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Social Sustainability, Climate Resilience and Community-Based Urban Development: What About the People? (Routledge Focus on Environment and Sustainability)

by Cathy Baldwin Robin King

Urban communities around the world face increased stress from natural disasters linked to climate change, and other urban pressures. They need to grow rapidly stronger in order to cope, adapt and flourish. Strong social networks and social cohesion can be more important for a community’s resilience than the actual physical structures of a city. But how can urban planning and design support these critical collective social strengths? This book offers blue sky thinking from the applied social and behavioural sciences, and urban planning. It looks at case studies from 14 countries around the world – including India, the USA, South Africa, Indonesia, the UK and New Zealand – focusing on initiatives for housing, public space and transport stops, and also natural disasters such as flooding and earthquakes. Building on these insights, the authors propose a 'gold standard': a socially aware planning process and policy recommendation for those drawing up city sustainability and climate change resilience strategies, and urban developers looking to build climate-proof infrastructure and spaces. This book will be of great interest to students and scholars of urban studies, resilience studies and climate change policy, as well as policymakers and practitioners working in related fields.

Social TV: Multi-Screen Content and Ephemeral Culture

by Cory Barker

Winner of the 2023 SCMS Media Industries Scholarly Interest Group Outstanding Book Award sponsored by the Center for Entertainment & Media IndustriesOn March 15, 2011, Donald Trump changed television forever. The Comedy Central Roast of Trump was the first major live broadcast to place a hashtag in the corner of the screen to encourage real-time reactions on Twitter, generating more than 25,000 tweets and making the broadcast the most-watched Roast in Comedy Central history. The #trumproast initiative personified the media and tech industries’ utopian vision for a multi-screen and communal live TV experience. In Social TV: Multi-Screen Content and Ephemeral Culture, author Cory Barker reveals how the US television industry promised—but failed to deliver—a social media revolution in the 2010s to combat the imminent threat of on-demand streaming video. Barker examines the rise and fall of Social TV across press coverage, corporate documents, and an array of digital ephemera. He demonstrates that, despite the talk of disruption, the movement merely aimed to exploit social media to reinforce the value of live TV in the modern attention economy. Case studies from broadcast networks to tech start-ups uncover a persistent focus on community that aimed to monetize consumer behavior in a transitionary industry period. To trace these unfulfilled promises and flopped ideas, Barker draws upon a unique mix of personal Social TV experiences and curated archives of material that were intentionally marginalized amid pivots to the next big thing. Yet in placing this now-forgotten material in recent historical context, Social TV shows how the era altered how the industry pursues audiences. Multi-screen campaigns have shifted away from a focus on live TV and toward all-day “content” streams. The legacy of Social TV, then, is the further embedding of media and promotional material onto every screen and into every moment of life.

Social Trauma and Telecinematic Memory

by Pelin Başcı

This book explores responses to authoritarianism in Turkish society through popular culture by examining feature films and television serials produced between 1980 and 2010 about the 1980 coup. Envisioned as an interdisciplinary study in cultural studies rather than a disciplinary work on cinema, the book advocates for an understanding of popular culture in discerning emerging narratives of nationhood. Through feature films and television serials directly dealing with the coup of 1980, the book exposes tropes and discursive continuities such as "childhood" and "the child". It argues that these conventional tropes enable popular debates on the modern nation's history and its myths of identity.

Social Urbanism in Latin America: Cases and Instruments of Planning, Land Policy and Financing the City Transformation with Social Inclusion (Future City #13)

by Carlos Leite Claudia Acosta Fernanda Militelli Guillermo Jajamovich Mariana Wilderom Nabil Bonduki Nadia Somekh Tereza Herling

This book highlights current concepts of Social Urbanism, the contemporary set of multiple and interdisciplinary urban studies that have emerged mainly from the complex realities of Latin American cities. The discussion that follows places special emphasis on public land policy and the innovative urban instruments developed in that region to promote social and territorial inclusion. Critical reflections throughout the pages of this book shed light into the local context of each case-study in order to understand their specific set of challenges and opportunities. Relevant lessons are extracted from the three cities here analyzed, the medium-scale city of Medellin, the large-scale city of Bogota, and the megacity of Sao Paulo, as well as from local innovative experiences in Argentina and Uruguay. These cities underwent promising transformation processes over two decades, applying planning and financing instruments of land policy which have produced significant shifts in the urban development paradigm in the region. The quest for social inclusion has emerged as the common denominator in these cities, awakening growing interest across several fields of urban studies, from public policies and city management to urban law, city financing, urban development, and innovative community participation processes. The book brings implications on urban land policy for transition cities in the Global South. The question of social inclusion in Global South cities is however far from being solved; the analysis presented in this book shows advances and hope, besides a long path still ahead, which can only be faced through a continuous and challenging incremental process. May this book be an incremental step.

Social Video Content Delivery

by Zhi Wang Jiangchuan Liu Wenwu Zhu

This brief presents new architecture and strategies for distribution of social video content. A primary framework for socially-aware video delivery and a thorough overview of the possible approaches is provided. The book identifies the unique characteristics of socially-aware video access and social content propagation, revealing the design and integration of individual modules that are aimed at enhancing user experience in the social network context. The change in video content generation, propagation, and consumption for online social networks, has significantly challenged the traditional video delivery paradigm. Given the massive amount of user-generated content shared in online social networks, users are now engaged as active participants in the social ecosystem rather than as passive receivers of media content. This revolution is being driven further by the deep penetration of 3G/4G wireless networks and smart mobile devices that are seamlessly integrated with online social networking and media-sharing services. Despite increasingly abundant bandwidth and computational resources, the ever-increasing volume of data created by user-generated video content--along with the boundless coverage of socialized sharing--presents unprecedented challenges.

Social Works: Performing Art, Supporting Publics

by Shannon Jackson

‘a game-changer, a must-read for scholars, students and artists alike’ – Tom Finkelpearl At a time when art world critics and curators heavily debate the social, and when community organizers and civic activists are reconsidering the role of aesthetics in social reform, this book makes explicit some of the contradictions and competing stakes of contemporary experimental art-making. Social Works is an interdisciplinary approach to the forms, goals and histories of innovative social practice in both contemporary performance and visual art. Shannon Jackson uses a range of case studies and contemporary methodologies to mediate between the fields of visual and performance studies. The result is a brilliant analysis that not only incorporates current political and aesthetic discourses but also provides a practical understanding of social practice.

Socialist Realism without Shores

by Evgeny Dobrenko Thomas Lahusen

Socialist Realism without Shores offers an international perspective on the aesthetics of socialist realism--an aesthetic that, contrary to expectations, survived the death of its originators and the demise of its original domain. This expanded edition of a special issue of the South Atlantic Quarterly brings together scholars from various parts of the globe to discuss socialist realism as it appears across genres in art, architecture, film, and literature and across geographic divides--from the "center," Russia, to various points at the "periphery"--China, Germany, France, Poland, remote republics of the former USSR, and the United States.The contributors here argue that socialist realism has never been a monolithic art form. Essays demonstrate, among other things, that its literature could accommodate psychoanalytic criticism; that its art and architecture could affect the aesthetic dictates of Moscow that made "Soviet" art paradoxically heterogeneous; and that its aesthetics could accommodate both high art and crafted kitsch. Socialist Realism without Shores also addresses the critical discourse provoked by socialist realism--Stalinist aesthetics, "anthropological" readings; ideology critique and censorship; and the sublimely ironic approaches adapted from sots art, the Soviet version of postmodernism.Contributors. Antoine Baudin, Svetlana Boym, Greg Castillo, Katerina Clark, Evgeny Dobrenko, Boris Groys, Hans Günther, Julia Hell, Leonid Heller, Mikhail Iampolski, Thomas Lahusen, Régine Robin, Yuri Slezkine, Lily Wiatrowski Phillips, Xudong Zhang, Sergei Zimovets

Socialist Senses: Film, Feeling, and the Soviet Subject, 1917–1940

by Emma Widdis

&“Widdis&’s rich and fascinating book has opened a new perspective from which to think about the Soviet cinema.&” —Kritika This major reimagining of the history of Soviet film and its cultural impact explores the fundamental transformations in how film, through the senses, remade the Soviet self in the 1920s and 1930s. Following the Russian Revolution, there was a shared ambition for a &‘sensory revolution&’ to accompany political and social change: Soviet men and women were to be reborn into a revitalized relationship with the material world. Cinema was seen as a privileged site for the creation of this sensory revolution: Film could both discover the world anew, and model a way of inhabiting it. Drawing upon an extraordinary array of films, noted scholar Emma Widdis shows how Soviet cinema, as it evolved from the revolutionary avant-garde to Socialist Realism, gradually shifted its materialist agenda from emphasizing the external senses to instilling the appropriate internal senses (consciousness, emotions) in the new Soviet subject.

Socially Engaged Art History and Beyond: Alternative Approaches to the Theory and Practice of Art History

by Cindy Persinger Azar Rejaie

What is socially engaged art history? Art history is typically understood as a discipline in which academics produce scholarship for consumption by other academics. Today however, an increasing number of art historians are seeking to broaden their understanding of art historical praxis and look beyond the academy and towards socially engaged art history. This is the first book-length study to focus on these growing and significant trends. It presents various arguments for the social, pedagogical, and scholarly benefits of alternative, community-engaged, public-facing, applied, and socially engaged art history. The international line up of contributors includes academics, museum and gallery curators as well as arts workers. The first two sections of the book look at socially engaged art history from theoretical, pedagogical, and contextual perspectives. The concluding part offers a range of provocative case studies that highlight the varied and rigorous work that is being done in this area and provide a variety of inspiring models. Taken together the chapters in this book provide much-needed disciplinary recognition to socially engaged art history, while also serving as a springboard to further theoretical and practical work.

Socially Engaged Art in Contemporary China: Voices from Below (Routledge Research in Art and Politics)

by Meiqin Wang

This book provides an in-depth and thematic analysis of socially engaged art in Mainland China, exploring its critical responses to and creative interventions in China’s top-down, pro-urban, and profit-oriented socioeconomic transformations. It focuses on the socially conscious practices of eight art professionals who assume the role of artist, critic, curator, educator, cultural entrepreneur, and social activist, among others, as they strive to expose the injustice and inequality many Chinese people have suffered, raise public awareness of pressing social and environmental problems, and invent new ways and infrastructures to support various underprivileged social groups.

Socially Restorative Urbanism: The theory, process and practice of Experiemics

by Kevin Thwaites Alice Mathers Ian Simkins

The need for a human-orientated approach to urbanism is well understood, and yet all too often this dimension remains lacking in urban design. In this book the authors argue for and develop socially restorative urbanism – a new conceptual framework laying the foundations for innovative ways of thinking about the relationship between the urban spatial structure and social processes to re-introduce a more explicit people-centred element into urban place-making and its adaptation. Focusing on this interplay between humans and the built environment, two new concepts are developed: the transitional edge – a socio-spatial concept of the urban realm; and Experiemics – a participative process that acts to redress imbalances in territorial relationships, defined in terms of the awareness of mine, theirs, ours and yours (MTOY). In this way, Socially Restorative Urbanism shows how professional practice and community understanding can be brought together in a mutually interdependent and practical way. Its theoretical and practical principles are applicable across a wide range of contexts concerning human benefit through urban environmental change and experience, and it will be of interest to readers in the social sciences and environmental psychology, as well as the spatial planning and design disciplines.

Society and Environment: A Historical Review (Studies in International Planning History)

by Jaqueline Tyrwhitt

Jaqueline Tyrwhitt (1905-1983) was a British town planner, editor, and educator. This book includes four of Tyrwhitt’s key texts to illustrate how she forged and promoted a synthesis of Patrick Geddes’ bioregionalism and the utopian ideals of European Modernist urbanism, which influenced post-war academic discourse and professional practice in urban planning and design internationally. The key texts reprinted in this book are contributions from the Town and Country Planning Textbook (1950) which was published as an outcome for the Correspondence Course in Town Planning for members of the Allied Forces, which Tyrwhitt ran. It was designed to meet the requirements created by passage of the 1947 Town and Country Act and helped to shape a generation of planning practitioners in the UK and commonwealth countries.

Socio-Environmental Crisis in Women’s Novels and Films in The Americas: The Poetics of Environmental Destruction, Care, and Insurgency (Routledge Research in Women's Literature)

by Victoria Jara

The climate crisis has reached a critical point, necessitating urgent global action. Women’s activism against environmental dispossession in the Americas manifests not only in protests and classrooms but also through artistic filmmaking and writing. This book focuses on the overlooked contributions of women filmmakers and novelists, highlighting how their work reveals the connections between environmental dispossession and various injustices related to gender, ethnicity, age, class, and labor. It demonstrates that contemporary women in the Americas engage deeply with ecological issues, analyzing their representations and identifying common principles across texts. Using an interdisciplinary approach from environmental humanities, gender and Indigenous studies, and film and literary studies, the author compares works from Canada and Latin America. Three poetics emerge: environmental destruction critiques harmful development; care expands notions of reciprocity beyond the human; and insurgency showcases struggles against extractivist models. These works invite readers to understand the complex interconnections of environmental justice within society.

Sociology and Architectural Design (Social Science Frontiers)

by John Zeisel

This book, encouraging more effective collaboration between professional architects and social scientists, outlines how social science research can aid the design process, detailing how physical environment relates to behavior. With a foreword by Hugh F. Cline.

Sociology and Popular Television: Hallmark and the Representation of Gender, Aging and Inclusivity Before and After 2020

by Raisa-Gabriela Zamfirescu

This book examines representations of gender, age and identity across the Hallmark film and television output in relation to specific periods of time that pertain to changes within the specific entertainment sector. Using a comprehensive collection of 628 original Hallmark television films released between January 2015 and December 2023, the book applies content analysis to a variety of quantitative, qualitative, and mixed data, including behind-the-scenes credits, actors and actresses, characters and their narratives, promotional posters, Facebook comments, and official synopsis. In addition to examining diversity of race and religion, it analyses ageism through the portrayal of elders and young people in idealized imagery and stereotypes, inclusivity of LGBTQ and disabled characters, and ageism in relation to both masculinities and femininities. This book will be of interest to readers in fields including gender studies and sociology, visual communication, film and television studies, aging, media and communications, and popular culture.

Sociology in a New Key: Essays in Social Theory and Aesthetics

by Helmut Staubmann

This book presents essays that address fundamental issues in social and cultural theory by viewing them through the lens of aesthetic theory. Drawing on the aesthetic theories of Theodor W. Adorno, Gregory Bateson, Jean-Marie Guyau, Talcott Parsons and Georg Simmel, it suggests a new take on basic sociological concepts and methodologies. The chapters cover a wide range of topics, including the sensuality of social action, social construction of unreality, and The Rolling Stones’ enduring success as a reflection of our society and culture. The book’s title Sociology in a New Key refers to a classic work by Susanne K. Langer, whose Philosophy in a New Key argued for a reorientation of modern philosophical thought based on a thorough account of symbolism in general and of the arts in particular. In this way, the basic ideas and assumptions of the philosophical tradition are transposed to new understandings and perspectives. After all, it was Georg Simmel himself who claimed to have gained several of his general theoretical insights “via the detour of reflections on the essence of art.” The book will appeal to scholars and students of the sociology of the arts and music, and to anyone interested in the intersection of social theory and aesthetics.

Sociology of Art: A Reader

by Jeremy Tanner

Introducing the fundamental theories and debates in the sociology of art, this broad ranging book, the only edited reader of the sociology of art available, uses extracts from the core foundational and most influential contemporary writers in the field. As such it is essential reading both for students of the sociology of art, and of art history. Divided into five sections, it explores the following key themes: * classical sociological theory and the sociology of art * the social production of art * the sociology of the artist * museums and the social construction of high culture* sociology aesthetic form and the specificity of art. With the addition of an introductory essay that contextualizes the readings within the traditions of sociology and art history, and draws fascinating parallels between the origins and development of these two disciplines, this book opens up a productive interdisciplinary dialogue between sociology and art history as well as providing a fascinating introduction to the subject.

Sociology of the Arts in Action: New Perspectives on Creation, Production, and Reception (Sociology of the Arts)

by Arturo Rodríguez Morató Alvaro Santana-Acuña

This edited collection carries out an extensive coverage of the sociology of arts’ most characteristic thematic areas (production, creation, the artwork, and reception) across an important range of artistic fields, from the most traditional to the more unusual. It makes an argument for the theoretical creativity and empirical expansion that characterizes the study of contemporary sociology of the arts. Such creativity is present in the increasingly predominant approach to a sociology of the arts in action, in all areas of inquiry within the discipline. The range of theoretical paradigms evoked is rich, analysing several of the most important theoretical frameworks currently handled in the discipline (Bourdieu, Becker, Peterson, ANT), and combining them with the works of many other influential contemporary specialists (De Nora, Hennion, Lamont, Menger and Born et al.). The book also establishes links to less known theoretical frameworks and some from different fields including economic sociology,microsociology, ethnomethodology, semiotics, and cultural history. The volume argues that Spanish-speaking scholars are now at the forefront of new developments in the field of the sociology of the arts, and is the first effort to gather research by these influential Spanish-language scholars in a single volume for an English-language audience.

Sociology on Film: Postwar Hollywood's Prestige Commodity

by Professor Chris Cagle

After World War II, Hollywood’s “social problem films”—tackling topical issues that included racism, crime, mental illness, and drug abuse—were hits with critics and general moviegoers alike. In an era of film famed for its reliance on pop psychology, these movies were a form of popular sociology, bringing the academic discipline’s concerns to a much broader audience. Sociology on Film examines how the postwar “problem film” translated contemporary policy debates and intellectual discussions into cinematic form in order to become one of the preeminent genres of prestige drama. Chris Cagle chronicles how these movies were often politically fractious, the work of progressive directors and screenwriters who drew scrutiny from the House Un-American Activities Committee. Yet he also proposes that the genre helped to construct an abstract discourse of “society” that served to unify a middlebrow American audience. As he considers the many forms of print media that served to inspire social problem films, including journalism, realist novels, and sociological texts, Cagle also explores their distinctive cinematic aesthetics. Through a close analysis of films like Gentleman’s Agreement, The Lost Weekend, and Intruder in the Dust, he presents a compelling case that the visual style of these films was intimately connected to their more expressly political and sociological aspirations. Sociology on Film demonstrates how the social problem picture both shaped and reflected the middle-class viewer’s national self-image, making a lasting impact on Hollywood’s aesthetic direction.

Sock Innovation: Knitting Techniques and Patterns for One-of-a-kind Socks

by Cookie Apichairuk

Unconventional, rule-breaking socks are part and parcel in this unique guide to sock knitting that includes 15 new sock patterns. The skills of the average sock knitter are increased through design exploration and advanced stitch manipulation, treating the sock as a knitted canvas where elements are strategically and intentionally placed. New designs of floral lace patterns, angular geometric shapes, and unusual cables are presented along with detailed instructions on modifications to suit needs and aesthetics. The incredible range of style and complexity in this guide runs from sweet and simple to delightfully imaginative.

Sock It to Me: Creepy, Crazy & Strangely Appealing

by Brenna Maloney

An easy method to faster quilt-making, and incredible patterns to make use of your scrap stash. What if you could piece quilts even faster, work on more than one quilt simultaneously and save money, fabric and thread all at the same time? Bonnie K. Hunter will show you how to put the concept of Leaders & Enders to work quickly and easily, expanding your creativity, and upping your productivity all at the same time. If you have ever found yourself paralyzed by your stash, overwhelmed by scraps you just can't bear to toss out, arm yourself with a new rotary blade for your cutter, make yourself a cup of tea and start reading. This book is not only full of beautiful scrap quilts that can be made in between the lines of other sewing, but also contains many ideas for getting your ever burgeoning scrap stash under control, into useable sized pieces that work well with one another, and ready to be sewn into quilts you've always wanted to make. Bonnie K. Hunter has done it again!

Sock Knitting Master Class: Innovative Techniques + Patterns from Top Designers

by Ann Budd

Work from the ground up with knitwear design: create your own socks!Sock Knitting Master Class showcases methods for designing and knitting creative socks, featuring signature elements and techniques from 16 top designers. You'll learn what makes good sock design, and then dive into knitting 18 spectacular, brand-new patterns featuring the widest variety of techniques.With patterns divided into two sections by top-down and toe-up construction, Sock Knitting Master Class explores such techniques as cables, twisted stitches, lace, stranded colorwork, entrelac, shadow knitting, and intarsia worked in the round. Plus, you'll discover inventive ways to start and end socks, shape heels and toes, and knit the soles. Sock Knitting Master Class is an all-star assembly of the most inventive, exciting designers working in socks including Cookie A, Kathryn Alexander, Nancy Bush, Cat Bordhi, Priscilla Gibson-Roberts, Anne Hanson, Melissa Morgan-Oakes, Meg Swanson, Anna Zilboorg, and many more. And you'll also learn how each yarn contributes to the overall design from Clara Parkes.

Sock Yarn One-Skein Wonders®: 101 Patterns That Go Way Beyond Socks! (One-Skein Wonders)

by Judith Durant

Sock yarn isn’t just for socks anymore! Veteran knitter Judith Durant presents 101 original projects that can be created from just a single skein of sock yarn, including adorable baby clothes, warm hats, beautiful scarves, and even a dog sweater. A quick and creative way to use up leftovers, many of these projects knit up in less than three hours. Adapted from designs contributed by yarn shops and crafters from throughout North America, knitters of all types will delight in these fun and stylish creations.

Sockology: 16 New Sock Creatures, Cute & Cuddly ... Weird & Wild

by Brenna Maloney

“[A] gallery of fabulously funky projects . . . Instructions are provided for some lovely little animals” from the author of the bestselling Socks Appeal (Australian Homespun).Breanna Maloney is back with a new posse of cute creatures! In this sequel book Sockology, you are encouraged to take it one step further with slightly more complex construction and endless inspiration. From a lovable jointed bear and fluffy sheep to a quirky many-eyed alien, these 16 projects will surely keep you entertained (and challenged) for hours. Don’t worry, detailed hand-drawn templates are included to guide you every step of the way.Praise for Socks Appeal“Assigned to cover the recession and housing crises that was brewing in 2008, Maloney started making sock animals for her children as a stress reducer. Maloney found that the more traumatic her job got, the more creating a new sock animal each night seemed to help. Maloney’s wit and candor in how she writes the instructions is hilarious.” —Publishers Weekly“Her collection takes the classic idea of the sock monkey and makes it into something new using basic techniques and imagination . . . Most of the projects are easy enough for (supervised) children, but adults who like a little whimsy won’t be disappointed, either.” —Library Journal

Socks Appeal: 16 Fun & Funky Friends Sewn from Socks

by Brenna Maloney

“Turn your favorite socks into adorable bunnies, kittens, hamsters, turtles, lions and more! Included are step-by-step photos for picture perfect results.” —Crafts n’ ThingsStitch up a sweet and silly sock critter tonight! Sixteen projects are categorized by skill level, from super-simple to more advanced. Your dryer ate a brand-new sock? No worries—stray singles can now become the perfect gift in just an hour. Enjoy making whimsical stuffed animals using baby socks, knee socks, crew socks . . . any kinds of socks rock! Give your critter’s face plenty of creative expression by embellishing with your favorite buttons and embroidery. Several projects are easy enough for children to make for their own toybox, but you’ll want a bunch of these irresistible cuties for yourself, too!“Assigned to cover the recession and housing crises that was brewing in 2008, Maloney started making sock animals for her children as a stress reducer. Maloney found that the more traumatic her job got, the more creating a new sock animal each night seemed to help. Maloney’s wit and candor in how she writes the instructions is hilarious.” —Publishers Weekly“Her collection takes the classic idea of the sock monkey and makes it into something new using basic techniques and imagination . . . Most of the projects are easy enough for (supervised) children, but adults who like a little whimsy won’t be disappointed, either.” —Library Journal

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