- Table View
- List View
Sidney Poitier: The Great Speeches of an Icon Who Moved Us Forward
by Sidney Poitier Joanna PoitierThe speeches of film legend Sidney Poitier—given at commencement addresses, awards shows, memorials, and more, on topics ranging from entertainment history to filmmaking, civil rights, and parenthood—come to vibrant life in this inspirational and stunningly packaged volume from the Poitier estate that sheds new light on the trailblazing artist's life and culture of the past century. Sidney Poitier represented strength, good looks, and above all dignity at a time when Black representation on the screen was so often relegated to servile parts. He broke ground as the top box-office draw in Hollywood at the peak of his career, and was the first Black actor to win the Best Actor Oscar, for his performance in Lillies of the Field (1963). Poitier—who narrowly escaped illiteracy after rising up from an impoverished childhood and the massive obstacles he faced as a Black man in mid-twentieth century America—was also one of the most articulate and sought-after speakers of his day. This book is a one-of-a-kind collection showcasing the wise, witty, and deeply personal speeches Poitier gave at awards ceremonies, family events, memorials, and more. His salutes to artists such as Dorothy Dandridge, Spencer Tracy, Stanley Kramer, and Denzel Washington offer fresh insight on icons of our time. Poitier's unforgettable cadence and voice are clear as day on the page, sometimes with careful edits and additions written in his own hand. Compiled by his wife, Joanna Poitier, and illustrated by dozens of professional and family photos, this collection stunningly captures all that was remarkable about the man through his own words; archives moments in the history of entertainment, culture, and civil rights; and offers a uniquely inspirational perspective on career, family, art, and life.
Siegel and Shuster's Funnyman
by Jerry Siegel Joe Shuster Thomas Andrae Mel GordonHere is a kaleidoscopic analysis of Jewish humor as seen through Funnyman, a little-known super-heroic invention by the creators of Superman. Included are complete comic-book stories and daily and Sunday newspaper panels from Jerry Siegel and Joe Shuster's creative fiasco.Siegel and Shuster, two Jewish teenagers from Cleveland, sold the rights to their amazing and astonishingly lucrative comic book superhero to Detective Comics for $130 in 1938. Not only did they lose the ownership of the Superman character, they also agreed to write and illustrate it for ten years at ten dollars per page. Their contract with the DC publishers was soon heralded as the most foolish agreement in the history of American popular culture.After toiling on workman's wages for a decade, Siegel and Shuster struggled to come up with a new superhero, one that would right their wrongs and prove that justice, fair-play, and zany craftsmanship was the true American way and would lead to ultimate victory. But when the naïve duo launched their new comic character Funnyman in 1947, it failed miserably. All the turmoil and personal disasters in Siegel and Shuster's postwar life percolated into the comic strip.This book tells the back story of the unsuccessful strip and Siegel and Shuster's ambition to have their funny Jewish superhero trump Superman.Mel Gordon is the author of Voluptuous Panic: The Erotic World of Weimar Berlin.Thomas Andrae is the author of Batman and Me.
Siegfried Kracauer: An Introduction
by Gertrud KochSiegfried Kracauer has been misunderstood as a naïve realist, appreciated as an astute critic of early German film, and noticed as the interesting exile who exchanged letters with Erwin Panofsky. But he is most widely thought of as the odd uncle of famed Frankfurt School critical theorists Jürgen Habermas, Theodor Adorno, Walter Benjamin, and Max Horkheimer. Recently, however, scholars have rediscovered in Kracauer's writings a philosopher, sociologist, and film theorist important beyond his associations--and perhaps one of the most significant cultural critics of the twentieth century. Gertrud Koch advances this Kracauer renaissance with the first-ever critical assessment of his entire body of work. Koch's analysis, which is concise without sacrificing thoroughness or sophistication, covers both Kracauer's best-known publications (e.g., From Caligari to Hitler, in which he gleans the roots of National Socialism in the films of the Weimar Republic) and previously underexamined texts, including two newly discovered autobiographical novels. Because Kracauer's wide-ranging works emerge from no rigidly unified approach, instead always remaining open to unusual and highly individual perspectives, Koch resists the temptation to force generalization. She does, however, identify recurring tropes in Kracauer's lifetime effort to perceive the basic posture and composition of particular cultures through their visual surfaces. Koch also finds in Kracauer a surprisingly contemporary cultural commentator, whose ideas speak directly to current discussions on film, urban modernity, feminism, cultural representation, violence, and other themes. This book was long-awaited in Germany, as well as widely and well reviewed. Now translated into English for the first time, it will fuel already growing interest in the United States, where Kracauer lived and wrote from 1941 until his death in 1966. It will attract the attention of students and scholars working in Film Studies, German Studies, Comparative Literature, Critical Theory, Cultural Studies, Philosophy, and History.
Siegfried Kracauer's American Writings
by Johannes Von Moltke Siegfried Kracauer Martin Jay Kristy RawsonSiegfried Kracauer (1889-1966), friend and colleague of Walter Benjamin and Theodor Adorno, was one of the most influential film critics of the mid-twentieth century. In this book, Johannes von Moltke and Kristy Rawson have, for the first time assembled essays in cultural criticism, film, literature, and media theory that Kracauer wrote during the quarter century he spent in America after fleeing Nazi-occupied Europe. In the decades following his arrival in the United States, Kracauer commented on developments in American and European cinema, wrote on film noir and neorealism, examined unsettling political trends in mainstream cinema, and reviewed the contemporary experiments of avant-garde filmmakers. As a cultural critic, he also ranged far beyond cinema, intervening in debates regarding Jewish culture, unraveling national and racial stereotypes, and reflecting on the state of arts and humanities in the 1950s. These essays, together with the editors' introductions and an afterward by Martin Jay offer illuminating insights into the films and culture of the postwar years and provide a unique perspective on this eminent émigré intellectual.
Sierra County (Images of America)
by Cindy Carpenter Sherry FletcherIn 1884, Sierra County was formed in the Middle Rio Grande Corridor of the New Mexico Territory out of the existing counties of Grant, Doña Ana, and Socorro. Not everyone was pleased with the new county, and the courthouse was said to look like "a dance hall." From the fortunes and misfortunes of the miners in the historical towns of the Black Range to the comings and goings of the railroad towns, Sierra County is rich in history. The town of Hot Springs (later renamed Truth or Consequences) came into existence when entrepreneurs decided that the naturally occurring mineral springs could cure arthritis, neuritis, rheumatism, and alcoholism. The Carrie Tingley Hospital for Crippled Children, built to take advantage of the natural warm springs to help in the treatment of polio, is now the current New Mexico State Veterans' Home. Sierra County is also home to Elephant Butte Dam and Caballo Dam, both of which have history with the Civilian Conservation Corps (CCC) camps.
Sierra Railway (Images of Rail)
by Stephen D. MikesellThe Sierra Railway is one of the most intact steam railroads in the United States. It is operated today by California State Parks to interpret and celebrate the importance of steam railroading in California history. Located in the Gold Rush town of Jamestown, in Tuolumne County, the railway began operations in 1897 and played an important role in developing the economy of Tuolumne and adjoining Calaveras County. While nearly all other steam short-line railroads in the United States were dismantled in the 1950s, the Sierra line has survived in a remarkably complete condition. The railway was a big hit among railfans, who flocked to it as early as the 1930s and in increasing numbers in the 1950s. Now operated as Railtown 1897 State Historic Park, the steam operation of the railroad is very much alive.
Sierra Vista: Young City with a Past
by Ethel Jackson PriceThe story of Sierra Vista, Arizona begins with Coronado's explorations of the southwestern desert in the sixteenth century, long before the 1877 establishment of Camp Huachuca, home of the famed 24th Infantry "Buffalo Soldiers." Sierra Vista grew up in the fury of the silver and copper mining days surrounded by three stunning mountains and the San Perdro River. Once known as Fry, this frontier town bloomed from a virtually unpopulated settlement into the Hummingbird Capital of the World.
Sifting the Trash: A History of Design Criticism (The\mit Press Ser.)
by Alice TwemlowHow product design criticism has rescued some products from the trash and consigned others to the landfill.Product design criticism operates at the very brink of the landfill site, salvaging some products with praise but consigning others to its depths through condemnation or indifference. When a designed product's usefulness is past, the public happily discards it to make room for the next new thing. Criticism rarely deals with how a product might be used, or not used, over time; it is more likely to play the enabler, encouraging our addiction to consumption. With Sifting the Trash, Alice Twemlow offers an especially timely reexamination of the history of product design criticism through the metaphors and actualities of the product as imminent junk and the consumer as junkie. Twemlow explores five key moments over the past sixty years of product design criticism. From the mid-1950s through the 1960s, for example, critics including Reyner Banham, Deborah Allen, and Richard Hamilton wrote about the ways people actually used design, and invented a new kind of criticism. At the 1970 International Design Conference in Aspen, environmental activists protested the design establishment's lack of political engagement. In the 1980s, left-leaning cultural critics introduced ideology to British design criticism. In the 1990s, dueling London exhibits offered alternative views of contemporary design. And in the early 2000s, professional critics were challenged by energetic design bloggers. Through the years, Twemlow shows, critics either sifted the trash and assigned value or attempted to detect, diagnose, and treat the sickness of a consumer society.
Sight as Site in the Digital Age: Art, the Museum, and Representation (Digital Culture and Humanities #5)
by Kwok-Kan TamThis volume presents a broad coverage of theoretical issues that deal with digital culture, representation and ideology in art and museums, and other cultural sites, offering new insights into issues of representation in the digitization of art. It critically examines the roles of museum and archives in the digital age and reexamines the intricate relations between sight and site in art, museums, exhibitions, theme parks, theatre performances, music videos, and films. The collection represents a multidisciplinary approach to the complex issues underlying the advent of technologies and digital culture. The rise of visual culture since the twentieth century can be accounted for by the advent of technology in film, TV, museum exhibitions, and the wide use of websites, but it can also be understood as a paradigmatic shift toward representation as a visual means to interpret culture, with new understandings of the site-sight dilemma and the co-implications in related tensions. Complicating the issue of representation is the rise of digital culture, as digital sites replace actual physical sites. This book explores how the virtual has replaced the actual, and in what ways, and to what effects, the digital has displaced the physical. With contributions by museum curators, communications scholars, visual artists, theatre artists, filmmakers, literary critics, and historians, this volume is of appeal to academics and graduate students in information science, art, media, performance, literary and cultural studies, and history. “The book binds together different concepts such as site, sight and digitalization in a very original way. It convincingly gathers contributions from academics and practitioners, artists and museum specialists. The chapters are theoretically well-founded, show an interesting breadth of content and are also dealing with current developments.”— Monika Gänssbauer, Professor of Chinese and Head of the Institute of Asian, Middle Eastern and Turkish Studies, Stockholm University, Sweden “The chapters raise important and latest questions and discussions on the impact of digital technology has on art, culture, creativity, representation and innovation. They are original in dealing with latest examples in recent years, especially during the pandemic, with reflections and philosophical discussions on the transformation digital culture undergoes in relation to human and posthuman contexts, with examinations of art works, archives and museum collections, exhibitions, theme parks, theatre performances, films and music videos that encompass cultures from ancient to contemporary, from the West to the East, and from physical to digital.”— Jack Leong, Associate Dean of Research and Open Scholarship, York University Libraries, Toronto, Canada
Sight, Touch, and Imagination in Byzantium
by Roland BetancourtConsidering the interrelations between sight, touch, and imagination, this book surveys classical, late antique, and medieval theories of vision to elaborate on how various spheres of the Byzantine world categorized and comprehended sensation and perception. <P><P>Revisiting scholarly assumptions about the tactility of sight in the Byzantine world, it demonstrates how the haptic language associated with vision referred to the cognitive actions of the viewer as they grasped sensory data in the mind in order to comprehend and produce working imaginations of objects for thought and memory. At stake is how the affordances and limitations of the senses came to delineate and cultivate the manner in which art and rhetoric was understood as mediating the realities they wished to convey. This would similarly come to contour how Byzantine religious culture could also go about accessing the sacred, the image serving as a site of desire for the mediated representation of the Divine.<P> Proposes a new understanding of theories of vision in the Byzantine world.<P> Surveys material from the ancient and medieval Greek worlds.<P> Discusses secular and religious, high and low texts.<P>
Sight Unseen: Whiteness and American Visual Culture
by Martin A. BergerSight Unseen explores how racial identity guides the interpretation of the visual world. Through a nimble analysis of late nineteenth- and early twentieth-century paintings, photographs, museums, and early motion pictures, Martin A. Berger illustrates how a shared investment in whiteness invisibly guides what European Americans see, what they accept as true, and, ultimately, what legal, social, and economic policies they enact. Carefully reconstructing the racial and philosophical contexts of selected artworks that contain no narrative links to race, the author exposes the effects of racial thinking on our interpretation of the visual world. Bucolic genre paintings of white farmers, pristine landscape photographs of the western frontier, monumental civic architecture, and early action films provide case studies for investigating how European-American sight became inextricably bound to the racial values of American society. Berger shows how artworks are more significant for confirming internalized beliefs on race, than they are for selling us on racial values we do not yet own. A significant contribution to the growing field of whiteness studies, this accessible, provocative, and compelling book exposes how something as apparently natural as sight is conditioned by the racial values of society.
El siglo XXI cumple 18
by David TruebaUna reveladora recopilación de artículos con la que David Trueba pasa revista a los primeros dieciocho años de nuestro siglo. «Hay cosas que pasan y que de tanto pasar terminan por definir los tiempos mucho mejor que las teorías.» Con estas palabras, el novelista, cineasta y periodista David Trueba sintetiza el cometido de esta recopilación de artículos periodísticos. Los artículos se centran en hechos, no en opiniones, y analizan los verdaderos significantes de nuestro tiempo. Porque cuando el siglo XXI llega a la mayoría de edad, ya no se trata de analizar los cambios y escuchar los latidos renovadores: nos encontramos ante algo ya impuesto, ante una nueva manera de ser. De entre los sucesos que marcan estos dieciocho años de vida de nuestro siglo, Trueba destaca la emigración y su impacto en los miedos colectivos; la identidad tanto sexual e íntima como nacional y colectiva; la crisis de la democracia y sus representaciones cotidianas, reducidas a lo electoral y sus alternancias; y, finalmente, la transformación tecnológica con el consiguiente impacto en el empleo y la economía de a pie. El siglo XXI cumple 18 se convierte así en una revisión de algunos de los asuntos de la actualidad que más nos perturban y que, nos guste o no, están aquí para quedarse.
Sigmar Polke: Girlfriends (Afterall Books / One Work)
by Stefan GronertAn illustrated exploration of Girlfriends (1965/66), one of Sigmar Polke's important early paintings.The artist Sigmar Polke (1941–2010) worked across a broad range of media—including photography, painting, printmaking, sculpture, and film—and in styles that varied from abstract expressionism to Pop. This volume in Afterall's One Work series offers an illustrated exploration of Freundinnen (Girlfriends 1965/66), one of Polke's important early paintings. Taken from a found image of two young women, and using the raster dots also found in mass media reproductions, Girlfriends offers a statement about the use and social function of images. Stefan Gronert approaches Girlfriends through its deliberate and elusive ambiguity, providing technical detail and historical background that allow some of the work's motivation and depth to become clearer. Gronert analyzes Polke's relationship to his tutors and peers, especially Gerhard Richter; describes the art historical context in which Polke worked; and discusses some of the social and political issues to which Girlfriends refers. Considering such topics as the distinction between Polke and Alain Jacquet in their use of photographed material, between Polke's use of the raster technique and that of Roy Lichtenstein, and the feminist discourse of the time, Gronert draws on a variety of critical interpretations of Polke's work, including some material that has not yet been translated into English.
Sigmund Freud: Inventor of the Modern Mind (Eminent Lives)
by Peter D. KramerReferred to as "the father of psychoanalysis," Sigmund Freud is credited with championing the "talking cure" and charting the human unconscious. Both revered and reviled, he was a brilliant innovator but also a man of troubling contradictions—sometimes tyrannical, often misrepresenting the course and outcome of his treatments to make the "facts" match his theories. Peter D. Kramer—acclaimed author, practicing psychiatrist, and a leading national authority on mental health—offers a stunning new take on this controversial figure. Kramer is at once critical and sympathetic, presenting Freud the mythmaker, the storyteller, the writer whose books will survive among the classics of our literature, and the genius who transformed the way we see ourselves.
Sign Language
by John S. PaulIn photos, drawings and words, Sign Language pays homage to the lost art of urban outdoor sign painting. In a working environment both novel and ambitious, author John S. Paul found success, noting, "No other job gave me such a direct impact on the urban landscape, or such physical engagement. Painting signs over Broadway in 1984 was a rare look down from the elevated height of a heroic messenger." Few books have ever provided such an insider perspective into this unique livelihood of days past. In 40 photos and 30 poems and stories, the author creates an immersion into a rarefied world on danger and beauty, raising the sense of the importance of moments and blurring the boundary between public and private space.
Sign Language: A Painter's Notebook
by John S. PaulIn photos, drawings and words, Sign Language pays homage to the lost art of urban outdoor sign painting. In a working environment both novel and ambitious, author John S. Paul found success, noting, "No other job gave me such a direct impact on the urban landscape, or such physical engagement. Painting signs over Broadway in 1984 was a rare look down from the elevated height of a heroic messenger. " Few books have ever provided such an insider perspective into this unique livelihood of days past. In 40 photos and 30 poems and stories, the author creates an immersion into a rarefied world on danger and beauty, raising the sense of the importance of moments and blurring the boundary between public and private space.
Sign of Life
by Hilary WilliamsThe inspirational story of musician Hilary WilliamsOCogranddaughter of Hank WilliamsOCoand her recovery from a near-fatal car accident to rediscover her purpose and reclaim the life she nearly lost.
The Sign Painter
by Allen Say<P>In his Caldecott acceptance speech for GRANDFATHER'S JOURNEY, Allen Say told of his difficulty in separating his dreams from reality. For him this separation was not as important as finding a meaning behind the contradictions and choices we all must make in life and their consequences. <P>Early one morning a boy comes into town, hungry, and looking for work. He meets a sign painter who takes him on as a helper. The boy yearns to be a painter. The man offers him security. The two are commissioned to paint a series of billboards in the desert. Each billboard has one word, Arrowstar. They do not know its meaning. As they are about to paint the last sign, the boy looks up and sees in the distance a magnificent structure. Is it real? They go to find out. <P>Through a simple text and extraordinary paintings, the reader learns of the temptation of safe choices and the uncertainties of following a personal dream. Here Allen Say tells a haunting and provocative story of dreams and choices for readers of all ages. <P>[This text is listed as an example that meets Common Core Standards in English language arts in grades 2-3 at http://www.corestandards.org.]
The Sign Painter (Journeys 2014)
by Allen SayIn his Caldecott acceptance speech for GRANDFATHER'S JOURNEY, Allen Say told of his difficulty in separating his dreams from reality. For him this separation was not as important as finding a meaning behind the contradictions and choices we all must make in life and their consequences. Early one morning a boy comes into town, hungry, and looking for work. He meets a sign painter who takes him on as a helper. The boy yearns to be a painter. The man offers him security. The two are commissioned to paint a series of billboards in the desert. Each billboard has one word, Arrowstar. They do not know its meaning. As they are about to paint the last sign, the boy looks up and sees in the distance a magnificent structure. Is it real? They go to find out. Through a simple text and extraordinary paintings, the reader learns of the temptation of safe choices and the uncertainties of following a personal dream. Here Allen Say tells a haunting and provocative story of dreams and choices for readers of all ages. This title has been selected as a Common Core Text Exemplar (Grades 2-3, Read-Aloud Story)
Sign Painters
by Faythe LevineThis illustrated history of hand-lettered painted signs across America, and the craftspeople who created them, is&“a lovely paean to a vanishing art&” (TheNew York Times). There was a time—as recently as the 1980s—when storefronts, murals, banners, barn signs, billboards, and even street signs were all hand-lettered with brush and paint. But, like many skilled trades, the sign industry has been overrun by the techno-fueled promise of quicker and cheaper. The resulting proliferation of computer-designed, die-cut vinyl lettering and inkjet printers has ushered a creeping sameness into our visual landscape. Fortunately, there is a growing trend to seek out traditional sign painters and a renaissance in the trade. In 2010 filmmakers Faythe Levine, coauthor of Handmade Nation, and Sam Macon began documenting these dedicated practitioners, their time-honored methods, and their appreciation for quality and craftsmanship. Sign Painters, the first anecdotal history of the craft, features stories and photographs of more than two dozen sign painters working in cities throughout the United States. &“This is not only a wonderful book, a delight to take in, rich and telling in its details and a visual pleasure with its gorgeous photography. It&’s an important book that captures a largely untold story.&” —Milwaukee Journal Sentinel
Sign Painting: A practical guide to tools, materials, techniques
by Mike Meyer FriendsThis book introduces the fundamentals of sign painting, allowing readers to learn about the tools, materials and techniques needed to create painted signs. All the basics are covered, from choosing and using brushes, paints, mahl sticks, dippers and pencils, to how to prepare and finish surfaces, transfer designs, mix paint and work with the brush. A gallery section of original alphabets, created for the book by sign painters around the world, provides visual inspiration and demonstrates a wide variety of styles and approaches.
Sign Painting: A practical guide to tools, materials, techniques
by Mike Meyer FriendsThis book introduces the fundamentals of sign painting, allowing readers to learn about the tools, materials and techniques needed to create painted signs. All the basics are covered, from choosing and using brushes, paints, mahl sticks, dippers and pencils, to how to prepare and finish surfaces, transfer designs, mix paint and work with the brush. A gallery section of original alphabets, created for the book by sign painters around the world, provides visual inspiration and demonstrates a wide variety of styles and approaches.
Signage and Wayfinding Design
by David Vanden-Eynden Chris Caloriperience. Signage and Wayfinding Design provides you with the author's proven "Signage Pyramid" method, which makes solving complex design problems in a comprehensive signage program easier than ever before.Features full-color design throughoutUpdated material includes the latest ADA requirements, digital signage and wayfinding, and hardware systems, including mounting, finishes, and materialsIncludes 100+ new images encompassing design concepts, working drawings, diagrams, and mapsCovers the development of room/space numbering systems, approaches to sign typing and numbering, and message schedule managementIf you're a design professional tasked with communicating meaningful information in the built environment, this vital resource has you covered.
Signal: A Journal of International Political Graphics & Culture (Signal)
by Alec Dunn Josh MacPheeDedicated to documenting the compelling graphics, art projects, and cultural movements of international resistance and liberation struggles, this unique resource serves as an active discussion of the role of art in revolution. Introducing the artists and cultural workers who have been at the center of upheavals and revolts, this work expands beyond graphic arts and includes political posters, comics, murals, zines, and features works from both present and past—from political freight train graffiti to subversive photo montages in 1980s San Francisco.