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The Colored Pencil Manual: Step-by-Step Instructions and Techniques (Dover Art Instruction Ser.)
by Veronica WintersExperienced artists looking to master a new medium will relish this comprehensive guide to using colored pencils by Veronica Winters, author of How to Color Like an Artist. Step-by-step projects with photos and directions illustrate the many details that bring a simple composition to brilliant life, offering readers a comprehensive overview of colored pencil techniques.A brief introduction covers necessary materials and explains the book's overall approach, and subsequent chapters address specific techniques. Each lesson features color swatches that match the colors of different pencil brands, as well as the type of drawing paper and other supplies that will work best for the artwork. Winters expertly covers such techniques as shading and blending and discusses a wealth of other topics, including the importance of light, composition, drawing solid objects in 3-D, color theory, how to draw textures and fabric, how to create symmetrical shapes, and many other aspects of colored pencil drawing.
The Colorwork Bible: Techniques and Projects for Colorful Knitting
by Jesie OstermillerMaster beginner and advanced colorwork knitting techniques in this comprehensive colorwork guideWith chapters outlining more than a half dozen colorwork knitting techniques, The Colorwork Bible is your updated exploration of both beginner- and advanced-level skills with a vibrant, modern palette and inspired projects. Join knitwear designer Jesie Ostermiller as you learn: • A variety of small-scale swatch lessons that help you master a technique before diving into a full size project. • Stripes, stranding, Fair Isle, brioche, slip-stitch, mosaic, intarsia, and more! Each technique is featured must-make projects you'll want to cast-on today. • Valuable tips and tricks, plus essential information on successfully combining colors for the best possible results. Dig deep into the most colorful techniques in knitting with The Colorwork Bible!
The Colossal P. T. Barnum Reader: Nothing Else Like It in the Universe
by Phineas T. Barnum James W. CookThe Colossal P. T. Barnum Reader reveals the trailblazing American showman as, by turns, a moral reformer, a habitual hoaxer, an insightful critic, a savvy "puffer," a master of images, a sparkling writer, a relentless provocateur, and an early advocate of "family" entertainments. Taken together, these selections paint a new and more complete portrait of this complex man than has ever been seen before.
The Colosseum (Wonders Of The World)
by Mary Beard Keith HopkinsByron and Hitler were equally entranced by Rome's most famous monument, the Colosseum. Mid-Victorians admired the hundreds of varieties of flowers in its crannies and occasionally shuddered at its reputation for contagion, danger, and sexual temptation. Today it is the highlight of a tour of Italy for more than three million visitors a year, a concert arena for the likes of Paul McCartney, and a national symbol of opposition to the death penalty. Its ancient history is chockfull of romantic but erroneous myths. There is no evidence that any gladiator ever said "Hail Caesar, those about to die..." and we know of not one single Christian martyr who met his finish here. <p><p> Yet the reality is much stranger than the legend as the authors, two prominent classical historians, explain in this absorbing account. We learn the details of how the arena was built and at what cost; we are introduced to the emperors who sometimes fought in gladiatorial games staged at the Colosseum; and we take measure of the audience who reveled in, or opposed, these games. The authors also trace the strange afterlife of the monument--as fortress, shrine of martyrs, church, and glue factory. Why are we so fascinated with this arena of death?
The Colossus of Roads
by Christina UssFrom the author of the acclaimed The Adventures of a Girl Called Bicycle comes a tale of traffic jams, secret plans, and one eleven-year-old boy's determination to save his family's livelihood.Rick Rusek's stomach has a lot to say. It's got opinions on tasty foods, not-so-tasty foods, and driving in traffic-jammed Los Angeles makes it roil, boil, gurgle, and howl. It's doing the best it can. It never meant to earn its owner the nickname Carsick Rick or make him change schools for fifth grade. And Rick's stomach isn't the only one dealing with terrible traffic. His family's catering service, Smotch, is teetering on the verge of ruin after a rash of late deliveries and missed appointments. Fortunately, Rick has the solution. Unfortunately, no one wants to listen to a kid. Absolutely certain that he could fix the constant, endless traffic snarls, Rick hatches a plan. But he'll need help from his unicorn-loving Girl Scout neighbor, a famous street artist, and the best driver in L.A. Together they'll take on the stream of stalled cars--and a secret conspiracy or two, too. It's going to be tough, but Rick won't give up. If he can successfully move the 330,000 slow-moving cars standing in the way of his family's future, maybe everyone will see that he's not Carsick Rick. He's one of the seven wonders of Los Angeles.He's the Colossus of Roads.
The Colour Bible: The definitive guide to colour in art and design
by Laura PerrymanAn essential source for graphic designers, artists, interior designers, fashion designers, illustrators and creatives of any kind who work with colour.Colour is intrinsic to the human experience; it guides us with subconscious visual cues throughout our lives. Get it right in your design or art and you can enhance mood and atmosphere, and create a desired psychological or even physiological effect. The Colour Bible is a contemporary handbook for navigating this fascinating world of colour. It dives into 100 profiles of significant colours and tracks them through their genesis, historical usage in art and design, and contemporary connotations and uses. - A potted history of each colour- Key colour associations from around the world- Contemporary connotations and brand design- Practical advice on how to use and combine colours in your work
The Colour Bible: The definitive guide to colour in art and design
by Laura PerrymanAn essential source for graphic designers, artists, interior designers, fashion designers, illustrators and creatives of any kind who work with colour.Colour is intrinsic to the human experience; it guides us with subconscious visual cues throughout our lives. Get it right in your design or art and you can enhance mood and atmosphere, and create a desired psychological or even physiological effect. The Colour Bible is a contemporary handbook for navigating this fascinating world of colour. It dives into 100 profiles of significant colours and tracks them through their genesis, historical usage in art and design, and contemporary connotations and uses. - A potted history of each colour- Key colour associations from around the world- Contemporary connotations and brand design- Practical advice on how to use and combine colours in your work
The Colour Photography Field Guide: The Essential Guide To Colour For Striking Digital Images (Field Guide Ser.)
by Michael FreemanDigital cameras and powerful image-processing software applications provide today's photographer with all the tools needed to explore the world of colour. Renowned photographer and author Michael Freeman provides a thorough look at the essential ways of dealing with colour that will help photographers create striking colour digital photographs. Using helpful tips and exercises, he covers everything from capture and calibration to workflow management and output.
The Colour Photography Field Guide: The Essential Guide to Hue for Striking Digital Images (Field Guide Ser.)
by Michael FreemanUnderstand the role colour plays in your images, learn to appreciate its dynamic effects and find out how to capture and reproduce it as precisely as possible in your own images.The Colour Photography Field Guide provides a unique look at analysing and combining three important ways of dealing with colour. The first is the subjective and cultural response to individual colour: the perception. The second is how colours are found and appear in photography: the science. The third is the means by which they can be viewed and altered digitally: the expression.- A clear and technically precise look at how colour affects your digital images- Portable and lightweight, for on-the-spot information and inspiration- With a host of case studies examining difficult colour situations such as capturing flesh tones and unreal colours
The Colour of Black & White: Poems 1984–2003
by Liz LochheadThe celebrated Scottish poet presents a collection of poems from the intimate to the bawdy—paired with original linocut artwork by Willie Rodger. Liz Lochhead is one of Scotland&’s most beloved contemporary poets. In this wide-ranging collection, she offers poems of love, death and iconic figures; Jungian archetypes who often speak in their own voices. There are also poems set in her native Lanarkshire; poems dedicated to other poets; and a section of &“unrespectable&” poetry—rude verses, rhyming toasts, and music hall monologues. The collaboration with the printmaker Willie Rodger was also an essential part of the making of this book. Lochhead, long an admirer of Rodger&’s work, felt that he was a kindred spirit. His poetically pared down and essential linocuts accentuate the positive and the negative, the black and the white.
The Colour of Canada
by Roy Macgregor All Canada PhotosFrom Roy Macgregor and the archives of All Canada Photos, and celebrating our 150th anniversary, a full update of the classic book (over 1.5 million copies sold since 1967!) of magnificent photographs that portray the stirring beauty of our vast land.In its day, The Colour of Canada, with text by Hugh MacLennan, sold over a million-and-a-half copies to Canadians and non-Canadians alike, making it one of the most beloved books of its kind ever published in this country. Sadly, it went out of print for M&S many years ago after an astonishing run (orignal edition, 1967, and subsequent revised editions in 1972, 1978, 1982, 1992). Our forthcoming sesquicentennial in 2017 is the perfect time to make this gem new again. With all new photographs from the prestigious All Canada Photos archive, and text throughout from our very own Roy MacGregor, we plan, no less, to out-do the original with a breath-taking pictorial tour from Newfoundland to British Columbia to the Arctic. Reflecting his abiding love for this country, its history, its people -- and highlighting the extraoridnary changes since 1967 -- Roy MacGregor's text is the perfect complement to a collection of stunning, and rarely seen, photographs from many of the best photographers in Canada. The perfect gift for every Canadian of all ages and locations on our anniversary, as well as for the millions of tourists that come here every year to marvel at the sheer beauty of this land.
The Columbia Anthology of Modern Chinese Drama
by Xiaomei ChenThe first of its kind in English, this anthology translates twenty-two popular Chinese plays published between 1919 and 2000, accompanied by a critical introduction to the historical, cultural, and aesthetic evolution of twentieth-century Chinese spoken drama. Primarily comprising works from the People's Republic of China, though including representative plays from Hong Kong and Taiwan, this collection not only showcases the revolutionary rethinking of Chinese theater and performance that began in the late Qing dynasty. It also highlights the formation of Chinese national and gender identities during a period of tremendous social and political change, along with the genesis of contemporary attitudes toward the West. Early twentieth-century Chinese drama embodies the uncertainty and anxiety brought on by modernism, socialism, political conflict, and war. After 1949, PRC theater painted a complex portrait of the rise of communism in China, with the ideals of Chinese socialism juxtaposed against the sacrifices made for a new society. The Cultural Revolution promoted a "model theater" cultivated from the achievements of earlier, leftist spoken drama, even though this theater arose from the destruction of old culture. Post-Mao drama addresses the socialist legacy and the attempts of a wounded nation to reexamine its cultural roots. Taiwan's spoken drama synthesizes regional and foreign traditions, and Hong Kong's spoken drama sparkles as a hybrid of Chinese and Western influences. Immensely valuable for cross-disciplinary, comparative, and performance study, this anthology provides essential perspective on China's theatricality and representation of political life.
The Columbia Anthology of Modern Chinese Drama
by Xiaomei ChenThe first of its kind in English, this anthology presents translations of twenty-two popular plays published between 1919 and 2000, accompanied by an introduction to the historical, cultural, and aesthetic evolution of twentieth-century Chinese spoken drama. Primarily comprising works from the People's Republic of China, though including representative plays from Hong Kong and Taiwan, this collection showcases more than the revolutionary rethinking of Chinese theater and performance that began in the late Qing dynasty. It also reflects the formation of Chinese national and gender identities during a period of tremendous social and political change, as well as the genesis of contemporary attitudes toward the West.Early twentieth-century Chinese drama embodies the uncertainty and anxiety brought on by modernism, socialism, political conflict, and war. After 1949, the PRC theater paints a complex portrait of the rise of Communism in China, with the ideals of Chinese socialism juxtaposed against the sacrifices made for a new society. The Cultural Revolution promoted a "model theater" cultivated from the achievements of earlier, leftist spoken drama, despite the fact that this theater arose from the destruction of old culture. Post-Mao drama addresses the Chairman's legacy and the attempts of a wounded nation to reexamine its cultural roots. Taiwan's spoken drama uniquely synthesizes regional and foreign traditions, and Hong Kong's spoken drama sparkles as a hybrid of Chinese and Western influences. Immensely valuable for scholars of cross-disciplinary, comparative, and performance study, this anthology offers essential perspective on the theatricality and representation of political life.
The Columbia Anthology of Modern Chinese Drama: abridged edition (Weatherhead Books on Asia)
by Xiaomei ChenThis condensed anthology reproduces close to a dozen plays from Xiaomei Chen's well-received original collection, The Columbia Anthology of Modern Chinese Drama, along with her critical introduction to the historical, cultural, and aesthetic evolution of twentieth-century Chinese spoken drama. Comprising representative works from the Republican era to postsocialist China, the book encapsulates the revolutionary rethinking of Chinese theater and performance that began in the late Qing dynasty and vividly portrays the uncertainty and anxiety brought on by modernism, socialism, political conflict, and war. Chosen works from 1919 to 1990 also highlight the formation of national and gender identities during a period of tremendous social, cultural, and political change in China and the genesis of contemporary attitudes toward the West. PRC theater tracks the rise of communism, juxtaposing ideals of Chinese socialism against the sacrifices made for a new society. Post-Mao drama addresses the nation's socialist legacy, its attempt to reexamine its cultural roots, and postsocialist reflections on critical issues such as nation, class, gender, and collective memories. An essential, portable guide for easy reference and classroom use, this abridgment provides a concise yet well-rounded survey of China's theatricality and representation of political life. The original work not only established a canon of modern Chinese drama in the West but also made it available for the first time in English in a single volume.
The Columbia Anthology of Modern Japanese Drama
by J. Thomas M. Cody Poulton Mori Rimer MitsuyaThis anthology is the first to survey the full range of modern Japanese drama and make available Japan's best and most representative twentieth- and early-twenty-first-century works in one volume. It opens with a comprehensive introduction to Meiji-period drama and follows with six chronological sections: "The Age of Taisho Drama"; The Tsukiji Little Theater and Its Aftermath"; "Wartime and Postwar Drama"; "The 1960s and Underground Theater"; "The 1980s and Beyond"; and "Popular Theater," providing a complete history of modern Japanese theater for students, scholars, instructors, and dramatists. The collection features a mix of original and previously published translations of works, among them plays by such writers as Masamune Hakucho (The Couple Next Door), Enchi Fumiko (Restless Night in Late Spring), Morimoto Kaoru (A Woman's Life), Abe Kobo (The Man Who Turned into a Stick), Kara Juro (Two Women), Terayama Shuji (Poison Boy), Noda Hideki (Poems for Sale), and Mishima Yukio (The Sardine Seller's Net of Love). Leading translators include Donald Keene, J. Thomas Rimer, M. Cody Poulton, John K. Gillespie, Mari Boyd, and Brian Powell. Each section features an introduction to the developments and character of the period, notes on the plays' productions, and photographs of their stage performances. The volume complements any study of modern Japanese literature and modern drama in China, Korea, or other Asian or contemporary Western nations.
The Columbia Companion to America History on Film
by Peter C. RollinsIn this collection, more than seventy scholars examine how filmmakers have presented and interpreted the most important events, topics, eras, and figures in the American past, often comparing the film versions of events with interpretations by leading historians. Divided into eight broad categories-Eras; Wars and Other Major Events; Notable People; Groups; Institutions and Movements; Places; Themes and Topics; and Myths and Heroes-the volume features extensive filmographies (of discussed and relevant films), notes, and bibliographies of selected historical works and is united by a detailed index.
The Columbia Companion to American History on Film: How the Movies Have Portrayed the American Past
by Ed. Peter C. RollinsAmerican history has always been an irresistible source of inspiration for filmmakers, and today, for good or ill, most Americans'sense of the past likely comes more from Hollywood than from the works of historians. In important films such as The Birth of a Nation (1915), Roots (1977), Apocalypse Now (1979), and Saving Private Ryan (1998), how much is entertainment and how much is rooted in historical fact? In The Columbia Companion to American History on Film, more than seventy scholars consider the gap between history and Hollywood. They examine how filmmakers have presented and interpreted the most important events, topics, eras, and figures in the American past, often comparing the film versions of events with the interpretations of the best historians who have explored the topic. Divided into eight broad categories—Eras; Wars and Other Major Events; Notable People; Groups; Institutions and Movements; Places; Themes and Topics; and Myths and Heroes—the volume features extensive cross-references, a filmography (of discussed and relevant films), notes, and a bibliography of selected historical works on each subject. The Columbia Companion to American History on Film is also an important resource for teachers, with extensive information for research or for course development appropriate for both high school and college students.Though each essay reflects the unique body of film and print works covering the subject at hand, every essay addresses several fundamental questions: What are the key films on this topic? What sources did the filmmaker use, and how did the film deviate (or remain true to) its sources? How have film interpretations of a particular historical topic changed, and what sorts of factors—technological, social, political, historiographical—have affected their evolution? Have filmmakers altered the historical record with a view to enhancing drama or to enhance the "truth" of their putative message?
The Columbia History of American Television
by Gary EdgertonTelevision is a form of media without equal. It has revolutionized the way we learn about and communicate with the world and has reinvented the way we experience ourselves and others. More than just cheap entertainment, TV is an undeniable component of our culture and contains many clues to who we are, what we value, and where we might be headed in the future. Media historian Gary R. Edgerton follows the technological developments and increasing cultural relevance of TV from its prehistory (before 1947) to the Network Era (1948-1975) and the Cable Era (1976-1994). He begins with the laying of the first telegraph line in 1844, which gave rise to the idea that images and sounds could be transmitted over long distances. He then considers the remodeling of television's look and purpose during World War II; the gender, racial, and ethnic components of its early broadcasts and audiences; its transformation of postwar America; and its function in the political life of the country. He talks of the birth of prime time and cable, the influence of innovators like Sylvester "Pat" Weaver, Roone Arledge, and Ted Turner, as well as television's entrance into the international market, describing the ascent of such programs as Dallas and The Cosby Show, and the impact these exports have had on transmitting American culture abroad. Edgerton concludes with a discerning look at our current Digital Era (1995-present) and the new forms of instantaneous communication that continue to change America's social, political, and economic landscape. Richly researched and engaging, Edgerton's history tracks television's growth into a convergent technology, a global industry, a social catalyst, a viable art form, and a complex and dynamic reflection of the American mind and character. It took only ten years for television to penetrate thirty-five million households, and by 1983, the average home kept their set on for more than seven hours a day. The Columbia History of American Television illuminates our complex relationship with this singular medium and provides historical and critical knowledge for understanding TV as a technology, an industry, an art form, and an institutional force.
The Columbia History of American Television (Columbia Histories of Modern American Life)
by Gary EdgertonTelevision is a form of media without equal. It has revolutionized the way we learn about and communicate with the world and has reinvented the way we experience ourselves and others. More than just cheap entertainment, TV is an undeniable component of our culture and contains many clues to who we are, what we value, and where we might be headed in the future.Media historian Gary R. Edgerton follows the technological developments and increasing cultural relevance of TV from its prehistory (before 1947) to the Network Era (1948-1975) and the Cable Era (1976-1994). He begins with the laying of the first telegraph line in 1844, which gave rise to the idea that images and sounds could be transmitted over long distances. He then considers the remodeling of television's look and purpose during World War II; the gender, racial, and ethnic components of its early broadcasts and audiences; its transformation of postwar America; and its function in the political life of the country. He talks of the birth of prime time and cable, the influence of innovators like Sylvester "Pat" Weaver, Roone Arledge, and Ted Turner, as well as television's entrance into the international market, describing the ascent of such programs as Dallas and The Cosby Show, and the impact these exports have had on transmitting American culture abroad. Edgerton concludes with a discerning look at our current Digital Era (1995-present) and the new forms of instantaneous communication that continue to change America's social, political, and economic landscape. Richly researched and engaging, Edgerton's history tracks television's growth into a convergent technology, a global industry, a social catalyst, a viable art form, and a complex and dynamic reflection of the American mind and character. It took only ten years for television to penetrate thirty-five million households, and by 1983, the average home kept their set on for more than seven hours a day. The Columbia History of American Television illuminates our complex relationship with this singular medium and provides historical and critical knowledge for understanding TV as a technology, an industry, an art form, and an institutional force.
The Column of Marcus Aurelius
by Martin BeckmannOne of the most important monuments of Imperial Rome and at the same time one of the most poorly understood, the Column of Marcus Aurelius has long stood in the shadow of the Column of Trajan. InThe Column of Marcus Aurelius, Martin Beckmann makes a thorough study of the form, content, and meaning of this infrequently studied monument. Beckmann employs a new approach to the column, one that focuses on the process of its creation and construction, to uncover the cultural significance of the column to the Romans of the late second century A. D. Using clues from ancient sources and from the monument itself, this book traces the creative process step by step from the first decision to build the monument through the processes of planning and construction to the final carving of the column's relief decoration. The conclusions challenge many of the widely held assumptions about the value of the column's 700-foot-long frieze as a historical source. By reconstructing the creative process of the column's sculpture, Beckmann opens up numerous new paths of analysis not only to the Column of Marcus Aurelius but to Roman imperial art and architecture in general.
The Comedians in Cars Getting Coffee Book
by Jerry SeinfeldA celebration of and behind-the-scenes look at Jerry Seinfeld&’s groundbreaking streaming series Comedians in Cars Getting Coffee.Over eleven seasons and eighty-four episodes, Jerry Seinfeld drove around in classic cars, grabbing coffee and chatting with the funniest people alive. He reminisced with the late Garry Shandling; bantered with legends Steve Martin, Tina Fey, and Eddie Murphy; reunited with the cast of Seinfeld; and even paid a visit to President Barack Obama in the Oval Office. These and dozens of other guests talked about the intricacies of stand-up, the evolution of their careers and personal lives, and whatever else popped into their brilliant minds. The result was not only a hilarious collection of casual yet intimate conversations—a rare opportunity for viewers to witness their favorite performers unscripted and unvarnished—but arguably the most important historical archive about the art of comedy ever amassed.Now that archive is preserved in the form of a gorgeously designed and carefully curated book. Seinfeld has hand-picked the show&’s keenest insights and funniest exchanges. Also included is a fascinating oral history featuring interviews with dozens of crew members, executives, guests, and Seinfeld himself that details how this scrappy creative experiment landed unprecedented access to the White House, earned multiple Emmy nominations, and helped lead the streaming revolution.Featuring a newly written introduction by Seinfeld and filled with beautiful never-before-seen production photos, this book is essential reading for comedy lovers, car aficionados, coffee connoisseurs, and Jerry Seinfeld fans.
The Comedians in Cars Getting Coffee Book
by Jerry SeinfeldA celebration of and behind-the-scenes look at Jerry Seinfeld&’s groundbreaking streaming series Comedians in Cars Getting Coffee.In his streaming show, Comedians in Cars Getting Coffee, Jerry Seinfeld has engaged with some of the funniest people in history in classic cars, coffee shops, and diners. He has reminisced with Larry David; bantered with legends Steve Martin, Tina Fey, and Eddie Murphy; reunited with the cast of Seinfeld; and even paid a visit to President Barack Obama in the Oval Office. These and dozens of other guests talked about the intricacies of stand-up, the evolution of their careers and personal lives, and whatever else popped into their brilliant minds. Seinfeld&’s carefully crafted episodes have reimagined the talk show format, each one a unique, hilarious, and yet intimate conversation—a rare opportunity for viewers to witness their favorite performers unscripted and unvarnished. But in producing eighty-four episodes over eleven seasons, he has also created arguably the most important historical archive about the art of comedy ever amassed, with episodes featuring Garry Shandling, Jerry Lewis, Don Rickles, Carl Reiner, and Norm McDonald already serving as permanent shrines for legendary comedians. Timed to the 10th anniversary of the show&’s debut and with an introduction from Jerry Seinfeld, this book isn&’t just a record of the show but instead an inventive tribute full of behind-the-scenes photos and anecdotes. The book dives into the inspiration and creation of segments, the most unforgettable lines from guests, an index of the cars, and some of the most memorable moments from crew members. Originally conceived as an &“anti-talk show,&” Comedians in Cars Getting Coffee earned multiple Emmy nominations and helped lead the streaming revolution. Perfect for gift giving season, The Comedians in Cars Getting Coffee Book is a beautifully designed book with iconic, never-before-seen production photos which will appeal to comedy lovers, car aficionados, coffee connoisseurs, and Jerry Seinfeld fans.
The Comedians: Drunks, Thieves, Scoundrels, and the History of American Comedy
by Kliph NesteroffIn The Comedians, comedy historian Kliph Nesteroff brings to life a century of American comedy with real-life characters, forgotten stars, mainstream heroes and counterculture iconoclasts. Based on over two hundred original interviews and extensive archival research, Nesteroff’s groundbreaking work is a narrative exploration of the way comedians have reflected, shaped, and changed American culture over the past one hundred years.Starting with the vaudeville circuit at the turn of the last century, Nesteroff introduces the first stand-up comedian-an emcee who abandoned physical shtick for straight jokes. After the repeal of Prohibition, Mafia-run supper clubs replaced speakeasies, and mobsters replaced vaudeville impresarios as the comedian’s primary employer. In the 1950s, the late-night talk show brought stand-up to a wide public, while Lenny Bruce, Mort Sahl, and Jonathan Winters attacked conformity and staged a comedy rebellion in coffeehouses. From comedy’s part in the Civil Rights movement and the social upheaval of the late 1960s, to the first comedy clubs of the 1970s and the cocaine-fueled comedy boom of the 1980s, The Comedians culminates with a new era of media-driven celebrity in the twenty-first century.
The Comedy Bible: From Stand-up to Sitcom--the Comedy Writer's Ultimate "How To" Guide
by Judy CarterDo you think you're funny? Do you want to turn your sense of humor into a career? If the answer is yes, then Judy Carter's The Comedy Bible is for you. The guru to aspiring stand-up comics provides the complete scoop on being -- and writing -- funny for money. If you've got a sense of humor, you can learn to make a career out of comedy, says Judy Carter. Whether it's creating a killer stand-up act, writing a spec sitcom, or providing jokes for radio or one-liners for greeting cards, Carter provides step-by-step instructions in The Comedy Bible. She helps readers first determine which genre of comedy writing or performing suits them best and then directs them in developing, refining, and selling their work. Using the hands-on workbook format that was so effective in her bestselling first book, Stand-Up Comedy: The Book, Carter offers a series of day-by-day exercises that draw on her many years as a successful stand-up comic and the head of a nationally known comedy school. Also included are practical tips and advice from today's top comedy professionals -- from Bernie Brillstein to Christopher Titus to Richard Lewis. She presents the pros and cons of the various comedy fields -- stand-up, script, speech and joke writing, one-person shows, humor essays -- and shows how to tailor your material for each. She teaches how to find your "authentic" voice -- the true source of comedy. And, perhaps most important, Carter explains how to take a finished product to the next level -- making money -- by pitching it to a buyer and negotiating a contract. Written in Carter's unique, take-no-prisoners voice, The Comedy Bible is practical, inspirational, and funny.
The Comedy Film Nerds Guide to Movies: Featuring Dave Anthony, Lord Carrett, Dean Haglund, Allan Havey, Laura House, Jackie Kashian, Suzy Nakamura, Greg ... Schmidt, Neil T. Weakley, and Matt Weinhold
by Chris Mancini Graham ElwoodA movie guide for film and comedy fans, by filmmakers and comedians, for the movie lover with a good sense of humor. Tired of the usual boring, dry movie discussion? The Comedy Film Nerds Guide to Movies is something new. Is it serious movie discussion? Is it funny? Do the writers know what the hell they are talking about? Yes, yes, yes, and yes. Okay, that&’s too many yes&’s, but you get the point. Graham Elwood and Chris Mancini, both professional filmmakers and comedians, created comedyfilmnerds.com to mind meld the idea of real movie talk and real funny. And they called in all of their professionally funny and filmy friends to help them. Comedians and writers who have been on everything from the Tonight Show to their own comedy specials tell you what&’s what about their favorite film genres. While The Comedy Film Nerds Guide to Movies is funny and informative, each genre is given a personal touch. All of the Comedy Film Nerds have a love of film and a personal connection to each genre. Read about a love of film from an insider&’s perspective. The Comedy Film Nerds Guide to Movies brings what has been missing from movie discussion for too long: a healthy dose of humor.