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by Beth KeryFor fans for Sylvia Day, J. Kenner and Maya Banks. A sexy, thrilling erotic romance from the New York Times ebook bestselling author of the Because You Are Mine series and The Affair.Genny loved her husband Max, but something was missing - a sexual charge that was instead ignited by his business partner, Sean. He was ruggedly handsome, with a heart-stopping smile and a slow, sexy New Orleans drawl that made Genny weak. The more time they spent together, the stronger the attraction between them became and when her husband offered to share her with Sean for one intoxicating night, both Genny and Sean were too tempted to refuse. That night in the company penthouse, Max and Sean showed Genny the heights of ecstasy. But it was Sean who scored her very spirit, and one-on-one, they were red hot. But as Genny learns, there's a price to pay for such impulsive pleasure. What began as a night of forbidden desire spirals into a whirlpool of murder, sensual submission, secrets, and a scorching passion that threatens to consume everyone it touches.Enter the seductive world of Beth Kery where the rules are broken with that first electrifying touch in the sizzling Because You Are Mine, One Night of Passion and The Affair novels.
Release Me: Stark Series Book 1 (Stark Series #3)
by J. KennerThe first in an irresistible, erotic, emotionally charged romance series for fans of Fifty Shades of Grey and Bared To You of a powerful man who's never heard 'no', a fiery woman who says 'yes' on her own terms and an unforgettable indecent proposal...He was the one man I couldn't avoid. And the one man I couldn't resist. Damien Stark could have his way with any woman. He was sexy, confident, and commanding: anything he wanted, he got. And what he wanted was me.Our attraction was unmistakable, almost beyond control, but as much as I ached to be his, I feared the pressures of his demands. Submitting to Damien meant I had to bare the darkest truth about my past - and risk breaking us apart.But Damien was haunted, too. And as our passion came to obsess us both, his secrets threatened to destroy him - and us - for ever.Spellbinding romance. Electrifying passion. Why not indulge in J. Kenner...Discover the whole story of Damien and Nikki's epic romance in J. Kenner's hot and addictive bestselling Stark series: Release Me, Claim Me, Complete Me, Take Me, Have Me, Play My Game, Seduce Me, Unwrap Me, Deepest Kiss, Entice Me and Anchor Me.(P)2013 Headline Digital
Release Me: The first irresistibly sexy novel in the iconic Stark series (Stark Series #1)
by J. Kenner'In a class of its own . . . An outstanding book and a definite page turner for any Fifty Shades fan!' ⭐ ⭐ ⭐ ⭐ ⭐Irresistible. Erotic. Emotionally charged. The unforgettable multi-million copy selling series, which started with an unforgettable indecent proposal . . .'Damien Stark is definitely up there on my list of sex gods!!' ⭐ ⭐ ⭐ ⭐ ⭐'If you are addicted to hot alpha males then this is a trilogy to add to your list' ⭐ ⭐ ⭐ ⭐ ⭐'Oh wow!! I think I've discovered another black knight in shining armour, Damien is awesome, loving and so so HOT' ⭐ ⭐ ⭐ ⭐ ⭐'Move over Christian Gray there is a new HOT HOT guy on the block' ⭐ ⭐ ⭐ ⭐ ⭐'This is even better then FSOG' ⭐ ⭐ ⭐ ⭐ ⭐'I am a massive fan of Sylvia Day and E. L. James and didn't think that anything else could top those authors . . . I was definitely wrong!! . . . I couldn't put it down . . . BRILLIANT' ⭐ ⭐ ⭐ ⭐ ⭐..............................................He was the one man I couldn't avoid. And the one man I couldn't resist.Damien Stark could have his way with any woman. He was sexy, confident, and commanding: anything he wanted, he got. And what he wanted was me.Our attraction was unmistakable, almost beyond control, but as much as I ached to be his, I feared the pressures of his demands. Submitting to Damien meant I had to bare the darkest truth about my past - and risk breaking us apart.But Damien was haunted, too. And as our passion came to obsess us both, his secrets threatened to destroy him - and us - for ever...............................................Spellbinding romance. Electrifying passion. Why not indulge in J. Kenner . . . The Stark Saga (full-length novels)Release MeClaim MeComplete MeAnchor MeLost With MeDamienEnchant MeStark Ever After (novellas)Take MeHave MePlay My GameSeduce MeUnwrap MeDeepest KissEntice MeHold MePlease MeIndulge MeDelight MeCherish MeEmbrace MeVisit J. Kenner's website for full reading order with spin-off stories!
Relevance and Marginalisation in Scandinavian and European Performing Arts 1770–1860: Questioning Canons
by Randi Margrete SelvikRelevance and Marginalisation in Scandinavian and European Performing Arts 1770–1860: Questioning Canons reveals how various cultural processes have influenced what has been included, and what has been marginalised from canons of European music, dance, and theatre around the turn of the nineteenth century and the following decades. This collection of essays includes discussion of the piano repertory for young ladies in England; canonisation of the French minuet; marginalisation of the popular German dramatist Kotzebue from the dramatic canon; dance repertory and social life in Christiania (Oslo); informal cultural activities in Trondheim; repertory of Norwegian musical clocks; female itinerant performers in the Nordic sphere; preconditions, dissemination, and popularity of equestrian drama; marginalisation and amateur staging of a Singspiel by the renowned Danish playwright Oehlenschläger, also with perspectives on the music and its composers; and the perceived relevance of Henrik Ibsen’s staged theatre repertory and early dramas. By questioning established notions about canon, marginalisation, and relevance within the performing arts in the period 1770–1860, this book asserts itself as an intriguing text both to the culturally interested public and to scholars and students of musicology, dance research, and theatre studies.
Relics and Writing in Late Medieval England
by Robyn MaloRelics and Writing in Late Medieval England uncovers a wide-ranging medieval discourse that had an expansive influence on English literary traditions. Drawing from Latin and vernacular hagiography, miracle stories, relic lists, and architectural history, this study demonstrates that, as the shrines of England's major saints underwent dramatic changes from c. 1100 to c. 1538, relic discourse became important not only in constructing the meaning of objects that were often hidden, but also for canonical authors like Chaucer and Malory in exploring the function of metaphor and of dissembling language.Robyn Malo argues that relic discourse was employed in order to critique mainstream religious practice, explore the consequences of rhetorical dissimulation, and consider the effect on the socially disadvantaged of lavish expenditure on shrines. The work thus uses the literary study of relics to address issues of clerical and lay cultures, orthodoxy and heterodoxy, and writing and reform.
Relics of War: The History of a Photograph
by Jennifer RaabHow a single haunting image tells a story about violence, mourning, and memoryIn 1865, Clara Barton traveled to the site of the notorious Confederate prison camp in Andersonville, Georgia, where she endeavored to name the missing and the dead. The future founder of the American Red Cross also collected their relics—whittled spoons, woven reed plates, a piece from the prison&’s &“dead line,&” a tattered Bible—and brought them back to her Missing Soldiers Office in Washington, DC, presenting them to politicians, journalists, and veterans&’ families before having them photographed together in an altar-like arrangement. Relics of War reveals how this powerful image, produced by Mathew Brady, opens a window into the volatile relationship between suffering, martyrdom, and justice in the wake of the Civil War.Jennifer Raab shows how this photograph was a crucial part of Barton&’s efforts to address the staggering losses of a war in which nearly half of the dead were unnamed and from which bodies were rarely returned home for burial. The Andersonville relics gave form to these absent bodies, offered a sacred site for grief and devotion, mounted an appeal on behalf of the women and children left behind, and testified to the crimes of war. The story of the photograph illuminates how military sacrifice was racialized as political reconciliation began, and how the stories of Black soldiers and communities were silenced.Richly illustrated, Relics of War vividly demonstrates how one photograph can capture a precarious moment in history, serving as witness, advocate, evidence, and memory.
Relics of the Reich: The Buildings the Nazis Left Behind
by Colin PhilpottThe author of Secret Wartime Britain examines the architecture left behind after the Nazis were defeated in World War II. Hitler&’s Reich may have been defeated in 1945, but many buildings, military installations, and other sites remained. At the end of the war, some were obliterated by the victorious Allies, but others survived. For almost fifty years, these were left crumbling and ignored with post-war and divided Germany unsure what to do with them, often fearful that they might become shrines for neo-Nazis. Since the early 1990s, Germans have come to terms with these iconic sites and their uncomfortable part. Some sites are even listed buildings.Relics of the Reich visits many of the buildings and structures built or adapted by the Nazis and looks at what has happened since 1945 to uncover what it tells us about Germany&’s attitude to Nazism now. It also acts as a commemoration of mankind&’s deliverance from a dark decade and serves as renewal of our commitment to ensure history does not repeat itself.
Religion Around Emily Dickinson (Religion Around #2)
by W. Clark GilpinReligion Around Emily Dickinson begins with a seeming paradox posed by Dickinson’s posthumously published works: while her poems and letters contain many explicitly religious themes and concepts, throughout her life she resisted joining her local church and rarely attended services. Prompted by this paradox, W. Clark Gilpin proposes, first, that understanding the religious aspect of the surrounding culture enhances our appreciation of Emily Dickinson’s poetry and, second, that her poetry casts light on features of religion in nineteenth-century America that might otherwise escape our attention. Religion, especially Protestant Christianity, was “around” Emily Dickinson not only in explicitly religious practices, literature, architecture, and ideas but also as an embedded influence on normative patterns of social organization in the era, including gender roles, education, and ideals of personal intimacy and fulfillment. Through her poetry, Dickinson imaginatively reshaped this richly textured religious inheritance to create her own personal perspective on what it might mean to be religious in the nineteenth century. The artistry of her poetry and the profundity of her thought have meant that this personal perspective proved to be far more than “merely” personal. Instead, Dickinson’s creative engagement with the religion around her has stimulated and challenged successive generations of readers in the United States and around the world.
Religion Around Emily Dickinson (Religion Around)
by W. Clark GilpinReligion Around Emily Dickinson begins with a seeming paradox posed by Dickinson’s posthumously published works: while her poems and letters contain many explicitly religious themes and concepts, throughout her life she resisted joining her local church and rarely attended services. Prompted by this paradox, W. Clark Gilpin proposes, first, that understanding the religious aspect of the surrounding culture enhances our appreciation of Emily Dickinson’s poetry and, second, that her poetry casts light on features of religion in nineteenth-century America that might otherwise escape our attention. Religion, especially Protestant Christianity, was “around” Emily Dickinson not only in explicitly religious practices, literature, architecture, and ideas but also as an embedded influence on normative patterns of social organization in the era, including gender roles, education, and ideals of personal intimacy and fulfillment. Through her poetry, Dickinson imaginatively reshaped this richly textured religious inheritance to create her own personal perspective on what it might mean to be religious in the nineteenth century. The artistry of her poetry and the profundity of her thought have meant that this personal perspective proved to be far more than “merely” personal. Instead, Dickinson’s creative engagement with the religion around her has stimulated and challenged successive generations of readers in the United States and around the world.
Religion Around John Donne (Religion Around #4)
by Joshua EckhardtIn this volume, Joshua Eckhardt examines the religious texts and books that surrounded the poems, sermons, and inscriptions of the early modern poet and preacher John Donne. Focusing on the material realities legible in manuscripts and Sammelbände, bookshops and private libraries, Eckhardt uncovers the myriad ways in which Donne’s writings were received and presented, first by his contemporaries, and later by subsequent readers of his work.Eckhardt sheds light on the religious writings with which Donne’s work was linked during its circulation, using a bibliographic approach that also informs our understanding of his work’s reception during the early modern period. He analyzes the religious implications of the placement of Donne’s poem “A Litany” in a library full of Roman Catholic and English prayer books, the relationship and physical proximity of Donne’s writings to figures such as Sir Thomas Egerton and Izaak Walton, and the movements in later centuries of Donne’s work from private owners to the major libraries that have made this study possible. Eckhardt’s detailed research reveals how Donne’s writings have circulated throughout history—and how religious readers, communities, and movements affected the distribution and reception of his body of work.Centered on a place in time when distinct methods of reproduction, preservation, and circulation were used to negotiate a complex and sometimes dangerous world of confessional division, Religion Around John Donne makes an original contribution to Donne studies, religious history, book history, and reception studies.
Religion Around Virginia Woolf (Religion Around #6)
by Stephanie PaulsellVirginia Woolf was not a religious person in any traditional sense, yet she lived and worked in an environment rich with religious thought, imagination, and debate. From her agnostic parents to her evangelical grandparents, an aunt who was a Quaker theologian, and her friendship with T. S. Eliot, Woolf’s personal circle was filled with atheists, agnostics, religious scholars, and Christian converts. In this book, Stephanie Paulsell considers how the religious milieu that Woolf inhabited shaped her writing in unexpected and innovative ways.Beginning with the religious forms and ideas that Woolf encountered in her family, friendships, travels, and reading, Paulsell explores the religious contexts of Woolf’s life. She shows that Woolf engaged with religion in many ways, by studying, reading, talking and debating, following controversies, and thinking about the relationship between religion and her own work. Paulsell examines the ideas about God that hover around Woolf’s writings and in the minds of her characters. She also considers how Woolf, drawing from religious language and themes in her novels and in her reflections on the practices of reading and writing, created a literature that did, and continues to do, a particular kind of religious work.A thought-provoking contribution to the literature on Woolf and religion, this book highlights Woolf’s relevance to our post-secular age. In addition to fans of Woolf, scholars and general readers interested in religious and literary studies will especially enjoy Paulsell’s well-researched narrative.
Religion Around Virginia Woolf (Religion Around)
by Stephanie PaulsellVirginia Woolf was not a religious person in any traditional sense, yet she lived and worked in an environment rich with religious thought, imagination, and debate. From her agnostic parents to her evangelical grandparents, an aunt who was a Quaker theologian, and her friendship with T. S. Eliot, Woolf’s personal circle was filled with atheists, agnostics, religious scholars, and Christian converts. In this book, Stephanie Paulsell considers how the religious milieu that Woolf inhabited shaped her writing in unexpected and innovative ways.Beginning with the religious forms and ideas that Woolf encountered in her family, friendships, travels, and reading, Paulsell explores the religious contexts of Woolf’s life. She shows that Woolf engaged with religion in many ways, by studying, reading, talking and debating, following controversies, and thinking about the relationship between religion and her own work. Paulsell examines the ideas about God that hover around Woolf’s writings and in the minds of her characters. She also considers how Woolf, drawing from religious language and themes in her novels and in her reflections on the practices of reading and writing, created a literature that did, and continues to do, a particular kind of religious work.A thought-provoking contribution to the literature on Woolf and religion, this book highlights Woolf’s relevance to our post-secular age. In addition to fans of Woolf, scholars and general readers interested in religious and literary studies will especially enjoy Paulsell’s well-researched narrative.
Religion and Aesthetic Experience in Joyce and Yeats
by Tudor BalinisteanuThis monograph is based on archival research and close readings of James Joyce's and W. B. Yeats's poetics and political aesthetics. Georges Sorel's theory of social myth is used as a starting point for exploring the ways in which the experience of art, like that of social myth, can be seen as a form of religious experience. The theorisation of the experience of art as a form of religious experience illuminates the role of art in engendering social attitudes in opposition to economic materialism and capitalism. Based on these analyses, the arguments explore the ways in which a theory that defines the experience of art as a form of religious experience can help us to answer three questions of pressing interest for the contemporary moment: How can we read cultural texts to imagine forms of social belonging through which to challenge the isolation of economic materialism? How can we imagine cultural texts to create the collective relations necessary for social change in global capitalism? How can we define an ethics of satisfaction that does not relate to this capital modernity?
Religion and Contemporary Art: A Curious Accord
by Ronald R. BernierReligion and Contemporary Art sets the theoretical frameworks and interpretive strategies for exploring the re-emergence of religion in the making, exhibiting, and discussion of contemporary art. Featuring essays from both established and emerging scholars, critics, and artists, the book reflects on what might be termed an "accord" between contemporary art and religion. It explores the common strategies contemporary artists employ in the interface between religion and contemporary art practice. It also includes case studies to provide more in-depth treatments of specific artists grappling with themes such as ritual, abstraction, mythology, the body, popular culture, science, liturgy, and social justice, among other themes. It is a must-read resource for working artists, critics, and scholars in this field, and an invitation to new voices "curious" about its promises and possibilities.
Religion and Drama in Early Modern England: The Performance of Religion on the Renaissance Stage (Studies In Performance And Early Modern Drama Ser.)
by Elizabeth WilliamsonOffering fuller understandings of both dramatic representations and the complexities of religious culture, this collection reveals the ways in which religion and performance were inextricably linked in early modern England. Its readings extend beyond the interpretation of straightforward religious allusions and suggest new avenues for theorizing the dynamic relationship between religious representations and dramatic ones. By addressing the particular ways in which commercial drama adapted the sensory aspects of religious experience to its own symbolic systems, the volume enacts a methodological shift towards a more nuanced semiotics of theatrical performance. Covering plays by a wide range of dramatists, including Shakespeare, individual essays explore the material conditions of performance, the intricate resonances between dramatic performance and religious ceremonies, and the multiple valences of religious references in early modern plays. Additionally, Religion and Drama in Early Modern England reveals the theater's broad interpretation of post-Reformation Christian practice, as well as its engagement with the religions of Islam, Judaism and paganism.
Religion and Film: Cinema and the Re-creation of the World (Critical Concepts In Media And Cultural Studies)
by S. Brent PlateReligion and cinema share a capacity for world making, ritualizing, mythologizing, and creating sacred time and space. Through cinematography, mise-en-scène, editing, and other production activities, film takes the world “out there” and refashions it. Religion achieves similar ends by setting apart particular objects and periods of time, telling stories, and gathering people together for communal actions and concentrated focus. The result of both cinema and religious practice is a re-created world: a world of fantasy, a world of ideology, a world we long to live in, or a world we wish to avoid at all costs.Religion and Film introduces readers to both religious studies and film studies by focusing on the formal similarities between cinema and religious practices and on the ways they each re-create the world. Explorations of film show how the cinematic experience relies on similar aesthetic devices on which religious rituals have long relied: sight, sound, the taste of food, the body, and communal experience. Meanwhile, a deeper understanding of the aesthetic nature of religious rituals can alter our understanding of film production. Utilizing terminology and theoretical insights from the study of religion as well as the study of film, Religion and Film shows that by paying attention to the ways films are constructed, we can shed new light on the ways religious myths and rituals are constructed and vice versa.This thoroughly revised and expanded new edition is designed to appeal to the needs of courses in religion as well as film departments. In addition to two new chapters, this edition has been restructured into three distinct sections that offer students and instructors theories and methods for thinking about cinema in ways that more fully connect film studies with religious studies.
Religion and Spanish Film: Luis Buñuel, the Franco Era, and Contemporary Directors
by Elizabeth ScarlettTreatments of religion found in Spanish cinema range from the pious to the anticlerical and atheistic, and every position in between. In a nation with a strong Catholic tradition, resistance to and rebellion against religious norms go back almost as far as the notion of "Sacred Spain." Religion and Spanish Film provides a sustained study of the religious film genre in Spain practiced by mainstream Francoist film makers, the evolving iconoclasm, parody, and reinvention of the Catholic by internationally renowned Surrealist Luis Buñuel, and the ongoing battle of the secular versus the religious manifested in critically and popularly acclaimed directors Pedro Almodóvar, Julio Medem, Alejandro Amenábar, and many others. The conflicted Catholicism that emerges from examining religious themes in Spanish film history shows no sign of ending, as unresolved issues from the Civil War and Franco dictatorship, as well as the unsettled relationship between Church and State, continue into the present.
Religion and the American West: Belief, Violence, and Resilience from 1800 to Today
by Jessica Lauren NelsonReligion and the American West offers a lavishly illustrated and comprehensive overview of the ways religion has shaped the idea of the American West and how the region has influenced broader religious and racial categories. Starting when the concept of the &“American West&” emerged in the early 1800s and continuing the analysis through modern times, Religion and the American West explores the interplay between a wide range of American belief systems, from established world religions to new spiritual innovations.A stunning selection of material and print culture illustrates the varied range of religious expressions across the history of the American West. Taken as a whole, the contributors challenge longstanding definitions of the American West and provide a new narrative that recenters our attention on the lived experiences of diverse peoples and communities. It also serves as the companion publication for the exhibition &“Acts of Faith,&” opening fall 2023 at the New York Historical Society. Religion and the American West is a story of vibrant innovation and tragic conflict, showcasing how historical actors and modern-day readers wrestle with the meaning of religious belief in the American West.
Religion in Vogue: Christianity and Fashion in America
by Lynn S. NealHow the fashion industry has contributed to religious change From cross necklaces to fashion designs inspired by nuns’ habits, how have fashion sources interpreted Christianity? And how, in turn, have these interpretations shaped conceptions of religion in the United States? Religion in Vogue explores the intertwined history of Christianity and the fashion industry. Using a diverse range of fashion sources, including designs, jewelry, articles in fashion magazines, and advertisements, Lynn S. Neal demonstrates how in the second half of the twentieth century the modern fashion industry created an aestheticized Christianity, transforming it into a consumer product. The fashion industry socialized consumers to see religion as fashionable and as a beautiful lifestyle accessory—something to be displayed, consumed, and experienced as an expression of personal identity and taste. Religion was something to be embraced and shown off by those who were sophisticated and stylish, and not solely the domain of the politically conservative. Neal ultimately concludes that, through aestheticizing Christianity, the fashion industry has offered Americans a means of blending traditional elements of religion—such as ritual practice, miraculous events, and theological concepts—with modern culture, revealing a new dimension to the personal experience of religion.
Religion, Art, and Visual Culture: A Cross-Cultural Reader
by S. Brent PlateThis book is a cross-cultural exploration of the study of visuality and the arts from a religious perspective. This forward looking and accessible collection gathers together the most current scholarship for those interested in art, religion, visual culture, and cultural studies. <p><p> Inherently interdisciplinary, this reader approaches the study of world religions through the human, meaning-making activity of seeing. The volume oscillates between specific visual subjects (painting, landscape gardens, calligraphy, architecture, mass media) and the broader theoretical discourses which are relevant to Humanities students today.
Religion, Democracy and Israeli Society
by Charles S. LiebmanFirst Published in 1997. The essays in this volume are revisions, in some cases substantial, to the 1995 Sherman Lectures which the author delivered at SOAS, the School of Oriental and African Studies of the University of London.
Religion, Theatre, and Performance: Acts of Faith (Routledge Advances in Theatre & Performance Studies)
by Lance GharaviThe intersections of religion, politics, and performance form the loci of many of the most serious issues facing the world today, sites where some of the world’s most pressing and momentous events are contested and played out. That this circumstance warrants continued, thoughtful, and imaginative engagement from those within the fields of theatre and performance is one of the guiding principles of this volume. This collection features a diverse set of perspectives, written by some of the top scholars in the relevant fields, on the many modern intersections of religion with theatre and performance. Contributors argue that religion can no longer be conceived of as a cultural phenomenon that is safely sequestered in the "private sphere." It is instead an explicitly public force that stimulates and complicates public actions, and thus a crucial component of much performance. From mystic theologies of acting to the neuroscience of spirituality in rituals to the performance of secularism, these essays address a broad variety of religious traditions, sharing a common conception of religion as a crucial object of discourse—one that is formed by, and significantly formative of, performance.
Religion-State Encounters in Hindu Domains
by Vineeta SinhaThe historical and empirical project presented here is grounded in a desire to theorize 'religion-state' relations in the multi-ethnic, multi-religious, secular city-state of Singapore. The core research problematic of this project has emerged out of the confluence of two domains, 'religion, law and bureaucracy' and 'religion and colonial encounters.' This work has two core objectives: one, to articulate the actual points of engagement between institutions of religion and the state, and two, to identify the various processes, mechanisms and strategies through which relations across these spheres are sustained. The thematic foundations of this book rest on disentangling the complex interactions between religious communities, individuals and the various manifestations of the Singapore state, relationships that are framed within a culture of bureaucracy. This is accomplished through a scrutiny of Hindu domains on the island nation-state, from her identity as part of the Straits Settlements to the present day. The empirical and analytical emphases of this book rest on the author's engagement with the realm of Hinduism as it is conceived, structured, framed and practiced within the context of a strong state in Singapore today. Ethnographically,the book focusses on Hindu temple management and the observance of Hindu festivals and processions, enacted within administrative and bureaucratic frames.
Religions Of Star Trek
by Ross Kraemer William Cassidy Susan L SchwartzIs there a God? What evil lurks beyond the stars? Can science save one’s soul? Profound questions like these have consumed human thought over the ages; they also inspired the original creators of the Star Trek canon of TV series and films. Religions of Star Trek tackles these challenging questions head-on in a remarkable look at one of sci-fi’s great success stories. Analyzing more than three decades of screen adventure, the authors depict a Star Trek transformed, corresponding to the resurgence of religion in American public discourse. The authors identify the many religious characters in Star Trek, tracing the roots of scientific humanism to more contemporary aspects of religion and spirituality. Through it all, the creators’ visionary outlook remains constant: a humanistic faith in free will and the salvific nature of dispassionate scientific inquiry. This book was not prepared, licensed, approved, or endorsed by any entity involved in creating or producing the Star Trek television series or films.
Religious Aesthetics: A Theological Study of Making and Meaning
by Frank BrowningMany modes of religious expression and experience have a markedly aesthetic component, even though aesthetic delight itself often appears to be free of moral or religious interests. In this ground-breaking work, Frank Burch Brown shows how aesthetics, no less than ethics, can play a central role in the study of religion and in the practice of theology.