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Rus in Urbe
by James LawlessDans cette collection de poèmes, Rus in Urbe, James Lawless explore le monde autour de lui, ses paysages ruraux et citadins. Son regard acéré s'expose parfois en anglais, d'autres fois en irlandais. Cette aisance dans les deux langages enrichisit sa collection.
Rus In Urbe
by James Lawless Licia BragaIn questa raccolta di poesie, Rus in Urbe, James Lawless esplora il mondo che lo circonda nella sua componente rurale e in quella cittadina. Talvolta i vividi scorci dei suoi paesaggi ci vengono descritti in inglese, talvolta in irlandese. L'armonia data dal combinarsi delle due lingue non può che arricchire la raccolta. In L'altra metà / An Leath Eile - ti sento fare addizioni / in lingua antica ... Éistim leat ag comhaireamh / sa tsean teanga ... le parole accompagnano e introducono il lettore alla magia del verso - la luce morbida, ...'le gile séimh trathnóna. Le poesie accolgono tra le diverse profondità di significato, musicalità e magia. Questo dualismo offre l'immediatezza e l'essenzialismo inglese su una pagina, la melodia e il ritmo irlandese sulla facciata opposta. Sono poesie ricche di immagini. In Vignette Parigine - I segni dell' età sul viso/ a tracciare il percorso della sua vita in contrasto con... - Il giovane sullo skateboard schiva le folate di vento, / cavalcando le onde della città. Si possono riconoscere echi di Yeats. James Lawless offre brevi e immediati sguardi sula vita quotidiana e li trasforma in vividi ricordi, con un sottofondo di tensione così appropriatamente colto nel verso. - Come posso dire / se resterò / o se me ne andrò? La presenza frequente di uccelli è un simbolo di movimenti tra la il paesaggio rurale e la città. Rus in Urbe è una raccolta poetica di incredibile maestria, essenziale nelle parole e ricca di profondità di significato.
Rus In Urbe
by James Lawless Max Gonçalves Leite FerreiraNesta coletânea de poemas, Rus in Urbe, James Lawless explora o mundo à sua volta, em sua paisagem rural e urbana. Às vezes seus vívidos vislumbres são apresentados em inglês e outras vezes em irlandês. Essa facilidade com ambas as línguas enriquece a coleção. Em A outra metade / Leath Eile – Ouço você somando /na língua antiga … Éistim leat ag comhaireamh / sa tsean teanga .. as palavras levam o leitor à magia do verso – a suave luz …‘le gile séimh trathnóna. Os poemas oferecem um bem-vindo acesso às várias camadas de significado, música e magia. Essa dualidade fornece o imediatismo e a dispersão da língua inglesa em uma página e a melodia e o ritmo da língua irlandesa na página oposta. Há uma riqueza de imagens nos poemas. Em Vinhetas parisienses – marcas da idade no rosto,/ mapeando a rota de sua vida. contrasta com... – Os jovens de skate desviam-se do vento,/ surfando nas ondas da cidade. Aqui há ecos de Yeats. James Lawless apresenta breves e imediatos olhares sobre o dia-a-dia e os transforma em uma vívida memória, com correntes de tensão subjacentes tão bem capturadas em – Como posso dizer.../ Fico/ ou vou? A presença frequente dos pássaros é um símbolo da movimentação entre os cenários rural e urbano. Rus in Urbe é uma coletânea de poemas com um forte trabalho artesanal, de poucas palavras e rica em camadas de significados.
Rus In Urbe
by James Lawless Anabel López MolinaIntroducciónEn esta colección de poemas, Rus in Urbe, James Lawless explora el mundo a su alrededor tanto en el paisaje rural como citadino. En ocasiones presenta sus vívidas imágenes en inglés (en esta edición en español) y en otras las presenta en irlandés; esta comodidad con los dos lenguajes enriquece la colección como en "La otra mitad" / An Leath Eile- Te escucho sumando / en el lenguaje antiguo... Éistim leat ag comhaireamh / sa tsean teanga ..Palabras que llevan al lector a la magia de la siguiente línea:- la suave luz,...'le gile séimh trathnóna.El poema le da una cálida bienvenida a muchas capas de sentido, música y magia. Esta dualidad ofrece la inmediatez y dispersión del inglés en una sola página, y la melodía y el ritmo del irlandés en la página opuesta. Los poemas son ricos en imagines, como en "Estampas parisinas" donde observamos ecos de Yeats:-líneas de edad en su cara, / trazan la ruta de su vida. que contrasta con...-Los jóvenes en patineta esquivan el viento / navegan las olas de la ciudad.James Lawless presenta breves e inmediatos vistazos a la vida diaria y los transforma en vívidas memorias, con un trasfondo de tensión tan hábilmente capturados como en - ¿Cómo podré saber / si me iré o me quedaré?La frecuente presencia de aves es un símbolo de movimientos entre el ambiente rural y el urbano.Rus in Urbe es una colección de poemas con fuerza en su destreza, escaso en palabras y rico en capas de sentido.
Rush
by Susan Bittner MeeRush is a classic example of rural small-town America. The East Rush hamlet, now known as simply Rush, was first named Webster's Mills. Although not the first settler in the area, John Webster, who purchased the land in 1810, soon began building a town--first a sawmill and a gristmill, followed by a general store, a hotel, and a school. Other businesses followed, and more families arrived. East Rush was the primary hamlet and, along with West Rush and North Rush, comprised a hardworking, close-knit, rural farming community. By the late 1800s, it was a thriving and self-sufficient community. And, like any town, it is the individuals who built it and lived here that bring Rush's past to life. Years later, the strong family and agricultural base continues, but the bustling activity that centered around the trains and mills has quieted.
Rush Limbaugh: An Army of One
by Zev Chafets"I know the liberals call you 'the most dangerous man in America,' but don't worry about it, they used to say the same thing about me. Keep up the good work. " -Ronald Reagan in a letter to Rush Limbaugh, December 11, 1992. Do you remember your first time? People tend to remember the moment they first heard The Rush Limbaugh Show on the radio. For Zev Chafets, it was in a car in Detroit, driving down Woodward Avenue. Limbaugh's braggadocio, the outrageous satire, the slaughtering of liberal sacred cows performed with the verve of a rock-n-roll DJ-it seemed fresh, funny and completely subversive. "They're never going to let this guy stay on the air," he thought. Almost two decades later Chafets met Rush for the first time, at Limbaugh's rarely visited "Southern Command. " They spent hours together talking on the record about politics, sports, music, show business, religion and modern American history. Rush opened his home and his world, introducing Chafets to his family, closest friends, even his psychologist. The result was an acclaimed cover-story profile of Limbaugh in The New York Times Magazine. But there was much more to say, especially after Limbaugh became Public Enemy Number One of the Obama Administration. At first Limbaugh resisted the idea of a full-length portrait, but he eventually invited Chafets back to Florida and exchanged more than a hundred emails full of his personal history, thoughts, fears and ambitions. What has emerged is an uniquely personal look at the man who is not only the most popular voice on the radio, but the leader of the conservative movement and one of the most influential figures in the Republican Party. While Limbaugh's public persona is instantly recognizable, his background and private life are often misunderstood. Even devoted Dittoheads will find there's a lot they don't know about the self-described "harmless little fuzzball" who has, over the years, taken on the giants of the mainstream media and the Democratic Party-from Bill and Hillary Clinton to Barack Obama-with "half his brain tied behind his back, just to make it fair. " Chafets paints a compelling portrait of Limbaugh as a master entertainer, a public intellectual, a political force, and a fascinating man.
Ruskin: Carlyle, Ruskin, Arnold, Morris (Routledge Revivals)
by George P. LandowRuskin, the great Victorian critics of art and society, had an enormous influence on his age and our own. A highly successful propagandist for the arts, he did much both to popularize high art and to bring it to the masses. A brilliant theorist and practical critics of realism, he also produced the finest nineteenth-century discussions of fantasy, the grotesque, and pictorial symbolism. Most who have written about this outstanding Victorian polymath have approached him either as literary critics or as art historians. In this book, which was first published in 1985, George P. Landow provides a more balanced view and offers a strikingly new approach which reveals that Ruskin wrote throughout his career as an interpreter, an exegete. His interpretations covered many fields of human experience and endeavour, not only paintings, poems, and buildings but also contemporary social issues, such as the discontent of the working classes.
Ruskin's Artists: Studies in the Victorian Visual Economy (Routledge Revivals)
by Robert HewisonThis was first published in 2000: A study of John Ruskin's engagement with art and architecture as a critic, a patron and a teacher. It offers insights into both his writings and the visual economy of the Victorian world. Each essay examines Ruskin's relationship with an individual artist or a distinct aspect of art practice. J.M.W. Turner, D.G. Rossetti, W. Holman Hunt and E. Burne-Jones are among those artists discussed whose personal relationships with Ruskin affected his critical writing. Ruskin's attitude to women artists and his approach to the teaching of art are given special attention.
Russell City
by Hayward Area Historical Society María OchoaBetween 1853 and 1964, on the western shore of what is now the city of Hayward, there existed a small rural community. This pictorial history traces the role that this region, which became known as Russell City, played in the development of the East Bay. Named for Joel Russell, a New England teacher who came to California during the Gold Rush and found success as a judge, political activist, and businessman, Russell City later became a destination point for diverse migrant and immigrant groups including Spaniards, Danes, Germans, Italians, African Americans, and Mexicans. While the economic means of the residents were never great, social riches abounded in the cultural and religious traditions that were practiced. A plan to create an industrial park on Russell City land emerged during the 1950s, and by 1964 the residents and businesses were entirely removed through eminent domain. An annual reunion picnic, begun in 1978, serves as a reminder of the community once built and then tossed to the winds. In the words of the former residents, "The city may be gone, but the memories live on."
Russell County (Images of America)
by Andrew ChafinRussell County was formed in 1786 from a portion of Washington County. It was named for Col. William Russell, who assisted in the drafting of the Declaration of Independence. Early settlers, who were mostly English and Scotch-Irish, endured geographic isolation as they shaped the ways of life, attitudes, products, legends, and realities that would ultimately usher Russell County into the information age of the 21st century. In 1774, Daniel Boone led the defense of the Clinch River settlements during Dunmore's War, the war between the colony of Virginia and the Shawnee and Mingo Indians. The Virginia-led attack was designed to remove the last obstacle to colonial conquest of the area. By 1858, Russell County had been reduced from 3,000 square miles to 483 square miles. Other counties formed from all or part of Russell were Lee, Tazewell, Scott, and Buchanan. A portion of what is now West Virginia was within the original boundaries of Russell County. The county seat, Lebanon, is a vibrant destination for industry and technology.
Russell Lee: A Photographer's Life And Legacy
by Mary Jane AppelRussell Lee, a contemporary of Walker Evans and Dorothea Lange, now emerges from the shadows as one of the most influential documentary photographers in American history. The most prolific photographer of the Great Depression, Russell Lee has never been canonized for his iconic images. With this compulsively readable and definitive biography, historian and archivist Mary Jane Appel finally uncovers Lee’s rebellious life, tracing his journey from blue-blood beginnings to intrepid years of activism and pioneering creativity, through the incredible body of work he left behind. Born in the quintessential turn-of-the-century small town of Ottawa, Illinois, in 1903, Lee grew up in a wealthy family riddled with tragedy. He trained in college to become a chemical engineer, but was quickly drawn to Greenwich Village, where he developed an interest in social change and the arts. In 1935, the charismatic bohemian picked up a camera and a year later walked into the office of Roy Stryker, head of the Historical Section of the Resettlement Administration, later renamed the Farm Security Administration (FSA), setting in motion a new life trajectory. The Historical Section aimed to capture rural poverty and the New Deal programs designed to abolish it. But Stryker imagined a much broader pictorial sourcebook for America, and no one on his legendary team—including Dorothea Lange, Walker Evans, and Gordon Parks, among others—would be more dedicated to reaching this goal than Russell Lee. As Appel demonstrates, Stryker and Lee developed a fascinating symbiotic relationship that resulted in a massive and complex breadth of work. Living out of his car from the fall of 1936 to mid-1942, Lee crisscrossed America’s back roads more than any photographer of his era. During this time, he shot 19,000 negatives that were captioned and printed—more than twice that of any other FSA photographer. He captured arresting images of sweeping dust storms and devastating floods, and chronicled the World War II home front and the last gasp of a small-town America that was inexorably vanishing?all the while focusing prophetically on issues like segregation and climate change, decades before they became national concerns. Meticulously weaving previously uneen letters and diaries, Appel brilliantly reveals why Lee’s profile has remained obscured, while his contemporaries became broadly celebrated. With more than 100 images spread throughout, Russell Lee speaks not only to the complexity of a pioneering documentary photographer’s work but to a seminal American moment captured viscerally like never before.
Russia and the Commonwealth of Independent States: Documents, Data, and Analysis
by Zbigniew K BrzezinskiThis work brings together major accords and protocols that form the institutional framework of the Commonwealth of Independent States (CIS); a selection of policy statements by the leaders of CIS countries; a chronological record of political, economic and military security developments and major crises in CIS "hot spots"; and statistics and country profiles.
Russian and Soviet Film Adaptations of Literature, 1900-2001: Screening the Word (BASEES/Routledge Series on Russian and East European Studies #Vol. 18)
by Stephen Hutchings Anat VernitskiProviding many interesting case studies and bringing together many leading authorities on the subject, this book examines the importance of film adaptations of literature in Russian cinema, especially during the Soviet period when the cinema was accorded a vital role in imposing the authority of the communist regime on the consciousness of the Soviet people.
Russian and Soviet Views of Modern Western Art: 1890s to Mid-1930s
by Ilia DorontchenkovIntroducing a wealth of little-known material set in an illuminating interpretive context, this sourcebook presents Russian and Soviet views of Western art during this critical period of cultural transformation. The writings document complex responses to these works and ideas before the Russians lost contact with them almost entirely.
Russian Antisemitism Pamyat/De (Studies In Antisemitism Ser. #Vol. 2.)
by CoreyFirst Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Russian Cinema (Inside Film)
by David C. GillespieRussian Cinema provides a lively and informative exploration of the film genres that developed during Russia's tumultuous history, with discussion of the work of Eisenstein, Pudovkin, Mikhalkov, Paradzhanov, Sokurov and others. The background section assesses the contribution of visual art and music, especially the work of the composers Shostakovich and Prokofev, to Russian cinema. Subsequent chapters explore a variety of topics: The literary space - the cinematic rendering of the literary text, from 'Sovietized' versions to bolder and more innovative interpretations, as well as adaptations of foreign classics The Russian film comedy looks at this perennially popular genre over the decades, from the 'domestication' of laughter under Stalin to the emergence of satire The historical film - how history has been used in film to affirm prevailing ideological norms, from October to Taurus Women and Russian film discusses some of the female stars of the Soviet screen (Liubov Orlova, Vera Alentova, Liudmila Gurchenko), as well as films made by male and female directors, such as Askoldov and Kira Muratova Film and ideology shows why ideology was an essential component of Soviet films such as The Maxim Trilogy, and how it was later definitively rejected The Russian war film looks at Civil War and Second World War films, and the post-Soviet treatment of recent conflicts in Afghanistan and Chechnya Private life and public morality explores the evolution of melodramas about youth angst, town and village life, personal relationships, and the emergence of the dominant sub-genre of the 1990s, the gangster thriller Autobiography, memory and identity offers a close reading of the work of Andrei Tarkovskii, Russia's greatest post-war director, whose films, including Andrei Rublev and Mirror, place him among the foremost European auteur film-makers Russian Cinema offers a close analysis of over 300 films illustrated with representative stills throughout. As with other titles in the Inside Film series it includes comprehensive filmographies, a thorough bibliography and an annotated further reading list. The book is a jargon-free, accessible study that will be of interest to undergraduates of film studies, modern languages, Russian language and literature, as well as cineastes, film teachers and researchers.
Russian Comedy of the Nikolaian Rea (Russian Theatre Archive Ser.)
by Laurence SenelickThese four Russian comedies were written during the reign of Nicholas I, a period of considerable repression and censorship. They represent the most popular genres of the period. Lensky's Her First Night was an immensely popular vaudeville which held the stage for years; Kozma Prutkov's Fantasy is a parody of vaudeville which was banned after one night. Turgenev's Luncheon with the Marshal is a comedy of manners about provincial life, and Saltykov-Schedrin's Pazukhin's Death is a satire of greed and corruption so savage that it was forbidden during the author's lifetime. This collection constitutes a remarkable comic spectrum which will assist in enlarging the English language repertoire with a set of newly available and hightly stageworthy scripts.
Russian Cosmism
by Boris GroysCrucial texts, many available in English for the first time, written before and during the Bolshevik Revolution by the radical biopolitical utopianists of Russian Cosmism. Cosmism emerged in Russia before the October Revolution and developed through the 1920s and 1930s; like Marxism and the European avant-garde, two other movements that shared this intellectual moment, Russian Cosmism rejected the contemplative for the transformative, aiming to create not merely new art or philosophy but a new world. Cosmism went the furthest in its visions of transformation, calling for the end of death, the resuscitation of the dead, and free movement in cosmic space. This volume collects crucial texts, many available in English for the first time, by the radical biopolitical utopianists of Russian Cosmism.Cosmism was developed by the Russian philosopher Nikolai Fedorov in the late nineteenth century; he believed that humans had an ethical obligation not only to care for the sick but to cure death using science and technology; outer space was the territory of both immortal life and infinite resources. After the revolution, a new generation pursued Fedorov's vision. Cosmist ideas inspired visual artists, poets, filmmakers, theater directors, novelists (Tolstoy and Dostoevsky read Fedorov's writings), architects, and composers, and influenced Soviet politics and technology. In the 1930s, Stalin quashed Cosmism, jailing or executing many members of the movement. Today, when the philosophical imagination has again become entangled with scientific and technological imagination, the works of the Russian Cosmists seem newly relevant. Contributors Alexander Bogdanov, Alexander Chizhevsky, Nikolai Fedorov, Boris Groys, Valerian Muravyev, Alexander Svyatogor, Konstantin Tsiolkovsky, Anton Vidokle, Brian Kuan Wood A copublication with e-flux, New York
Russian Court Chapel Choir: 1796-1917 (Music Archive Publications)
by Carolyn C. DunlopFirst Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Russian Culture and Theatrical Performance in America, 1891–1933
by Valleri J. HohmanBetween the 1890s and the 1930s, advancements in communication and travel encouraged widespread international cultural exchange, and Americans increasingly came into contact with Russian culture and theatrical performance. A number of factors, including emigration from Russia, world war, revolutionary activities in both Russia and the United States, and developments in modernism in the American theatre influenced the way those performances were received by American artists and audiences. Examining the work of impresarios, financiers, and the press as well as the artists themselves, Hohman demonstrates how a variety of Russian theatrical styles were introduced and incorporated into American theatre and dance.
Russian Gunship Helicopters
by Yefim Gordon Dmitriy KomissarovFeatures;* Profiles of iconic types such as the Mil MI-24 'Hind', the Mil-28 and the Kamov Ka-52 'Alligator'.* Summary of design histories and careers* Colour reference for paint schemes * Critical review of available kits* Over 180 colour and black and white illustrations, including 20 full colour side-views and a range of various 3-view line-drawings. With profiles of a host of exciting designs, accompanied by a descriptive narrative history of the various types, this volume combines practical information with reflective historical analysis, making for a visually rich volume providing modellers with all they need to know about the most exciting Russian Gunship helicopter designs and associated model kits.This edition deals primarily with the three principal attack helicopter types of the present-day Russian Army;The Mil MI-24 'Hind' otherwise known as 'the Flying Crocodile' has been produced in large numbers with many versions and variants produced. It has been supplied to a host of countries and seen considerable combat action in conflicts both in the Soviet Union and abroad. It still forms the backbone of army aviation in Russia and remains at the forefront of national exposure.The Mil-28 is a more contemporary type and is broadly the equivalent of the McDonnell Douglas AH-64 Apache. The Kamov Ka-52 'Alligator' NATO name 'Hokum-B' also features. This helicopter is in service with the Army and is entering service also with the Russian Navy. Well-illustrated histories and structural analyses are supplemented with detailed descriptions of the various plastic scale model kits which have been released, along with commentary concerning their accuracy and available modifications and decals. This level of detail and insight is sure to prove invaluable to a wide community of model-makers, both at home and overseas.
Russian Mirror: Three Plays by Russian Women (Russian Theatre Archive Ser. #Vol. 14.)
by Melissa T. SmithThe three playwrights presented together in this volume On the Road to Ourselves), Elena Gremina (Behind the Mirror) and Olga Mikhailova (Russian Dream). The selected plays contain many elements which will appeal to Western directors and audiences: well-drawn characters, engaging plots, lively wit. Central to the three plays selected in this volume is a complex interaction of Russian and Western value systems, a theme that becomes increasingly relevant for Russian audiences with each passing season and no less relevant for Europeans and Americans.
A Russian Paints America: The Travels of Pavel P. Svin'in, 1811-1813
by Pavel P. Svin'in Marina Swoboda William WhisenhuntA Russian Paints America presents the first complete English translation of Svin'in's fascinating memoir. Thirty-one original watercolours complement his provocative views on topics such as slavery, religion, politics, and the fine arts. Introductory essays by Marina Swoboda and William Whisenhunt examine Russian-American relations, consider Svin'in's life and particular role in Russian history, and set his work in the context of the genre of picturesque travel - Svin'in clearly did not set out to produce a scholarly account of the United States but a work of literature, at a time when Russian literary language was in its earliest stages of development.
A Russian Paints America
by Marina Swoboda William Whisenhunt Pavel P. Svin'InA Russian Paints America presents the first complete English translation of Svin'in's fascinating memoir. Thirty-one original watercolours complement his provocative views on topics such as slavery, religion, politics, and the fine arts. Introductory essays by Marina Swoboda and William Whisenhunt examine Russian-American relations, consider Svin'in's life and particular role in Russian history, and set his work in the context of the genre of picturesque travel - Svin'in clearly did not set out to produce a scholarly account of the United States but a work of literature, at a time when Russian literary language was in its earliest stages of development.
The Russian Pink: A Novel
by Matthew HartAn explosive debut featuring renowned diamond expert caught in a web of deception and malice while trying to uncover the secrets behind the most expensive diamond in the world.When "The Russian Pink"—a stunningly large rose-hued diamond—makes a surprise appearance around the neck of Honey Li, the wife of surging presidential candidate Harry Nash, Alex Turner, an investigator for the Treasury Department&’s diamond division and former C.I.A. agent, finds himself spiraling down a seemingly endless rabbit hole. A diamond like that always carries secrets, but the web of mystery behind "The Pink" is more complex than Alex could ever image. Starting with the trail of damage from botched sting operation, Alex wavers between legal and illegal tactics, friends, family, and foes to find out why a mysterious Russian double agent betrayed him and the diamond ended up on a potential path to the White House. For wherever the Russian Pink goes, secrecy, deception, and death surely follow. With echos of both John Le Carre and Jason Matthews, The Russian Pink is a stylish and fresh page-turner that catapults the reader into the world of blood diamond trading, a world that Matthew Hart, the author of the critically acclaimed Diamond, navigates with authoritative authenticity and wit.