as Turkey, India, Iran, Ethiopia, China, Japan and the Americas, where they were taken by missionaries, artists, travelers, merchants and diplomats. This collection of essays explores the global circulation of knowledge, both written and visual, that occurred by means of prints in the Early Modern period.
Prints of Siri Beckman: Engraving a Sense of Place
by Siri Beckman Carl LittleSiri Beckman made her way to Maine in the late 1970s, where she was &“called&” to wood engraving quite by accident. She has been practicing this art form for over forty years and this volume, featuring more than 100 of her images, is a celebration of her life's work and legacy. Text by Beckman discusses the process of wood engraving and her passion for printmaking and book arts. Carl Little ties her work to place and establishes its place in the canon of Maine art.
Prints of a New Kind: Political Caricature in the United States, 1789–1828
by Allison M. StaggPrints of a New Kind details the political strategies and scandals that inspired the first generation of American caricaturists to share news and opinions with their audiences in shockingly radical ways. Complementing studies on British and European printmaking, this book is a survey and catalogue of all known American political caricatures created in the country’s transformative early years, as the nation sought to define itself in relation to European models of governance and artistry.Allison Stagg examines printed caricatures that mocked events reported in newspapers and politicians in the United States’ fledgling government, reactions captured in the personal papers of the politicians being satirized, and the lives of the artists who satirized them. Stagg’s work fills a large gap in early American scholarship, one that has escaped thorough art-historical attention because of the rarity of extant images and the lack of understanding of how these images fit into their political context. Featuring 125 images, many published here for the first time since their original appearance, and a comprehensive appendix that includes a checklist of caricature prints with dates, titles, artists, references, and other essential information, Prints of a New Kind will be welcomed by scholars and students of early American history and art history as well as visual, material, and print culture.
Prioritizing People in Ethical Decision-Making and Caring for Cultural Heritage Collections
by Nina OwczarekWhile historically focusing on the object, the study of ethics in conservation has expanded to consider the human aspect of conservation work. This book offers a flexible framework to guide decision-making in line with this development, offering an inclusive, compassionate approach to collections care. This edited volume contributes theories and international examples for advancing conservation practice and providing best practice for the field that centers people in conservation of cultural heritage and collections care. The first part examines the ethical theory that underpins conservation decision-making by challenging outdated norms, introducing updated methods, and demonstrating new ways to approach compassionate collections care. The second part considers the challenges of human-centered ethics in conservation practice, while the final part provides real-world examples and case studies of these best practices in action, including successful challenges to colonial authority. By presenting both theoretical and practical aspects of prioritizing people, this volume establishes the need for rethinking conservation approaches while demonstrating how to do so effectively. Combining theory and practice, Prioritizing People in Ethical Decision-Making and Caring for Cultural Heritage Collections is valuable reading for conservation professionals, including collections managers, conservators, curators, and registrars. It will also benefit students working in Cultural Heritage Conservation, Museum studies, and Heritage Studies, as well as those taking courses in Art History and Anthropology.
Prioritizing Sustainability Education: A Comprehensive Approach
by Stephen Scoffham Joan Armon Chara ArmonPrioritizing Sustainability Education presents theory-to-practice essays and case studies by educators from six countries who elucidate dynamic approaches to sustainability education. Too often, students graduate with exploitative, consumer-driven orientations toward ecosystems and are unprepared to confront the urgent challenges presented by environmental degradation. Educators are prioritizing sustainability-oriented courses and programs that cultivate students’ knowledge, skills, and values and contextualize them within relational connections to local and global ecosystems. Little has yet been written, however, about the comprehensive sustainability education that educators are currently designing and implementing, often across or at the edges of disciplinary boundaries. The approaches described in this book expand beyond conventional emphases on developing students’ attitudes, knowledge, and behaviors by thinking and talking about ecosystems to additionally engaging students with ecosystems in sensory, affective, psychological, and cognitive dimensions, as well as imaginative, spiritual, or existential dimensions that guide environmental care and regeneration. This book supports educators and graduate and upper-level undergraduate students in the humanities, social sciences, environmental studies, environmental sciences, and professional programs in considering how to reorient their fields toward relational sustainability perspectives and practices.
Prismatic Media, Transnational Circuits: Feminism in a Globalized Present (Global Cinema)
by Krista Geneviève LynesWhat are the political and aesthetic dimensions of video art, documentary, and global cinema in contemporary image culture? Lynes makes visible how sites of political struggle, exploitation, and armed conflict can be interpreted through a feminist politics of location, attentive to the frictions and flows within transnational circuits of exchange.
Prismatic Performances: Queer South Africa and the Fragmentation of the Rainbow Nation (Triangulations: Lesbian/Gay/Queer Theater/Drama/Performance)
by April Sizemore-BarberAt his 1994 inauguration, South African president Nelson Mandela announced the “Rainbow Nation, at peace with itself and the world.” This national rainbow notably extended beyond the bounds of racial coexistence and reconciliation to include “sexual orientation” as a protected category in the Bill of Rights. Yet despite the promise of equality and dignity, the new government’s alliance with neoliberal interests and the devastation of the AIDS epidemic left South Africa an increasingly unequal society. Prismatic Performances focuses on the queer embodiments that both reveal and animate the gaps between South Africa’s self-image and its lived realities. It argues that performance has become a key location where contradictions inherent to South Africa’s post-apartheid identity are negotiated. The book spans 30 years of cultural production and numerous social locations and includes: a team of black lesbian soccer players who reveal and redefine the gendered and sexed limitations of racialized “Africanness;” white gay performers who use drag and gender subversion to work through questions of racial and societal transformation; black artists across the arts who have developed aesthetics that place on display their audiences’ complicity in the problem of sexual violence; and a primarily heterosexual panAfrican online soap opera fandom community who, by combining new virtual spaces with old melodramatic tropes allow for extended deliberation and new paradigms through which African same-sex relationships are acceptable. Prismatic Performances contends that when explicitly queer bodies emerge onto public stages, audiences are made intimately aware of their own bodies’ identifications and desires. As the sheen of the New South Africa began to fade, these performances revealed the inadequacy and, indeed, the violence, of the Rainbow Nation as an aspirational metaphor. Simultaneously they created space for imagining new radical configurations of belonging.