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Stanislavsky and Race: Questioning the “System” in the 21st Century (Stanislavsky And...)
by Siiri Scott Paul SkeltonStanislavsky and Race is the first book to explore the role that Konstantin Stanislavsky’s “system” and its legacies can play in building, troubling and illuminating today’s anti-racist theatre practices. This collection of essays from leading figures in the field of actor training stands not only as a resource for a new area of academic enquiry, but also for students, actors, directors, teachers and academics who are engaged in making inclusive contemporary theatre. In seeking to dismantle the dogma that surrounds much actor training and replace it with a culturally competent approach that will benefit our entire community, the “system” is approached from a range of perspectives featuring the research, reflections and provocations of 20 different international artists interrogating Stanislavsky’s approach through the lens of race, place and identity. Stanislavsky and … is a series of multi-perspectival collections that bring the enduring legacy of Stanislavskian actor training into the spotlight of contemporary performance culture, making them ideal for students, teachers and scholars of acting, actor training and directing.
Stanislavsky and Yoga (Routledge Icarus)
by Sergei TcherkasskiThis book deals with one of the most important sources of the Stanislavsky System - Yoga, its practice and philosophy. Sergei Tcherkasski carefully collects records on Yoga in Stanislavsky's writings from different periods and discusses hidden references which are not explained by Stanislavsky himself due to the censorship in his day. Vivid examples of Yoga based training from the rehearsal practice of the Moscow Art Theatre and many of Stanislavsky's studios (the First Studio in 1910s, the Second Studio and Opera Studio of the Bolshoi Theatre in 1920s, Opera-Dramatic Studio in 1930s) are provided. The focus of Tcherkasski's research consists of a comparative reading of the Stanislavsky System and Yogi Ramacharaka's books, which were a main source for Stanislavsky. Accordingly, Tcherkasski analyzes elements of the System based on Yoga principles. Among them are: relaxation of muscles (muscular release), communication and prana, emission of rays and reception of rays, beaming of aura, sending of prana, attention, visualizations (mental images). Special attention is paid to the idea of the superconscious in Yoga, and in Ramacharaka's and Stanislavsky's theories. Tcherkasski's wide-ranging analysis has resulted in new and intriguing discoveries about the Russian master. Furthermore, he reveals the extent to which Stanislavsky anticipated modern discoveries in neurobiology and cognitive science. In this book Tcherkasski acts as a researcher, historian, theatre director, and experienced acting teacher. He argues that some forty per cent of basic exercises in any Stanislavsky based actor training program of today are rooted in Yoga. Actors, teachers, and students will find it interesting to discover that they are following in the footsteps of Yoga in their everyday Stanislavsky based training and rehearsals.
Stanislavsky in America: An Actor's Workbook
by Mel GordonStanislavsky in America explores the extraordinary legacy that Constantin Stanislavski’s system of actor-training has left on acting in the US. Mel Gordon outlines the journey of Stanislavski’s theories through twentieth century American history, from the early US tours of the Moscow Art Theatre to the ongoing impact of 'The System' on modern American acting. This fascinating study by a leading theatre critic and practitioner provides hundreds of original acting exercises, used by the pivotal US figures who developed his teachings, such as Lee Strasberg, Stella Adler and Bobby Lewis. By going back to these primary sources, Gordon cuts through the myths and misapprehensions which have built up over time. Part memoir and part practical guide, Stanislavsky in America is an essential resource for anyone wanting to understand Stanislavski’s work and his relationship with American theatre.
Stanislavsky in Focus: An Acting Master for the Twenty-First Century
by Sharon Marie CarnickeFirst published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Stanislavsky in Focus: An Acting Master for the Twenty-First Century
by Sharon Marie CarnickeStanislavsky in Focus brilliantly examines the history and actual premises of Stanislavsky’s 'System', separating myth from fact with forensic skill. The first edition of this now classic study showed conclusively how the 'System' was gradually transformed into the Method, popularised in the 1950s by Lee Strasberg and the Actor’s Studio. It looked at the gap between the original Russian texts and what most English-speaking practitioners still imagine to be Stanislavsky’s ideas. This thoroughly revised new edition also delves even deeper into: the mythical depiction of Stanislavsky as a tyrannical director and teacher yoga, the mind-body-spirit continuum and its role in the ‘System’ how Stanislavsky used subtexts to hide many of his ideas from Soviet censors. The text has been updated to address all of the relevant scholarship, particularly in Russia, since the first edition was published. It also features an expanded glossary on the System's terminology and its historical exercises, as well as more on the political context of Stanislavsky's work, its links with cognitive science, and the System's relation to contemporary developments in actor-training. It will be a vital part of every practitioner's and historian's library.
Stanislavsky: A Life In Leters
by Laurence SenelickKonstantin Stanislavsky transformed theatre in the West and was indisputably one of the twentieth century’s greatest innovators. His life and work mark some of the most significant artistic and political milestones of that tumultuous century, from the emancipation of the serfs to the Russian Revolution. Little wonder, then, that his correspondence contains gripping exchanges with the famous and infamous of his day: men such as Tolstoy, Chekhov, Trotsky and Stalin, among others. Laurence Senelick, one of the world’s foremost scholars of Russian literature, mines the Moscow archives and the definitive Russian edition of Stanislavsky’s letters, to produce the fullest collection of the letters in any language other than Russian. He sheds new light on this fascinating field. Senelick takes us from the earliest extant letter of an eleven-year-old Konstantin in 1874, through his work as actor, director and actor trainer with the Moscow Art Theatre, to messages written just before his death in 1938 at the age of seventy-five. We discover Stanislavsky as son, brother and father, as lover and husband, as businessman and "internal emigre." He is seen as a wealthy tourist and an impoverished touring actor, a privileged subject of the Tsar and a harried victim of the Bolsheviks. Senelick shares key insights into Stanislavsky's work on such important productions as The Seagull, The Cherry Orchard, Hamlet, Othello, and The Marriage of Figaro. The letters also reveal the steps that led up to the publication of his writings My Life in Art and An Actor’s Work on Himself. This handsome edition is also comprehensively annotated and fully illustrated.
Stanislavsky’s Use of Improvisation
by Stefan AquilinaStanislavsky&’s Use of Improvisation is the first work that brings together material across Stanislavsky&’s entire career to survey his use of improvisation. Improvisation was a key concern for Stanislavsky, one that impinged on his acting, directing, and pedagogical work. Consequently, it features in many books on the System, but this study is unique because it focuses explicitly on improvisation and its place in Stanislavsky&’s development as a theatre-maker. This allows the reader to see how Stanislavsky treated improvisation as a highly mutable practice that was not bound to one particular interpretation, definition, or application. Improvisation will always relate to the present moment in an actor&’s work, to the here and now; it values aliveness and an engagement with the role. Beyond that, however, Stanislavsky&’s use of improvisation was a dynamic and expanded one that answered a range of work challenges.
Stanley (Images of America)
by Joyce Handsel Keith Quillen Pat Smith Ruth WoodThe Stanley Creek community, named for a gold prospector, began in the mid-1700s as one of the earliest settlements in Gaston County. Gold was mined in the area until the California Gold Rush. Among the prominent people visiting the area was Andr� Michaux, botanist and adventurer, who discovered the tree he named Magnolia macrophylla. In 1860, the Wilmington, Charlotte & Rutherford Railroad came through the area on land owned by the Brevard family. Brevard�s train depot was the primary rallying point for soldiers leaving for the Civil War and for sending supplies to troops. Around the end of the 1890s, Stanley Creek Cotton Mills was organized, beginning the textile era, which continued until 2000. Two Stanley men patented a dyeing machine, and Gaston County Dyeing Machine Company was born. Many of Stanley�s men went to fight in the nation�s wars, some losing their lives. Several athletes went on to major-league baseball, and a nationally recognized sculptor lived in Stanley.
Stanley Kubrick Produces
by James FenwickStanley Kubrick Produces provides the first comprehensive account of Stanley Kubrick’s role as a producer, and of the role of the producers he worked with throughout his career. It considers how he first emerged as a producer, how he developed the role, and how he ultimately used it to fashion himself a powerbase by the 1970s. It goes on to consider how Kubrick’s centralizing of power became a self-defeating strategy by the 1980s and 1990s, one that led him to struggle to move projects out of development and into active production. Making use of overlooked archival sources and uncovering newly discovered ‘lost’ Kubrick projects (The Cop Killer, Shark Safari, and The Perfect Marriage among them), as well as providing the first detailed overview of the World Assembly of Youth film, James Fenwick provides a comprehensive account of Kubrick’s life and career and of how he managed to obtain the level of control that he possessed by the 1970s. Along the way, the book traces the rapid changes taking place in the American film industry in the post-studio era, uncovering new perspectives about the rise of young independent producers, the operations of influential companies such as Seven Arts and United Artists, and the whole field of film marketing.
Stanley Kubrick and Me: Thirty Years at His Side
by Emilio D'Alessandro Filippo Ulivieri Simon MarshA unique perspective on the director of such film classics as Dr. Strangelove, 2001, and Full Metal Jacket, from his personal assistant and confidante. Stanley Kubrick has been seen mostly as an enigma—the neurotic Howard Hughes of filmmakers, a bizarre hermit and unknowable genius consumed by his work and obsessed with privacy to the point of madness. In this “weird, revealing delight” (The New York Times Book Review), Emilio D'Alessandro gives readers a never-before-seen perspective of the real man behind some of the most iconic works of art in the history of cinema. Emilio was a minicab driver in London who had no idea who Kubrick was when he took a job as the director’s chauffeur during the filming of A Clockwork Orange. Honest, reliable, and ready to take on any task, Emilio found his way into Kubrick's oddball heart and confidence. For the next thirty years he became Kubrick’s trusted personal assistant, handyman, cook, sounding board, housekeeper, and pet-sitter—all the while observing firsthand Kubrick’s meticulous working methods. He was even solicited by Kubrick to offer casting suggestions. (Emilio urged his consideration of Charles Bronson for The Shining). In the collective imagination, Kubrick was an isolated misanthrope. In this fresh and affecting portrait, Emilio reveals an altruistic, effusive, generous, and loyal friend—and an artist devoted to the three things in life that mattered to him most: his family, his animals, and his movies.
Stanley Kubrick: Adapting the Sublime
by Elisa PezzottaAlthough Stanley Kubrick adapted novels and short stories, his films deviate in notable ways from the source material. In particular, since 2001: A Space Odyssey (1968), his films seem to definitively exploit all cinematic techniques, embodying a compelling visual and aural experience. But, as author Elisa Pezzotta contends, it is for these reasons that his cinema becomes the supreme embodiment of the sublime, fruitful encounter between the two arts and, simultaneously, of their independence. Stanley Kubrick's last six adaptations—2001: A Space Odyssey, A Clockwork Orange (1971), Barry Lyndon (1975), The Shining (1980), Full Metal Jacket (1987), and Eyes Wide Shut (1999)—are characterized by certain structural and stylistic patterns. These features help to draw conclusions about the role of Kubrick in the history of cinema, about his role as an adapter, and, more generally, about the art of cinematic adaptations. The structural and stylistic patterns that characterize Kubrick adaptations seem to criticize scientific reasoning, causality, and traditional semantics. In the history of cinema, Kubrick can be considered a modernist auteur. In particular, he can be regarded as an heir of the modernist avant-garde of the 1920s. However, author Elisa Pezzotta concludes that, unlike his predecessors, Kubrick creates a cinema not only centered on the ontology of the medium, but on the staging of sublime, new experiences.
Stanley Kubrick: American Filmmaker (Jewish Lives)
by David MikicsAn engrossing biography of one of the most influential filmmakers in cinematic history Kubrick grew up in the Bronx, a doctor&’s son. From a young age he was consumed by photography, chess, and, above all else, movies. He was a self‑taught filmmaker and self‑proclaimed outsider, and his films exist in a unique world of their own outside the Hollywood mainstream. Kubrick&’s Jewishness played a crucial role in his idea of himself as an outsider. Obsessed with rebellion against authority, war, and male violence, Kubrick was himself a calm, coolly masterful creator and a talkative, ever‑curious polymath immersed in friends and family. Drawing on interviews and new archival material, Mikics for the first time explores the personal side of Kubrick&’s films.
Stanley Kubrick: New York Jewish Intellectual
by Dr Nathan AbramsStanley Kubrick is generally acknowledged as one of the world’s great directors. Yet few critics or scholars have considered how he emerged from a unique and vibrant cultural milieu: the New York Jewish intelligentsia. Stanley Kubrick reexamines the director’s work in context of his ethnic and cultural origins. Focusing on several of Kubrick’s key themes—including masculinity, ethical responsibility, and the nature of evil—it demonstrates how his films were in conversation with contemporary New York Jewish intellectuals who grappled with the same concerns. At the same time, it explores Kubrick’s fraught relationship with his Jewish identity and his reluctance to be pegged as an ethnic director, manifest in his removal of Jewish references and characters from stories he adapted. As he digs deep into rare Kubrick archives to reveal insights about the director’s life and times, film scholar Nathan Abrams also provides a nuanced account of Kubrick’s cinematic artistry. Each chapter offers a detailed analysis of one of Kubrick’s major films, including Lolita, Dr. Strangelove, 2001, A Clockwork Orange, Barry Lyndon, The Shining, Full Metal Jacket, and Eyes Wide Shut. Stanley Kubrick thus presents an illuminating look at one of the twentieth century’s most renowned and yet misunderstood directors.
Stanton County (Images of America)
by Mary L. MaasThe boldest and bravest of pioneers headed west, by covered wagon and on foot, to carve out new lives from verdant prairie sod, near the riverbanks in the beautiful Elkhorn Valley. French fur trappers called the river Corne de Cerf, French for the "horn of the elk," due to the river and its tributaries resembling the antlers of a stag. It then became known as the Elkhorn River. Catfish, bullheads, perch, and bass provided a welcomed change in sparse diets. Here settlers established churches, schools, and towns in a raw wilderness where Ponca, Omaha, Sioux, and Pawnee tribes lived. The prairie grasses fed herds of buffalo, elk, deer, and bighorn sheep. Coyotes, foxes, and wolves roamed in abundance. This land was named Stanton County in honor of Edward M. Stanton, Abraham Lincoln's ex-secretary of war. Germans, Scandinavians, Bohemians, and Canadians settled in the picturesque river valley and were joined by settlers from Wisconsin and Virginia, as well as the Hoosiers from Indiana.
Stanwyck
by Axel MadsenA compelling portrait of one of Hollywood's most invincible women, the late Barbara Stanwyck. Stanwyck was a most unusual movie star, an actress of considerable and neglected talent who continually elevated every role she had, a woman whose personal life matched the rocky road her career eventually took. Whispered to be among Hollywood's scandalous "Sewing Circle," a group of internationally famous actresses who hid their potentially career-ending lesbianism and bisexuality, Stanwyck always kept her liaisons as secretly shrouded as possible. Despite her steely resolve and her image as a take-control kind of woman, Stanwyck suffered from turbulent marriages and relationships, including her sensational marriage to, and divorce from, the beautiful and abusive Robert Taylor. Madsen offers a fresh look at this fascinating, complex screen goddess, offering provocative and shocking details from one of Hollywood's most interesting lives.
Star Actors in the Hollywood Renaissance
by Daniel Smith-RowseyIn the late 1960s and early 1970s, a new generation took over the leading roles in Hollywood films. These untraditional-looking young men were promoted and understood as alienated and ironic everymen, and exerted a powerful, and until now unexplored, influence over a movement often considered the richest in Hollywood's history.
Star Bodies and the Erotics of Suffering (Contemporary Approaches to Film and Media Series)
by And Colleen Glenn Rebecca Bell-MetereauSuffering in cinema can be crucial to how stars are cast in roles and perceived by audiences, whether it is performed on the screen or weathered in the form of scandal, heartbreak, disfiguration, or aging in an actor's real life. In Star Bodies and the Erotics of Suffering, editors Rebecca Bell-Metereau and Colleen Glenn assemble thirteen scholars to consider fourteen stars whose careers have been defined by suffering on- or off-screen. Together, these essays question assumptions that an actor's ability to project an enduring image--both symbolic and physical--is necessary for box-office success, demonstrating instead that disruptions often shape and direct the star image. Contributors in this collection examine a wide range of stars from the last seventy years. Some essays deal with actors who have transformed temporarily for a role, or permanently, through aging or accident, such as Joaquin Phoenix, Daniel Day-Lewis, Mickey Rourke, Charlize Theron, and Hilary Swank. Other essays consider stars' attempts to conceal aspects of themselves from the public in order to maintain a palatable public image, including Rita Hayworth, Rock Hudson, and Michael Jackson. Some explore typecasting and audience expectations, noting how struggles with marriage, divorce, and aging intersect in the images of Natalie Wood, Marilyn Monroe, and Harrison Ford. A final set considers Sissy Spacek, Julia Roberts, and Halle Berry as women who reconfigure negative press and restrictive gender and racial expectations to their advantage, managing public perceptions of suffering in ways that flummox their critics. Star Bodies and the Erotics of Suffering offers film buffs, students, and scholars a fresh take on casting, method acting, audience reception, and the tensions at play in our fascination with an actor's dual role as private individual and cultural icon.
Star Commercial Spaces
by Francesc Zamora Mola Julio FajardoStar Commercial Spaces is a complete catalog of the most innovative contemporary commercial spaces , providing lavish full-color illustrations, drawings, floor plans, aerial plans, and photographs of the most inviting, daring, and chic establishments around the globe. Retail design is the art of enticing an ever-changing consumer, subject to new trends, technologies, aesthetics, and moods. From minimalist stores and quirky shops to fashionable bars and restaurants to trendy or quaint hotels, this staggering guidebook will demonstrate to interior designers, decorators, architects, and retailers the kind of versatility and strength possible in the commercial marketplace.
Star Gods of the Maya: Astronomy in Art, Folklore, and Calendars
by Susan Milbrath&“A prodigious work of unmatched interdisciplinary scholarship&” on Maya astronomy and religion (Journal of Interdisciplinary History). Observations of the sun, moon, planets, and stars played a central role in ancient Maya lifeways, as they do today among contemporary Maya who maintain the traditional ways. This pathfinding book reconstructs ancient Maya astronomy and cosmology through the astronomical information encoded in Pre-Columbian Maya art and confirmed by the current practices of living Maya peoples. Susan Milbrath opens the book with a discussion of modern Maya beliefs about astronomy, along with essential information on naked-eye observation. She devotes subsequent chapters to Pre-Columbian astronomical imagery, which she traces back through time, starting from the Colonial and Postclassic eras. She delves into many aspects of the Maya astronomical images, including the major astronomical gods and their associated glyphs, astronomical almanacs in the Maya codices and changes in the imagery of the heavens over time. This investigation yields new data and a new synthesis of information about the specific astronomical events and cycles recorded in Maya art and architecture. Indeed, it constitutes the first major study of the relationship between art and astronomy in ancient Maya culture. &“Milbrath has given us a comprehensive reference work that facilitates access to a very broad and varied body of literature spanning several disciplines.&” ―Isis &“Destined to become a standard reference work on Maya archeoastronomy . . . Utterly comprehensive.&” —Andrea Stone, Professor of Art History, University of Wisconsin, Milwaukee
Star Island
by Donald J. Cann Gayle KadlikStar Island, one of nine islands that form the Isles of Shoals, lies six miles off the coast of its governing township of Rye, New Hampshire. Rich with centuries of human history, the island has hosted religious and educational conferences established by the Unitarians and the Congregationalists since 1897. Thousands of guests have attended conferences and retreats here, and thousands more have come for seasonal work. Families have attended conferences for generations and will continue to enjoy Star Island for years to come, for the island has become their "Spirit's Home." These photographic images of Star Island, many never before published, were selected from various archives and collections to provide an intimate view of some of the lesser-told stories and behind-the-scenes looks at the education and conference center that has existed there for over 100 years.
Star Origami: The Starrygami™ Galaxy of Modular Origami Stars, Rings and Wreaths (AK Peters/CRC Recreational Mathematics Series)
by Tung Ken Lam"Star Origami is a festival of folding fun that is sure to inspire. Tung Ken's stellar designs are rich with invention, and as always, his works are beautifully illustrated and written by him. Those eager for the math behind the designs will not be disappointed."— Michael LaFosse (Origamido® Studio), author of over 50 origami books including Geometric Origami: The Art of Modular Paper Sculpture "Tung Ken Lam is one of the world’s leading exponents of modular origami design. His books never disappoint."— David Mitchell, author of Mathematical Origami and founder of origamiheaven.com "Perfect for teachers to guide students to explore the relationships between the properties of rectangles and the folded stars. The curious and motivated student will find hours of mathematical buried treasure through folding."– Charlene Morrow, Director, SummerMath, Mount Holyoke College and Past Board Chair, OrigamiUSA "Star Origami provides a treasure trove of relevant math foundations, and suggestive pathways for the creative journey. It has already stimulated new directions for my own star structures."— Arnold Tubis, author of Unfolding Mathematics with Origami Boxes and Tessellation Inspired Origami Box Designs Star Origami: The Starrygami™ Galaxy of Modular Origami Stars, Rings and Wreaths is an exciting collection of origami rings, stars and wreaths made using the modular technique, including clear instructions for making them. Features Over sixty paper stars, all made without cutting, gluing or decorating using the modular origami technique Hundreds of clear step-by-step instructions show you how, based on the technique of folding a small number of simple units and joining them together as a satisfying puzzle Secret tips to make new shapes just by varying a few lengths and angles Suitable for teaching and learning art, geometry and mathematics. Teachers will appreciate the practical advice to succeed in using origami for education.
Star Power: Defining Your Individual Signature
by Sande ShurinSTAR POWER! establishes a new wave of Acting. It speaks to current and relevant issues that creative Actors are grappling with: How do I “BE” authentic and respond from my truth and still BE the character? How do I respond spontaneously and still fulfill the Director's vision? How do I bring my rich inner imaginative world out to be visible in the material world? What is the the“IT” factor? It’s STAR POWER! STAR POWER! engages the Actor in new possibilities, helping them develop their Authentic Self and define their Individual Signature. As an acting coach, it is Ms. Shurin’s job to transform good actors into “brilliant” ones. This is a book about Ms Shurin’s new discoveries on how to create an Individual Signature for the actor. The combination of “Individual Signature”, becoming that “brilliant actor” and having the the “commitment” to become a star is the missing link. Actors of all levels of experience will find interesting interviews from industry professionals and fellow Actors confirming these principles. STAR POWER! works. It is the future of acting. Ms. Shurin has recently found that these same principles benefit anyone in any profession: attorneys, doctors, salespeople, parents, teachers, students, politicians and more. She hopes these life-altering principles will be used for the betterment of humanity.
Star Product Designers
by Irene AlegreIncludes 350 illustrations and full-color photographsStar Product Designers offers an insiders look at the best product designers working today. With the goal of eliminating the need for instruction manuals, every designer in this book endeavors to create products that are user-friendly, efficient, and beautiful. Perfect for both the amateur designer as well as the most accomplished--and anyone else in between--this comprehensive compendium reveals the design process, from concept to finished product, of some of the most innovative products on the market today. Featuring a wealth of concept sketches, profiles of the leading designers and design firms, and gorgeous, full-color photographs of the products themselves, this book is a must-have for anyone interested in understanding product design and the creative design process.
Star Quilts: 35 blocks, 5 projects
by Mary KnappCreate the galaxy of your dreams from a simple grid• Draft star blocks accurately at any size with this unique grid system—just connect the dots!• No complex calculations needed to get beautiful, complex-looking designs• Choose from dozens of star block designs to mix and match for a truly striking quiltNow it’s easy to create all kinds of perfect stars! Try one of Mary’s five projects to learn her grid method using basic tools like a ruler and a protractor. You’ll be amazed at how easy it can be to draft and resize your own blocks and make your next quilt totally star-studded! Includes great tips for fabric selection, making templates, as well as cutting and piecing techniques.
Star Struck Quilts: Dazzling Diamonds & Traditional Blocks—13 Skill-Building Projects
by Barbara H. ClineLearn to make star quilts that truly shine using variations on traditional blocks and the mix-and-match patterns in this skill-building guide.Quilt designer and teacher Barbara Cline has helped countless crafters expand their creative horizons. Now she helps you reach for the stars with 9 wall-hanging projects. Plus she demonstrates how the featured star block patterns can be transformed into 27 different quilts! Beginning with the classic Lone Star block, Barbara explains the basics of layout and diamond piecing, offering tips and tricks that save time and avoid common pitfalls. Arranged in order of difficulty, each new quilt project offers new challenges with step-by-step instructions designed to build skills as you go. Barbara also shares many valuable life lessons and shows you how to achieve the fine workmanship found in the quilts made in her Mennonite community.