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Silent Film and U.S. Naturalist Literature: Time, Narrative, and Modernity (Routledge Studies in Twentieth-Century Literature)
by Katherine FuscoTypically, studies of early cinema’s relation to literature have focused on the interactions between film and modernism. When film first emerged, however, it was naturalism, not modernism, competing for the American public’s attention. In this media ecosystem, the cinema appeared alongside the works of authors including Charlotte Perkins Gilman, Jack London, and Frank Norris. Drawing on contemporaneous theories of time and modernity as well as recent scholarship on film, narrative, and naturalism, this book moves beyond traditional adaptation studies approaches to argue that both naturalism and the early cinema intervened in the era’s varying experiments with temporality and time management. Specifically, it shows that American naturalist novels are constructed around a sustained formal and thematic interrogation of the relationship between human freedom and temporal inexorability and that the early cinema developed its norms in the context of naturalist experiments with time. The book identifies the silent cinema and naturalist novel’s shared privileging of narrative progress over character development as a symbolic solution to social and aesthetic concerns ranging from systems of representation, to historiography, labor reform, miscegenation, and birth control. This volume thus establishes the dynamic exchange between silent film and naturalism, arguing that in the products of this exchange, personality figures as excess bogging down otherwise efficient narratives of progress. Considering naturalist authors and a diverse range of early film genres, this is the first book-length study of the reciprocal media exchanges that took place when the cinema was new. It will be a valuable resource to those with interests in Adaptation Studies, American Literature, Film History, Literary Naturalism, Modernism, and Narrative Theory.
Silent Film Comedy and American Culture
by Alan BiltonBilton's study of early 20th century American culture interprets the anarchic absurdity of slapstick movies as a form of collective anxiety dream, their fantastical images and illogical gags bypassing rational thought to express the unconscious fears, wishes and concerns of the modern age. Silent film comedy, with its childlike love of the illogical, the destructive and the anti-social, seems to suggest a form of comic revolt against the mechanisation and the uniformity of the machine age, but the book also charts how a new consumer culture sought simultaneously to tame and contain these energies, redirecting them in the service of a newly emergent mass culture. Not just a film history of the silent era, Bilton also provides a provocative and lively engagement with the origins of mass culture, tracing the origins of Hollywood's dream factory and alongside it the roots of our own irrational, childlike, celebrity-obsessed consumer culture.
Silent Film Performance: Dramatic Bodies on Screen
by Elisabetta GirelliThis book provides a groundbreaking exploration of silent film performance. It combines close reading of silent screen acting with theoretically informed analysis, stressing the overlap between different performative arts, such as film and stage acting, dance, mime, and pantomime. The boundary between silent and sound films is also challenged. Anna Pavlova’s acting in The Dumb Girl of Portici is read through Freud’s work on the uncanny, disability studies, and notions of intermediality. Vladimir Mayakovsky’s performance in The Young Lady and the Hooligan is approached as a silent soliloquy and a representation of loneliness. Ivan Mozzhukhin’s tour de force in The Late Mathias Pascal is discussed through a queer failure lens, while Pola Negri’s presence in Hotel Imperial is analysed with the aid of texts on wartime anxiety. Harald Kreutzberg’s stunning number in Paracelsus is examined in the light of theories of mime and pantomime, arguing for its subversive potential in a Third Reich sound film.
Silent Films in St. Augustine
by Thomas Graham“This absorbing tale, documenting the forgotten history of early moviemaking in St. Augustine, is a must-read for film enthusiasts.”—Janelle Blankenship , coeditor of European Visions: Small Cinemas in Transition “Very few people have any idea that St. Augustine played any role in early film history. This book brings St. Augustine into a much larger film conversation.”—Christina Lane, author of Magnolia “This richly detailed book tells the story of early filmmakers’ adventures in St. Augustine and captures the excitement of their moviemaking escapades.”—Kathryn Fuller-Seeley, coauthor of One Thousand Nights at the Movies: An Illustrated History of Motion Pictures, 1895–1915 “Given that the great majority of these early films are now lost, Graham makes an important contribution to the study of Florida’s image on film.”—Jan-Christopher Horak, author of Saul Bass: Anatomy of Film Design “The ‘reel’ history of Florida and its contribution to the development of American film history has been left out of mainstream textbooks and accounts. Thomas Graham’s book is a link in the chain of that history and an important addition to film scholarship.”—Susan Doll, coauthor of Florida on Film: The Essential Guide to Sunshine State Cinema and Locations “Through entertaining stories of how St. Augustine lured studios and enriched filmmaking with Henry Flagler’s railroad and architecture, Graham adds new detail to our understanding of the silent film era.”—Rita Reagan, Norman Studios Silent Film Museum Before Hollywood, when America’s rising motion picture industry was based on the East Coast, early film stars like Rudolph Valentino, Thomas Meighan, Ethel Barrymore, and Oliver Hardy made movies in St. Augustine, Florida. Silent Films in St. Augustine tells stories of the leading film producers and actors who escaped New York winters—and kept the studio doors open—in St. Augustine’s sunshine and warm weather. Scenes for more than 120 films were made in St. Augustine from 1906 to 1926 by film companies including Thanhouser, Lubin, Éclair, Pathé, Edison, Vitagraph, and Paramount. The first feature-length Frankenstein movie, Life Without Soul, was partly shot in St. Augustine. Theda Bara became a “vamp” sensation for her role in A Fool There Was. Sidney Drew acted in the genderbending A Florida Enchantment. Noted directors Edwin S. Porter, Maurice Tourneur, and George Fitzmaurice also set up shop in the beach town. Filmmakers used St. Augustine’s striking architecture to create backdrops for movies set in exotic foreign locales. The famous Castillo de San Marcos, the stone houses on the narrow streets, and Henry Flagler’s Spanish Renaissance palace hotels were reimagined as Spain, Italy, France, Egypt, Arabia, South Africa, Brazil, and Hawaii. Residents of St. Augustine loved seeing film teams in action on their streets and would gather around the camera to watch the actors and marvel at the outlandish costumes. Cast as extras in larger productions, locals packed theater houses to catch a glimpse of themselves and their neighbors on the screen. Describing the lavish sets, theatrical action, and New York movie personalities that filled St. Augustine, Thomas Graham evokes an intensely creative time and place in the history of American moviemaking.
Silent Knit, Deadly Knit (A Knit & Nibble Mystery #4)
by Peggy EhrhartWhen murder silences the Christmas cheer in charming Arborville, New Jersey, Pamela and her Knit and Nibble pals must unravel the most bone-chilling mystery this side of the North Pole . . . Pamela has been in merry spirits since her artsy daughter Penny returned home from college for the holidays. But their mother-daughter bonding time gets cut short when a terrified Penny stumbles upon the dumped body of Millicent Farthingale, a wealthy craft shop owner who was popular for all the wrong reasons. From a scheming business partner to a seedy husband several years her junior, Millicent attracted scammers so in love with her assets, they’d toss her down a chimney to get their paws on them. Now, with only a hand-knit red scarf connecting the killer to the crime, Pamela and the Knit and Nibblers could use some extra creativity as they find out who’s really naughty or nice in Arborville—because going up against a looming culprit is DIY or die! Knitting tips and delicious recipe included!
Silent Movies: The Birth of Film and the Triumph of Movie Culture
by Peter Kobel Martin Scorsese Kevin BrownlowA gorgeous, lavish history of silent movies - with more than 400 amazing images - captures the birth of film and icons like Chaplin, Garbo, Clara Bow, and Valentino. Drawing on the extraordinary collection of The Library of Congress, one of the greatest repositories for silent film and memorabilia, Peter Kobel has created the definitive visual history of silent film. From its birth in the 1890s, with the earliest narrative shorts, through the brilliant full-length features of the 1920s, SILENT MOVIES captures the greatest directors and actors and their immortal films. SILENT MOVIES also looks at the technology of early film, the use of color photography, and the restoration work being spearheaded by some of Hollywood's most important directors, such as Martin Scorsese and Francis Ford Coppola. Richly illustrated from the Library of Congress's extensive collection of posters, paper prints, film stills, and memorabilia-most of which have never been in print-SILENT MOVIES is an important work of history that will also be a sought-after gift book for all lovers of film.
Silent Renoir: Philosophy and the Interpretation of Early Film
by Colin DavisJean Renoir (1894-1979) is widely regarded as one of the most distinguished directors in the history of world cinema. In the 1930s he directed a string of films which stretched the formal, intellectual, political and aesthetic boundaries of the art form, including works such as Le Crime de Monsieur Lange, La Grande Illusion, La Bête humaine and La Règle du jeu. However, the great director’s early work from the 1920s remains almost completely unknown, even to film specialists. If it is discussed at all, it is often seen to be of interest only insofar as it anticipates themes and techniques perfected in the later masterpieces. Renoir’s films of the 1920s were sometimes unfinished, commercially unsuccessful, or unreleased at the time of their production. This book argues that to regard them merely as prefigurations of later achievements entails a failure to view them on their own terms, as searching, unsettled experiments in the meaning and potential of film art.
Silent Serial Sensations: The Wharton Brothers and the Magic of Early Cinema
by Barbara Tepa LupackThe first book-length study of pioneering and prolific filmmakers Ted and Leo Wharton, Silent Serial Sensations offers a fascinating account of the dynamic early film industry. As Barbara Tepa Lupack demonstrates, the Wharton brothers were behind some of the most profitable and influential productions of the era, including The Exploits of Elaine and The Mysteries of Myra, which starred such popular performers as Pearl White, Irene Castle, Francis X. Bushman, and Lionel Barrymore. Working from the independent film studio they established in Ithaca, New York, Ted and Leo turned their adopted town into "Hollywood on Cayuga." By interweaving contemporary events and incorporating technological and scientific innovations, the Whartons expanded the possibilities of the popular serial motion picture and defined many of its conventions. A number of the sensational techniques and character types they introduced are still being employed by directors and producers a century later.
Silent Stars
by Jeanine BasingerFrom one of America's most renowned film scholars: a revelatory, perceptive, and highly readable look at the greatest silent film stars -- not those few who are fully appreciated and understood, like Chaplin, Keaton, Gish, and Garbo, but those who have been misperceived, unfairly dismissed, or forgotten. Here is Valentino, "the Sheik," who was hardly the effeminate lounge lizard he's been branded as; Mary Pickford, who couldn't have been further from the adorable little creature with golden ringlets that was her film persona; Marion Davies, unfairly pilloried in Citizen Kane; the original "Phantom" and "Hunchback," Lon Chaney; the beautiful Talmadge sisters, Norma and Constance. Here are the great divas, Pola Negri and Gloria Swanson; the great flappers, Colleen Moore and Clara Bow; the great cowboys, William S. Hart and Tom Mix; and the great lover, John Gilbert. Here, too, is the quintessential slapstick comedienne, Mabel Normand, with her Keystone Kops; the quintessential all-American hero, Douglas Fairbanks; and, of course, the quintessential all-American dog, Rin-Tin-Tin.This is the first book to anatomize the major silent players, reconstruct their careers, and give us a sense of what those films, those stars, and that Hollywood were all about. An absolutely essential text for anyone seriously interested in movies, and, with more than three hundred photographs, as much a treat to look at as it is to read.
Silent to Sound: British Cinema in Transition
by Geoff BrownSilent cinema was never silent. But from the mid-1920s onwards, the 'sound' part of the cinema experience was transformed by the arrival of films, long and short, with clearly audible talk, music, and sound effects built in. It marked the most fundamental shift in cinema technology since cinema's birth. The first book devoted to Britain's conversion to talkies, and the result of eight years' research, Silent to Sound: British Cinema in Transition takes a lively and comprehensive look at the production side of the British sound revolution, stretching from experimental efforts in the late 19th century, through the sound shorts of the 1920s, to the key year of 1929, the year of Hitchcock's Blackmail (Britain's first home-grown talkie feature), and the industry turmoil that followed. The narrative concludes in 1934, when John Grierson's GPO Film Unit finally acquired sound equipment, prompting a late burst of experimentation just when commercial feature soundtracks had settled down. Films familiar, neglected, and unknown are examined: overripe melodramas (the lost Black Waters), local versions of Hollywood musicals (Harmony Heaven), visually elaborate science-fiction (High Treason), plus newsreels, documentaries, amateur films, and the last phase of British silent production. The impact of sound on studio technique is examined, along with the industry's complex relations with Britain's strong theatre traditions, with Europe, and above all, cinema's superpower, America. It's also never forgotten that the sound transition was shaped not just by technology but by the talents, foibles, and follies of individual people. Film history with a human face.
The Silent Weaver: The Extraordinary Life and Work of Angus MacPhee
by Roger HutchinsonA &“fascinating, poignant&” biography of the WWII veteran who, while confined to an asylum, became one of the great outsider artists of modern times (The Scotsman). In September 1939, groups of horsemen in battledress cantered down a broad, grassy plain on the western edge of Europe. The young men of the Western Isles of Scotland were going to war again. They included a tall, shy twenty-four-year-old named Angus MacPhee. Angus returned from war alive but in chronic mental pain, and was referred to the asylum in Inverness, where he spent the next fifty years of his life. During his time at Craig Dunain Hospital, he retreated into his own silent world, and did not speak again until shortly before his death. But &“the quiet big man,&” as he was known, spent his time creating a huge number of objects out of woven grass, sheep&’s wool, and beach leaves—mostly clothes, caps, and hats—which he then let decay or deliberately burned. Only after an art therapist discovered his miraculous creations were some of them preserved for posterity. And only then did Angus MacPhee come home to South Uist, where he died a year later. The Silent Weaver is a rich, moving and enthralling exploration of mental health, the creative process, human frailty, and ancient traditions.
The Silents of Jesus in the Cinema (Routledge Studies in Religion and Film)
by David J. ShepherdWhile Jesus has attracted the sporadic interest of film-makers since the epics of the Sixties, it is often forgotten that between the advent of motion pictures in the 1890s and the close of the "silent" era at the end of the 1920s, some of the longest, most expensive and most watched films on both sides of the Atlantic were focused on the Life and Passion of the Christ. Drawing upon rarely seen archival footage and the work of both the era’s most important directors (e.g. Alice Guy, Ferdinand Zecca, Sidney Olcott, D.W. Griffith, Carl Dreyer, and C.B. DeMille) and others who have been all but forgotten, this collection of essays offers a representative survey of the Silents of Jesus, illustrating the ways in which the earliest films and those which followed were influenced by a multiplicity of factors. Written by leading scholars in biblical and early film studies this collection explores the ways in which the Silents of Jesus were shaped not only by the performing and visual arts of the nineteenth century and the technological challenges and opportunities of a new medium and industry, but also by the artistic, theological and ideological predilections of studios and directors, and the expectations of audiences as the genre evolved. Taken together, the essays collected here offer a seminal treatment of the genesis and early evolution of the cinematic Jesus.
Siler City
by Marian Rogers-LindsaySiler City is located in the piedmont region of North Carolina, on the western side of Chatham County. The railroad first ran through the area in 1884, and the community was officially established in 1887. Blacksmith shops, livery stables, cotton gins, and sawmills were early resources that attracted trade. Lumber mills, furniture manufacturers, and a yarn plant came to town and supported its early industrialization. In 1972, Frances Bavier, better known as "Aunt Bee" from The Andy Griffith Show, retired from acting and bought a house in Siler City, where she lived the remainder of her days. Today, Siler City is a unique town that offers local residents and visitors a variety of activities, including an active artist community, Mount Vernon Springs, parks, and local sporting events at area high schools. Through this collection of historical photographs, Siler City showcases the rich industrial, commercial, and communal history of this small Southern town.
The Silhouette Solution: Using What You Have to Get the Look You Want
by Brenda CooperA radically simple and universally flattering system for getting dressed, from the Emmy Award–winning stylist who turned Fran Drescher of The Nanny into a fashion icon&“Brenda&’s capsule wardrobe system is a lifesaver. I will never look at my clothes the same way again!&”—Fran Drescher, star and co-creator of The Nanny Using your existing clothes plus a splash of something new, The Silhouette Solution provides a method that transforms how you&’ll view your wardrobe, your style, and ultimately, yourself. With just four tops, four bottoms, and a few pairs of shoes, Brenda Cooper shows you how to create the foundation for a fabulously functional wardrobe. Regardless of your age, size, body type, or budget, you&’ll have a set of modern, versatile, mix-and-match pieces that work for every occasion of your life. Learn how to effortlessly: • Coordinate comfortable, stylish outfits• Discover your true style ID• Accept your body with loving kindness• Reinvent your wardrobe• Know exactly what to shop for• And enjoy a newfound fashion freedomWith The Silhouette Solution&’s strategy, you&’ll get out the door in a fraction of the time, feeling beautiful and at home in your body. That kind of empowerment is always in style!
Silhouette Style
by Nanetta BanatoDiscover the modern versatility of the classic silhouette. The bold lines and strong contrasts of the silhouette are no longer limited to flat, two-color portraits to be hung on the family room wall. In Silhouette Style, silhouette designs take on color, dimension and the 21st Century. Nanetta Bananto teaches you to bring papercuts to life in more than 40 projects incorporating her beautiful, original designs. Create tea-light lanterns, gift boxes, cards, paper dolls and fashion accessories using papercut designs in themes such as sea life, animals, flowers and fashion. The book includes: Step-by-step instructions for 21 stylish projects and more than 20 variations easily created using the same techniques and designs Tips and techniques on how to cut designs either by hand or using an electronic die-cutting machine A CD-ROM containing all of the cutting design files needed to create the projects, plus bonus designs to expand your creative possibilities Pull out your scissors or electronic cutter and develop a passion for silhouettes as you create art, gifts, home décor and more! To read the pdf files on the CD-ROM included in this book, you will need Adobe Acrobat. To read .eps files, you will need a software program such as Adobe Photoshop or CorelDRAW. You may need to convert .eps files to the correct format for your cutting machine, according to the machine manufacturer's instructions.
Silicon Alley: The Rise and Fall of a New Media District (Cultural Spaces)
by Michael IndergaardThe 1990s dawned with a belief that the digital revolution would radically transform our traditional notion of cities as places of commerce and industry. Many predicted that digital technology would render cities--or at least their economies--obsolete. Instead, precisely the opposite happened. The IT-intensive firms of the new economy needed to be plugged into a sizeable network of talent, something that established cities like New York and San Francisco provided in abundance. In addition to creating new types of jobs and luring thousands of workers back into the city, new media districts created a new technobohemian urban culture. With vignettes of the high-rollers in New York's new media economy and stories of wild parties in downtown lofts, Michael Indergaard introduces us to the players in this new economy, and explores this intersection of commerce and culture in 1990s New York. He also reveals how the dot-com crash laid bare the hidden connections between the so-called new economy of new media, and the ages old engines of New York wealth: real estate speculators and Wall Street. Chronicling the go-go years and ultimate crash of the new media district, Silicon Alley is a brilliant account of how hype forged a marriage of technology and finance, which in turn generated a new urban culture.
Silicon Valley
by Beth Wyman Sam ShuehNestled at the south end of San Francisco Bay, there lies a fertile valley. Cradled by the ancient Diablo and Santa Cruz Mountain ranges, the region spans much of the Santa Clara Valley, curling north from Menlo Park into Palo Alto. At its eastern gateway lies Milpitas and in the south is the Evergreen area, in the shadow of Mount Hamilton. The heart of the valley is San Jose. For many years, each spring, fruit trees produced flower blossoms as far as the eye could see. After World War II, veterans returned home, attended local engineering schools, and quickly became engaged in electronics and aeronautics development. The discovery of semiconductors and computer and Internet technologies radically altered the area, sped its momentum, and earned it its title--the Silicon Valley--now arguably the world's preeminent center for technological advances. Like the seismic waves that created the region, the valley's economic peaks and plunges have shaped the lives of its residents, but they continue to look to the future, developing new technologies to advance mankind.
Silk Roads
by Axel MadsenOne of the greatest art theft stories of the 20th century: André Malraux, French novelist, art theorist, and eventually France's Minister of Cultural Affairs, and his wife, Clara, traveled to Cambodia in 1923, planning to steal and smuggle artifacts out of the country and sell them in America. The Cambodian treasure hunt promised to be a mix of cultural sleuthing for important antiquities and risk-taking on the fuzzy edge of the laws that governed historical sites. The jungle expedition ended in arrest and, for André, trial and conviction. But it also led to a second Asian venture: the launching of a Saigon newspaper, L'Indochine, dedicated to the aspirations of the indigenous population. Madsen follows the couple from this fateful adventure that so shaped their future to the end of their marriage, and after.
Silk-Screen Printing for Artists and Craftsmen
by Mathilda V. SchwalbachScreen printing is simple enough for a child or beginner, but it is also a favorite printing process of experienced artists and craftspeople. It allows for a wide range of creative possibilities. It is less inhibiting than other printing processes. And, contrary to most other methods of printing, it does not require the user to make the mental translations of a reversed image.The extreme versatility of the medium has opened completely new possibilities for design and expression in both serigraphy (art prints) and textile designs. The Schwalbachs' book clearly explains how to employ silk-screen printing in both of these areas: producing a serigraph and making a fabric print. It also sets down all of the steps involved in constructing a printing board and frame, keying the screen, preparing inks or dyes, and printing the color runs -- plus a list of various problems that might turn up and their solutions.Other facets discussed include the best ways of cleaning up, handling the completed print, and working with different resists -- paper, blockout, washout, photo-emulsion. There is even a special print project for the beginner, using a cardboard frame and school tempera paint. Nearly 200 diagrams and photographs, including 19 in full color, make a clear text even clearer and offer examples of completed prints.The Schwalbachs taught silk-screen printing for many years at the University of Wisconsin. They know how to communicate the essence of this craft in the best manner possible. With their book as a guide, anyone can quickly master the techniques of silk-screening printing.
Silk, the Thread that Tied the World
by Anthony BurtonOver a thousand years ago the Chinese discovered that the slender filaments that formed the cocoon of the silk moth, could be woven into beautiful shimmering fabrics. For centuries they were able to keep the process a secret, but eventually started to trade the valuable cloth with the west, along the silk road. Silk was a luxury item that bestowed prestige, so it was inevitable that the wealthy wanted their silks to be as elaborate as possible, beautiful designs were produced in the Islamic world and gradually a European industry developed. In the 19th century mechanization of the time consuming hand weaving process, had resulted in products being produced using the Jacquard loom, which used punched cards to create a pattern. Silk remains the most beautiful woven material in the world, moving from its origins in ancient China to help transform the whole world.
Silk Weavers of Hill Tribe Laos: Textiles, Tradition, and Well-Being
by Joshua Hirschstein Maren BeckWinner, Gold Medal in the Travel Category, 2018 IBPA Benjamin Franklin Awards Part travelogue, part silk-weaving primer, this is a tender portrait of an American family's travels in Laos's Houaphon Province. As they learn about the ancient silk weaving traditions in the hilltribe community of Xam Tai, they gain an appreciation for the strong sense of well-being in Lao culture. Over the past decade, Hirschstein and Beck have developed deep connections with the villagers of Xam Tai who raise their own fiber from silkworms, dye it using local natural dyes, and weave the patterns of their ancestors into healing cloths, ceremonial textiles, and daily wear.
Silos: Fundamentals of Theory, Behaviour and Design
by J. Nielsen C. J. BrownBringing together the leading European expertise in behaviour and design of silos, this important new book is an essential reference source for all concerned with current problems and developments in silo technology. Silos are used in an enormous range of industries and the handling characteristics of many industrial materials require different app
Silver Bridge Disaster of 1967, The
by Bridget J. Gromek Ruth Fout Martha Fout Stephan G. BullardPoint Pleasant's Silver Bridge, the first eyebar suspension bridge in the United States, was an engineering marvel when it was constructed in 1927 and 1928. Located on US Highway 35, the bridge spanned the Ohio River and linked Point Pleasant, West Virginia, with the towns of Kanauga and Gallipolis, Ohio. For almost 40 years, the structure provided dependable service for travelers in the region. On December 15, 1967, this service came to a dramatic and disastrous end. At 4:58 p.m., during the height of rush hour, the bridge suddenly collapsed. Rescue and recovery operations started immediately but were hampered by poor weather conditions and freezing rain. The cause of the collapse was linked to the bridge's innovative design. Undetected corrosion stress cracks caused an eyebar on the Ohio side to fracture; because the eyebars were linked together in a chain, the failure of one led to the catastrophic collapse of the entire bridge. In total, 46 lives were lost in the disaster.
The Silver Drawing Test & Draw a Story: Assessing Depression, Aggression, and Cognitive Skills
by Rawley SilverIn The Silver Drawing Test and Draw a Story, Rawley Silver draws on her years of experience using therapeutic art with hearing-impaired children, stroke patients, and others with learning disabilities or emotional disturbances.
Silver Gelatin In the Digital Age: A Step-by-Step Manual for Digital/Analog Hybrid Photography (Contemporary Practices in Alternative Process Photography)
by Douglas EthridgeThis book provides photographers of all skill levels with a concise step-by-step guide to combining analog and digital tools with the goal of making silver gelatin prints in the traditional darkroom. It offers the most comprehensive treatment of lith printing published in many years, focusing on materials which are currently available. Key topics include traditional silver gelatin printing, direct and second-pass lith printing, film to digital image conversion, bleaching, toning and other post-production practices. Readers will learn how to use specific Photoshop tools to carry out the time-honored techniques of overall tonal control, contrast, and burning and dodging. This also features Photoshop basics for black and white, image shaping in Photoshop, and digital negative creation. Through exploring these skills, readers will gain an understanding of how to prepare images and create negatives that can be used in other historical processes including cyanotype, platinum/palladium, and many others. Author Douglas Ethridge details a systematic approach to combining analog and digital working methods, making the text ideal for both digital photographers looking to creatively edit their images with traditional darkroom aesthetics, and film photographers looking to incorporate digital capabilities into their practice