- Table View
- List View
Samuel Beckett’s Legacies in American Fiction: Problems in Postmodernism (New Interpretations of Beckett in the Twenty-First Century)
by James BaxterSamuel Beckett’s Legacies in American Fiction provides an overdue investigation into Beckett’s rich influences over American writing. Through in-depth readings of postmodern authors such as Robert Coover, Donald Barthelme, Thomas Pynchon, Don DeLillo, Paul Auster and Lydia Davis, this book situates Beckett’s post-war writing of exhaustion and generation in relation to the emergence of an explosive American avant-garde. In turn, this study provides a valuable insight into the practical realities of Beckett’s dissemination in America, following the author’s long-standing relationship with the countercultural magazine Evergreen Review and its dramatic role in redrawing the possibilities of American culture in the 1960s. While Beckett would be largely removed from his American context, this book follows his vigorous, albeit sometimes awkward, reception alongside the authors and institutions central to shaping his legacies in 20th and 21st century America.
Samuel Fuller: Interviews (Conversations with Filmmakers Series)
by Gerald PearyIn the early twentieth century, the art world was captivated by the imaginative, original paintings of Henri Rousseau, who, without formal art training, produced works that astonished not only the public but great artists such as Pablo Picasso. Samuel Fuller (1912–1997) is known as the “Rousseau of the cinema,” a mostly “B” genre Hollywood moviemaker deeply admired by “A” filmmakers as diverse as Jim Jarmusch, Martin Scorsese, Francois Truffaut, Jean-Luc Godard, and John Cassavetes, all of them dazzled by Fuller’s wildly idiosyncratic primitivist style. A high school dropout who became a New York City tabloid crime reporter in his teens, Fuller went to Hollywood and made movies post-World War II that were totally in line with his exploitative newspaper work—bold, blunt, pulpy, excitable. The images were as shocking, impolite, and in-your-face as a Weegee photograph of a gangster bleeding on a sidewalk. Fuller, who made twenty-three features between 1949 and 1989, is the very definition of a “cult” director, appreciated by those with a certain bent of subterranean taste, a penchant for what critic Manny Farber famously labeled as “termite art.” Here are some of the crazy, lurid, comic book titles of his movies: Shock Corridor, The Naked Kiss, Verboten!, and Pickup on South Street. Fuller isn’t for everybody. His fans have to appreciate low-budget genre films, including westerns and war movies, and make room for some hard-knuckle, ugly bursts of violence. They also have to make allowance for lots of broad, crass acting, and scripts (all Fuller-written) that can be stiff, sometimes campy, often laboriously didactic. Fuller is for those who love cinema—images that jump, shout, and dance. As he put it in his famous cigar-chomping cameo, acting in Jean-Luc Godard’s Pierrot le fou (1965): “Film is like a battleground . . . love, hate, violence, death. In a single word: emotion.” After directing, Fuller's greatest skill was conversation. He could talk, talk, talk, from his amazing experiences fighting in World War II to the time his brother-in-law dated Marilyn Monroe, and vivid stories about his moviemaking. Samuel Fuller: Interviews is not only informative about the filmmaker’s career but sheer fun, following the wild, uninhibited stream of Fuller’s chatter. He was an incredible storyteller, and no matter what the interview was, he had stories galore for all sorts of readers, not just for academics and film historians.
Samuel Holyoke: Selected Works (Music of the New American Nation: Sacred Music from 1780 to 1820 #12)
by Harry EskewThis series presents the music of early American composers of sacred music・psalmody, as it was called・in collected critical editions. Each volume has been prepared by a scholar who has studied the musical history of the period and the stylistic qualities of the composer. The purpose of the series is to present the music of important early American composers in accurate editions for both performance and study. This volume presents representative compositions by two American psalmodists, Samuel Holyoke and Jacob Kimball, who were actively engaged in the reform of American psalmody during the 1790s and early 1800s. American compositions were often criticized for two features: their failure to conform to the harmonic norms of European art music and their often vigorous, animated musical style, which was sometimes considered lacking in a reverent spirit appropriate for use in public worship
Samuel M. Gore: Blessed with Tired Hands
by Barbara GaunttBorn in Coolidge, Texas, Samuel Marshall Gore was the sixth of ten children born to a Baptist preacher and a mother described as “an angel.” From early childhood, Samuel Gore remembers enjoying making things, and gives credit to his mother and grandmother for his interest in art. Gore went on to be an art teacher and professor for more than fifty years, mostly at Mississippi College in Clinton, Mississippi. He has shown work in exhibitions and galleries for more than forty years. In 2012 the Mississippi Institute of Arts and Letters honored him with its Lifetime Achievement Award. In the first part of this volume, Barbara Gauntt traces how a concept in the mind of the artist comes to execution. Gore uses sketches on scraps of paper to inform studies in clay, as the piece Christ, Fulfillment of the Law begins to take its inspired shape. The project, expected to take about a year, lasts nearly two as Gore works to capture the constantly changing image forming in his mind. The 12' x 8' bronze, bas relief sculpture, a sister piece to Moses, Deliverer of the Law commissioned for the Mississippi College School of Law, moves from a small work area in the sculptor’s home to a shop on his property. There he builds the full-size piece on an armature of wood, foam board, and netting covered with clay. From chaos arises the beauty of detailed faces and a work of art that tells a story. The second section of the book covers the artist’s career from the late 1940s into the twenty-first century. Superb photographs of both two- and three-dimensional pieces show the artist’s diverse style and talent. Gore says that he “want[s] people to put their hands on [his] sculpture” because that is how he experiences his art. Gore sees no end in sight to his work. Moses started preaching at the age of eighty, so Gore figures that he is just getting started. This volume features detailed information about all of the artwork included; an interview with Samuel Gore in which the artist discusses his career, technique, and philosophy; a timeline of his life and career; and a foreword by noted Mississippi artist and former student, Wyatt Waters.
Samuel Phelps and Sadler's Wells Theatre
by Shirley S. AllenThis is the definitive biography of the actor Samuel Phelps (1804-1878) who brought the Shakespeare’s original plays back to the forefront of theatre after over 100 years of derived versions, and revolutionized theater design in the 20th Century. In an era when performances of Shakespeare’s works had been replaced with derived versions of themselves, Phelps became known for his exquisite productions of Shakespeare that were faithful to their original versions. Phelps revolutionized Shakespearean theatre when he took over management of Sadler’s Wells Theatre. As manager and director, he brought to each production—whether of Shakespeare or of Restoration or contemporary pieces—his own total concept, in which acting, setting, and staging were integrated under his supervision to produce fresh, striking effects. He preserved the best of the traditional past; he pioneered in directions the theatre would follow for decades afterward. This carefully researched and fluently written book covers the full range of Phelps’s half-century career, with special emphasis on his fruitful decades at Sadler’s Wells and on his work as performer and producer of Shakespearian drama. Scholar Shirley S. Allen presents the background against which Phelps worked: the theatrical monopoly, traditional techniques of acting, the repertory system, the advent of melodrama, and the social milieu. She also examines Phelps’s important contemporaries in the theatre—Macready, Charles Kean, Ben Webster, Mrs. Warner, and more—especially as their careers were intertwined with his. This book, first published in 1971, is widely considered the definitive work on Phelps and adds substantially to our understanding of the London stage and of Victorian England.
Samuel de Champlain
by Jonathan Kaplansky Francine LegaréA navigator and cartographer, Samuel de Champlain’s passion was for America, which he struggled to explore and have recognized. He still dreamed of reaching India, with its spices and its many riches, by continuing further to the West. But the land called New France – a harsh land from India – was his greatest love. He defended it fiercely to those in power in France and was responsible for its development. Champlain thus ensured the birth of the country that today is Canada. He is undisputedly the Father of New France.
Samurai in 100 Objects: The Fascinating World of the Samurai as Seen Through Arms and Armour, Places and Images (In 100 Objects Ser.)
by Stephen TurnbullA journey through the world and culture of these elite Japanese warriors, filled with facts and photos. From lowly attendants (samurai literally means &“those who serve&”) to members one of the world&’s most powerful military organizations, the samurai underwent a progression of changes to reach a preeminent position in Japanese society and culture. Even their eventual eclipse did not diminish their image as elite warriors, and they would live on in stories and films. This proud and enduring tradition is exemplified and explored by the carefully selected objects gathered here from Japanese locations and from museums around the world. These objects tell the story of the samurai, from acting as the frontier guards for the early emperors to being the inspiration for the kamikaze pilots. The artifacts, many of which are seen here for the first time, include castles, memorial statues, and paintings and prints associated with the rise of the samurai, along with their famous armor and weapons. The latter include the Japanese longbow, a thirteenth-century bomb, and the famous samurai sword—but not every artifact here is from the past. You&’ll also discover a cute little blue duck—found in a Japanese souvenir shop—complete with helmet, spear, and surcoat, dressed authentically as the brutal samurai Kat Kiyomasa, who was responsible for a massacre at Hondo castle in 1589.
San Antonio Architecture
by San Antonio Boone PowellWith a history more than 290 years old, San Antonio boasts a diverse, eclectic, and important architectural inventory. From the Spanish Missions of the 17th century to invigorating adaptation and restoration of historic buildings alongside landmark new construction, there is a wide array of culturally significant assets reflecting Anglo and Hispanic traditions, alongside regional variations of southern and southwestern American styles.San Antonio Architecture is the comprehensive catalog of the architecture inventory of the city. Complete with color illustrations, keyed maps, and informative essays, it is a must-have book for every armchair and on foot architectural, art, and community historian.
San Antonio Architecture
by San Antonio Boone PowellWith a history more than 290 years old, San Antonio boasts a diverse, eclectic, and important architectural inventory. From the Spanish Missions of the 17th century to invigorating adaptation and restoration of historic buildings alongside landmark new construction, there is a wide array of culturally significant assets reflecting Anglo and Hispanic traditions, alongside regional variations of southern and southwestern American styles.San Antonio Architecture is the comprehensive catalog of the architecture inventory of the city. Complete with color illustrations, keyed maps, and informative essays, it is a must-have book for every armchair and on foot architectural, art, and community historian.
San Antonio Architecture
by San Antonio Boone PowellWith a history more than 290 years old, San Antonio boasts a diverse, eclectic, and important architectural inventory. From the Spanish Missions of the 17th century to invigorating adaptation and restoration of historic buildings alongside landmark new construction, there is a wide array of culturally significant assets reflecting Anglo and Hispanic traditions, alongside regional variations of southern and southwestern American styles.San Antonio Architecture is the comprehensive catalog of the architecture inventory of the city. Complete with color illustrations, keyed maps, and informative essays, it is a must-have book for every armchair and on foot architectural, art, and community historian.
San Antonio Beer: Alamo City History by the Pint (American Palate)
by Travis E. Poling Jeremy BanasBrewing history and beer culture permeate San Antonio. The Menger Hotel and its bar notoriously frequented by Teddy Roosevelt and his Rough Riders began as the city's first brewery in 1855. The establishment of San Antonio Brewing Association and Lone Star Brewery at the close of the nineteenth century began the city's golden age of brewing. Decades later, the Volstead Act decimated the city's brewing community. Only one brewery survived Prohibition. Those that bounced back were run out of business by imports coming in on the new railroad. The 1990s saw a craft comeback with the opening of the oldest existing brewpub, Blue Star Brewing Company. Today, San Antonio boasts a bevy of new breweries and celebrates its brewing heritage. Grab a pint and join authors Jeremy Banas and Travis E. Poling for a taste of Alamo City's hoppy history.
San Antonio Cemeteries Historic District
by Linda Faulkner Frank FaulknerIn his Spoon River Anthology, Edgar Lee Masters uses a series of poetic monologues to have his characters finally tell their true stories from their graves. The first section lets the reader know that "all, all, are sleeping on the hill." San Antonio has its Powder House Hill about three miles from its central business district. Known as the Eastside Cemetery District, there are 31 cemeteries here, owned by different religious congregations, fraternal organizations, military groups, and the City of San Antonio. Like Masters's Spoon River, within the Eastside Cemetery District reside people of many occupations and nationalities, including soldiers and statesmen, rich and poor, as well as husbands, wives, and children. Through photographs and research, the authors hope to tell some small part of the stories and the history of this unique burial ground.
San Antonio in Vintage Postcards
by Mel BrownPostcards are an important element of understanding our history, for they provide future generations with a rare glimpse into the past. Since the late 1800s, photographers have traveled around the nationto places such as San Antonio to capture scenes of everyday life and preserve them in this unique form.San Antonio began as a small mission village, a wild west frontier town, and starting point for huge cattle drives northward, and quickly grew into a bustling economic and cultural center for SouthTexas, luring residents and tourists with its colonial missions, diverse people, prominent military bases, long-standing traditions, and festive celebrations.
San Antonio in the Great War (Images of America)
by John M. MangusoSan Antonio, Texas, has been called "Military City USA" for many years. It earned this sobriquet not only by virtue of its major military installations but also because of its close and cordial relationship with the US Armed Forces. But in 1916, the year before America entered the Great War, all of that was still in the future. Fort Sam Houston was the largest US Army post in the country, but its attention was focused on the border with Mexico. This changed on April 6, 1917, as the United States needed to quickly raise an expeditionary army of three million men with its attendant air service and send it overseas. This volume portrays the growth of military facilities and infrastructure in San Antonio during World War I that started the Alamo City on the road to becoming "Military City USA."
San Antonio's Historic Architecture (Images of America)
by T. Irwin SessionsSpanish colonial missionary settlements established San Antonio as a junction between Mexico and the developing United States in the early 1700s. Because of its remote location amid both countries and its great distance from other cities, San Antonio became a crossroads for commerce, industry, and strategic military position on the wild frontier. Texas independence and the admission of Texas into the United States in the 19th century established a diverse cultural population and distinctive architecture that remains historically significant across the nation as it continues to gain attention on the world stage. The appreciation of historic architecture among its citizens has enabled San Antonio to retain a remarkably large catalog of important historic structures, which are often saved from destruction through relocation. Three centuries of steady growth, from 1700 to 2000, has resulted in an abundance of buildings that has generated a local legacy of multigenerational artisans and skilled craftsmen.
San Antonio's Historic Market Square (Images of America)
by Edna Campos GravenhorstSan Antonio was founded in 1718. By 1730, the viceroy of New Spain had issued orders to map plazas, squares, and parks for the Canary Islanders who would be arriving in 1731. The plazas with their markets became the centers for business and entertainment. The first square was Plaza de Armas (Military Plaza); when the islanders arrived, they marked off the Plaza de las Islas (Main Plaza). Before the Civil War, Alamo Plaza was the center of commerce. As San Antonio grew, the markets needed to relocate. The construction of Municipal Market began in 1899. This market house, built in Paschal Square, was demolished in the 1930s, but the Municipal Market Annex, constructed in the 1920s, survived. The annex buildings would become El Mercado and Centro de Artes. In the 1970s, a permanent building for the farmers market was built in Hay Market Plaza. Today, these buildings, along with the historic buildings in the area, are known as Market Square.
San Augustine County
by Betty Oglesbee John OglesbeeSan Augustine has been called the "Eastern Gateway into Texas" for more than three centuries. Many immigrants crossed the Sabine River and followed El Camino Real to the little settlement nestled on each side of this ancient roadway. Alamo-bound David Crockett wrote his last letter to his daughter Margaret from San Augustine on January 9, 1836. Davy's words echoed the favorable impressions expressed by new arrivals to Texas: "I am hailed with hearty welcome to this country . . . The cannon was fired here in San Augustine on my arrival. What I have seen of Texas, it is the garden spot of the world, the best land and the best prospects for health I ever saw, and I do believe it is a fortune to any man to come here." San Augustine County still retains the charm of times past through her well-preserved 19th-century homes and churches. Images of America: San Augustine County profiles these cherished landmarks and others through the vintage photographs of local historical groups, family collections, and private archives.
San Bernardino, California
by Nick CataldoStrategically located about 60 miles east of Los Angeles, San Bernardino was colonized in 1851 as an expansion outpost for the Mormon Church. Today, it is the county seat for the largest county in the United States. Captured here in over 200 vintage photographs is the history of this Southern California city and its role in the state's development for more than two centuries. Many famous, as well as infamous, faces have passed through the area, contributing to the rich history of the region, including Kit Carson, Wyatt Earp, President Lyndon Johnson, and early explorer Jedediah Smith. Featuring images from the San Bernardino Historical Society, this book brings readers back in time to the city's earliest development, from early Native American settlements, through the Mission period, the Mexican Rancho era, the arrival of Mormon families, the impact of the railroads, and up to the challenges of the 20th century.
San Clemente
by Jennifer A. Garey San Clemente Historical SocietyIn the 1920s, San Clemente founder Ole Hanson envisioned a "Spanish Village" on the Pacific coast halfway between Los Angeles and San Diego. His city would have streets that followed the natural contours of the land. Sunny beaches and perfect climate enticed many to settle in this charming community. Known for its hospitality and neighborly atmosphere, the city became host and home to dignitaries such as Pres. Franklin D. Roosevelt and Pres. Richard M. Nixon. Today, professional surfers, skateboarders, and small businesses call San Clemente home--the perfect place for work and leisure.
San Diego County Parks: Over 100 Years (Images of America)
by Brian Albright Ellen L. Sweet Jennifer A. GrahlmanFrom its earliest park in 1913, the County of San Diego has more than 100 years of serving the public with unique park and recreational experiences while preserving significant natural and cultural resources. Officially, the San Diego County Board of Supervisors established the Department of Recreation in 1946. Today, the department manages over 50,000 acres of parks, campgrounds, trails, recreation centers, sports complexes, and ecological and open-space preserves. The county covers an area that includes coastline, mountains, deserts, lakes, lagoons, and other habitats�it is the nation�s most biologically diverse county�and the department�s properties mirror this biodiversity. They also contain sites that reveal the county�s history: Mexican-era ranchos, an overland stage station, remnants of an early gristmill, Victorian mansions, traces of flume systems, Depression-era construction projects, an 1887 boathouse, and parks that reflect the advent of early automobile tourism.
San Diego Drag Racing and the Bean Bandits (Images of Sports)
by Emmanuel Burgin Colleen M. O’Connor Susan WachowiakSan Diego enjoys a long and storied race car and drag racing history, and the Bean Bandits are a huge part of that heritage. Yet their story remains buried in plain sight. Told here in photographs garnered from private, personal, and historical collections, the 1950s pioneering exploits of Bean Bandits leader Joaquin Arnett and his contributions to that racing history come to life. The San Diego native led his Bean Bandits to over 300 wins and several land speed records while competing against other local clubs, like the Prowlers, Oilers, Roadsters, and Roadrunners. Eventually, the Bean Bandits' streamliners set records on the Bonneville Salt Flats. Arnett won the first National Hot Rod Association (NHRA) Championship in 1953, was named to the International Car Racing Hall of Fame in 1992, and was awarded an NHRA Lifetime Achievement Award in 1994. Arnett and his Bean Bandits' car also graced the cover of Hot Rod magazine's special drag strip issue in 1953.
San Diego Lowriders: A History of Cars and Cruising (American Heritage)
by Alberto López ReyesSan Diego's unique lowrider culture and community has a long history of "low and slow." Cruising the streets from 1950 to 1985, twenty-eight lowrider car clubs made their marks in the San Diego neighborhoods of Logan Heights, Sherman Heights, National City, Old Town, San Ysidro and the adjoining border community of Tijuana, Mexico. Foundational clubs, including the Latin Lowriders, Brown Image and Chicano Brothers, helped transform marginalized youth into lowriders who modified their cars into elegant, stylized lowered vehicles with a strong Chicano influence. Despite being targeted by the police in the 1980s, club members defended their passion and succeeded in building a thriving scene of competitions and shows with a tradition of customization, close community and Chicano pride. Authors Alberto López Pulido and Rigoberto "Rigo" Reyes follow the birth of lowrider culture to the present day.
San Diego Murder & Mayhem (Murder & Mayhem)
by Steve WillardEarly twentieth-century San Diego was growing fast, and the officers sworn to protect the city encountered more than their fair share of wily lawbreakers. From a shootout with a lone gunman in Mission Hills to gunfights with a gang of bank robbers that involved enthusiastic bystanders hoping to assist, detectives and patrolmen alike tried to maintain the peace. They encountered unexpected bodies, confronted car thieves and pursued criminals through neighboring states and into Mexico. Join author Steve Willard as he unearths stories directly from the case files of the early San Diego Police Department.
San Diego and Arizona Railway: The Impossible Railroad
by Ph.D., Reena DeutschSurveyors called the San Diego and Arizona Railway (SD&A) "The Impossible Railroad" because of its jagged, mountainous, and brutal desert route. The financier and driving force behind building this binational 148-mile rail connection to the east from San Diego, California, was businessman John D. Spreckels. Because of his perseverance, the jinxed 1907-1919 construction overcame a series of disasters, including the Mexican Revolution, a prolonged lawsuit, floods, World War I, labor shortages, a tunnel cave-in, and a lethal pandemic. Once up and running, the line was intermittently in and out of service and later sold and renamed the San Diego and Arizona Eastern Railway. While "The Impossible Railroad" still faces constant challenges and partial closures, freight and trolley service currently operate on its right-of-way, and tourist excursions are offered at its Campo, California, depot.
San Diego's Kensington (Images of America)
by Margaret Mccann Kiley Wallace Alexandra Wallace Robert SedlockThe mid-city San Diego neighborhood of Kensington was conceived as a streetcar suburb. Composed of several subdivisions, the first was Kensington Park, mapped on April 8, 1910. The principals involved in developing Kensington were also involved in creating the 1915 Panama-California Exposition in Balboa Park, and it was hoped that the throngs attracted to the exhibition would find Kensington to be a perfect place to build a home. The development of Kensington Manor, Kensington Heights, Talmadge Park, and adjacent subdivisions would bring Spanish-style houses, tree-lined streets, and a commercial core. Prominent people such as Judge Joseph Rutherford, Sarah Fitzpatrick Harden, G. Aubrey Davidson, two former Mexican presidents, and numerous politicians made Kensington their home. Ideal location, well-preserved architecture, and the small-town sensibilities of longtime residents combine to make Kensington a unique and desirable place.