- Table View
- List View
Shinnecock Indian Nation (Images of America)
by Beverly JensenThe Shinnecock have resided along the shores of eastern Long Island for more than 10,000 years. These hunter-gatherers were also skilled whalers who first tackled the Atlantic in their dugout canoes and later became highly regarded crew members on 19th-century whaling ships that sailed the globe. The Shinnecock were also noted wampum makers, using the northern quahog hard-shelled clam and whelk shells to craft some of the finest-quality wampum beads to be found anywhere along the eastern seaboard. Since the first tall ships sailed into the local waters in the 1500s, new settlers and shifty land deals have diminished the ancestral territory of the Shinnecock Indian Nation. Despite overwhelming odds, however, and in the midst of immense privilege and wealth of their Hamptons neighbors, the Shinnecock remain. They are a federally recognized tribe with more than 1,500 enrolled members and are governed by a seven-member council of trustees.
Shinto the Kami Way
by Sokyo Ono William WoodardShinto, the indigenous faith of the Japanese people, continues to fascinate and mystify both the casual visitor to Japan and the long-time resident. This introduction unveils Shinto's spiritual characteristics and discusses the architecture and function of Shinto shrines. Further examination of Shinto's lively festivals, worship, music, and sacred regalia illustrates Shinto's influence on all levels of Japanese life.Fifteen photographs, numerous drawings and Dr. Ono's text introduce the reader to two millenia of indigenous Japanese belief in the Kami - the sacred spirits worshipped in Shinto - and in communal life, the way of the Kami.
Shiny Happy People: A Children's Picture Book (LyricPop #0)
by R.E.M. ShinYeon MoonR.E.M.'s hit song is brought to life in this joyful picture book celebrating friendship and togetherness.“In this picture-book adaptation of R.E.M.’s song, a young fox and rabbit show the adults that everyone can be friends . . . A pop song finds new life as a simple yet heartfelt story of acceptance.” —Kirkus Reviews"Shiny happy people laughing Everyone around, love them, love them Put it in your hands, take it, take it There's no time to cry, happy, happy . . ." Shiny Happy People is a heartwarming picture book whose story is told through the lyrics of R.E.M.'s joyful tune of the same name. "Shiny Happy People" appeared on the band's 1991 album Out of Time, and the song reached the top 10 of the Billboard Hot 100 chart. With lyrics by R.E.M. and illustrations by Paul Hoppe, this picture book follows the unlikely friendship between a rabbit and a fox as they teach others about the joy of inclusion and acceptance. It is the perfect vehicle for R.E.M. fans to share a loving and positive message with children of all ages.
Shiny and New: Ten Moments of Pop Genius that Defined the '80s
by Dylan JonesThe Eighties were about big ideas writ large - new money, new style, gender fluidity, gay pride, attritional politics, the 'special relationship', nuclear fear, AIDS, cocaine, ecstasy, tabloid royalty, the rise of urban pop, and ultimately geopolitical chaos. Using a big narrative approach, Dylan Jones' history of the decade in pop frames the decade through some of its most important and popular hits, choosing records which either epitomised their time, or ushered in a new cultural shift. So we move seamlessly from Rapper's Delight and the genre defining moment of hip hop into The Specials' spectral, Ghost Town; from ABC and the apotheosis of New Pop (The Look of Love) to Madonna's breakthrough moment with Like a Virgin, and so on. In the '80s each year brought a new twist as technology shifted and genres snowballed, MTV reigned supreme and the story of pop became globalised. It was a decade of excess in all areas, especially ambition, but it was in the transcendent moments of pop perfection that the '80s found its true art-form. Subjective and idiosyncratic, SHINY AND NEW takes us from downtown New York to post-industrial Manchester, in the first widescreen attempt to weave together the stories, the songs and events that re-shaped music and society.
Shiny and New: Ten Moments of Pop Genius that Defined the '80s
by Dylan JonesThe Eighties were about big ideas writ large - new money, new style, gender fluidity, gay pride, attritional politics, the 'special relationship', nuclear fear, AIDS, cocaine, ecstasy, tabloid royalty, the rise of urban pop, and ultimately geopolitical chaos. Using a big narrative approach, Dylan Jones' history of the decade in pop frames the decade through some of its most important and popular hits, choosing records which either epitomised their time, or ushered in a new cultural shift. So we move seamlessly from Rapper's Delight and the genre defining moment of hip hop into The Specials' spectral, Ghost Town; from ABC and the apotheosis of New Pop (The Look of Love) to Madonna's breakthrough moment with Like a Virgin, and so on. In the '80s each year brought a new twist as technology shifted and genres snowballed, MTV reigned supreme and the story of pop became globalised. It was a decade of excess in all areas, especially ambition, but it was in the transcendent moments of pop perfection that the '80s found its true art-form. Subjective and idiosyncratic, SHINY AND NEW takes us from downtown New York to post-industrial Manchester, in the first widescreen attempt to weave together the stories, the songs and events that re-shaped music and society.
Ship
by David MacaulayIn Ship we join a group of underwater archaeologists as they search for a long-lost caravel in the reefs of the Caribbean Sea. A combination of drawings, maps, and diagrams details the ship's recovery, and as clues to the past are pieced together, a story emerges - of the triumphant birth of the ship Magdalena from Spain, and its tragic voyage to a far-away continent.
Ship Decoration, 1630–1780: 1630-1780
by Andrew PetersThis book is a detailed comparative study of the decorative work figurehead, topside ornamentation and stern gallery design carried by the ships of the major maritime states of Europe in the zenith of the sailing era. It covers both warships and the most prestigious merchant ships, the East Indiamen of the great chartered companies. The work began life in the year 2000 when the author was commissioned to carry out research for an ambitious project to build a full-size replica of a Swedish East Indiaman, which produced a corpus of information whose relevance stretched way beyond the immediate requirements of accurately decorating the replica.In tracking the artistic influences on European ship decoration, it became clear that this was essentially the story of the baroque style, its dissemination from France, and its gradual transformation into distinct national variations in Britain, the Netherlands, Denmark and Sweden. It is an inherently visual subject and the book illustrates developments with numerous photographs of contemporary ship models, paintings and plans, as well as the author's own interpretive illustrations of details.As the first major work on the topic for nearly a century, it will be of obvious appeal to ship modellers and historians, but with comparative examples drawn from architecture and sculpture, it also makes a broader contribution to the history of the applied arts.
Ship Dioramas: Bringing Your Models to Life
by David GriffithThe author of Ship Models from Kits &“has brought nautical scenes to life in his latest book&” (Daily Record). This book is about the art of displaying waterline models. By their very nature, ship models that do not show the full hull and are not mounted on an artificial stand cry out for a realistic setting. At its most basic this can be just a representation of the sea itself, but to give the model a context to tell some sort of story is far more challenging. In a diorama, the composition is a vital element and this book devotes much of its space to what works and what does not—and illustrates with photographic examples why the best maritime dioramas have visual power and how to achieve that impact. Individual chapters explore themes like having small craft in attendance on the main subject, multiple-model scenarios, dockyards and naval bases, and the difficulties of replicating naval combat realistically. It also looks at both extremes of modelmaking ambition: the small single-ship exposition and the largest, most ambitious projects of the kind meant for museum display. The book concludes with some of the most advanced concepts of how to create drama and the illusion of movement, and how to manipulate perspective. David Griffith&’s book is &“compelling and inspiring . . . littered with practical examples of work in progress, simple dioramas to the most complex . . . I highly recommend it to all ship modellers without hesitation&” (Scale Modelling Now).
Ship Models: How to Build Them (Dover Woodworking)
by Charles DavisComplete, step-by-step instructions for building schooners, galleons, clipper ships, more. Includes scale plans for 1846 clipper ship Sea Witch. Excellent guide for both the novice and the practiced woodworker — from the first steps in selecting proper materials to final task of painting the model. Over 150 photographs.
Shipmates
by Chris TerrillThis is the tie-in book to a two part BBC 1 documentary series to be screened at 9.00pm in October and which will end on the bicentenary of the Battle of Trafalgar on 21st October. Chris Terrill is famous for his fly on the wall documentaries which have been watched by millions and received wide critical acclaim. We have had HMS Brilliant and The Cruise (audience reached 11 million). Chris has based himself for the last few months in the very heart of the modern day naval experience. We will see: a Royal Naval Chaplain exorcising a haunted barracks in Portsmouth, a vodka-fuelled Trafalgar Day celebration in the British Embassy in the Moscow in 2004, a Polaris submarine crossing the Atlantic on an exercise in which it will 'pretend' to nuke America, the patrol of the frigate HMS Chatham in the Gulf, suddenly diverted to Sri Lanka after the Tsunami and the Fleet Review, where HMS Chatham in honour of her humanitarian role in Asia, will lead the entire assembly of a hundred warships, British and foreign, down the Solent. Chris is the only film maker to be granted exclusive, behind the scenes access by the Navy this year. During the filming Chris will capture the heart and soul of the sailors aboard, and on shore: there will be plenty of irreverence, practical jokes and laughs, and the human reality of the families left behind for months on end as warships and submarines go on extended tours of duty. This will be the fullest ever account of the Modern Navy in a year when the Trafalgar Day celebrations and the Fleet review will attract an avalanche of publicity.
Shipwreck in Art and Literature: Images and Interpretations from Antiquity to the Present Day (Routledge Interdisciplinary Perspectives on Literature)
by Carl ThompsonTales of shipwreck have always fascinated audiences, and as a result there is a rich literature of suffering at sea, and an equally rich tradition of visual art depicting this theme. Exploring the shifting semiotics and symbolism of shipwreck, the interdisciplinary essays in this volume provide a history of a major literary and artistic motif as they consider how depictions have varied over time, and across genres and cultures. Simultaneously, they explore the imaginative potential of shipwreck as they consider the many meanings that have historically attached to maritime disaster and suffering at sea. Spanning both popular and high culture, and addressing a range of political, spiritual, aesthetic and environmental concerns, this cross-cultural, comparative study sheds new light on changing attitudes to the sea, especially in the West. In particular, it foregrounds the role played by the maritime in the emergence of Western modernity, and so will appeal not only to those interested in literature and art, but also to scholars in history, geography, international relations, and postcolonial studies.
Shipwrecks of Coos County (Images of America)
by H.S. ContinoEuropean settlement of Coos County began with a shipwreck. The Captain Lincoln wrecked on the north spit of the Coos Bay in January 1852. The crewmen built a temporary camp out of the ship�s sails and named it �Camp Cast-Away.� This was the first white settlement in the area. The men eventually traveled overland to Port Orford, where they told other settlers about the Coos Bay and its many natural resources. By December 1853, Coos County was established by the territorial legislature, and several towns were founded; the history of the area had been completely altered by a single shipwreck.
Shipwrecks of Curry County (Images of America)
by H.S. ContinoHistorically, mariners considered the Oregon coast one of the most dangerous in the world. In 1852, explorers discovered gold in the rivers and along the beaches in Curry County, which is located in the southwestern corner of the state. Subsequent settlement concentrated on the coast. With few roads, water transportation was crucial for early settlers. The area contained many potential dangers to ships, including unpredictable weather, frequent fog, and submerged rocks and reefs. There have been many shipwrecks in the area like that of the tanker Larry Doheny, which was torpedoed by a Japanese submarine during World War II. Curry County is home to Cape Blanco, the second most westerly point in the continental United States, and Port Orford, the only open-water port on the Oregon coast (and one of only six "dolly" ports in the world). Modern technology and port improvements have reduced the number of shipwrecks, but accidents still occur.
Shit, Actually: The Definitive, 100% Objective Guide to Modern Cinema
by Lindy West**Your Favorite Movies, Re-Watched**New York Times opinion writer and bestselling author Lindy West was once the in-house movie critic for Seattle's alternative newsweekly The Stranger, where she covered film with brutal honesty and giddy irreverence. In Shit, Actually, Lindy returns to those roots, re-examining beloved and iconic movies from the past 40 years with an eye toward the big questions of our time: Is Twilight the horniest movie in history? Why do the zebras in The Lion King trust Mufasa-WHO IS A LION-to look out for their best interests? Why did anyone bother making any more movies after The Fugitive achieved perfection? And, my god, why don't any of the women in Love, Actually ever fucking talk?!?! From Forrest Gump, Honey I Shrunk the Kids, and Bad Boys II, to Face/Off, Top Gun, and The Notebook, Lindy combines her razor-sharp wit and trademark humor with a genuine adoration for nostalgic trash to shed new critical light on some of our defining cultural touchstones-the stories we've long been telling ourselves about who we are. At once outrageously funny and piercingly incisive, Shit, Actually reminds us to pause and ask, "How does this movie hold up?", all while teaching us how to laugh at the things we love without ever letting them or ourselves off the hook. Shit, Actually is a love letter and a break-up note all in one: to the films that shaped us and the ones that ruined us. More often than not, Lindy finds, they're one and the same.
Shitty Craft Club: A Club for Gluing Beads to Trash, Talking about Our Feelings, and Making Silly Things
by Sam ReeceShitty Craft Club is a uniquely empowering guide that allows burnt-out, pressured people to accept their imperfections and find inner calm with whatever shitty thing they can make.Did you know that you are a glorious and incredible artist? Wait, really? Well, you are. Through silly and deeply relatable tales from her life, Sam Reece, founder of the Shitty Craft Club, guides you through dozens of craft projects that give you permission to be as weird, wild, and wonderful as you want to be. Melding the nihilistic spirit of millennial/Gen Z humor with Amy Sedaris's gonzo crafting style and a healthy dose of Lisa Frank vibes, the Shitty Craft Club proves there's no limit to what a craft can be. Making a bunch of pom-poms so you can be your own cheerleader? That's a craft. Sculpting a rhinestone shrimp out of aluminum foil and a glue gun? A craft. Having literally one sip of water (congrats, by the way)? Yup, you bet—a craft. Because life is hard. So why not spend a bit of time gluing some trash to more trash if it makes you happy?This is your sign to embrace anti-perfectionism. Join us at the Shitty Craft Club!SELF-ESTEEM OVER SELF-IMPROVEMENT: In times of uncertainty, we all need a little more self-compassion. Treat yourself with kindness and care. Shitty Craft Club gives us the tools to cope in a creative and fun way, without feeling the pressure to make everything perfect. A SHITTY PHENOMENON: From in-person events at the Ace Hotel and Milk Bar to viral projects on Instagram and TikTok, Sam Reece, the creator of Shitty Craft Club, has cultivated a movement that embraces the weird and wonderful over the perfect. This book captures all that magic of Shitty Craft Club (and hopefully inspires you to start your own). FOR FANS OF MAKING IT AND AT HOME WITH AMY SEDARIS: With projects like Rhinestone Wall Shrimp, the Corndle, and the Shitty Trophy, this book will inspire you to pick up a glue gun, buy a bucket of beads, and make your own strange and beautiful creations.Perfect for:Fans of Sam Reece and Shitty Craft ClubCrafters and DIY enthusiasts looking for a humorous take on creativitySelf-care and mindfulness practitionersFans of Making It, Nailed It!, and At Home with Amy SedarisCreative gift for Mother's Day, graduation, holidays, and birthday
Shivers (Devil's Advocates)
by Luke AspellShivers (1975) was David Cronenberg’s first commercial feature and his first horror film. In a modern apartment block, a scientific project to unleash the id results in the equation of passion with contagion and predation. Because the writer-director’s imaginative landscape arrived in the genre fully formed, the unique forms of this début have often been overlooked or mistaken for shortcomings. Cronenberg’s most comedic film until Map to the Stars, Shivers is also his most spectacularly unnerving, throwing more images of extreme behavior at us than any of his subsequent films; it remains, with Crash, his most disquieting and transgressive film to date. Luke Aspell’s analysis addresses all channels of communication available to the 35mm sync-sound narrative feature, including shot composition, lighting, cinematographic texture, sound, the use of stock music, editing, costume, makeup, optical work, the screenplay, the casting, and the direction of the actors. Attending to form the better to see the film in its context, this tour of Shivers as “cognitive territory” takes in architecture, cultural context, critical reception, and artistic legacy.
Shivers Down Your Spine: Cinema, Museums, and the Immersive View (Film and Culture Series)
by Alison GriffithsFrom the architectural spectacle of the medieval cathedral and the romantic sublime of the nineteenth-century panorama to the techno-fetishism of today's London Science Museum, humans have gained a deeper understanding of the natural world through highly illusionistic representations that engender new modes of seeing, listening, and thinking. What unites and defines many of these wondrous spaces is an immersive view-an invitation to step inside the virtual world of the image and become a part of its universe, if only for a short time.Since their inception, museums of science and natural history have mixed education and entertainment, often to incredible, eye-opening effect. Immersive spaces of visual display and modes of exhibition send "shivers" down our spines, engaging the distinct cognitive and embodied mapping skills we bring to spectacular architecture and illusionistic media. They also force us to reconsider traditional models of film spectatorship in the context of a mobile and interactive spectator. Through a series of detailed historical case studies, Alison Griffiths masterfully explores the uncanny and unforgettable visceral power of the medieval cathedral, the panorama, the planetarium, the IMAX theater, and the science museum. Examining these structures as exemplary spaces of immersion and interactivity, Griffiths reveals the sometimes surprising antecedents of modern media forms, suggesting the spectator's deep-seated desire to become immersed in a virtual world. Shivers Down Your Spine demonstrates how immersive and interactive museum display techniques such as large video displays, reconstructed environments, and touch-screen computer interactives have redefined the museum space, fueling the opposition between public and private, science and spectacle, civic and corporate interests, voice and text, and life and death. In her remarkable study of sensual spaces, Griffiths explains why, for centuries, we keep coming back for more.
Sho Japanese Calligraphy
by Christopher J. EarnshawMaster calligrapher Christopher Earnshaw illuminates the techniques, history and philosophy of calligraphy with over 300 illustrations in Sho: Japanese Calligraphy. Calligraphy, along with poetry and painting, has been for centuries a discipline that all students of culture had to master. Brush writing reflected inner character, and many great masters of calligraphy were respected Zen priests, warriors and emperors. From practical lessons on brushwork to hints about exhibiting finished work, this beautiful volume is the fledgling calligrapher's best reference source. Its meditations on the philosophy of calligraphy will also offer new insights to students of Japanese culture and character.
Shoah Presence: Architectural Representations Of The Holocaust (Ashgate Studies In Architecture Ser.)
by Eran NeumanThrough the analysis of several commemorative acts in space, matter and image, namely museums and memorials, this book reflects on the ways in which architecture as a discipline, a practice and a discourse represents the Holocaust. In doing so, it problematises how one presents an extreme historical case in a contemporary context and integrates the historical into actuality. By examining several cases, the book defines the issues faced by various architects who dealt with this topic and discusses their separate and distinctive approaches. In each case, it analyses the ways in which the cultural and political contexts of commemoration led to a different interpretation of the condition. Focusing on the Ghetto Fighters’ House, the world’s first Holocaust museum; Yad Vashem, Israel’s national Holocaust memorial in Jerusalem; the US Holocaust Memorial Museum in Washington; and the Holocaust Memorial in Berlin, the book discusses how the representation of history by architecture creates a dialectic process in which architecture mediates the past to the present, while at the same time creating a present saturated with historical contexts. It shows how, together, they are incorporated into one another and create a new reality: past and present intertwined.
Shoah: The Complete Text Of The Acclaimed Holocaust Film
by Claude LanzmannA nine-and-a-half-hour documentary on the Nazi extermination camps, Shoah (the Hebrew word for "Holocaust") was internationally hailed as a masterpiece upon its release in 1985. Shunning any re-creation, archival footage, or visual documentation of the events, filmmaker Claude Lanzmann relied on the words of witnesses—Jewish, Polish, and German—to describe in ruthless detail the bureaucratic machinery of the Final Solution, so that the remote experiences of the Holocaust became fresh and immediate. This book presents in an accessible and vivid format the testimony of survivors, participants, witnesses, and scholars. This tenth anniversary edition, published on the fiftieth anniversary of the liberation of the camps, is newly revised and corrected in order to more accurately present the actual testimony of those interviewed. Shoah is an unparalleled oral history of the Holocaust, an intensely readable journey through the twentieth century's greatest horror.
Shock Value
by Jason ZinomanShock Value describes how horror was re-created, ridding itself of supernatural clichés and instead portraying serial killers, baseless violence, and fear found in everyday suburbia. Jason Zinoman explores how an often overlooked, but highly influential, golden age in American film began.
Shocked
by Patricia VolkFrom the acclaimed author of Stuffed: an intimate, richly illustrated memoir, written with charm and panache, that juxtaposes two fascinating lives--the iconoclastic designer Elsa Schiaparelli and the author's own mother--to explore how a girl fashions herself into a woman. Audrey Morgen Volk, an upper-middle-class New Yorker, was a great beauty and the polished hostess at her family's garment district restaurant. Elsa Schiaparelli--"Schiap"--the haute couture designer whose creations shocked the world, blurred the line between fashion and art, and believed that everything, even a button, has the potential to delight. Audrey's daughter Patricia read Schiap's autobiography, Shocking Life, at a tender age, and was transformed by it. These two women--volatile, opinionated, and brilliant each in her own way--offered Patricia contrasting lessons about womanhood and personal style that allowed her to plot her own course. Moving seamlessly between the Volks' Manhattan and Florida milieux and Schiap's life in Rome and Paris (among friends such as Dalí, Duchamp, and Picasso), Shocked weaves Audrey's traditional notions of domesticity with Schiaparelli's often outrageous ideas into a marvel-filled, meditation on beauty, and on being a daughter, sister, and mother, while demonstrating how a single book can change a life.
Shocking Paris: Soutine, Chagall and the Outsiders of Montparnasse
by Stanley MeislerFor a couple of decades before World War II, a group of immigrant painters and sculptors, including Amedeo Modigliani, Marc Chagall, Chaim Soutine and Jules Pascin dominated the new art scene of Montparnasse in Paris. Art critics gave them the name "the School of Paris" to set them apart from the French-born (and less talented) young artists of the period. Modigliani and Chagall eventually attained enormous worldwide popularity, but in those earlier days most School of Paris painters looked on Soutine as their most talented contemporary. Willem de Kooning proclaimed Soutine his favorite painter, and Jackson Pollack hailed him as a major influence. Soutine arrived in Paris while many painters were experimenting with cubism, but he had no time for trends and fashions; like his art, Soutine was intense, demonic, and fierce. After the defeat of France by Hitler's Germany, the East European Jewish immigrants who had made their way to France for sanctuary were no longer safe. In constant fear of the French police and the German Gestapo, plagued by poor health and bouts of depression, Soutine was the epitome of the tortured artist. Rich in period detail, Stanley Meisler's Shocking Paris explores the short, dramatic life of one of the most influential artists of the twentieth century.
Shocking Representation: Historical Trauma, National Cinema, and the Modern Horror Film (Film and Culture Series)
by Adam LowensteinIn this imaginative new work, Adam Lowenstein explores the ways in which a group of groundbreaking horror films engaged the haunting social conflicts left in the wake of World War II, Hiroshima, and the Vietnam War. Lowenstein centers Shocking Representation around readings of films by Georges Franju, Michael Powell, Shindo Kaneto, Wes Craven, and David Cronenberg. He shows that through allegorical representations these directors' films confronted and challenged comforting historical narratives and notions of national identity intended to soothe public anxieties in the aftermath of national traumas.Borrowing elements from art cinema and the horror genre, these directors disrupted the boundaries between high and low cinema. Lowenstein contrasts their works, often dismissed by contemporary critics, with the films of acclaimed "New Wave" directors in France, England, Japan, and the United States. He argues that these "New Wave" films, which were embraced as both art and national cinema, often upheld conventional ideas of nation, history, gender, and class questioned by the horror films. By fusing film studies with the emerging field of trauma studies, and drawing on the work of Walter Benjamin, Adam Lowenstein offers a bold reassessment of the modern horror film and the idea of national cinema.
Shockoe Hill Cemetery: A Richmond Landmark History (Landmarks)
by Alyson L. Taylor-WhiteEstablished in 1822, Shockoe Hill Cemetery is the final resting place for many famous and infamous icons of Richmond. Most visited is the tomb of Chief Justice John Marshall, the longest-serving chief justice of the United States, who elevated the Supreme Court to equal standing with the executive and legislative branches of the federal government. Union spy Elizabeth Van Lew operated an extensive espionage ring during the Civil War, and though reviled in life by many who resented her activism, she rests prominently near her elite neighbors. The burial places of friends and foster family offer a glimpse into Edgar Allan Poe's personal story. Author Alyson Lindsey Taylor-White charts the history of the celebrated cemetery and brings to life the stories of those buried there.