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Sensing Cities: Regenerating Public Life in Barcelona and Manchester (Routledge Studies in Human Geography #14)
by Monica DegenAs cities globally re-design their urban landscapes, they produce a different urban aesthetic and create new experiential milieus. Urban regeneration processes generate radical physical, social and cultural changes in neighbourhoods that demand new conceptual frameworks to address their impact upon daily urban life. Sensing Cities investigates the reconfiguration of contemporary public space and life through the prism of the senses. The book explores how the increased stylization of cityscapes requires an understanding of public life as a spatial-sensuous encounter. Degen examines how power relations in public spaces are embedded in, exercised and resisted through the sensuous geography of place. This sensory paradigm is then applied to compare two emblematic regeneration projects, namely el Raval in Barcelona and Castlefield in Manchester. By combining detailed ethnographic analysis and interviews with those involved in planning regeneration processes and those experiencing them, the book argues that a changing sensuous landscape is crucial in redefining people’s social practices, attachments and experiences in places. Focusing on two European cities at the forefront of urban design, Barcelona and Manchester, Degen draws on sociology, geography, anthropology, cultural and architectural studies to provide a critical account of the politics of publicness in the entrepreneurial city. With numerous photographs and maps this book stresses the ongoing, embodied and active nature of regeneration as a lived social process rather than merely a physical or economic exercise. Ultimately, Sensing Cities examines how urban regeneration is made effective through the organisation of sensory experience. This book is essential reading for students and researchers of Architecture, Urban Studies and Human Geography.
Sensing the Nation's Law: Historical Inquiries Into The Aesthetics Of Democratic Legitimacy (Studies In The History Of Law And Justice #13)
by Stefan Huygebaert Angela Condello Sarah Marusek Mark AntakiThis book examines how the nation – and its (fundamental) law – are ‘sensed’ by way of various aesthetic forms from the age of revolution up until our age of contested democratic legitimacy. Contemporary democratic legitimacy is tied, among other things, to consent, to representation, to the identity of ruler and ruled, and, of course, to legality and the legal forms through which democracy is structured. This book expands the ways in which we can understand and appreciate democratic legitimacy. If (democratic) communities are “imagined” this book suggests that their “rightfulness” must be “sensed” – analogously to the need for justice not only to be done, but to be seen to be done. This book brings together legal, historical and philosophical perspectives on the representation and iconography of the nation in the European, North American and Australian contexts from contributors in law, political science, history, art history and philosophy.
Sensing the Past
by Nicola Masini Francesco SoldovieriThis book provides a complete overview of novel and state of art sensing technologies and geotechnologies relevant to support management and conservation of CH sites, monuments and works of art. The book is organized in an introduction stating the motivations and presenting the overall content of the volume and four parts. The first part focuses on remote sensing and geophysics for the study of human past and cultural heritage at site scale and as element of the surrounding territory. The second part presents an overview of non invasive technologies for investigating monuments and works of art. The third part presents the new opportunities of ICT for an improved and safe cultural heritage fruition, from the virtual and augmented reality of historical context to artifact tracking. Finally, the forth part presents a significant worldwide set of success cases of the exploitation of the integration of geotechnologies in archeology and architectural heritage management. This book is of interest to researchers, experts of heritage science, archaeologists, students, conservators and other professionals of cultural heritage.
Sensitive Subjects: The Political Aesthetics of Contemporary German and Austrian Cinema (Film Europa #23)
by Leila MukhidaBoth politically and aesthetically, the contemporary German and Austrian film landscape is a far cry from the early days of the medium, when critics like Siegfried Kracauer produced foundational works of film theory amid the tumult of the early twentieth century. Yet, as Leila Mukhida demonstrates in this innovative study, the writings of figures like Kracauer and Walter Benjamin in fact remain an undervalued tool for understanding political cinema today. Through illuminating explorations of Michael Haneke, Valeska Grisebach, Andreas Dresen, and other filmmakers of the post-reunification era, Mukhida develops an analysis centered on film aesthetics and experience, showing how medium-specific devices like lighting, sound, and mise-en-scène can help to cultivate political sensitivity in spectators.
Sensory Affect, Learning Spaces, and Design Education: Strategies for Reflective Teaching and Student Engagement in Higher Education
by Lorraine MarshalseyThrough the lens of sensory affect, this book offers a new way of thinking about day-to-day teaching and student engagement within learning spaces in design education. The book examines the definitions, concepts, ideas and overlaps of a repertoire of learning spaces prevalent in higher education and addresses the pedagogical gap that exists between broader learning structures and spaces, and the requirements of specialist design education. Recognising that mainstream teaching environments impact upon design studio learning and student engagement, the book positions creative learning spaces at the heart of practice-based learning. It defines the underlying pedagogical philosophy of a creative learning space in design education and reports on how practical strategies incorporating sensory affect may be implemented by educators to foster better student engagement in these spaces within higher education. Bringing much-needed attention to specialist design teaching and learning spaces in higher education, this book will be of interest to educators, researchers and post graduate students immersed in design education, pedagogy, and learning spaces more broadly.
Sensory Design
by Frank VodvarkaWhat if we designed for all of our senses? Suppose for a moment that sound, touch, and odor were treated as the equals of sight, and emotion considered as important as cognition. What would our built environment be like if sensory response, sentiment, and memory were critical design factors, the equals of structure and program? <p><p> In Sensory Design, Joy Monice Malnar and Frank Vodvarka explore the nature of our responses to spatial constructs—from various sorts of buildings to gardens and outdoor spaces, to constructions of fantasy. To the degree that this response can be calculated, it can serve as a typology for the design of significant spaces, one that would sharply contrast with the Cartesian model that dominates architecture today. <p><p> In developing this typology, the authors consult the environmental sciences, anthropology, psychology, and architectural theory, as well as the spatial analysis found in literary depiction. Finally, they examine the opportunities that CAVE™ and other immersive virtual reality technologies present in furthering a new, sensory-oriented design paradigm. The result is a new philosophy of design that both celebrates our sensuous occupation of the built environment and creates more humane design. <p><p> Joy Monice Malnar, AIA, is associate professor of architecture at the University of Illinois, Urbana-Champaign. Frank Vodvarka is associate professor of fine arts at Loyola University Chicago. They are coauthors of The Interior Dimension: A Theoretical Approach to Enclosed Space (1992).
Sensory Experience and the Metropolis on the Jacobean Stage (Studies In Performance And Early Modern Drama Ser.)
by Hristomir A. StanevAt the turn of the seventeenth century, Hristomir Stanev argues, ideas about the senses became part of a dramatic and literary tradition in England, concerned with the impact of metropolitan culture. Drawing upon an archive of early modern dramatic and prose writings, and on recent interdisciplinary studies of sensory perception, Stanev here investigates representations of the five senses in Jacobean plays in relationship to metropolitan environments. He traces the significance of under-examined concerns about urban life that emerge in micro-histories of performance and engage the (in)voluntary and sometimes pre-rational participation of the five senses. With a dominant focus on sensation, he argues further for drama’s particular place in expanding the field of social perception around otherwise less tractable urban phenomena, such as suburban formation, environmental and noise pollution, epidemic disease, and the impact of built-in city space. The study focuses on ideas about the senses on stage but also, to the extent possible, explores surviving accounts of the sensory nature of playhouses. The chapters progress from the lower order of the senses (taste and smell) to the higher (hearing and vision) before considering the anomalous sense of touch in Platonic terms. The plays considered include five city comedies, a romance, and two historical tragedies; playwrights whose work is covered include Shakespeare, Jonson, Webster, Fletcher, Dekker, and Middleton. Ultimately, Stanev highlights the instrumental role of sensory flux and instability in recognizing the uneasy manner in which the London writers, and perhaps many of their contemporaries, approached the rapidly evolving metropolitan environment during the reign of King James I.
Sensory Theatre: How to Make Interactive, Inclusive, Immersive Theatre for Diverse Audiences by a Founder of Oily Cart
by Tim WebbSensory Theatre: How to Make Interactive, Inclusive, Immersive Theatre for Diverse Audiences by a Founder of Oily Cart is an accessible step-by-step guide to creating theatre for inclusive audiences, such as young people on the autism spectrum or affected by other neuro-divergent conditions and children under two. Conventional theatre relies on seeing and hearing to involve its audience; sensory theatre harnesses the power of five or more senses to address its participants who have different ways of relating to the world around them. This book is an insightful history of Oily Cart and its pioneering development of work for the very young, including Baby Theatre, and for neuro-divergent audiences including those on the autism spectrum. It gives a clear introduction to the fundamental concepts of this theatre, suggests a host of practical techniques drawn from over forty years of experience, and describes some of Oily Cart’s most radical innovations, including theatre on trampolines, in hydrotherapy pools, and with flying audiences in the company of aerial artists. The book also includes copious photos from the Oily Cart’s archives and links to videos examples of the company’s work. Readers will learn how to: Research the intended audience while not being led astray by labels. Create a welcoming, immersive sensory space in classrooms, nurseries, school halls, and playgrounds. Devise sensory stories that can be adapted to suit different audiences. Recruit, audition, cast, and run rehearsals. Ensure that the production is truly sensory and interactive. Written for Theatre for Young Audiences, Drama in Education, and specialized Applied Theatre courses, as well as educators and theatre practitioners interested in creating inclusive, interactive productions, Sensory Theatre offers a goldmine of ideas for making work that connects with audiences who can be the hardest to reach.
Sensory Writing for Stage and Screen: An Etude-Based Process of Exploration
by Michael WrightThrough a series of systematic explorations across a wide range of scenarios, Sensory Writing for Stage and Screen offers script writers exercises for attending to their own sensory experiences as a means to exploring the sensory experiences—and worlds—of the characters they create.
Sensuous Learning for Practical Judgment in Professional Practice: Volume 1: Arts-based Methods (Palgrave Studies in Business, Arts and Humanities)
by Steven S. Taylor Elena P. AntonacopoulouThe first volume of this ground-breaking book critically examines how and why arts-based methods such as choir conducting workshops and dialogue improvisation can make a difference in improving professional practice. Taking a ‘human-centred’ approach, it delivers an insightful account of what these approaches do differently to achieve a new mode of learning – ‘sensuous learning’ – that cultivates professional judgment to serve the common good, simultaneously supporting personal and collective growth. The chapters present cutting edge examples of multiple ways arts-based methods underpin learning arenas for expanding leadership and improving professional practice. The reflexivity cultivated through these learning arenas has the unique potential to improve professional practice, not merely by enhancing competence but also by cultivating character and conscience, which is central in making judgments that serve the common good. These benefits are relevant for professional practitioners sharpening the skills and behaviours needed in organisations, including creativity, diversity, imagination, and improvisation.
Sensuous Learning for Practical Judgment in Professional Practice: Volume 2: Arts-based Interventions (Palgrave Studies in Business, Arts and Humanities)
by Steven S. Taylor Elena P. AntonacopoulouThe second volume of this ground-breaking book critically examines the effect of arts-based methods in combination as arts-based interventions in improving professional practice, from deinstitutionalization to the counteraction of destructive leadership. Taking a ‘human-centred’ approach, it delivers an insightful account of what these approaches do differently to achieve a new mode of learning – ‘sensuous learning’ – that cultivates professional judgment to serve the common good, simultaneously supporting personal and collective growth. The chapters present cutting edge examples of multiple ways arts-based interventions underpin learning arenas for expanding leadership and improving professional practice. The reflexivity cultivated through these learning arenas has the unique potential to improve professional practice, not merely by enhancing competence but also by cultivating character and conscience, which is central in making judgments that serve the common good. These benefits are relevant for professional practitioners sharpening the skills and behaviours needed in organisations, including creativity, diversity, imagination, and improvisation.
Sentence to Hope: A Sa'dallah Wannous Reader (The Margellos World Republic of Letters)
by Sa'dallah WannousThe first major English‑language collection of plays and essays by Syrian playwright Sa'dallah Wannous Sa'dallah Wannous is acknowledged to be one of the Arab world’s most significant playwrights, writers, and intellectuals of the twentieth century. This is the first major English‑language collection that brings together his most significant plays and essays. Selections include the groundbreaking 1969 play An Evening’s Entertainment for the Fifth of June, a scathing indictment of the duplicity of Arab leaders during the 1967 War, as well as Wannous’s most celebrated play, Rituals of Signs and Transformations, a bold treatment of homosexuality, prostitution, clerical corruption, and the quest for female liberation. In addition to his work as a playwright, Wannous, like Brecht, was an astute theatrical and cultural critic, and his essays, some of which are included here, offer shrewd diagnoses of the ills of Arab society and the essential role of theater in ameliorating them.
Sentimental Fabulations, Contemporary Chinese Films: Attachment in the Age of Global Visibility (Film and Culture Series)
by Rey ChowWhat is the sentimental? How can we understand it by way of the visual and narrative modes of signification specific to cinema and through the manners of social interaction and collective imagining specific to a particular culture in transition? What can the sentimental tell us about the precarious foundations of human coexistence in this age of globalization? Rey Chow explores these questions through nine contemporary Chinese directors (Chen Kaige, Wong Kar-wai, Zhang Yimou, Ann Hui, Peter Chan, Wayne Wang, Ang Lee, Li Yang, and Tsai Ming-liang) whose accomplishments have become historic events in world cinema. Approaching their works from multiple perspectives, including the question of origins, nostalgia, the everyday, feminine "psychic interiority," commodification, biopolitics, migration, education, homosexuality, kinship, and incest, and concluding with an account of the Chinese films' epistemic affinity with the Hollywood blockbuster Brokeback Mountain, Chow proposes that the sentimental is a discursive constellation traversing affect, time, identity, and social mores, a constellation whose contours tends to morph under different historical circumstances and in different genres and media. In contemporary Chinese films, she argues, the sentimental consistently takes the form not of revolution but of compromise, not of radical departure but of moderation, endurance, and accommodation. By naming these films sentimental fabulations-screen artifacts of cultural becoming with irreducible aesthetic, conceptual, and speculative logics of their own-Chow presents Chinese cinema first and foremost as an invitation to the pleasures and challenges of critical thinking.
Sentinel: The Unlikely Origins of the Statue of Liberty
by Francesca Lidia VianoIcon of freedom and multiethnic democracy, memorial to Franco-American friendship—the lofty meanings we accord the Statue of Liberty today obscure its turbulent origins in 19th-century politics and art. Francesca Lidia Viano reveals that vibrant history in the fullest account yet of the people and ideas that brought the lady of the harbor to life.
Seoul: Of Islands and Megastructures (ISSN)
by Rafael LunaThis book focuses on understanding how a megacity like Seoul can be read as a formal architectural composition and not an endless urban sprawl.In a broader sense, the book discusses the dichotomy between city and urbanization: “city” being an architectural problem of bounded forms, while “urbanism” is an infrastructural project of expansion. It is an uncontested reality that urbanization is a continuous global process that has produced nebulous conurbations labeled as megacities. These expand beyond the virtual administrative boundary of any said “city,” producing a discrepancy between an area of administrative control and the real physical condition of human settlement. If there were a better formal understanding of megacities through their typological architectural conditions, then there could be a better assessment of the qualitative state of urbanization. Avant-garde groups from the 1950s, 1960s, and 1970s such as Team X, the Situationist, the Structuralist, and the Metabolist worked with ideas of megaforms and megastructures to address this issue. Although most of these proposals remained as paper architecture, this book reevaluates some of these ideas for the 21st-century megacity, using Seoul as a case study due to its clear typological formations produced over its diff erent periods of governance. The aim is to present the concept for an infra-architectural hybrid model of typological islands and subterranean megastructure that organizes Seoul as a fl exible multi-linear city.This book will be of interest to academics and students of architecture, urban geography, and Asian studies.
Sephardi Religious Responses/M
by StillmanFirst Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Sepinwall On Mad Men and Breaking Bad: An eShort from the Updated Revolution Was Televised
by Alan SepinwallFrom the updated edition of The Revolution Was Televised, Alan Sepinwall's analysis of Breaking Bad and Mad Men, featuring new commentary and insights on the complete series and controversial finales.
Sequel to Suburbia: Glimpses of America's Post-Suburban Future (Urban and Industrial Environments)
by Nicholas A. PhelpsHow the decentralized, automobile-oriented, and fuel-consuming model of American suburban development might change.In the years after World War II, a distinctly American model for suburban development emerged. The expansive rings of outer suburbs that formed around major cities were decentralized and automobile oriented, an embodiment of America's postwar mass-production, mass-consumption economy. But alternate models for suburbia, including “transit-oriented development,” “smart growth,” and “New Urbanism,” have inspired critiques of suburbanization and experiments in post-suburban ways of living. In Sequel to Suburbia, Nicholas Phelps considers the possible post-suburban future, offering historical and theoretical context as well as case studies of transforming communities.Phelps first locates these outer suburban rings within wider metropolitan spaces, describes the suburbs as a “spatial fix” for the postwar capitalist economy, and examines the political and governmental obstacles to reworking suburban space. He then presents three glimpses of post-suburban America, looking at Kendall-Dadeland (in Miami-Dade County, Florida), Tysons Corner (in Fairfax County, Virginia), and Schaumburg, Illinois (near Chicago). He shows Kendall-Dadeland to be an isolated New Urbanism success; describes the re-planning of Tysons Corner to include a retrofitted central downtown area; and examines Schaumburg's position as a regional capital for Chicago's northwest suburbs. As these cases show, the reworking of suburban space and the accompanying political process will not be left to a small group of architects, planners, and politicians. Post-suburban politics will have to command the approval of the residents of suburbia.
Sequential Drawings: The New Yorker Series (Pantheon Graphic Library)
by Richard McGuireFrom the author of the widely acclaimed graphic novel Here, awarded the 2016 Prix D'or for best graphic album at Angoulême, a new graphic work that celebrates another aspect of his incomparable genius.Sequential Drawings gathers together more than a decade of McGuire's witty and endlessly inventive spots—a veritable short-story collection—each drawing given its own spread, which, in turn, assures for the reader the experience of surprise and delight that the drawings unfailingly deliver. Richard McGuire's first series of "spot" drawings debuted in The New Yorker in February 2005 for the magazine's 80th anniversary issue. Spot drawings, scattered among the magazine's text, had been a long-running feature of The New Yorker, and over the years, many artists had contributed them. But McGuire was the first to conceive them as a sequence, and his drawings were something altogether new: deceptively simple images that imbued the series with movement and narrative, telling their own unexpected stories. (In a 3-7/8 x 5-7/8 trim size. With illustrations throughout and an introduction by Luc Sante)
Sequim-Dungeness Valley
by Katherine VollenweiderMastodons roamed the plains of Sequim and Dungeness in the years following the recession of the Cordilleran ice sheets. Millennia later, the villages of S'Klallam were home to those who saw settlers disembarking on the periphery of coastal wilderness. Ancient stands of spruce, cedar, and fir fell in the 1800s, clearing the land for agriculture. By the 1900s, the region exported wheat, potatoes, hay, and oats and became prime dairy land. This compilation of historic photographs illustrates the area's history from the 1800s to 1930 and is complimented by information from archival documents sequestered in historical collections throughout the Puget Sound and at the Museum and Arts Archive in Sequim.
Ser yo, Tomi
by Tomás BenítezEl bailarín de freestyle Tomás Benítez les cuenta todos sus secretos a sus miles de seguidores. ¡Ey! ¡Hola! Bienvenid@ a mi libro. Quiero contarte mi historia, cómo fue que encontré lo que me apasiona. Sí, ya sabés. Bailar es lo que más me gusta en la vida. Cuando muevo mi cuerpo me siento libre. ¿Se nota? Quiero compartir con vos momentos muy fuertes que viví, experiencias que me marcaron (de las lindas y de las otras) y todo eso que me llevó a descubrir el freestyle. No creas que el camino es fácil. Y todavía tengo mucho por aprender. Pero si hay algo que tengo muy claro es que lo más importante es ser fiel a uno mismo. ¿Qué te dice tu corazón? ¿Quién sos? Yo soy Tomi.
Serbs in Chicagoland
by Marina MarichChicagoland boasts the world's largest population of Serbs outside of Serbia. Seeking economic opportunities and religious freedom, Serbs first settled in the area more than 100 years ago. Many found work in steel mills and other industries along the banks of Lake Michigan. The first Serbian Orthodox church in the Chicago area began serving parishioners in 1911, and more than a dozen additional congregations were built for the growing numbers of Serbs who arrived after World War II. Civic organizations, such as the Circle of Serbian Sisters, were established to honor and uphold customs from the "old country." Traditional Kolo dancing groups, tambura ensembles, and performance troupes have entertained Serbs and non-Serbs alike. Actor Karl Malden, perhaps the most famous Serbian American from the Chicagoland area, first took the stage in theater productions at his family's Gary, Indiana, Serbian Orthodox church. After the devastating wars in the Balkans in the 1990s, a new wave of Serbian immigrants arrived in Chicago, demonstrating that the city remains a welcoming place due to its abundance of Serbian culture, churches, and community.
SereKNITy: Peaceful Projects to Soothe and Inspire
by Nikki Van De CarIn today's fast-paced world everyone is looking for ways to slow down, recharge, and appreciate the small, meaningful details of everyday life. SereKNITy: Peaceful Projects to Soothe and Inspire gives readers the perfect outlet with a collection of more than twenty-five knitting and crocheting patterns united by one all-compassing idea: finding peace.The projects here are not the complicated sweater patterns found in traditional knitting guides, but simple, beautiful objects anyone can create. Practical crafts, like fingerless gloves and mug cozies, are featured alongside more meditative patterns, like granny squares and crocheted flowers. Each is paired with an inspirational, intention-setting prompt and falls under an overarching theme-Color, Texture, or Structure-that encourages knitters and crocheters of all skill levels to be fully present in the moment.Fiber artist Nikki Van De Car gently guides readers to look inward as they work, releasing their anxiety as they create something beautiful. For experienced knitters and novices alike, this is meditative crafting of the very best kind.
Seremos el huracán
by Iria G. Parente Selene M. PascualDorothy Gale ha perdido su hogar o, al menos, eso siente ella. Quizá un inesperado grupo de música, junto a tres desconocidos, pueda darle un nuevo lugar al que pertenecer. Aunque el precio sea vivir una vida que no es la suya. Dorothy Gale está perdida o, al menos, se siente así desde que su hermano Theo murió y con él, el sueño de dedicarse juntos a la música. Justo ahora, cuando es demasiado tarde, Dottie recibe una llamada que debió ser para Theo: su gemelo ha sido elegido para formar parte de WIZARD, la próxima boyband de Emerald Music. Pero Theo ya no está. Y si Dottie ocupara su lugar y si se hiciera pasar por él, ¿no sería otra manera de mantener vivo su recuerdo un poco más? La idea parece buena hasta que conoce a sus compañeros de grupo, con los que tendrá que convivir a todas horas: Raven, el actor con fama de cabeza hueca y un instinto único para el show business; Leo, la estrella de TikTok que parece estar siempre a la espera de algo terrible, y Val, el chico sin corazón que no piensa en nada más que en llegar a lo más alto, cueste lo que cueste. Juntos planean arrasar el mundo de la música como un huracán, pero... ¿ES POSIBLE VIVIR UNA MENTIRA DELANTE DE MILLONES DE PERSONAS SIN OLVIDARTE DE QUIÉN ERES EN REALIDAD? Lo que se ha dicho de Seremos el huracán:«Una vez más, Iria y Selene demuestran que saben perfectamente qué teclas tocar para que sus lectores se ahoguen en un mar de emociones».Cherry Chic, autora de la bilogía Rose Lake. «Seremos el huracán es uno de esos libros que te hará sentir como en casa (y se está mejor en casa que en ningún sitio)».Raquel Brune, autora de Los guardianes de almas.
Serenade: A Balanchine Story
by Toni BentleyToni Bentley, a dancer for George Balanchine, the greatest ballet maker of the 20th century, tells the story of Serenade, his iconic masterpiece, and what it was like to dance—and live—in his world at New York City Ballet during its legendary era. "Reading Bentley's Serenade made me feel as alive as I felt on the stage the moment that I fell in love with ballet…. [A] delicate balance of personal memoir, rarefied elegance, history of the arts and pure human interest.&”—Misty Copeland, New York Times Book Review "[A] unique document about one of the greatest ballets ever created…. A beautiful read&”—Mikhail BaryshnikovAt age seventeen, Toni Bentley was chosen by Balanchine, then in his final years, to join the New York City Ballet. From both backstage and onstage, she carries us through the serendipitous history and physical intricacies and demands of Serenade: its dazzling opening, with seventeen women in a double-diamond pattern; its radical, even jazzy, use of the highly refined language that is ballet; its place in the choreographer&’s own dramatic story of his immigration to the United States from Soviet Russia; its mystical—and literal—embodiment of the tradition of classical ballet in just thirty-three minutes. Bentley takes us inside the rarefied, intense, and thrilling world Balanchine created through his lifelong devotion to celebrating and expanding female beauty and strength—a world that, inevitably, passed upon his death. An intimate elegy to grace and loss and to the imprint of a towering artist and his transcendent creation on Bentley&’s own life, Serenade: A Balanchine Story is a rich narrative by a dynamic artist about the nature of art itself at its most ephemeral and glorious.