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Soap Making with Natural Ingredients
by Sarah AdeA comprehensive guide to making all-natural, artisanal soaps and bath products from the director of The BareNaked Soap Company.This practical book is full of helpful advice on how to make your own luxurious and beautiful soaps at home, using only the best natural ingredients. Not only are these soaps good for you, they also look great, feel great, and make wonderful gifts!Soap-making entrepreneur Sarah Ade introduces all the simple techniques and basic kitchen equipment you'll need to create an array of gorgeous soaps. You'll learn how to choose your ingredients, understand their properties, and put them together to achieve a specific purpose.Dozens of easy-to-follow recipes range from the fun and frivolous to sensible and serious, and the text is packed with ideas for alternative soap making and homemade skin care. This is an essential guide for anyone interested in what they put onto their body as well as what goes inside.
The Soapmaker's Companion: A Comprehensive Guide with Recipes, Techniques & Know-How
by Susan Miller CavitchIn this comprehensive guide, Susan Miller Cavitch covers everything you need to know to make your own soaps. Learn the basic techniques for crafting oil-, cream-, and vegetable-based soaps, and then start experimenting with your own personalized scents and effects. Cavitch provides tips for making more than 40 different specialty soaps, showing you how to design colorful marbled bars and expertly blend ingredients to create custom fragrances. You&’ll soon be making luxurious soaps at a fraction of the cost of boutique products.Important Notice Early printings of this book contain a recipe variation in a sidebar note on page 36. As a result of further testing, author Susan Miller Cavitch and Storey Publishing strongly recommend that you do not try this variation. Adding honey when you are combining the sodium hydroxide and water may result in a stronger reaction with more intense heat. The mixture may bubble up quickly and come out of the pot, posing a potential hazard.
Soapmaking for Fun and Profit
by Maria NeriusThe author includes tips for cold-process soap-making, using essential oils safely, setting up your work area, marketing and selling your product, and managing the business.
Soapstone Signs (Orca Echoes)
by Jeff PinkneyOne spring, a nine-year-old Cree boy is visited by a master soapstone carver named Lindy, who gives him four pieces of soapstone. The primary secret to carving, the boy learns, is recognizing that each piece of soapstone already holds its true form inside. Lindy teaches the boy to listen to the soapstone and look to the world around him for signs as to what to carve. As the seasons change, the young boy’s experiences lend him opportunities to develop his carving skills and become attuned to the signs around him. He eagerly awaits the following spring, which will bring Lindy’s return and a chance to show off his carvings. The epub edition of this title is fully accessible.
“Soapy”: An Authorized Biography of Earnest O. (Soapy) Gillam
by C. A. Sellers Earnest O. GillamFirst published in 1958, this book is a biography of Fort Worth businessman Earnest O. (Soapy) Gillam, who rose from humble beginnings to become America’s best known independent soap manufacturer.“‘Every generation or so, someone should sit down and sum up the history of a family so it can be passed down to future generations.’“The man who spoke these words early in 1957 was Earnest О. Gillam, the subject of this book. His words are the reason for this book, written at his request to “sum up” his life and times and to put into permanent record all that is known of his ancestors“There was a note of urgency in Gillam’s decision to publish this book He is the last of his family likely to bear the name of Gillam. His sisters gave birth to boys, but he and his brothers have no male lineage to perpetuate the Gillam name. So his branch of the Gillam family will end with his death. At least, the part of family bearing the name of Gillam will end.“The remarkable history of the Gillams in general, and E. O. Gillam in particular, made this publication a must—a must for a permanent history of this remarkable family, and a must to emphasize once again that Horatio Alger-type men are still to be found in our land. For Gillam started life during the hardest times imaginable—on the frontier of Kansas—and by tireless” efforts of body and mind, managed to accumulate a fortune.“He spent years gathering information for this book, a lifetime in fact….”—C. A. Sellers
Soapylove: Squeaky-Clean Projects Using Melt-and-Pour Soap
by Debbie ChialtasMelt & Pour and so much more! Soapylove shows you how to turn a glycerin melt-and-pour soap base into tempting, stylish soaps. You'll learn fun and easy techniques for 25 yummy projects featuring bright colors, amazing designs and delicious scents. Glycerin melt-and-pour soap is very easy to use - a microwave or stovetop is all you need! There is no messy boiling or complicated mixing. Techniques not yet found in any glycerin soap project book, including how to make cameos, plaid patterns, soap pops and even jelly donut soaps. The ins and outs of melt-and-pour soap supplies, allowing you to experiment with your own style. So come on in and start creating - you're bound to "Feel the love!"
Soaring and Gliding: The Sleeping Bear Dunes National Lakeshore Area (Images of Aviation)
by Jeffery P. Sandman Peter R. SandmanTo fly as the hawk and eagle has been mankind's dream for centuries.Modern sailplanes make soaring and gliding flight possible, and with them, humans can fly higher, faster, and farther than the greatest of birds, using only an invisible force of nature to stay aloft. The terms soaring and gliding are used interchangeably, and the sport is appealing to pilot and spectator alike. Sailplane enthusiasts have always been explorers, always looking for a more ideal site that will provide the intellectual challenges of soaring as well as the sheer beauty and relaxation the sport can offer. Michigan-based glider pilots and designers found their soaring paradise in the early 1930s when they ventured north to the Sleeping Bear Dunes area. The explorers began to promote the sport to national and international prominence, and many came to make up a veritable who's who of American aeronautics. Over a century after Octave Chanute discovered motorless flight on the Lake Michigan dunes, sailplanes, hang gliders, and paragliders still fill the skies.
Sobre el arte contemporáneo / En La Habana
by César AiraPremio Formentor 2021 Dos lúcidos y locuaces ensayos que abordan el proceso de creación artística en el campo de la literatura y de las artes visuales, así como el lenguaje que se esconde detrás de las piezas de museo. Premio Iberoamericano de Narrativa Manuel Rojas 2016. Los dos ensayos que integran este volumen fueron escritos con una década de diferencia. Sobre el arte contemporáneo es la alocución con la que César Aira inauguró el congreso Artescritura, que tuvo lugar en Madrid en 2010 y que se proponía como objetivo superar la brecha que separa a escritores y a artistas visuales. En La Habana, en cambio, parte de un recorrido por la casa museo del escritor Lezama Lima, realizado durante una visita a Cuba en el año 2000, y desemboca en una crónica del viaje por los museos de la ciudad y los objetos que allí se exponen. Estos dos imponentes textos de uno de los autores clave de las letras hispanas vuelven a incidir en algunos de los temas predilectos de Aira: la relación entre arte y literatura, el proceso de creación, el arte de lo incompleto y, en definitiva, la veracidad de la escritura.
Sociable Cities: The 21st-Century Reinvention of the Garden City (Planning, History and Environment Series)
by Peter Hall Colin WardPeter Hall and Colin Ward wrote Sociable Cities to celebrate the centenary of publication of Ebenezer Howard’s To-morrow: A Peaceful Path to Real Reform in 1998 – an event they then marked by co-editing (with Dennis Hardy) the magnificent annotated facsimile edition of Howard’s original, long lost and very scarce, in 2003. In this revised edition of Sociable Cities, sadly now without Colin Ward, Peter Hall writes: ‘the sixteen years separating the two editions of this book seem almost like geological time. Revisiting the 1998 edition is like going back deep into ancient history’. The glad confident morning following Tony Blair’s election has been followed by political disillusionment, the fiscal crash, widespread austerity and a marked anti-planning stance on the part of the Coalition government. But – closely following the argument of Good Cities, Better Lives: How Europe discovered the Lost Art of Urbanism (Routledge 2013), to which this book is designed as a companion – Hall argues that the central message is now even stronger: we need more planning, not less. And this planning needs to be driven by broad, high-level strategic visions – national, regional – of the kind of country we want to see. Above all, Hall shows in the concluding chapters, Britain’s escalating housing crisis can be resolved only by a massive programme of planned decentralization from London, at least equal in scale to the great Abercrombie plan seventy years ago. He sets out a picture of great new city clusters at the periphery of South East England, sustainably self-sufficient in their daily patterns of living and working, but linked to the capital by new high-speed rail services. This is a book that every planner, and every serious student of policy-making, will want to read. Published at a time when the political parties are preparing their policy manifestos, it is designed to make a major contribution to a major national debate.
Social Capital for a Child-Friendly City: Housing, Streets, and Parks
by Isami Kinoshita Mitsunari TeradaSocial Capital for a Child-Friendly City argues for the importance of relationship networks (social capital) in children’s growth and socialization, and explores how child-friendly social capital can be cultivated through urban planning and community development. As outdoor play decreases and children spend more time online, Kinoshita and Terada return to John Dewey’s proposal that social capital is essential for nurturing the next generation and establish a democratic and sustainable society. The book features examples from Sweden, Finland, Germany, Switzerland, the UK, and Japan, exploring methods for cultivating social capital and spaces for children to play and develop in cooperative housing, outdoor play spaces, streets, parks, and neighbourhoods. We express our gratitude to Dr. Marketta Kytta, Professor of Aalto University, who gave valuable suggestions about the key term ‘bullerby’ and ‘social capital’.This book will be of use to students and practitioners of urban planning and landscape architecture, as well as any community leaders or developers seeking to foster a nurturing environment where children can flourish.
Social Choreography: Ideology as Performance in Dance and Everyday Movement
by Andrew HewittThrough the concept of "social choreography" Andrew Hewitt demonstrates how choreography has served not only as metaphor for modernity but also as a structuring blueprint for thinking about and shaping modern social organization. Bringing dance history and critical theory together, he shows that ideology needs to be understood as something embodied and practiced, not just as an abstract form of consciousness. Linking dance and the aesthetics of everyday movement--such as walking, stumbling, and laughter--to historical ideals of social order, he provides a powerful exposition of Marxist debates about the relation of ideology and aesthetics. Hewitt focuses on the period between the mid-nineteenth century and the early twentieth and considers dancers and social theorists in Germany, Britain, France, and the United States. Analyzing the arguments of writers including Friedrich Schiller, Theodor Adorno, Hans Brandenburg, Ernst Bloch, and Siegfried Kracauer, he reveals in their thinking about the movement of bodies a shift from an understanding of play as the condition of human freedom to one prioritizing labor as either the realization or alienation of embodied human potential. Whether considering understandings of the Charleston, Isadora Duncan, Nijinsky, or the famous British chorus line the Tiller Girls, Hewitt foregrounds gender as he uses dance and everyday movement to rethink the relationship of aesthetics and social order.
Social Class and Television Drama in Contemporary Britain
by David Forrest Beth JohnsonThis collection is a wide-ranging exploration of contemporary British television drama and its representations of social class. Through early studio-set plays, soap operas and period drama, the volume demonstrates how class provides a bridge across multiple genres and traditions of television drama. The authors trace this thematic emphasis into the present day, offering fascinating new insights into the national conversation around class and identity in Britain today. The chapters engage with a range of topics including authorial explorations of Stephen Poliakoff and Jimmy McGovern, case studies of television performers Maxine Peake and Jimmy Nail, and discussions of the sitcom genre and animation form. This book offers new perspectives on popular British television shows such as Goodnight Sweetheart and Footballers' Wives, and analysis of more recent series such as Peaky Blinders and This is England.
Social Dance: A Short History (Routledge Revivals)
by Arthur FranksOriginally published in 1963 and authored by the then Editor of the Dancing Times, this was a pioneer work discussing not only the origins and development of many social dance forms from early times, but also relating these forms to their environment. As well as its role in social history, the book analyses the role of dance as a prime creative power in Renaissance spectacles which depicted and celebrated diplomatic, military and regal occasions. After a wide-ranging introductory chapter on the origins of dancing, the book takes the reader through the centuries, discussing in turn the Basse Danse and the Moresco of the Middle Ages, the Pavane, Galliard and Courante of the 16th Century, the Minuet of the 17th & 18th, the Allemande, the Waltz and the Polka as well as Jazz, the Cha Cha Cha, the Jive and Twist.
Social Dissonance (Urbanomic / Mono #10)
by MattinAn argument that by amplifying alienation in performance, we can shift the emphasis from the sonic to the social.Work in sound studies continues to seek out sound "itself"--but, today, when the aesthetic can claim no autonomy and the agency of both artist and audience is socially constituted, why not explore the social mediation already present within our experience of the sonorous? In this work, artist, musician, performer, and theorist Mattin sets out an understanding of alienation as a constitutive part of subjectivity and as an enabling condition for exploring social dissonance--the discrepancy between our individual narcissism and our social capacity. Mattin's theoretical investigation is intertwined with documentation of a concrete experiment in the form of an instructional score (performed at documenta 14, 2017, in Athens and Kassel) which explores these conceptual connotations in practice, as players use members of the audience as instruments, who then hear themselves and reflect on their own conception and self-presentation. Social Dissonance claims that, by amplifying alienation in performance and participation in order to understand how we are constructed through various forms of mediation, we can shift the emphasis from the sonic to the social, and in doing so, discover for ourselves that social dissonance is the territory within which we already find ourselves, the condition we inhabit.
Social Diversity within Multiliteracies: Complexity in Teaching and Learning
by Fenice B. Boyd and Cynthia H. BrockUsing a multiliteracies theoretical framework highlighting social diversity and multimodality as central in the process of meaning making, this book examines literacy teaching and learning as embedded in cultural, linguistic, racial, sexual, and gendered contexts and explores ways to foster learning and achievement for diverse students in various settings. Attending simultaneously to topics around two overarching and interrelated themes—languages and language variations, and cultures, ethnicities, and identities—the chapter authors examine the roles that multiliteracies play in students’ lives in and out of classrooms. In Part I, readers are asked to examine beliefs and dispositions as related to different languages, language varieties, cultures, ethnicities, and identities. Part II engages readers in examining classroom and community practices related to different languages and language varieties, cultures, ethnicities, and identities.
Social Economics and the Solidarity City
by Brendan MurtaghSocial Economics and the Solidarity City explores the impact and potential of the social economy as a site of urban struggle, political mobilization and community organization. The search for alternatives to the neoliberal logic governing contemporary cities has often focused on broad and ill-defined political, social and environmental movements. These alternatives sometimes fail to connect with the lived realities of the city or to change the lives of those exploited in neoliberal restructuring. This book seeks to understand the capacity of the social economy to revitalize urban ethics, local practices and tangible political alterity. Providing a critical account of the social economy and its place in urban and state restructuring, this book draws on a range of international cases to argue that the social economy can be made a transformative space. Evaluating community enterprises, social finance, and solidarity economics, author Brendan Murtagh maps the possibilities, contradictions and tactics of moving the rhetoric of the just city into local and global action.
Social Exclusion in European Cities: Processes, Experiences and Responses (Regions and Cities #No.23)
by Ali Madanipour Göran Cars Judith AlienAcross Europe concern is rising over the disintegration of social relations and the growing number of people who are being socially excluded. social Exclustoin in European Cities, the first major study of this topic, provides a definition of social exclusion and looks at both the processes which cause it and the dimensions of the problem throughout Europe. The experiences of people living in areas or neighbourhoods with low rates of social integration are considered, illuminating the human impact of exclusion where it is most visible. Finally the contributors evaluate the various policy and community initiatives which are currently confronting the problem in a wide sample of European Cities on a variety of levels, from inform individual actions to supra-national European Union policy, and suggest new ways in which social exclusion could be tackled. With most large cities experiencing some degree of social exclusion, this is an important volume for all those working in the areas of regional policy, town planning, housing management, social work, community development, sociology, political science and urban studies.
Social History of Art, Volume 1: From Prehistoric Times to the Middle Ages
by Arnold HauserFirst published in 1951 Arnold Hausers commanding work presents an account of the development and meaning of art from its origins in the Stone Age through to the Film Age. Exploring the interaction between art and society, Hauser effectively details social and historical movements and sketches the frameworks in which visual art is produced.This new edition provides an excellent introduction to the work of Arnold Hauser. In his general introduction to The Social History of Art, Jonathan Harris asseses the importance of the work for contemporary art history and visual culture. In addition, an introduction to each volume provides a synopsis of Hausers narrative and serves as a critical guide to the text, identifying major themes, trends and arguments.
Social History of Art, Volume 2: Renaissance, Mannerism, Baroque
by Arnold HauserFirst published in 1951 Arnold Hauser's commanding work presents an account of the development and meaning of art from its origins in the Stone Age through to the Film Age. Exploring the interaction between art and society, Hauser effectively details social and historical movements and sketches the frameworks in which visual art is produced.This new edition provides an excellent introduction to the work of Arnold Hauser. In his general introduction to The Social History of Art, Jonathan Harris asseses the importance of the work for contemporary art history and visual culture. In addition, an introduction to each volume provides a synopsis of Hauser's narrative and serves as a critical guide to the text, identifying major themes, trends and arguments.
Social History of Art, Volume 3: Rococo, Classicism and Romanticism
by Arnold HauserFirst published in 1951 Arnold Hausers commanding work presents an account of the development and meaning of art from its origins in the Stone Age through to the Film Age. Exploring the interaction between art and society, Hauser effectively details social and historical movements and sketches the frameworks in which visual art is produced.This new edition provides an excellent introduction to the work of Arnold Hauser. In his general introduction to The Social History of Art, Jonathan Harris asseses the importance of the work for contemporary art history and visual culture. In addition, an introduction to each volume provides a synopsis of Hausers narrative and serves as a critical guide to the text, identifying major themes, trends and arguments.
Social History of Art, Volume 4: Naturalism, Impressionism, The Film Age
by Arnold HauserFirst published in 1951 Arnold Hausers commanding work presents an account of the development and meaning of art from its origins in the Stone Age through to the Film Age. Exploring the interaction between art and society, Hauser effectively details social and historical movements and sketches the frameworks in which visual art is produced.This new edition provides an excellent introduction to the work of Arnold Hauser. In his general introduction to The Social History of Art, Jonathan Harris asseses the importance of the work for contemporary art history and visual culture. In addition, an introduction to each volume provides a synopsis of Hausers narrative and serves as a critical guide to the text, identifying major themes, trends and arguments.
The Social History of Art, Volume I: From Prehistoric Times to the Middle Ages (Third Edition)
by Arnold HauserThis is the first of Arnold Hauser's four-volume series and deals with the relations between the forces of social change and western art in the period between Prehistoric times and the Middle Ages.
Social History of Art, Volume II: Renaissance, Mannerism, Baroque (Third Edition)
by Arnold Hauser Jonathan HarrisFirst published in 1951 Arnold Hauser's commanding work presents an account of the development and meaning of art from its origins in the Stone Age through to the Film Age. Exploring the interaction between art and society, Hauser effectively details social and historical movements and sketches the frameworks in which visual art is produced. This new edition provides an excellent introduction to the work of Arnold Hauser. In his general introduction to The Social History of Art, Jonathan Harris asseses the importance of the work for contemporary art history and visual culture. In addition, an introduction to each volume provides a synopsis of Hauser's narrative and serves as a critical guide to the text, identifying major themes, trends and arguments.
The Social History of Art, Volume III: Rococo, Classicism and Romanticism (Third Edition)
by Arnold HauserThis is the third of Arnold Hauser's four-volume series and deals with the period in Western art between the seventeenth and early nineteenth centuries.
The Social History Of Art, Volume IV: Naturalism, Impressionism, The Film Age
by Arnold Hauser Jonathan HarrisFirst published in 1951 Arnold Hausers commanding work presents an account of the development and meaning of art from its origins in the Stone Age through to the Film Age. Exploring the interaction between art and society, Hauser effectively details social and historical movements and sketches the frameworks in which visual art is produced. This new edition provides an excellent introduction to the work of Arnold Hauser. In his general introduction to The Social History of Art, Jonathan Harris asseses the importance of the work for contemporary art history and visual culture. In addition, an introduction to each volume provides a synopsis of Hausers narrative and serves as a critical guide to the text, identifying major themes, trends and arguments.