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Starting Your Floral Design Studio: A Creative Guide to Finding Your Style, Growing Your Business, and Nurturing Your Dream
by Justine BeaussartNo comps, for a wide-audience topic.
Starting a Practice
by Simon FoxellThe second edition of the popular Starting a Practice: A Plan of Work is a fully revised and updated guide to planning, setting up and running your architectural practice. Mapped to the RIBA Plan of Work 2013, it approaches starting a business as if it were a design project complete with briefing, sketch layouts and delivery. Comprehensive, accessible and easy to use, Starting a Practice provides essential guidance on the many issues involved in establishing a successful business, including preparing a business plan, choosing the right company structure, seeking advice, monitoring finances, getting noticed and securing work; and much more. The book is full of practical advice gained from the author’s 30 years in practice but is aimed at starting up now, in the second decade of the 21st century, with its particular challenges and opportunities. It is invaluable reading for Part 3 students, young practitioners and those considering starting up on their own or wanting to consolidate an existing business.
Starting a Practice: A Plan of Work
by Simon FoxellRunning your own practice can bring immense job satisfaction, but it is not without its risks. Do you have all the information at hand to set up confidently on your own? Comprehensive, accessible and easy to use, Starting a Practice helps architects navigate the pitfalls associated with establishing a successful business. This fully updated 3rd edition is mapped to the RIBA Plan of Work 2020 and approaches starting a business as if it were a design project, complete with briefing, sketching layouts and delivery. It features new material on professionalism and ethics, sustainable development and achieving a net-zero carbon emission built environment. Invaluable for Part 3 students, early practitioners and those considering setting up from scratch or wanting to consolidate an existing business, Starting a Practice gives architects the tools they need to thrive when setting out alone. Features essential guidance on: Preparing a business plan Choosing the right company structure Setting aspirations Monitoring finances Getting noticed Securing work Retaining and developing staff Planning for disaster.
Starting a Theatre Company: How to Become a Theatre Maker and Create Your Own Work
by Karl FalconerExploring everything from company incorporation and marketing, to legal, finance and festivals, Starting a Theatre Company is the complete guide to running a low-to-no budget or student theatre company. Written by an experienced theatre practitioner and featuring on-the-ground advice, this book covers all aspects of starting a theatre company with limited resources, including how to become a company, finding talent, defining a style, roles and responsibilities, building an audience, marketing, the logistics of a production, legalities, funding, and productions at festivals and beyond. The book also includes a chapter on being a sustainable company, and how to create a mindset that will lead to positive artistic creation. Each chapter contains a list of further resources, key terms and helpful tasks designed to support the reader through all of the steps necessary to thrive as a new organisation. An eResource page contains links to a wide range of industry created templates, guidance and interviews, making it even easier for you to get up and running as simply as possible. Starting a Theatre Company targets Theatre and Performance students interested in building their own theatre companies. This book will also be invaluable to independent producers and theatre makers.
Startling Figures: Encounters with American Catholic Fiction (Studies in the Catholic Imagination: The Flannery O'Connor Trust Series)
by Michael O'ConnellStartling Figures is about Catholic fiction in a secular age and the rhetorical strategies Catholic writers employ to reach a skeptical, indifferent, or even hostile audience. Although characters in contemporary Catholic fiction frequently struggle with doubt and fear, these works retain a belief in the possibility for transcendent meaning and value beyond the limits of the purely secular. Individual chapters include close readings of some of the best works of contemporary American Catholic fiction, which shed light on the narrative techniques that Catholic writers use to point their characters, and their readers, beyond the horizon of secularity and toward an idea of transcendence while also making connections between the widely acknowledged twentieth-century masters of the form and their twenty-first-century counterparts.This book is focused both on the aspects of craft that Catholic writers employ to shape the reader’s experience of the story and on the effect the story has on the reader. One recurring theme that is central to both is how often Catholic writers use narrative violence and other, similar disorienting techniques in order to unsettle the reader. These moments can leave both characters within the stories and the readers themselves shaken and unmoored, and this, O’Connell argues, is often a first step toward the recognition, and even possibly the acceptance, of grace. Individual chapters look at these themes in the works of Flannery O’Connor, J. F. Powers, Walker Percy, Tim Gautreaux, Alice McDermott, George Saunders, and Phil Klay and Kirstin Valdez Quade.
Starved Rock State Park: An Illinois Treasure
by Lee Mandrell DeeDee Niederhouse-Mandrell“Capture[s] the spirit and nature of the park without showing more than footprints from the park’s 2.5 million visitors per year.” —The Times (ShawLocal.com)Nestled along the Illinois River, Starved Rock State Park is a favorite destination no matter the season. This National Historic Landmark boasts a landscape filled with tall bluffs, elegant trees, and wildflower-adorned hills, perfect for the adventurer inside us all.In Starved Rock State Park: An Illinois Treasure, photographers Lee Mandrell and DeeDee Niederhouse-Mandrell showcase the beauty and grandeur of this Illinois state park. With photos of twisting forest trails, plunging canyons, and lakes veiled in mist, they uncover this land piece by piece. Hike to take in the view at Lover’s Leap Overlook or relish the waterfalls that come roaring out from canyons with names like “Wildcat” and “St. Louis.” Come explore this park thriving with life. From hawks soaring across crisp blue skies and snakes slinking over bramble to folksy log cabins and meadows of black-eyed Susans, there is a little something for everyone.With 120 high-quality color photos and an appreciation of the finer details in life, Starved Rock State Park will transport you to a land rich with history and wonder.
Starved Rock State Park: An Illinois Treasure
by Lee Mandrell DeeDee Niederhouse-Mandrell“Capture[s] the spirit and nature of the park without showing more than footprints from the park’s 2.5 million visitors per year.” —The Times (ShawLocal.com)Nestled along the Illinois River, Starved Rock State Park is a favorite destination no matter the season. This National Historic Landmark boasts a landscape filled with tall bluffs, elegant trees, and wildflower-adorned hills, perfect for the adventurer inside us all.In Starved Rock State Park: An Illinois Treasure, photographers Lee Mandrell and DeeDee Niederhouse-Mandrell showcase the beauty and grandeur of this Illinois state park. With photos of twisting forest trails, plunging canyons, and lakes veiled in mist, they uncover this land piece by piece. Hike to take in the view at Lover’s Leap Overlook or relish the waterfalls that come roaring out from canyons with names like “Wildcat” and “St. Louis.” Come explore this park thriving with life. From hawks soaring across crisp blue skies and snakes slinking over bramble to folksy log cabins and meadows of black-eyed Susans, there is a little something for everyone.With 120 high-quality color photos and an appreciation of the finer details in life, Starved Rock State Park will transport you to a land rich with history and wonder.
Stash Buster Quilts: Time-Saving Designs for Fabric Leftovers
by Lynne EdwardsWhat is the quilter's biggest problem? Finding a fun and exciting ways to use their treasured "stash" of hoarded fabrics that they've been saving for the perfect project. Stash-Buster Quilts features fourteen fun patchwork projects that are perfect for using up fabric scraps. With stunning photography and detailed step-by-step instructions, this book makes it easy for quilters to make the most of their stash.
Stash Envy: And Other Quilting Confessions And Adventures
by Lisa BoyerAnother book of quilting humor -- from the author of the ever-popular book "That Dorky Homemade Look!" Funny woman Lisa Boyer is an expert quilter. And she's determined to enjoy making quilts. In fact, she will not -- absolutely will not -- let the risk of making a mistake, or a less-than- perfect quilt, keep her from relishing the task! In the 34 chapters of this new book, Lisa covers: The need for new fabric colors -- "blurple," "rorange," and "brellow," to name a few; The virtues of lumps in a quilt; How to share your bum fat quarter at a fabric exchange; How crocheting doilies will drive you back to quilting; How to cope when your quilts lack depth and dimension. Lisa Boyer is a breeze of fresh air. She brings you back to the pleasure of quilting with her confessions and adventures in Stash Envy!
Stashbuster Knits: Tips, Tricks, and 21 Beautiful Projects for Using Your Favorite Leftover Yarn
by Melissa LeapmanThis is the latest title from popular knitting teacher, designer and author Melissa Leapman. It includes 21 creative projects and ideas to utilise every last piece of yarn in the stash. It features basic techniques, special tips, alternate colour suggestions and guidance on storing your yarn collection. Popular knitting teacher, designer and author Melissa Leapman offers quick, easy and imaginative new projects designed to make use of all the yarn odds and ends every knitter has. From a tiny baby sweater to a lovely striped wrap, "Stashbuster Knits" provides 21 creative projects and ideas to utilise every last piece of yarn in your stash. Projects are organised by yarn weight and use a variety of techniques including lace, cables, colour-blocking, stripes and fair-isle to make items for men, women, children and the home. The book also includes basic knitting techniques, special tips, alternate colour suggestions and guidance on storing and organising your yarn collection.
State Construction and Art in East Central Europe, 1918-2018 (Routledge Research in Art History)
by Agnieszka Chmielewska Irena Kossowska Marcin LachowskiThis volume offers a comprehensive perspective on the relationship between the art scene and agencies of the state in countries of the region, throughout four consecutive yet highly diverse historical periods: from the period of state integration after World War I, through the communist era post 1945 and the time of political transformation after 1989, to the present-day globalisation (including counter-reactions to westernisation and cultural homogenisation). With twenty-three theoretically and/or empirically oriented articles by authors from sixteen countries (East Central Europe and beyond, including the United States and Australia), the book discusses interconnections between state policies and artistic institutions, trends and the art market from diverse research perspectives. The contributors explore subjects such as the impact of war on the formation of national identities, the role of artists in image-building for the new national states emerging after 1918, the impact of political systems on artists’ attitudes, the discourses of art history, museum studies, monument conservation and exhibition practices. The book will be of interest to scholars working in art history, cultural politics, cultural history, and East Central European studies and history.
State Construction and Art in East Central Europe, 1918-2018 (Routledge Research in Art History)
by Agnieszka Chmielewska Irena Kossowska Marcin LachowskiThis volume offers a comprehensive perspective on the relationship between the art scene and agencies of the state in countries of the region, throughout four consecutive yet highly diverse historical periods: from the period of state integration after World War I, through the communist era post 1945 and the time of political transformation after 1989, to the present-day globalisation (including counter-reactions to westernisation and cultural homogenisation).With twenty-three theoretically and/or empirically oriented articles by authors from sixteen countries (East Central Europe and beyond, including the United States and Australia), the book discusses interconnections between state policies and artistic institutions, trends and the art market from diverse research perspectives. The contributors explore subjects such as the impact of war on the formation of national identities, the role of artists in image-building for the new national states emerging after 1918, the impact of political systems on artists’ attitudes, the discourses of art history, museum studies, monument conservation and exhibition practices.The book will be of interest to scholars working in art history, cultural politics, cultural history, and East Central European studies and history.
State University of New York College at Oneonta
by David W. BrennerThe campus of the State University of New York, College at Oneonta covers two hundred-fifty acres and overlooks the Susquehanna River Valley in the western foothills of the Catskill Mountains. Founded in 1889 as the Oneonta Normal School with the mission of training teachers, the college became a charter member of the state university system in 1948. Its mission diversified through the years as it served the changing needs of the people of New York State. The college offered its first bachelor's degree program in 1938, its first graduate program in 1948, and its first full range of programs in the arts and sciences in 1964. Today, as a liberal arts college with a preprofessional focus, Oneonta enrolls more than five thousand six hundred students in over sixty undergraduate majors and nine graduate programs. This intriguing visual history documents the development of an exceptional institution of higher learning. State University of New York, College at Oneonta begins with the people who helped establish the college and examines the impact that establishment had on the community. The book profiles the faculty and shows the rooms and buildings in which they taught over the years. It looks at students in all phases of campus life-in the dormitories, at study, in sports, and on stage. The book offers a complete picture of a college noted for its outstanding and accessible faculty, students committed to both academic achievement and community service, distinguished alumni, and beautiful campus.
State University of New York Farmingdale
by Frank J. CavaioliThe State University of New York at Farmingdale is the oldest public college on Long Island. Chartered in 1912 as the New York State School of Agriculture, its growth has reflected the Long Island region's transition from rural to suburban and from agriculture to high technology. Its more than 50,000 alumni have achieved distinction in the public and private sectors of society. The college has contributed to the high socioeconomic status of Long Island's 2.7 million people (Nassau and Suffolk Counties), as well as to the rest of New York State.The State University of New York at Farmingdale presents more than two hundred photographs accompanied by detailed narrative that capture thememorable events of SUNY Farmingdale. This fascinating story presents a snapshot of a period of local history that no longer exists. It features leaders such as Halsey B. Knapp, the director who shaped the destiny of the college; David W. Allee, who helped set up the first technical education programs; Charles W. Laffin, a president who presided during the years of great social change; andFrank A. Cipriani, a president whose innovations prepared the way for the new millennium through the establishment of bachelor of science degrees in technical education.
State University of New York at Cobleskill
by State University of New York at Cobleskill Alumni AssociationAs an alternative to high school for young men interested in agriculture, the State Agricultural and Technology College at Cobleskill opened the doors of its only building to a class of 10 in 1916. It was an experiment at the time, although now it would be part of New York's BOCES (Board of Cooperative Educational Services) system. Evolving over the years, it was first a postsecondary institute for men and women interested in agriculture, home economics, and teacher training; then it became a junior college offering a multitude of degrees, including not only those listed above but also business and liberal arts; and now, 100 years later, it is a comprehensive college offering baccalaureate as well as associate degrees. Today, the campus covers over 900 acres with 70 buildings.
State of Minds
by Don GrahamJohn Steinbeck once famously wrote that "Texas is a state of mind. " For those who know it well, however, the Lone Star State is more than one mind-set, more than a collection of cliches, more than a static stereotype. There are minds in Texas, Don Graham asserts, and some of the most important are the writers and filmmakers whose words and images have helped define the state to the nation, the world, and the people of Texas themselves. For many years, Graham has been critiquing Texas writers and films in the pages of Texas Monthly and other publications. In State of Minds, he brings together and updates essays he published between 1999 and 2009 to paint a unique, critical picture of Texas culture. In a strong personal voice--wry, humorous, and ironic--Graham offers his take on Texas literary giants ranging from J. Frank Dobie to Larry McMurtry and Cormac McCarthy and on films such as The Alamo, The Last Picture Show, and Brokeback Mountain. He locates the works he discusses in relation to time and place, showing how they sprang (or not) from the soil of Texas and thereby helped to define Texas culture for generations of readers and viewers--including his own younger self growing up on a farm in Collin County. Never shying from controversy and never dull, Graham's essays in State of Minds demolish the notion that "Texas culture" is an oxymoron.
State of the Art in Ethiopian Church Forests and Restoration Options
by Thomas Schneider Demel Teketay Mengistie Kindu Alemayehu Wassie Mulugeta Lemenih Thomas KnokeThis book, with contributions from leading academics - and including reviews and case studies from Ethiopian Church forests - provides a valuable reference for advanced students and researchers interested in forest and other natural resource management, ecology and ecosystem services as well as restoration options. The book addresses various aspects including a general overview of Ethiopian church forests, the present role and future challenges of church forests. It also discusses their structure and diversity in the context of sustainability and discusses restoration options for surrounding landscapes, under consideration of the circumstances of the land and the needs of surrounding communities. The intended readership includes natural resource professionals in general as well as forestry professionals in particular (practitioners, policymakers, educators and researchers). The book will provide the reader with a good foundation for understanding Ethiopian forest resources and restoration options of degraded landscape.
State of the Arts: From Bezalel to Mapplethorpe (Turning Point Christian Worldview Series)
by Gene VeithArt permeates our culture, yet many have lost all criteria for making aesthetic judgments. This resource chronicles biblical foundations of art as well as the role of Christians in the artistic arena.
State of the World's Cities 2008/9: Harmonious Cities
by Un-HabitatCities are perhaps one of humanity's most complex creations, never finished, never definitive. They are like a journey that never ends. Their evolution is determined by their ascent into greatness or their descent into decline. They are the past, the present and the future. Cities contain both order and chaos. In them reside beauty and ugliness, virtue and vice. They can bring out the best or the worst in humankind. They are the physical manifestation of history and culture and incubators of innovation, industry, technology, entrepreneurship and creativity. Cities are the materialization of humanity's noblest ideas, ambitions and aspirations but when not planned or governed properly, can be the repository of society's ills. Cities drive national economies by creating wealth, enhancing social development and providing employment but they can also be the breeding grounds for poverty, exclusion and environmental degradation. The 21st Century is the Century of the City. Half of humanity now lives in cities, and within the next two decades, 60 per cent of the world's people will reside in urban areas. How can city planners and policymakers harmonize the various interests, diversity and inherent contradictions within cities? What ingredients are needed to create harmony between the physical, social, environmental and cultural aspects of a city and the human beings that inhabit it? This report adopts the concept of Harmonious Cities as a theoretical framework in order to understand today's urban world, and also as an operational tool to confront the most important challenges facing urban areas and their development processes. It recognizes that tolerance, diversity, social justice and good governance, all of which are inter-related, are as important to sustainable urban development as physical planning. It addresses national concerns by searching for solutions at the city level. For that purpose, it focuses on three key areas: spatial or regional harmony, which examines the main drivers of urban growth in the developing world and explores the spatial nuances of economic and social policies; social harmony, which presents and analyzes new data on urban inequalities worldwide and describes the types of shelter deprivations experienced by slum dwellers in developing world regions; and environmental harmony, which examines the role of cities in the climate change debate, and the impact of global warming on the most vulnerable cities. The report also assesses the various intangible assets within cities that contribute to harmony, such as cultural heritage, sense of place and memory and the complex set of social and symbolic relationships that give cities meaning. It argues that these intangible assets represent the soul of the city and are as important for harmonious urban development as tangible assets. Harmony within cities, argues the report, is both a journey and a destination. Published with UN-HABITAT
State of the World's Cities 2010/11: Bridging the Urban Divide
by Un-HabitatThe world's urban population now exceeds the world's rural population. What does this mean for the state of our cities, given the strain this global demographic shift is placing upon current urban infrastructures? Following on from previous State of the World's Cities reports, this edition uses the framework of 'The Urban Divide' to analyse the complex social, political, economic and cultural dynamics of urban environments. In particular, the book focuses on the concept of the 'right to the city' and ways in which many urban dwellers are excluded from the advantages of city life, using the framework to explore links among poverty, inequality, slum formation and economic growth. The volume will be essential reading for all professionals and policymakers in the field, as well as a valuable resource for researchers and students in all aspects of urban development. Published with UN-Habitat.
State of the World's Cities 2012/2013: Prosperity of Cities
by Un HabitatThe city is the home of prosperity. It is the place where human beings find satisfaction of basic needs and access to essential public goods. The city is also where ambitions, aspirations and other material and immaterial aspects of life are realized, providing contentment and happiness. It is a locus at which the prospects of prosperity and individual and collective well-being can be increased. However, when prosperity is restricted to some groups, when it is used to pursue specific interests, or when it is a justification for financial gains for the few to the detriment of the majority, the city becomes the arena where the right to shared prosperity is claimed and fought for. As people in the latter part of 2011 gathered in Cairo’s Tahrir Square, in Madrid’s Puerta del Sol, in front of London’s St Paul’s cathedral, or in New York’s Zuccotti Park, they were not only demanding more equality and inclusion; they were also expressing the need for prosperity to be shared across all segments of society. What this new edition of State of the World’s Cities shows is that prosperity for all has been compromised by a narrow focus on economic growth. UN-Habitat suggests a fresh approach to prosperity beyond the solely economic emphasis, including other vital dimensions such as quality of life, adequate infrastructures, equity and environmental sustainability. The Report proposes a new tool – the City Prosperity Index – together with a conceptual matrix, the Wheel of Prosperity, both of which are meant to assist decision makers to design clear policy interventions. The Report advocates for the need of cities to enhance the public realm, expand public goods and consolidate rights to the 'commons' for all as a way to expand prosperity. This comes in response to the observed trend of enclosing or restricting these goods and commons in enclaves of prosperity, or depleting them through unsustainable use. The Report maps out major policy steps to promote a new type of city – the city of the twenty-first century – that is a 'good', people-centred city. One that is capable of integrating the tangible and more intangible aspects of prosperity, and in the process shedding off the inefficient, unsustainable forms and functionalities of the city of the previous century. By doing this, UN-Habitat plays a pivotal role in ensuring that urban planning, legal, regulatory and institutional frameworks become instruments of prosperity and well-being.
State-of-the-Art Upcycling Research and Practice: Proceedings of the International Upcycling Symposium 2020 (Lecture Notes in Production Engineering)
by Jagdeep Singh Kyungeun Sung Ben BridgensThis book presents the proceedings of the first International Upcycling Symposium 2020, held on 4th September 2020 at De Montfort University (DMU) in Leicester, UK (online), as a joint effort between DMU, Lund University, Nottingham Trent University and Newcastle University. This book presents state of the art of research and practice in “upcycling” at the international level.The subject of this book, upcycling, is a term to describe the processes of creating or modifying a product from used or waste materials, components and products, which is of equal or higher quality or value than the compositional elements. This book describes new theories, approaches and scientific research findings related to upcycling and presents examples of upcycling practice, across multiple sectors, scales and contexts. Bringing together research from over 35 multidisciplinary experts, the book discusses state-of-the-art knowledge and practices on upcycling in different geographical, economic, socio-cultural and technological contexts at an international level. Readers will gain fundamental understanding of upcycling with its varied definitions and forms across sectors and scales, and to be informed of the latest upcycling research and practices including valuable ideas, theories, projects, experiences and insights by global experts.
Staten Island Ferry (Images of America)
by Staten Island MuseumConsidered the "Best Ride in New York City," the Staten Island Ferry has been immortalized over the years in art, literature, film, and music. In the 19th century, cross-bay ferry riders complained of dangerous and unreliable private service. On October 25, 1905, the newly incorporated City of New York assumed ownership of the service, and the Borough class--the Brooklyn, Bronx, Richmond, Queens, and Manhattan ferryboats--was introduced. These were the largest ferries on the East Coast and made the crossing in 22.5 minutes. Today, the ferry is recognized as a New York icon and a symbol of the borough. A favorite destination for tourists, the Staten Island Ferry carries 22 million passengers annually. On a typical day, 109 trips move about 70,000 people across the harbor, making the Staten Island Ferry one of the most reliable forms of mass transit in the city.
Staten Island Rapid Transit
by Marc PitanzaStaten Island's first railroad began in 1860 as a passenger line connecting towns along the island's eastern shore, with ferry service from Vanderbilt's Landing to Manhattan. The Staten Island Rapid Transit was a second line, built in 1885. During the 19th century, major eastern trunk railroads competed for the New York freight market. The Baltimore & Ohio Railroad (B&O) was a latecomer but saw opportunity with Staten Island in 1886, buying interest in both railroads. The B&O took control of the island's passenger service and turned it into a thriving commuter railroad with three branches and nearly 40 stations, forever changing transportation in the borough. Reaching Staten Island from Cranford, New Jersey, the B&O built a major freight yard at Arlington and a waterfront terminal at St. George. The railroad's customers ran the gamut from large industries like Procter & Gamble to small one-carload coal dealerships. By 1971, the cash-strapped B&O sold the passenger service to the New York City Transit Authority (NYCTA), and by 1985, the B&O had left New York for good.
Statewide Wetlands Strategies: A Guide To Protecting And Managing The Resource
by Mark Rorner World Wildlife FundStatewide Wetlands Strategies offers comprehensive strategies that draw upon all levels of government and the private sector to focus and coordinate efforts to work toward the goal of no-net-loss of wetlands.