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The Birth of Modern Theatre: Rivalry, Riots, and Romance in the Age of Garrick
by Norman S. PoserThe Birth of Modern Theatre: Rivalry, Riots, and Romance in the Age of Garrick is a vivid description of the eighteenth-century London theatre scene—a time when the theatre took on many of the features of our modern stage. A natural and psychologically based acting style replaced the declamatory style of an earlier age. The theatres were mainly supported by paying audiences, no longer by royal or noble patrons. The press determined the success or failure of a play or a performance. Actors were no longer shunned by polite society, some becoming celebrities in the modern sense. The dominant figure for thirty years was David Garrick, actor, theatre manager and playwright, who, off the stage, charmed London with his energy, playfulness, and social graces. No less important in defining eighteenth-century theatre were its audiences, who considered themselves full-scale participants in theatrical performances; if they did not care for a play, an actor, or ticket prices, they would loudly make their wishes known, sometimes starting a riot. This book recounts the lives—and occasionally the scandals—of the actors and theatre managers and weaves them into the larger story of the theatre in this exuberant age, setting the London stage and its leading personalities against the background of the important social, cultural, and economic changes that shaped eighteenth-century Britain. The Birth of Modern Theatre brings all of this together to describe a moment in history that sowed the seeds of today’s stage.
The Birth of Tragedy: Out of the Spirit of Music
by Friedrich NietzscheA compelling argument for the necessity for art in life, Nietzsche's first book is fuelled by his enthusiasm for Greek tragedy, for the philosophy of Schopenhauer and for the music of Wagner, to whom this work was dedicated. Nietzsche outlined a distinction between its two central forces- the Apolline, representing beauty and order, and the Dionysiac, a primal or ecstatic reaction to the sublime. He believed the combination of these states produced the highest forms of music and tragic drama, which not only reveal the truth about suffering in life, but also provide a consolation for it. Impassioned and exhilarating in its conviction, The Birth of Tragedy has become a key text in European culture and in literary criticism.
The Birth of Western Painting: A History of Colour, Form and Iconography (Routledge Revivals)
by Robert Byron David Talbot RiceFirst published in 1930, this book deals with Byzantine art, not as an isolated province, but as one intimately connected with the subsequent history of European painting. After a summary of the whole question in its relation to modern art, the second chapter opens with a novel analysis of the iconoclast controversy, and shows how it was only by this movement that Hellenistic naturalism was finally vanquished and the seed of interpretational art planted in Europe in its stead. The third chapter reveals how this seed was nourished by the Constantinopolitan Renascence, and how that event, combined with the increasing humanisation of religious emotion, culminated, not only in Duccio and Giotto, but in the equally important work of their contemporaries at Mistra and Mount Athos. A detailed account of these works is given and in the last part of the book, the mystery of El Greco is finally resolved. The book is based, not only on extensive research but on personal observation of nearly all the works mentioned, in Constantinople, Greece, Crete, Italy, and Spain. It is an important and exciting addition to the history of European Art and establishes, scientifically, theories which only existed in conjecture before its publication. The book includes 94 black and white plates.
The Birth of a Nation
by Dick LehrIn a scene at the end of the Civil War, James Trotter, a sergeant in an all-black union regiment, marched into Charleston, South Carolina just as the Kentucky cavalry that included Colonel "Roaring Jake” Griffith fled for their lives. The two men were bit players in the vicious struggle for their country’s future. Fifty years later their sons, Monroe Trotter and D. W. Griffith engaged in a public confrontation that roiled the entire country, pitching black against white, Hollywood against Boston, free speech against censorship - and the focus of the attack was a film that depicted the events of the American Civil War: The Birth of a Nation. The film - which included actors in black face, racist portraits of blacks and heroic portraits of the Ku Klux Klan, and the depiction of the assassination of Abraham Lincoln - was although a silent movie loudly controversial. It was seen eventually by 25 million Americans, and was the first feature film ever to be shown at the White House, for President Wilson. But it sparked riots and lengthy unrest in Boston and, to a lesser extent, in Philadelphia; Chicago, Pittsburgh, Kansas City and Denver, among other cities, banned the movie entirely. The drama was over what America was in 1915, the year of the film’s release. Which of the nation’s cherished ideals - freedom of speech or civil rights for black Americans - would prevail? Through the story of two men, one a technically brilliant film maker, the other an activist journalist, America debated its identity in full public view, up and down the nation. The Birth of A Nation is a classic social history of a country in transition, and a richly characterful account of the principles set in opposition to each other.
The Birth of a Nation
by Dick LehrIn a scene at the end of the Civil War, James Trotter, a sergeant in an all-black union regiment, marched into Charleston, South Carolina just as the Kentucky cavalry that included Colonel "Roaring Jake” Griffith fled for their lives. The two men were bit players in the vicious struggle for their country’s future. Fifty years later their sons, Monroe Trotter and D. W. Griffith engaged in a public confrontation that roiled the entire country, pitching black against white, Hollywood against Boston, free speech against censorship - and the focus of the attack was a film that depicted the events of the American Civil War: The Birth of a Nation. The film - which included actors in black face, racist portraits of blacks and heroic portraits of the Ku Klux Klan, and the depiction of the assassination of Abraham Lincoln - was although a silent movie loudly controversial. It was seen eventually by 25 million Americans, and was the first feature film ever to be shown at the White House, for President Wilson. But it sparked riots and lengthy unrest in Boston and, to a lesser extent, in Philadelphia; Chicago, Pittsburgh, Kansas City and Denver, among other cities, banned the movie entirely. The drama was over what America was in 1915, the year of the film’s release. Which of the nation’s cherished ideals - freedom of speech or civil rights for black Americans - would prevail? Through the story of two men, one a technically brilliant film maker, the other an activist journalist, America debated its identity in full public view, up and down the nation. The Birth of A Nation is a classic social history of a country in transition, and a richly characterful account of the principles set in opposition to each other.
The Birth of a Nation: Nat Turner and the Making of a Movement
by Nate ParkerThis official tie-in to the highly acclaimed film, The Birth of a Nation, surveys the history and legacy of Nat Turner, the leader of one of the most renowned slave rebellions on American soil, while also exploring Turner's relevance to contemporary dialogues on race relations.Based on astounding events in American history, The Birth of a Nation is the epic story of one man championing the spirit of resistance as he leads a rough-and-tumble group into a revolt against injustice and slavery. Breathing new life into a story that has been rife with controversy and prejudice for over two centuries, the film follows the rise of the visionary Virginian slave, Nat Turner. Hired out by his owner to preach to and placate slaves on drought-plagued plantations, Turner eventually transforms into an inspired, impassioned, and fierce anti-slavery leader. Beautifully illustrated with stills from the movie and original illustrations, the book also features an essay by writer/director, Nate Parker, contributions by members of the cast and crew, and commentary by educator Brian Favors and historians Erica Armstrong Dunbar and Daina Ramey Berry who place Nat Turner and the rebellion he led into historical context. The Birth of a Nation reframes the way we think about slavery and resistance as it explores the passion, determination, and faith that inspired Nat Turner to sacrifice everything for freedom.
The Birth of the Museum: History, Theory, Politics (Culture: Policy and Politics)
by Tony BennettIn a series of richly detailed case studies from Britian, Australia and North America, Tony Bennett investigates how nineteenth- and twentieth-century museums, fairs and exhibitions have organized their collections, and their visitors. Discussing the historical development of museums alongside that of the fair and the international exhibition, Bennett sheds new light upon the relationship between modern forms of official and popular culture. Using Foucaltian perspectives The Birth of the Museum explores how the public museum should be understood not just as a place of instruction, but as a reformatory of manners in which a wide range of regulated social routines and performances take place. This invigorating study enriches and challenges the understanding of the museum, and places it at the centre of modern relations between culture and government. For students of museum, cultural and sociology studies, this will be an asset to their reading list.
The Birth-mark: Essays
by Susan HoweSusan Howe's classic groundbreaking exploration of early American literature. Susan Howe reads our intellectual inheritance as a series of civil wars, where eachtext is a wilderness in which a strange lawless author confronts interpreters, professors, and editors eager for settlement. Howe approaches Anne Hutchinson, Mary Rowlandson, Cotton Mather, Hawthorne, Emerson, Melville and Emily Dickinson as a fellow writer--as a poet and feminist as much as a critic: her insights, fierce and original, are rooted in her seminal textural scholarship in examination of their editorial histories of landmark works. In the process, Howe uproots settled institutionalized roles of men and women as well as of poetry and prose.
The Birthday Room
by Kevin HenkesWhen twelve-year-old Ben visits his uncle in Oregon, he feels caught in the strained relationship between his mother and her brother while he also begins to accept himself as an artist.
The Bishan Commune and the Practice of Socially Engaged Art in Rural China: The Bishan Commune And The Practice Of Socially Engaged Art In Rural China
by Mai CorlinThis book is concerned with socially engaged art projects in the Chinese countryside, with the artists and intellectuals who are involved, the villagers they meet and the local authorities with whom they negotiate. In recent years an increasing number of urban artists have turned towards the countryside in an attempt to revive rural areas perceived to be in a crisis. The vantage point of this book is the Bishan Commune. In 2010, Ou Ning drafted a notebook entitled Bishan Commune: How to Start Your Own Utopia. The notebook presents a utopian ideal of life based on anarchist Peter Kropotkin’s idea of mutual aid. In 2011 the Commune was established in Bishan Village in Anhui Province. The main questions of this book thus revolve around how an anarchist, utopian community unfolds to the backdrop of the political, social and historical landscape of rural China, or more directly: How do you start your own utopia in the Chinese countryside?
The Black Arts Movement
by James SmethurstEmerging from a matrix of Old Left, black nationalist, and bohemian ideologies and institutions, African American artists and intellectuals in the 1960s coalesced to form the Black Arts Movement, the cultural wing of the Black Power Movement. In this comprehensive analysis, James Smethurst examines the formation of the Black Arts Movement and demonstrates how it deeply influenced the production and reception of literature and art in the United States through its negotiations of the ideological climate of the Cold War, decolonization, and the civil rights movement.Taking a regional approach, Smethurst examines local expressions of the nascent Black Arts Movement, a movement distinctive in its geographical reach and diversity, while always keeping the frame of the larger movement in view. The Black Arts Movement, he argues, fundamentally changed American attitudes about the relationship between popular culture and "high" art and dramatically transformed the landscape of public funding for the arts.
The Black Arts Movement and the Black Panther Party in American Visual Culture (Routledge Research in Art and Race)
by Jo-Ann MorganThis book examines a range of visual expressions of Black Power across American art and popular culture from 1965 through 1972. It begins with case studies of artist groups, including Spiral, OBAC and AfriCOBRA, who began questioning Western aesthetic traditions and created work that honored leaders, affirmed African American culture, and embraced an African lineage. Also showcased is an Oakland Museum exhibition of 1968 called "New Perspectives in Black Art," as a way to consider if Black Panther Party activities in the neighborhood might have impacted local artists’ work. The concluding chapters concentrate on the relationship between selected Black Panther Party members and visual culture, focusing on how they were covered by the mainstream press, and how they self-represented to promote Party doctrine and agendas.
The Black Body in Ecstasy: Reading Race, Reading Pornography
by Jennifer Christine NashIn The Black Body in Ecstasy, Jennifer C. Nash rewrites black feminism's theory of representation. Her analysis moves beyond black feminism's preoccupation with injury and recovery to consider how racial fictions can create a space of agency and even pleasure for black female subjects. Nash's innovative readings of hardcore pornographic films from the 1970s and 1980s develop a new method of analyzing racialized pornography that focuses on black women's pleasures in blackness: delights in toying with and subverting blackness, moments of racialized excitement, deliberate enactments of hyperbolic blackness, and humorous performances of blackness that poke fun at the fantastical project of race. Drawing on feminist and queer theory, critical race theory, and media studies, Nash creates a new black feminist interpretative practice, one attentive to the messy contradictions--between delight and discomfort, between desire and degradation--at the heart of black pleasures.
The Black Civil War Soldier: A Visual History of Conflict and Citizenship (NYU Series in Social and Cultural Analysis #11)
by Deborah WillisA stunning collection of stoic portraits and intimate ephemera from the lives of Black Civil War soldiersThough both the Union and Confederate armies excluded African American men from their initial calls to arms, many of the men who eventually served were black. Simultaneously, photography culture blossomed—marking the Civil War as the first conflict to be extensively documented through photographs. In The Black Civil War Soldier, Deb Willis explores the crucial role of photography in (re)telling and shaping African American narratives of the Civil War, pulling from a dynamic visual archive that has largely gone unacknowledged.With over seventy images, The Black Civil War Soldier contains a huge breadth of primary and archival materials, many of which are rarely reproduced. The photographs are supplemented with handwritten captions, letters, and other personal materials; Willis not only dives into the lives of black Union soldiers, but also includes stories of other African Americans involved with the struggle—from left-behind family members to female spies. Willis thus compiles a captivating memoir of photographs and words and examines them together to address themes of love and longing; responsibility and fear; commitment and patriotism; and—most predominantly—African American resilience.The Black Civil War Soldier offers a kaleidoscopic yet intimate portrait of the African American experience, from the beginning of the Civil War to 1900. Through her multimedia analysis, Willis acutely pinpoints the importance of African American communities in the development and prosecution of the war. The book shows how photography helped construct a national vision of blackness, war, and bondage, while unearthing the hidden histories of these black Civil War soldiers. In combating the erasure of this often overlooked history, Willis asks how these images might offer a more nuanced memory of African-American participation in the Civil War, and in doing so, points to individual and collective struggles for citizenship and remembrance.
The Black Curator: Activists for Representation, and Decolonization of Museums (Museums in Focus)
by Kemuel BenyehudahThe Black Curator highlights the role that Black curators have long played in advocating for black artists and social changes and argues that they made a significant contribution to the democratization of museums over the last 150 years.Drawing on oral testimonies and archival research, this book examines how black curatorial activist practices emerged as a social and imaginative response to racism across various museum contexts. Exploring the work of black curators at three different museums, Benyehudah traces a lineage from black curators in the 19th century to those currently working in curatorial roles. Analysis of these case studies and the use of ideas from museum studies, critical race theory, and art history also enable the author to demonstrate how black curatorial practice was and is distinct from Eurocentric forms of curating black art. Explaining that the black curatorial lens was used in the process of establishing counter‑archives, the author also demonstrates that it has played – and continues to play – a vital role in the decolonization of museums.Offering compelling ways to look at the relationship between black curators and legacies of colonialism in museums, The Black Curator will be essential reading for scholars, students, and museum practitioners.
The Black Experience in Design: Identity, Expression & Reflection
by Anne H. BerryThe Black Experience in Design spotlights teaching practices, research, stories, and conversations from a Black/African diasporic lens. Excluded from traditional design history and educational canons that heavily favor European modernist influences, the work and experiences of Black designers have been systematically overlooked in the profession for decades. However, given the national focus on diversity, equity, and inclusion in the aftermath of the nationwide Black Lives Matter protests in the United States, educators, practitioners, and students now have the opportunity—as well as the social and political momentum—to make long-term, systemic changes in design education, research, and practice, reclaiming the contributions of Black designers in the process.The Black Experience in Design, an anthology centering a range of perspectives, spotlights teaching practices, research, stories, and conversations from a Black/African diasporic lens. Through the voices represented, this text exemplifies the inherently collaborative and multidisciplinary nature of design, providing access to ideas and topics for a variety of audiences, meeting people as they are and wherever they are in their knowledge about design. Ultimately, The Black Experience in Design serves as both inspiration and a catalyst for the next generation of creative minds tasked with imagining, shaping, and designing our future.
The Black Family Who Built America: The McKissacks, Two Centuries of Daring Pioneers
by Cheryl McKissack DanielThe riveting story of the McKissack family—the founders of the leading Black design and construction firm in the United States, from its beginnings in the mid-1800s to its thriving status today—in a moving celebration of resilience and innovation.Captured in his native West Africa and enslaved on American shores by a North Carolina plantation owner, Moses McKissack I began to build his way to emancipation right from the start. Becoming an enslaved craftsman, he picked up the trade his family would become famous for in the earliest years of the 19th century, passing his learnings down to his children and seeing them off to freedom after the Civil War. The family would settle in Tennessee, getting its bearings in the building trades despite rampant discrimination, establishing a foothold that now sees its latest generations working at the absolute peak of its industry. The family&’s fingerprints have been left all across the United States, spanning from Reconstruction to contemporary times, through projects like the Morris Memorial Building, Capers C.M.E. Church, John F. Kennedy International Airport, and Philadelphia&’s Lincoln Financial Field. Here, Cheryl McKissack Daniel, CEO and president of McKissack & McKissack, reveals the full fascinating story of her family. So much more than an exploration of architectural achievements, The Black Family Who Built America is also a compelling illustration of how history rhymes and reverberates, and a celebration of the human spirit&’s ability to overcome adversity and drive change. From Moses&’s humble beginnings to Cheryl&’s current role as a trailblazer and champion of diversity, the family&’s journey underscores the importance of perseverance, innovation, and strategic vision in shaping a legacy that continues to inspire and impact the construction industry.
The Black Female Body in American Literature and Art: Performing Identity (Routledge Interdisciplinary Perspectives on Literature)
by Caroline BrownThis book examines how African-American writers and visual artists interweave icon and inscription in order to re-present the black female body, traditionally rendered alien and inarticulate within Western discursive and visual systems. Brown considers how the writings of Toni Morrison, Gayl Jones, Paule Marshall, Edwidge Danticat, Jamaica Kincaid, Andrea Lee, Gloria Naylor, and Martha Southgate are bound to such contemporary, postmodern visual artists as Lorna Simpson, Carrie Mae Weems, Kara Walker, Betye Saar, and Faith Ringgold. While the artists and authors rely on radically different media—photos, collage, video, and assembled objects, as opposed to words and rhythm—both sets of intellectual activists insist on the primacy of the black aesthetic. Both assert artistic agency and cultural continuity in the face of the oppression, social transformation, and cultural multiplicity of the late twentieth and early twenty-first centuries. This book examines how African-American performative practices mediate the tension between the ostensibly de-racialized body politic and the hyper-racialized black, female body, reimagining the cultural and political ground that guides various articulations of American national belonging. Brown shows how and why black women writers and artists matter as agents of change, how and why the form and content of their works must be recognized and reconsidered in the increasingly frenzied arena of cultural production and political debate.
The Black Guy Dies First: Black Horror Cinema from Fodder to Oscar
by Robin R. Means Coleman Mark H. HarrisA definitive and surprising exploration of the history of Black horror films, after the rising success of Get Out, Candyman, and Lovecraft Country from creators behind the acclaimed documentary, Horror Noire.The Black Guy Dies First explores the Black journey in modern horror cinema, from the fodder epitomized by Spider Baby to the Oscar-winning cinematic heights of Get Out and beyond. This eye-opening book delves into the themes, tropes, and traits that have come to characterize Black roles in horror since 1968, a year in which race made national headlines in iconic moments from the enactment of the 1968 Civil Rights Act and Martin Luther King Jr.&’s assassination in April. This timely book is a must-read for cinema and horror fans alike.
The Black Hole of the Camera: The Films of Andy Warhol
by J. J. MurphyAndy Warhol, one of the twentieth century’s major visual artists, was a prolific filmmaker who made hundreds of films, many of them—Sleep, Empire, Blow Job, The Chelsea Girls, and Blue Movie—seminal but misunderstood contributions to the history of American cinema. In the first comprehensive study of Warhol’s films, J.J. Murphy provides a detailed survey and analysis. He discusses Warhol’s early films, sound portraits, involvement with multimedia (including The Velvet Underground), and sexploitation films, as well as the more commercial works he produced for Paul Morrissey in the late 1960s and early 1970s. Murphy’s close readings of the films illuminate Warhol’s brilliant collaborations with writers, performers, other artists, and filmmakers. The book further demonstrates how Warhol’s use of the camera transformed the events being filmed and how his own unique brand of psychodrama created dramatic tension within the works.
The Black Joy Project
by Kleaver CruzThe perfect holiday gift for the book lover, art enthusiast and freedom fighter in your lifeFeaturing 117 full-color photos and eight breathtaking essays on a force that fuels Black life all around the globe, this is Humans of New York meets The Black Book"A patchwork quilt of visually stunning images, captured moments of triumph, antidotes to trauma narratives and rich, ebullient emotional and verbal spice for the soul." – Michael W. Twitty, culinary and cultural historian, and author of The Cooking Gene and Koshersoul"In literature, there are some books that transcend mere pages and ink, becoming essential pieces of cultural expression. One such book poised to make its mark is The Black Joy Project…. This ambitious work breaks new ground." – EssenceBlack Joy is everywhere. From the bustling streets of Lagos to hip-hop blasting through apartment windows in the Bronx. From the wide-open coastal desert of Namibia to the lush slopes of Jamaica’s Blue Mountains. From the thriving tradition of Candomblé in Bahia to the innovative and trendsetting styles of Soweto, and beyond, Black Joy is present in every place that Black people exist. Now—at last—is a one-of-a-kind celebration of this truth and a life-giving testament to one of the most essential forces that fuels Black life: The Black Joy Project.International in the scale, fist-raising in the prose, and chockfull of gorgeous works by dozens of acclaimed artists, The Black Joy Project does what no other book has ever done. In words and art, it puts joy on the same track as protest and resistance … because that is how life is actually lived. Uprisings in the street, with music as accompaniment. Heartbreaking funerals followed by second line parades. Microaggressions in the office, then coming home to a warm hug and a garden of lilacs. The list goes on.Black Joy is always held in tension with broader systemic wounds. It is a powerful, historically important salve that allows us to keep going and reimagine new ways of being. The Black Joy Project captures these dual realities to incredible, unforgettable effect.The brainchild of educator and activist Kleaver Cruz, The Black Joy Project is an extension of a real-world initiative of the same name. It has become a source of healing and regeneration for Black people of all backgrounds and identities. Long overdue and somehow still worth the wait, The Black Joy Project is a necessary addition for any book lover, art enthusiast, or freedom fighter. And begs the question, What does Black Joy mean to you?
The Black Leopard: My Quest to Photograph One of Africa's Most Elusive Big Cats
by Will Burrard-LucasThis inspiring book tells the story of a photographer's journey to find the mysterious black leopard.There are few creatures as gorgeous and elusive as the black leopard. In Africa, these magnificent cats are so rare as to be the stuff of legend. Will Burrard-Lucas's love for leopards began during his childhood in Tanzania and propelled him into a career as a wildlife photographer. In his quest to create intimate portraits of animals, he developed innovative technology, including a remotely controlled camera buggy and a high quality camera trap system for photographing nocturnal creatures. Then, one day in 2018, he heard about sightings of a young African black leopard in Kenya and with the help of people from the local community, he succeeded in capturing a series of high-quality photographs of the elusive cat. In this compelling and visually stunning book, Burrard-Lucas tells his story of creativity, entrepreneurship, and passion for wild animals, alongside awe-inspiring images of lions, elephants, and the black leopard itself.• STAR WILDLIFE PHOTOGRAPHER: Will Burrard-Lucas's passion for nature and expertise in camera technology have earned him coverage from National Geographic, The New York Times, and the BBC—and over 1 million fans enjoy his breathtaking work online.• NATURE'S HIDDEN WONDERS: Black leopards are individual animals in whom a gene mutation results in excess melanin and an elegant black coat. Most are found in Southeast Asia, where lush vegetation offers them camouflage. In the semiarid shrub lands of Africa, black leopards are extraordinarily rare. Burrard-Lucas's images—showing these beautiful creatures prowling their territory under cover of night—are vivid reminders of nature's hidden wonders.• INCREDIBLE STORY: This is an adventure story that takes place in remote and wild corners of Africa. It reveals Burrard-Lucas's devotion, vision, and innovation that led to him capturing photos that are not only incredibly rare, but also breathtakingly beautiful.Perfect for:• Aspiring and professional photographers• Photography buffs• Nature and animal lovers• Big cat enthusiasts• Conservationists• National Geographic readers• Fans of memoir and adventure stories• Travelers to Eastern and Southern Africa
The Black Monk and The Dog Problem: Two Plays
by David RabeThe Black Monk has been called a singular "collaboration" between two writers: Anton Chekhov and David Rabe. Based on Chekov's novella of the same name, Rabe's brilliant stage adaptation tells the story of Kovrin, the young philosophy student who returns from Moscow to the estate owned by Pesotsky, where he spent his youth. Kovrin and Pesotsky's daughter, Tanya, soon fall in love and plan to marry. But the appearance of an emissary from the unknown -- the black monk -- threatens to have a devastating effect on all of them. Trouble starts in when Teresa tells her brother Joey that this guy Ray did something to her with his dog in bed. Nobody seems to know exactly what happened, but they do know that somebody's got to pay. So what is The Dog Problem? It starts with being born into a world where the wrong thing said to the wrong person ignites a chain reaction of misplaced passions and galloping sentences that race to a deadly conclusion. The playful title is revealed to be a wry pun on the Cartesian mind/body problem, as Uncle Mal, the aging mobster, must face his turn to be the dog in this darkly funny play about men, women, sex, betrayal, and ghosts. Vastly different in their aesthetic, these two recent and highly praised plays embody all of the celebrated hallmarks of David Rabe's writing and art: unflinchingly honest and perceptive themes, starkly luminous dialogue, and the unsettling humor that have made him an icon of the American theater for more than forty years.
The Black Pack: Comedy, Race, and Resistance
by Artel GreatThe Black Pack: Comedy, Race & Resistance is the first book to chronicle the untold history behind the iconic collaborations between a legendary group of comedians—Eddie Murphy, Paul Mooney, Keenen Ivory Wayans, Robert Townsend, and Arsenio Hall—who joined forces as the “Black Pack” in the late 1980s to create a series of socially-charged comedies that revolutionized popular culture and transformed American comedy. Working together as writers, directors, producers, actors, and consultants, the Black Pack created some of the most provocative and enduring Black films and television shows of the twentieth century, including classic productions like In Living Color, Coming to America, Hollywood Shuffle, and The Arsenio Hall Show. The Black Pack collective was armed with a signature comedic style which combined politically-Black satire with edgy social humor that entertained millions, shattered box-office records, and slyly critiqued America’s racial condition. Amid escalating social tensions in the 1980s, the Black Pack’s comedic output transformed anger into art, wielding the cloak of humor as a rebellious tool to confront unjust business practices in Hollywood and challenge racial narratives embedded in American culture. Their work empowered unapologetically Black voices and expanded creative possibilities for Black artists in the entertainment industry. In The Black Pack, Artel Great delivers the most comprehensive analysis of this groundbreaking comedy collective, uncovering how the group’s socially and politically-charged humor defied systemic barriers to achieve unprecedented commercial success and establish a cultural legacy that continues to inspire media creators today and across new generations.
The Black Panthers: Portraits from an Unfinished Revolution (E-duke Books Scholarly Collection)
by Peniel E. Joseph Yohuru Williams Bryan Shih"Brilliant, painful, enlightening, tearful, tragic, sad, and funny, this photo-essay book is at its core about healing, and about the social justice work that still needs to be done in the era of hip-hop, Black Lives Matter, and the historic presidency of Barack Obama.” -Kevin Powell, author of The Education of Kevin Powell: A Boy's Journey into Manhood"A brilliantly conceived volume. Bryan Shih and Yohuru Williams demonstrate why the Panthers' story-its lessons and failures-even fifty years after its founding remains key to understanding national and international struggles for freedom and justice today.” -Cheryl Finley, professor and director of visual studies, Cornell UniversityEven fifty years after it was founded, the Black Panther Party remains one of the most misunderstood political organizations of the twentieth century. But beyond the labels of "extremist” and "violent” that have marked the party, and beyond charismatic leaders like Huey Newton, Bobby Seale, and Eldridge Cleaver, were the ordinary men and women who made up the Panther rank and file.In The Black Panthers, photojournalist Bryan Shih and historian Yohuru Williams offer a reappraisal of the party's history and legacy. Through stunning portraits and interviews with surviving Panthers, as well as illuminating essays by leading scholars, The Black Panthers reveals party members' grit and battle scars-and the undying love for the people that kept them going.