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The Cultured Landscape: Designing the Environment in the 21st Century
by Ken Fieldhouse Sheila HarveyThis book poses important philosophical questions about the aims, values and purposes of landscape architecture. The editors, highly regarded in their field, have drawn together a distinguished team of writers who provide unique individual perspectives on contemporary themes from a wide base of knowledge. Altogether, this key international study raises awareness of the landscape and encourages innovative ways of thinking about quality in design.
The Curated Closet: A Simple System for Discovering Your Personal Style and Building Your Dream Wardrobe
by Anuschka ReesIs your closet jam-packed and yet you have absolutely nothing to wear? Can you describe your personal style in one sentence? If someone grabbed a random piece from your closet right now, how likely is it that it would be something you love and wear regularly? With so many style and shopping options, it can be difficult to create a streamlined closet of pieces that can be worn easily and confidently. In The Curated Closet, style writer Anuschka Rees presents a fascinatingly strategic approach to identifying, refining, and expressing personal style and building the ideal wardrobe to match it, with style and shopping strategies that women can use every day. Using The Curated Closet method, you'll learn to: · Shop smarter and more selectively · Make the most of your budget · Master outfit formulas and color palettes · Tweak your wardrobe for work · Assess garment fit and quality like a pro · Curate a closet of fewer, better pieces Including useful infographics, charts, and activities, as well as beautiful fashion photography, The Curated Closet is the ultimate practical guide to authentic and unique style.From the Trade Paperback edition.
The Curation and Care of Museum Collections
by Bruce A Campbell Christian BaarsMuseum curators enter the profession with a specialist subject qualification and yet at some point in their career, many curators find themselves in charge of a range of collections outside of their expert knowledge. Interpreting, curating and caring for mixed collections demands of curators a wide range of knowledge and understanding. The Curation and Care of Museum Collections is designed to give curators the fundamental information and confidence they need to manage and care for all of the collections within their responsibility, regardless of their previous training and experience. Comprising two sections – Museum Collections, and Collection Development and Care – the chapters cover archaeology, art, history, military and natural sciences collections, as well as heritage properties. Every chapter in the book is focused on one type of collection, but all chapters in the collection management section contain advice on topics such as organisational philosophy, documentation, legal issues and materials in order to provide a useful and comprehensive guide to managing collections. The collection care section is structured in the same way, considering the issues of storage; display; handling; moving; packing; housekeeping; health and safety; emergency preparedness; and pest, pollution, environmental, light and vibration management. The contributors to this book are experienced museum professionals, each with their own specialism and a deep understanding of what it means to work in the context of mixed collections. Providing a highly practical guide, The Curation and Care of Museum Collections is essential reading for curators working in all types of museums, galleries and heritage sites, and for students of museology courses around the world.
The Curator's Handbook
by Adrian GeorgeA step-by-step guide to every aspect of putting on an art exhibition, with tips from a range of influential curators The Curator's Handbook is the essential handbook for curators and curatorial students, mapping every stage of the process of putting on an exhibition, no matter how traditional the venue, from initial idea to final installation. An introduction explores curatorial work from its origins in the seventeenth century onward and outlines the various roles of the curator today. Twelve chapters then trace the various stages of the exhibition process in clear, informative language and using helpful diagrams and tables, from developing the concept to writing contracts and loan requests; putting together budgets and schedules; producing exhibition catalogues and interpretation materials; designing gallery spaces; working with artists, lenders, and art handlers; organizing private views; and documenting and evaluating a show. With advice and tips from a cast of international museum directors and curators--including Daniel Birnbaum (Moderna Museet, Stockholm); Aric Chen (M+, Hong Kong); Elizabeth Macgregor (Museum of Contemporary Art, Sydney); Hans Ulrich Obrist (Serpentine Gallery, London); Gao Peng (Today Art Museum, Beijing); Jennifer Russell (Metropolitan Museum of Art, New York); and Nicholas Serota (Tate, London)--this volume is a crucial guide for anyone involved in, or studying, the dynamic field of curation.
The Curator's Handbook: Museums, Commercial Galleries, Independent Spaces
by Adrian GeorgeAn updated edition of this essential practical handbook for all those involved in or studying the dynamic field of curating. From pitching your ideas and writing loan requests to working with artists, lenders, and art handlers; from writing interpretation material to installing and promoting your exhibition, The Curator's Handbook is the most clear and complete guide yet to the art and practice of curating. An introduction maps the history of curating from its origins in the seventeenth century to the multifarious roles of the curator today: tastemaker, custodian, interpreter, educator, facilitator, and organizer. Adrian George then guides the reader, across thirteen chapters, through the process of curating an exhibition. Each step is described in valuable detail and clear, informative language by this experienced curator, whose text pinpoints the keys to success (as well as which pitfalls to avoid). With advice and tips from a renowned cast of international museum directors and curators—including Daniel Birnbaum, Aric Chen, Elizabeth Ann Macgregor, Hans Ulrich Obrist, Jennifer Russell, and Nicholas Serota—this new edition, updated to reflect on current concerns in the art world and the latest recommended best practices, is the essential handbook for all students, museum, and gallery professionals, and established or aspiring curators.
The Curious Humanist: Siegfried Kracauer in America
by Johannes Von MoltkeDuring the Weimar Republic, Siegfried Kracauer established himself as a trenchant theorist of film, culture, and modernity, and he is now considered one of the key thinkers of the twentieth century. When he arrived in Manhattan aboard a crowded refugee ship in 1941, however, he was virtually unknown in the United States and had yet to write his best-known books, From Caligari to Hitler and Theory of Film. Johannes von Moltke details the intricate ways in which the American intellectual and political context shaped Kracauer's seminal contributions to film studies and shows how, in turn, Kracauer's American writings helped shape the emergent discipline. Using archival sources and detailed readings, von Moltke asks what it means to consider Kracauer as the New York Intellectual he became in the last quarter century of his life. Adopting a transatlantic perspective on Kracauer's work, von Moltke demonstrates how he pursued questions in conversation with contemporary critics from Theodor Adorno to Hannah Arendt, from Clement Greenberg to Robert Warshow: questions about the origins of totalitarianism and the authoritarian personality; about high and low culture; about liberalism, democracy, and what it means to be human. From these wide-flung debates, Kracauer's own voice emerges as that of an incisive cultural critic invested in a humanist understanding of the cinema.
The Curse of Beauty: The Scandalous & Tragic Life of Audrey Munson, America's First Supermodel
by James BoneThe tumultuous and heartbreaking life of a world-famous model whose riveting story of beauty, fame, passion, murder, and madness in the Gilded Age captivated a nation.As America was stepping into the modern era, one great beauty became the artist's model of choice. Her perfect form became the emblem of the Gilded Age and appears on the greatest monuments of New York and the nation. Supermodel, actress, icon--her beauty paved the way for a life of glamour, passion, and ultimately tragedy. She dated the rich millionaires of the fashionable Newport colony, became the first American movie star ever to appear naked in a film, but her promising film career collapsed, her doctor fell in love with her and killed his own wife, and on her fortieth birthday, her mother committed her to an insane asylum. She remained there until her death in 1996 at the age of 104 and is now buried in an unmarked grave. Her name is Audrey Munson. Many readers will recognize Audrey Munson, and have walked by her in the street, without even knowing her name. She stands atop New York's Municipal Building. She sits as "Miss Manhattan" and "Miss Brooklyn" outside the Brooklyn Museum, is immortalized on the Manhattan Bridge, the Frick Mansion, the New York Public Library, and the Pulitzer Fountain outside the Plaza Hotel. In gold, bronze, and stone, she still graces bridges, skyscrapers, fountains, churches, monuments, and public buildings across the nation, from Jacksonville to San Francisco, from Atlanta to the Wisconsin state capitol. From James Bone, the former New York Bureau Chief of The Times of London, this brilliantly reported investigative biography reveals, for the first time, the riveting truth of the forgotten life of an iconic beauty.
The Curse of Einstein's Pencil
by Deborah ZemkeBea’s artistic gifts lead to a special new friendship in book two of this funny illustrated chapter book series for fans of Amelia’s Notebook and Judy Moody Bea Garcia is looking for a new best friend, and she almost has one—the smartest girl in school, Judith Einstein. So when Einstein asks Bea to be her partner in the upcoming school geography contest, Bea is thrilled...at first. Schoolwork comes so easily to Einstein that Bea thinks the secret might be Einstein's special pencil. But when Bea takes Einstein's pencil home, it's not quite what she expected.
The Curse of Frankenstein
by Marcus K. HarmesCritics abhorred it, audiences loved it, and Hammer executives where thrilled with the box office returns: The Curse of Frankenstein was big business. The 1957 film is the first to bring together in a horror movie the 'unholy two', Christopher Lee and Peter Cushing, together with the Hammer company, and director Terence Fisher, combinations now legendary among horror fans. In his Devil's Advocate, Marcus Harmes goes back to where the Hammer horror production started, looking at the film from a variety of perspectives: as a loose literaryadaptation of Mary Shelley's novel; as a film that had, for legal reasons, to avoid adapting from James Whale's 1931 film for Universal Pictures; and as one which found immediate sources of inspiration in the Gainsborough bodice rippers of the 1940s and the poverty row horrors of the 1950s. Later Hammer horrors may have consolidated the reputation of the company and the stars, but these works had their starting point in the creative and commercial choices made by the team behind The Curse of Frankenstein. In the film sparks fly, new life is created and horrors unleashed but the film itself was a jolt to 1950s cinema going that has never been entirely surpassed.
The Curse of Frankenstein (Devil's Advocates)
by Marcus HarmesCritics abhorred it, audiences loved it, and Hammer executives where thrilled with the box office returns: The Curse of Frankenstein was big business. The 1957 film is the first to bring together in a horror movie the 'unholy two', Christopher Lee and Peter Cushing, together with the Hammer company, and director Terence Fisher, combinations now legendary among horror fans. In his Devil's Advocate, Marcus Harmes goes back to where the Hammer horror production started, looking at the film from a variety of perspectives: as a loose literaryadaptation of Mary Shelley's novel; as a film that had, for legal reasons, to avoid adapting from James Whale's 1931 film for Universal Pictures; and as one which found immediate sources of inspiration in the Gainsborough bodice rippers of the 1940s and the poverty row horrors of the 1950s. Later Hammer horrors may have consolidated the reputation of the company and the stars, but these works had their starting point in the creative and commercial choices made by the team behind The Curse of Frankenstein. In the film sparks fly, new life is created and horrors unleashed but the film itself was a jolt to 1950s cinema going that has never been entirely surpassed.
The Curse of the Boyfriend Sweater: Essays on Crafting
by Alanna OkunThe Curse of the Boyfriend Sweater is a memoir about life truths learned through crafting.People who craft know things. They know how to transform piles of yarn into sweaters and scarves. They know that some items, like woolen bikini tops, are better left unknit. They know that making a hat for a newborn baby isn’t just about crafting something small but appreciating the beginnings of life, which sometimes helps make peace with the endings. They know that if you knit your boyfriend a sweater, your relationship will most likely be over before the last stitch.Alanna Okun knows that crafting keeps her anxiety at bay. She knows that no one will ever be as good a knitting teacher as her beloved grandmother. And she knows that even when we can’t control anything else, we can at least control the sticks, string, and fabric right in front of us.Okun lays herself bare and takes readers into the parts of themselves they often keep hidden. Yet at the same time she finds humor in the daily indignities all crafters must face (like when you catch the dreaded Second Sock Syndrome and can’t possibly finish the second in a pair). Okun has written a book that will speak to anyone who has said to themselves, or to everyone within earshot, “I made that.”
The Cursed Ballet (The Dario Quincy Academy of Dance #3)
by Megan AtwoodEvery time the Dario Quincy Academy has performed Giselle, the ballet's lead dancer has died. That's what the rumors say, anyway. But Ophelia doesn't believe in all that. She's determined to win the lead and beat the so-called curse. As Ophelia begins sneaking out at night to practice Giselle's moves, she meets a mysterious boy hiding in the shadows. He's got great moves, and his looks aren't bad either. After a series of secret meetings, Ophelia starts to feel drained of her strength. She even blacks out during dance class. Is she just pushing herself too hard? Or are the boy and the curse connected?
The Cursed Ballet (The\dario Quincy Academy Of Dance Ser. #3)
by Megan AtwoodEvery time the Dario Quincy Academy has performed Giselle, the ballet's lead dancer has died. That's what the rumors say, anyway. But Ophelia doesn't believe in all that. She's determined to win the lead and beat the so-called curse. As Ophelia begins sneaking out at night to practice Giselle's moves, she meets a mysterious boy hiding in the shadows. He's got great moves, and his looks aren't bad either. After a series of secret meetings, Ophelia starts to feel drained of her strength. She even blacks out during dance class. Is she just pushing herself too hard? Or are the boy and the curse connected?
The Custom of the Country: The Custom Of The Country. Elder Brother. Spanish Curate. Wit Without Money. Beggars' Bush (Globe Quartos)
by John FletcherFirst Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
The Customer Is Always Wrong: An Unhinged Guide to Everything That Sucks About Work (from an Angry Retail Guy)
by Scott SeissGive the gift of funny to anyone in your life (maybe even yourself!) who could use a dose of irreverent humor about why work stinks.Customers want you to magically produce something from the back room. Bosses schedule you on your day off. Corporate policies are mandated that make zero practical sense. Sound familiar?If you've ever worked in customer service (or any job, really), you know that everyone else—the customer, the boss, the company—is always right, and never the employee. Well, lucky for you, the "Angry Retail Guy" is more furious—and funnier—than ever in this hilariously unhinged guide to all the things we wish we could say out loud at work . . . without getting fired. In The Customer Is Always Wrong, you'll laugh (and maybe cry) at this rant-filled, illustrated attack on all the frustrating things that suck about work.Expanding on the ire-filled, laugh-out-loud viral videos that have made him a (whispered) workplace name, Scott Seiss joyfully eviscerates not only overbearing customers but every annoying aspect of work like purposeless job interview questions, debatable brand values, and the walking human trainwrecks that are our bosses. Scott guides you all the way from first applying to the job, to inevitably gritting your teeth and smiling on your last day when that one manager you despise says, &“Come back and visit us!&”The Customer Is Always Wrong is for anyone who:Is tired of their "raise" being as close as scientifically possible to 0 percentWants to tell their boss that not even the self-checkout machines want to work hereIs prepared to tell the next customer who asks to see the manager that the manager has no idea what's going on eitherCalls in sick whenever their PTO request is deniedBelieves entering a store five minutes before it closes should be illegalExplains, on a weekly basis, why someone can't use a coupon that expired 17 years agoIs physically repulsed by the phrase, "At this company, we're a family. . . ." This tongue-in-cheek commiseration for workers will make you laugh out loud at the things that drive you crazy in the workplace. With Scott's signature rants, funny anecdotes, and absurd musings, this book celebrates and empowers underpaid and overworked employees with an uproarious, illustrated ode to what we really think about our jobs and the customers that come with them (except the ones who read this book, of course).
The Customer-Driven Playbook: Converting Customer Feedback into Successful Products
by Travis Lowdermilk Jessica RichDespite the wide acceptance of Lean approaches and customer-development strategies, many product teams still have difficulty putting these principles into meaningful action. That’s where The Customer-Driven Playbook comes in. This practical guide provides a complete end-to-end process that will help you understand customers, identify their problems, conceptualize new ideas, and create fantastic products they’ll love.To build successful products, you need to continually test your assumptions about your customers and the products you build. This book shows team leads, researchers, designers, and managers how to use the Hypothesis Progression Framework (HPF) to formulate, experiment with, and make sense of critical customer and product assumptions at every stage. With helpful tips, real-world examples, and complete guides, you’ll quickly learn how to turn Lean theory into action.Collect and formulate your assumptions into hypotheses that can be tested to unlock meaningful insightsConduct experiments to create a continual cadence of learningDerive patterns and meaning from the feedback you’ve collected from customersImprove your confidence when making strategic business and product decisionsTrack the progression of your assumptions, hypotheses, early ideas, concepts, and product features with step-by-step playbooksImprove customer satisfaction by creating a consistent feedback loop
The Cut of Men's Clothes: 1600-1900
by Norah WaughThis book traces the evolution of the style of men's dress through a sequence of diagrams accurately scaled down from patterns of actual garments, many of them rare museum specimens. The plates have been selected with the same purpose. Some are photographs of suits for which diagrams have also been given; others, reproduced from paintings and old prints, show the costume complete with its accessories. Quotations from contemporary sources--from diaries, travelers' accounts and tailors' bills--supplement Norah Waugh's text with comments on fashion and lively eyewitness descriptions.
The Cute (Whitechapel: Documents of Contemporary Art)
by Sianne NgaiA collection that tracks the astonishing impact of one vernacular aesthetic category—the cute—on postwar and contemporary art.The Cute tracks the astonishing impact of a single aesthetic category on post-war and contemporary art, and on the vast range of cultural practices and discourses on which artists draw. From robots and cat videos to ice cream socials, The Cute explores the ramifications of an aesthetic &“of&” or &“about&” minorness—or what is perceived to be diminutive, subordinate, and above all, unthreatening—on the shifting forms and contents of art today. This anthology is the first of its kind to show how contemporary artists have worked on and transformed the cute, in ways that not only complexify its meaning, but also reshape their own artistic practices. Artists surveyed includePeggy Ahwesh, Cosima Von Bonin, Nayland Blake, Paul Chan, Adrian Howells, Juliana Huxtable, Larry Johnson, Mike Kelley, Dean Kenning, Wyndham Lewis, Jeff Koons, Sean-Kierre Lyons, Mammalian Diving Reflex, Alake Shilling, Annette Messager, Mariko Mori, Takashi Murakami, Charlemagne Palestine, David Robbins, Mika Rottenberg, Allen Ruppersberg, Jack Smith, Kara Walker, Andy Warhol, Yoshitomo NaraWriters include Sasha Archibald, Roland Barthes, Leigh Claire La Berge, Lauren Berlant, Ian Bogost, Jennifer Doyle, Lee Edelman, Adrienne Edwards, Lewis Gordon, Rosemarie Garland-Thompson, Stephen Jay Gould, Lori Merish, John Morreall, Juliane Rebentisch, Frances Richard, Carrie Rickey, Friedrich Schiller, Peter Schjeldahl, Kanako Shiokawa, Angelik Vizcarrondo-Laboy, Kevin Young
The Cyber-Creativity Process: How Humans Co-Create with Artificial Intelligence (The Seven C’s of Creativity)
by Giovanni Emanuele CorazzaThis edited book explores the process of creating using the seven C's of creativity framework. It discusses the creative process as a collaboration between humans and Artificial Intelligence (AI), here identified as the cyber-creativity process. Through nine chapters written by leading scholars in the field, this collection delves into the rapidly emerging area of Generative-AI (Gen-AI) applications and sheds light on the parts of the creative process that will remain fundamentally human throughout the foreseeable future, as well as those that will benefit more from AI-augmentation. Drawing on the dynamic definition of creativity, the contents encompass the Dynamic Universal Creative Process (DUCP) and the DA VINCI model, the design principles of Gen-AI algorithms, the cyber-creativity process in education, journalism, design, fashion, music, and its implications on intellectual property protection. A timely reflection on the complex and evolving relation between creativity and technology, this volume will interest academics, researchers, and students alike across humanities, social and hard sciences.
The Cylinder: Kinematics of the Nineteenth Century (FlashPoints)
by Helmut Müller-SieversThe Cylinder investigates the surprising proliferation of cylindrical objects in the nineteenth century, such as steam engines, phonographs, panoramas, rotary printing presses, silos, safety locks, and many more. Examining this phenomenon through the lens of kinematics, the science of forcing motion, Helmut Müller-Sievers provides a new view of the history of mechanics and of the culture of the industrial revolution, including its literature, that focuses on the metaphysics and aesthetics of motion. Müller-Sievers explores how nineteenth-century prose falls in with the specific rhythm of cylindrical machinery, re-imagines the curvature of cylindrical spaces, and conjoins narrative progress and reflection in a single stylistic motion. Illuminating the intersection of engineering, culture, and literature, he argues for a concept of culture that includes an epoch’s relation to the motion of its machines.
The DAM Book: Digital Asset Management for Photographers (O'reilly Ser.)
by Peter KroghOne of the main concerns for digital photographers today is asset management: how to file, find, protect, and re-use their photos. The best solutions can be found in The DAM Book, our bestselling guide to managing digital images efficiently and effectively. Anyone who shoots, scans, or stores digital photographs is practicing digital asset management (DAM), but few people do it in a way that makes sense. In this second edition, photographer Peter Krogh -- the leading expert on DAM -- provides new tools and techniques to help professionals, amateurs, and students: Understand the image file lifecycle: from shooting to editing, output, and permanent storage Learn new ways to use metadata and key words to track photo files Create a digital archive and name files clearly Determine a strategy for backing up and validating image data Learn a catalog workflow strategy, using Adobe Bridge, Camera Raw, Adobe Lightroom, Microsoft Expression Media, and Photoshop CS4 together Migrate images from one file format to another, from one storage medium to another, and from film to digital Learn how to copyright images To identify and protect your images in the marketplace, having a solid asset management system is essential. The DAM Book offers the best approach.
The DC Book of Lists: A Multiverse of Legacies, Histories, and Hierarchies
by Randall LotowyczPacked with 100+ inventive groupings, hierarchies, and infographics, The DC Comics Book of Lists offers a creative way of looking at both the well-known and obscure histories of the top heroes and villains from the DC Universe across 80+ years. Each entry in this book celebrates another corner of DC's past, present, and future. It revels in the rich tapestry of DC's characters and history. Or histories, for that matter. Each first meeting of Batman and Superman is listed, as are highlights of Hawkman's many reincarnations and Jimmy Olsen's amusing and peculiar transformations. Harley Quinn&’s most peculiar career choices? They make quite a resume. The DC Comics Book of Lists also has a chronological list of artificial intelligence, from the 2nd century to the 823rd—with Metal Men, Brother Eye, and Computo along the way—and a Mount Olympus family tree presents Wonder Woman&’s expansive list of relatives. Legacy characters like the Flash and Green Lantern are highlighted, profiling each character to don the mantle, and Suicide Squad members are memorialized in a breakdown of who was killed on each mission. From superheroes and villains with tattoos to the many cats prowling around the DC multiverse, you&’ll find a surprise or two on every page.Illustrated with full-color comic book art throughout, each page of The DC Comics Book of Lists presents a new discovery or way of looking at cherished characters.
The DC Comics Guide to Coloring and Lettering Comics
by Todd Klein Mark ChiarelloAcclaimed artists Mark Chiarello and Todd Klein demystify these essential steps in traditional graphic storytelling. Chiarello explains the entire coloring process, from computer and software choice to creating color effects that give the action its maximum impact. Klein discusses whether to letter by hand or by computer--a hotly debated topic among working letterers--and demonstrates an array of techniques for creasting word balloons, fonts, logos, and much more.
The DC Comics Guide to Creating Comics
by Jim Lee Carl PottsThe most exciting and comprehensive book yet in the bestselling DC Comics how-to-draw series. From the bestselling DC Comics Guide series, this is the essential resource for aspiring comics creators looking to make intriguing, action-packed comics like the experts at DC Comics. Going beyond the typical art and writing lessons, this book shows readers how to take full advantage of comics' sequential visual storytelling possibilities. With examples direct from DC Comics, featuring their best creators and classic superheroes like Batman, Superman, and the rest of the Justice League, it presents key principles and techniques for crafting exciting professional-quality comics. This behind-the-curtain look at the DC Comics creative process is a can't-miss opportunity for aspiring comics creators, whether they want to work for DC Comics or invent their own unique comics creations.
The DC Comics Guide to Digitally Drawing Comics
by Freddie E Williams Brian BollandAt last-the first guide to drawing comics digitally! Artists! Gain incredible superpowers...with the help of your computer! The DC Comics Guide to Digitally Drawing Comics shows how to give up pencil, pen, and paper and start drawing dynamic, exciting comics art entirely with computer tools. Author Freddie E Williams is one of DC Comics' hottest artists and a leader in digital penciling and inking-and here, in clear, step-by-step directions, he guides readers through every part of the digital process, from turning on the computer to finishing a digital file of fully inked comic art, ready for print. Creating a template, sketching on the computer, penciling, and finally inking digitally are all covered in depth, along with bold, timesaving shortcuts created by Williams, tested by years of trial and error. Step into the digital age, streamline the drawing process, and leap over the limitations of mere physical drawing materials with The DC Guide to Digitally Drawing Comics.From the Trade Paperback edition.