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Rewriting Secrets for Screenwriters: Seven Strategies to Improve and Sell Your Work
by Tom LazarusEvery screenwriter needs to rewrite—more than once, probably many times—to make the story work and then to make a sale. And then again later on, to please producers, studios or stars. Tom Lazarus--author of "Stigmata", among other scripts--is a working screenwriter and professor at UCLA extension. In this book, he's distilled his own experience and that of other screenwriters into a system. SECRETS OF FILM REWRITING will teach writers how to:-prioritize big scenes-track transitions-plot corrections-add new information-pass through for dialogue-do an "on the nose" rewrite Hugely valuable to first-time screenwriters and to grizzled veterans of Hollywood pitch wars alike, SECRETS OF SCREENPLAY REWRITING is larded with humor and attitude as well as information. Its anatomy of a screenplay rewrite breaks down the book's lessons into their practical application—a must for anyone looking for a break in the film business.
Rewriting Television
by Alison PeirseRewriting Television suggests that it is time for a radical overhaul of television studies. If we don’t want to merely recycle the same old methods, approaches, and tropes for another twenty years, we need to consider major changes in why and how we do our work. This book offers a new model for doing television (or film or media) studies that can be taken up around the world. It synthesizes ideas from production studies, screenwriting studies, and the idea of “writing otherwise” to create a new way of studying television. It presents an entirely original approach to working with practitioner interviews that has never been seen before in film, television, or media studies. It then offers a series of original reflections on form, story, and voice and considers how these reflections could shape future writing in our discipline(s). Ultimately, this is a book of ideas. This book asks “what if?” This book is an opportunity to imagine differently.
Rewriting: How To Do Things With Texts
by Joseph Harris"Like all writers, intellectuals need to say something new and say it well. But unlike many other writers, what intellectuals have to say is bound up with the books we are reading . . . and the ideas of the people we are talking with. " What are the moves that an academic writer makes? How does writing as an intellectual change the way we work from sources? InRewriting, a textbook for the undergraduate classroom, Joseph Harris draws the college writing student away from static ideas of thesis, support, and structure, and toward a more mature and dynamic understanding. Harris wants college writers to think of intellectual writing as an adaptive and social activity, and he offers them a clear set of strategies-a set of moves-for participating in it.
Rewriting: How To Do Things With Texts
by Joseph Harris"Like all writers, intellectuals need to say something new and say it well. But unlike many other writers, what intellectuals have to say is bound up with the books we are reading . . . and the ideas of the people we are talking with." What are the moves that an academic writer makes? How does writing as an intellectual change the way we work from sources? In Rewriting, a textbook for the undergraduate classroom, Joseph Harris draws the college writing student away from static ideas of thesis, support, and structure, and toward a more mature and dynamic understanding. Harris wants college writers to think of intellectual writing as an adaptive and social activity, and he offers them a clear set of strategies—a set of moves—for participating in it.
Rex Ray: We Are All Made Of Light
by Griff WilliamsRex Ray celebrates life, work, and legacy of iconic San Francisco fine artist Rex Ray (1956–2015). This comprehensive volume features more than 100 of his works on canvas, wood, and paper—including never-before-seen pieces courtesy of the Rex Ray estate. His playful painted-paper-collages and organic, abstract forms have earned him comparisons to artists like Paul Klee and Henri Matisse.• Essays by celebrated writer Rebecca Solnit, art critic Christian Frock, and Ray's gallerist and friend Griff Williams• Ray's collages and paintings are both playful and geometric.• This vibrant book pays tribute to Ray's life and work.Rex Ray was a successful and prolific fine artist whose art has been shown at major museums and galleries throughout the United States. Now, longtime collectors and new fans alike can revel in the beauty of Ray's inimitable body of work. Ray's exuberantly colorful paintings and collages are a testament to the prolific artist's joy in the creative process.• This fine art monograph is perfect for Ray's fans and collectors, as well as those discovering the power and beauty of his work for the first time.• A perfect book for lovers of pop art and modern design, museumgoers, fine art fans, artists, designers, and those interested in the San Francisco art scene and local history• Great for those who loved Rex Ray: We Are All Made of Light by Griff Williams, Kevin Killa, and Rene Paul Barilleaux; House Industries: The Process Is the Inspiration by House Industries; and Barry McGee by Aaron Rose and Barry McGee
Rexburg (Images of America)
by Mardi J. Parkinson Lowell J. ParkinsonThe mountainous terrain and abundance of rivers near what would later become the city of Rexburg were a magnet for the Missouri Fur Company; in 1810, Maj. Andrew Henry, a representative for the company, built a trading post seven miles north of Rexburg. On March 10, 1883, Thomas E. Ricks, who was accompanied by 10 men, settled an area located east of the three buttes across the Snake River. Rexburg's early days reflected the typical lifestyle of many northwestern towns in the late 19th century: saloons dotted Main Street, cowboys got into shooting matches in town, and farmers struggled to conquer mother earth while pioneer families endured the cold harsh winters. The combination of tall sagebrush and volcanic ash proved to be an ideal agricultural combination for producing wheat, barley, and potatoes. Education was important, and a college was established in the early years, starting in 1888.
Reynolda: 1906-1924
by Barbara Babcock MillhouseReynolda--with its family home and gardens, experimental farm, village, and woodland--is an excellent example of the Country Place era. This popular destination in Winston-Salem, North Carolina, was created between 1906 and 1924 through the collaboration of three talented people: visionary Katharine Reynolds, architect Charles Barton Keen, and landscape architect Thomas W. Sears. With the financial backing of her husband, founder of the R. J. Reynolds Tobacco Company, Katharine Reynolds transformed a patchwork of worn-out farmland into a landscape of great natural beauty that includes a formal garden, 16-acre lake, recreational facilities, and some of the finest cropland. The sparkling white cluster of village buildings and their occupants are also integral to this story.
Rheology of Fresh Cement and Concrete: Proceedings of an International Conference, Liverpool, 1990
by P.F.G. BanfillThis book brings together new research information on the flow behaviour of cementitious materials from the UK, France, Italy, Germany, Poland, Finland, USSR, USA and Japan, presented at the International Conference organised by the British Society of Rheology in March 1990.
Rhetoric and Guns
by Ryan Skinnell Lydia Wilkes Nate KreuterGuns hold a complex place in American culture. Over 30,000 Americans die each year from gun violence, and guns are intimately connected to issues of public health, as is evident whenever a mass shooting occurs. But guns also play an important role in many Americans’ lives that is not reducible to violence and death—as tools, sporting equipment, and identity markers. They are also central to debates about constitutional rights, as seen in ongoing discussions about the Second Amendment, and they are a continuous source of legislative concern, as apparent in annual ratings of gun-supporting legislators. Even as guns are wrapped up with other crucial areas of concern, they are also fundamentally a rhetorical concern. Guns and gun violence occupy a unique rhetorical space in the United States, one characterized by silent majorities, like most gun owners; vocal minorities, like the firearm industry and gun lobby; and a stalemate that fails to stem the flood of the dead. How Americans talk, deliberate, and fight about guns is vital to how guns are marketed, used, and regulated. A better understanding of the rhetorics of guns and gun violence can help Americans make better arguments about them in the world. However, where guns are concerned, rhetorical studies is not terribly different from American culture more generally. Guns are ever-present and exercise powerful effects, but they are commonly talked about in oblique, unsystematic ways. Rhetoric and Guns advances more direct, systematic engagement in the field and beyond by analyzing rhetoric about guns, guns in rhetoric, and guns as rhetoric, particularly as they relate to specific instances of guns in culture. The authors attempt to understand rhetoric’s relationship to guns by analyzing rhetoric about guns and how they function in and as rhetoric related to specific instances—in media coverage, political speech, marketing, and advertising. Original chapters from scholars in rhetorical studies, communication, education, and related fields elucidate how rhetoric is used to maintain and challenge the deadly status quo of gun violence in the United States and extend rhetoricians’ sustained interest in the fields’ relationships to violence, brutality, and atrocity. Contributors: Ira J. Allen, Brian Ballentine, Matthew Boedy, Peter Buck, Lisa Corrigan, Rosa Eberly, Kendall Gerdes, Ian E. J. Hill, Nathalie Kuriowa-Lewis, Patricia Roberts-Miller, Craig Rood, Bradley Serber, Catherine R. Squires, Scott Gage
Rhetoric and Innovation in Hellenistic Art
by Kristen SeamanHellenistic artworks are celebrated for innovations such as narrative, characterization, and description. The most striking examples are works associated with the Hellenistic courts. Their revolutionary appearance is usually attributed to Alexander the Great's conquest of the Near East, the start of the Hellenistic kingdoms, and Greek-Eastern interactions. In Rhetoric and Innovation in Hellenistic Art, Kristen Seaman offers a new approach to Hellenistic art by investigating an internal development in Greek cultural production, notably, advances in rhetoric. Rhetorical education taught kings, artists, and courtiers how to be Greek, giving them a common intellectual and cultural background from which they approached art. Seaman explores how rhetorical techniques helped artists and their royal patrons construct Hellenism through their innovative art in the scholarly atmospheres of Pergamon and Alexandria. Drawing upon artistic, literary, and historical evidence, this interdisciplinary study will be of interest to students and scholars in art and archaeology, Classics, and ancient history.
Rhetoric, Inc.: Ford’s Filmmaking and the Rise of Corporatism (RSA Series in Transdisciplinary Rhetoric #15)
by Timothy JohnsonIn 1914, the Ford Motor Company opened its Motion Picture Laboratory, an in-house operation that produced motion pictures to educate its workforce and promote its products. Just six years later, Ford films had found their way into schools and newsreels, travelogues, and even feature films in theaters across the country. By 1961, it is estimated that the company’s movies had captured an audience of sixty-four million people.This study of Ford’s corporate film program traces its growth and rise in prominence in corporate America. Drawing on nearly three hundred hours of material produced between 1914 and 1954, Timothy Johnson chronicles the history of Ford’s filmmaking campaign and analyzes selected films, visual and narrative techniques, and genres. He shows how what began as a narrow educational initiative grew into a global marketing strategy that presented a vision not just of Ford or corporate culture but of American life more broadly. In these films, Johnson uncovers a powerful rhetoric that Ford used to influence American labor, corporate style, production practices, road building, suburbanization, and consumer culture. The company’s early and continued success led other corporations to adopt similar programs.Persuasive and thoroughly researched, Rhetoric, Inc. documents the role that imagery and messaging played in the formation of the modern American corporation and provides a glimpse into the cultural turn to the economy as a source of entertainment, value, and meaning.
Rhetoric, Inc.: Ford’s Filmmaking and the Rise of Corporatism (RSA Series in Transdisciplinary Rhetoric #15)
by Timothy JohnsonIn 1914, the Ford Motor Company opened its Motion Picture Laboratory, an in-house operation that produced motion pictures to educate its workforce and promote its products. Just six years later, Ford films had found their way into schools and newsreels, travelogues, and even feature films in theaters across the country. It is estimated that by 1961, the company’s movies had captured an audience of sixty-four million people.This study of Ford’s corporate film program traces its growth and rise in prominence in corporate America. Drawing on nearly three hundred hours of material produced between 1914 and 1954, Timothy Johnson chronicles the history of Ford’s filmmaking campaign and analyzes selected films, visual and narrative techniques, and genres. He shows how what began as a narrow educational initiative grew into a global marketing strategy that presented a vision not just of Ford or corporate culture but of American life more broadly. In these films, Johnson uncovers a powerful rhetoric that Ford used to influence American labor, corporate style, production practices, road building, suburbanization, and consumer culture. The company’s early and continued success led other corporations to adopt similar programs.Persuasive and thoroughly researched, Rhetoric, Inc. documents the role that imagery and messaging played in the formation of the modern American corporation and provides a glimpse into the cultural turn to the economy as a source of entertainment, value, and meaning.
Rhetorics of Value: Exhibition Design and Communication in Museums and Beyond
by Corinne A. KratzIn Rhetorics of Value, Corinne A. Kratz explores how exhibition design creates and conveys values that have the potential to touch, educate, and engage visitors. Drawing on case studies from the Victoria and Albert Museum, museums in South Africa and Kenya, a Hawaiian resort hotel, and the Smithsonian’s National Museum of African American History and Culture, among others, Kratz shows how exhibits help shape and narrate cultural categories, values, and histories while provoking questions and evoking memories and experiences. She crosses contexts to consider ethnographic, history, and art exhibits in national and community museums and other display settings. Through these examples, Kratz traces how exhibition designers combine objects, texts, images, lighting, audio, space, and narratives to craft a complex, multilayered communicative form that visitors experience as they move through museums. By investigating the relationship between audience reception and exhibition design strategies, Kratz contends that through design, exhibits can shape the ways we know, the stories we tell, and our contours of meaning and engagement.
Rhett & Link's Book of Mythicality: A Field Guide to Curiosity, Creativity, and Tomfoolery
by Link Neal Rhett McLaughlin"Internetainers" Rhett & Link met in first grade when their teacher made them miss recess for writing profanity on their desks, and they have been best friends ever since. Today, their daily YouTube talk show, Good Mythical Morning, is the most-watched daily talk show on the Internet, and nearly 12 million subscribers tune in to see the guys broadcast brainy trivia, wild experiments, and hilarious banter (not to mention the occasional cereal bath). Now the award-winning comedians are finally bringing their "Mythical" world to the printed page in their first book. A hilarious blend of autobiography, trivia, and advice, Rhett & Link's Book of Mythicality: A Field Guide to Curiosity, Creativity, and Tomfoolery will offer twenty ways to add "Mythicality" to your life, including: Eat Something That Scares You Make a Bold Hair Choice Invent Something Ridiculous Say "I Love You" Like It's Never Been Said Speak at Your Own FuneralThe goal of these offbeat prompts? To learn new things, laugh more often, and earn a few grown-up merit badges along the way. Heartfelt and completely original, this book will be the perfect gift for anyone looking for a fresh dose of humor and fun.
Rhinebeck's Historic Architecture
by Nancy V. KellyNestled on the banks of the Hudson River, Rhinebeck, New York, is a shining example of American architectural history. Lifelong resident and Town Historian Nancy Kelly scrutinizes Rhinebeck's eclectic structures, from modest cabins to Victorian estates, framed colonial homes to elaborate Beaux Arts mansions. Kelly chronicles what life was like for the Rhinebeck citizens residing in these dwellings. Read Rhinebeck's Historic Architecture to discover the vibrant heritage of this colonial village.
Rhode Island Amusement Parks (American Century Series)
by Ryan Young Rob LewisRhode Islanders were once able to enjoy amusement parks without traveling far; the state was home to several ocean front parks as early as the mid-18th century, with some of them surviving into the late 19th century. Photographers Rob Lewis and Ryan Young have embarked on a journey to discover the amusement parks of the past in this delightful and unprecedented collection of images. Rhode Island Amusement Parks brings back the memories of a time less complicated than the present, when a sense of family held communities together. View the parks that provided a recreational outlet for so many Rhode Island families and the visitors who frequented them. Scenes from several neighboring Massachusetts amusement parks are also pictured. The images in this collection are from two large private archives as well as treasured family collections. Special highlights include photographs of hand-operated rides of the 1800s and views of President Taft's plane, which landed at Sandy Beach in 1911. Also featured is Vanity Fair, an amusement park that lasted only five years during the first decade of this century. Residents of these communities will enjoy seeing Rhode Island as it once was and will witness the changes it has endured over the years.
Rhode Island Shipwrecks (Images of America)
by Charlotte TaylorRhode Island, the Ocean State, has more shipwrecks per square mile than any other state. The south coast and Block Island are the resting places of many shipwrecks, with many more located in Narragansett Bay. The record of shipwrecks in Rhode Island begins immediately after the arrival of Europeans in the early 17th century with the grounding of a Dutch trading vessel, and thousands more vessels came to grief in its waters in the following centuries, through bad weather, human error, equipment failure, and military action. Some of these shipwrecks were epic disasters, with many fatalities and the total loss of the vessel; others were relatively minor misfortunes in which the ships were salvageable. Many shipwrecks from the 19th century on into the 20th were captured in the dramatic images gathered here. These pictures show the variety of vessels that travelled Rhode Island�s waters back when the ocean was the primary transportation corridor and the many ways in which they met misfortune.
Rhode Island's Mill Villages: Simmonsville, Pocasset, Olneyville, and Thornton (Images of America)
by Joe FuocoRhode Island's Mill Villages is a fascinating visualhistory of the development and evolution of over 150 years of life in Simmonsville, Pocasset, Olneyville, and Thornton. Some 200 rare and historic photographs are coupled with detailed and informative captions that immerse the reader in the daily lives and environments of these communities. In the years surrounding the Civil War, European immigrants and textile workers came to Rhode Island to work in the state's mills. Soon, villages and neighborhoods formed around these mills, creating unique and closely knit communities in which the wealthy families who owned and operated the mills lived side by side with those who labored for them. The photographs presented here offer a glimpse at the development of these familial communities that are such an integral part in the history of both RhodeIsland and the United States.
Rhythmic Form in Art (Dover Fine Art, History Of Art Series)
by Irma A. RichterIn this captivating study, an influential scholar-artist offers timeless advice on shape, form, and composition for artists in any medium. Irma Richter illuminates the connections between art and science by surveying works of art from classical antiquity through the Modernist era. Richter shows the conscious and unconscious ways artists animated their works with geometric principles in an attempt to reconcile the realms of form and design. This book presents a simple method that can be employed for every kind of design—a method that underlies some of the greatest paintings of the Renaissance and was used by the architect of the Parthenon and the craftsmen of ancient Egypt. With research that leads to Florence, Chartres, Athens, and up the Nile Valley, the author surveys the geometric scheme behind the works of art of the past. Seventy-two images help illustrate the philosophical and religious significance connected with the artistic proportioning of space.
Rhythms of the Afro-Atlantic World: Rituals and Remembrances
by Mamadou Diouf Ifeoma Kiddoe Nwanko"Collecting essays by fourteen expert contributors into a trans-oceanic celebration and critique, Mamadou Diouf and Ifeoma Kiddoe Nwankwo show how music, dance, and popular culture turn ways of remembering Africa into African ways of remembering. With a mix of Nuyorican, Cuban, Haitian, Kenyan, Senegalese, Trinidagonian, and Brazilian beats, Rhythms of the Afro-Atlantic World proves that the pleasures of poly-rhythm belong to the realm of the discursive as well as the sonic and the kinesthetic. " ---Joseph Roach, Sterling Professor of Theater, Yale University. "As necessary as it is brilliant, Rhythms of the Afro-Atlantic World dances across, beyond, and within the Black Atlantic Diaspora with the aplomb and skill befitting its editors and contributors. " ---Mark Anthony Neal, author of Soul Babies: Black Popular Culture and the Post-Soul Aesthetic. Along with linked modes of religiosity, music and dance have long occupied a central position in the ways in which Atlantic peoples have enacted, made sense of, and responded to their encounters with each other. This unique collection of essays connects nations from across the Atlantic---Senegal, Kenya, Trinidad, Cuba, Brazil, and the United States, among others---highlighting contemporary popular, folkloric, and religious music and dance. By tracking the continuous reframing, revision, and erasure of aural, oral, and corporeal traces, the contributors to Rhythms of the Afro-Atlantic World collectively argue that music and dance are the living evidence of a constant (re)composition and (re)mixing of local sounds and gestures. Rhythms of the Afro-Atlantic World distinguishes itself as a collection focusing on the circulation of cultural forms across the Atlantic world, tracing the paths trod by a range of music and dance forms within, across, or beyond the variety of locales that constitute the Atlantic world. The editors and contributors do so, however, without assuming that these paths have been either always in line with national, regional, or continental boundaries or always transnational, transgressive, and perfectly hybrid/syncretic. This collection seeks to reorient the discourse on cultural forms moving in the Atlantic world by being attentive to the specifics of the forms---their specific geneses, the specific uses to which they are put by their creators and consumers, and the specific ways in which they travel or churn in place. Mamadou Diouf is Leitner Family Professor of African Studies, Director of the Institute of African Studies, and Professor of History at Columbia University. Ifeoma Kiddoe Nwankwo is Associate Professor of English at Vanderbilt University. Jacket photograph by Elias Irizarry
Ribbon Girls: Wind, Weave, Twist & Tie; Dress Up Your Room, Show Team Spirit, Create Pretty Presents
by Maryellen KimTips and tools for budding artists to beribbon their lampshades, clothes, jewelry, totes, and more! Here is a boundless source of inspiration for crafty kids to turn their headbands, belts—even paper clips—into works of art, using ordinary ribbons, buttons, and string. The project materials are inexpensive and easy to find—you probably have most of them in a junk drawer right now! This book will instill a lifelong love of all things handmade in young artists. From brightening up their bedroom decor and hair accessories to personalizing their school supplies and jewelry, these projects are the perfect antidote to rainy day boredom. &“Wind, weave, twist, and tie—that&’s the premise behind 26 projects created from ribbons, buttons, rickrack, and string. Kids ages 8 and up can dive right in and make these projects themselves.&”—American Sewing Guild Notions
Ribbon of Darkness: Inferencing from the Shadowy Arts and Sciences
by Barbara Maria StaffordOver the course of her career, Barbara Stafford has established herself the preeminent scholar of the intersections of the arts and sciences, articulating new theories and methods for understanding the sublime, the mysterious, the inscrutable. Omnivorous in her research, she has published work that embraces neuroscience and philosophy, biology and culture, pinpointing connections among each discipline’s parallel concerns. Ribbon of Darkness is a monument to the scope of her work and the range of her intellect. At times associative, but always incisive, the essays in this new volume take on a distinctly contemporary purpose: to uncover the ethical force and moral aspects of overlapping scientific and creative inquiries. This shared territory, Stafford argues, offers important insights into—and clarifications of—current dilemmas about personhood, the supposedly menial nature of manual skill, the questionable borderlands of gene editing, the potentially refining value of dualism, and the limits of a materialist worldview. Stafford organizes these essays around three concepts that structure the book: inscrutability, ineffability, and intuitability. All three, she explains, allow us to examine how both the arts and the sciences imaginatively infer meaning from the “veiled behavior of matter,” bringing these historically divided subjects into a shared intellectual inquiry and imbuing them with an ethical urgency. A vanguard work at the intersection of the arts and sciences, this book will be sure to guide readers from either realm into unfamiliar yet undeniably fertile territory.
Ribbonwork Flowers: 132 Garden Embellishments—Beautiful Designs for Flowers, Leaves & More
by Christen BrownCreate a floral fantasy Gather, twist, and stitch an array of flowers from elegant ribbons and lace. Christen Brown, author of best-selling Ribbonwork Gardens, shares 132 flowers, leaves, and garden extras—each with complete instructions and colorful how-to photos. Readers will learn clever twists on vintage ribbonwork construction, plus hand-sewing basics and an overview of techniques. Fashion your own floral arrangements from interchangeable petals and leaves, two never-before-seen stem designs, and swappable centers. A gallery of bouquets will inspire you to craft realistic blooms, embellished with fruit, flourishes, and garden accessories. From single-stem posies to bountiful bouquets, this collection has something for everyone. 130+ exciting floral elements to sew from ribbon and lace Custom floral creations! Mix and match petals, centers, and greenery Embellish wearables, accessories, and home decor with hand-stitched details Step-by-step photos make everyone an expert Learn beginner-friendly construction tips from ribbonwork master Christen Brown
Ribbonwork Gardens: The Ultimate Visual Guide to 122 Flowers, Leaves & Embellishment Extras
by Christen BrownWith just seven basic knots and stitches, you can add lovingly handmade details to everything you sew—from quilts to craft projects to fashion accessories.Learn to make 122 exquisite floral elements with ribbon, using just seven basic knots and stitches. Create a stunning fabric landscape and fill it with beautiful ribbon blooms like sweet cottage daffodils, bold and bright dahlias, or perfect little sweet peas. Suitable for every skill level, this indispensable guide shows you all the flower-making basics with plenty of how-to photos. It’s a complete compendium—with ribbon styles, selection and care, cutting charts, troubleshooting tips, and a gallery of inspirational ideas for using the floral vignettes you design.
Ribera’s Repetitions: Paper and Canvas in Seventeenth-Century Spanish Naples
by Todd P. OlsonThe seventeenth-century Valencian artist Jusepe de Ribera spent most of his career in Spanish Viceregal Naples, where he was known as “Lo Spagnoletto,” or “the Little Spaniard.” Working under the patronage of Spanish viceroys, Ribera held a special position bridging two worlds. In Ribera’s Repetitions, art historian Todd P. Olson sheds new light on the complexity of Ribera’s artwork and artistic methods and their connections to the Spanish imperial project.Drawing from a diverse range of sources, including poetry, literature, natural history, philosophy, and political history, Olson presents Ribera’s work in a broad context. He examines how Ribera’s techniques, including rotation, material decay (through etching), and repetition, influenced the artist’s drawings and paintings. Many of Ribera’s works featured scenes of physical suffering—from Saint Jerome’s corroded skin and the flayed bodies of Saint Bartholomew and Marsyas to the ragged beggar-philosophers and the eviscerated Tityus. But far from being the result of an individual sadistic predilection, Olson argues, Ribera’s art was inflected by the legacies of the Reconquest of Spain and Neapolitan coloniality. Ribera’s material processes and themes were not hermetically sealed in the studio; rather, they were engaged in the global Spanish Empire.Pathbreaking and deeply interdisciplinary, this copiously illustrated book offers art history students and scholars a means to see Ribera’s art anew.