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Space Race Television: Image Vehicles as Agents of (trans-)global Mediatisation
by Sven GramppThis volume offers a media-theoretically oriented perspective on the Space Race. It analyzes feature films, documentaries, live television coverage, magazines, stamps, posters, ticker-tape parades. They visualized the Space Race in a specific way and circulated it transnationally from 'East' to 'West' and from 'West' to 'East' across the 'Iron Curtain'. It will be shown how reporting on the Space Race between 1955 and 1975 can be explained as a globalizing history of the intertwining of images during the Cold War.
Space, Structures and Design in a Post-Pandemic World
by Thomas FisherPandemics have long-term effects on how we live and work, and the COVID-19 pandemic was no exception, accelerating us into a digital economy, in which people increasingly work, shop, and learn online, transforming how we use space in-person and remotely. Space, Structures, and Design in a Post-Pandemic World explores the rebalancing of our physical and digital interactions and what it means for the built environment going forward. This book examines the effect of the pandemic on our use of land, interior space, energy, and transportation, as well as on our approach to design, wealth, work, and practice. Author Thomas Fisher also discusses the plagues of institutional racism and climate change that coincided with the COVID-19 pandemic and how these were interrelated. At the same time as all of this, the automation of all or part of many jobs continued unabated, eliminating much of the work that people did before COVID-19 arrived. This text discusses how we might leverage the under-utilized human talent and material assets all around us to rebuild our communities and our economy in more creative ways for a more equitable, resilient future. Space, Structures, and Design in a Post-Pandemic World will influence anyone interested in how design thinking can transform how we see the world and those looking for new ways to understand what the COVID-19 pandemic means and what opportunities it creates for our environments.
The Space That Keeps You: When Home Becomes a Love Story
by Jeremiah BrentInterior designer and television host Jeremiah Brent explores the emotional meaning of home in this warm and inviting book that illuminates what make peoples’ spaces so personally significant.For many of us, our houses are more than just where we hold our belongings. They are reflections of who we are and where we’ve been. They represent our aesthetics, our personalities – provide us with purpose and intention, and if we’re lucky, a safe space to live and create. For years, Jeremiah Brent and his family lived in one beautiful home after the next. Yet after a short time, they always felt the pull to move on. Curious to understand why, he embarked on a deeply personal mission to discover what makes a home a space that keeps you.The Space That Keeps You isn’t just a study of beautiful interior design; it’s an emotional design book that explores what gives spaces meaning. Through candid conversations with nine individuals and families varying in backgrounds, lifestyles, and geographic locations, Jeremiah reveals how and why the spaces we inhabit come to feel like they truly belong to us—the memories, emotions, and stories that shape what home signifies.He introduces memorable people like the artist couple James and Alexandra Brown and their children who made an abandoned plot in Merida, Mexico their accidental paradise, and Tracy and Brian Robbins who found refuge during the pandemic in a serene single-story home in Montecito surrounded by fields of lavender. He illuminates a personal side of Oprah Winfrey as she speaks to the importance of nature in her dream of home, and describes the story of Giberto and Bianca Arrivabene, who fought to hold onto their family’s historic Venetian palazzo. Their stories are bookended by Jeremiah’s recollections of his own journey defining home with his husband, fellow interior designer and television personality Nate Berkus, and their two children.Filled with intimate, meaningful details—from the kitchen that now nourishes the grandchildren of the adoring couple who first cooked there fifty years ago to the beams of one apartment’s walls that are etched with hearts to literally represent the love that fills it—and accompanied by 300 inviting and inspiring color photographs— The Space That Keeps You illustrates the essence of what makes a house a home. Just like Jeremiah himself, readers will leave this book with a newfound appreciation for the places that connect and shape us.
The Space that Separates: A Critical Realist Aesthetics (Routledge Studies in Critical Realism)
by Nick WilsonThe Space that Separates: A Realist Theory of Art radically challenges our assumptions about what art is, what art does, who is doing it, and why it matters. Rejecting the modernist and market-driven misconception that art is only what artists do, Wilson instead presents a realist case for living artfully. Art is defined as the skilled practice of giving shareable form to our experiences of being-in-relation with the real; that is to say, the causally generative domain of the world that extends beyond our direct observation, comprising relations, structures, mechanisms, possibilities, powers, processes, systems, forces, values, ways of being. In communicating such aesthetic experience we behold life’s betweenness – "the space that separates", so coming to know ourselves as connected. Providing the first dedicated and comprehensive account of art and aesthetics from a critical realist perspective – Aesthetic Critical Realism (ACR), Wilson argues for a profound paradigm shift in how we understand and care for culture in terms of our system(s) of value recognition. Fortunately, we have just the right tool to help us achieve this transformation – and it’s called art. Offering novel explanatory accounts of art, aesthetic experience, value, play, culture, creativity, artistic truth and beauty, this book will appeal to a wide audience of students and scholars of art, aesthetics, human development, philosophy and critical realism, as well as cultural practitioners and policy-makers.
Space, Time and Architecture: The Growth of a New Tradition, Fifth Revised and Enlarged Edition (The\charles Eliot Norton Lectures #1938-1939)
by Sigfried GiedionA milestone in modern thought, Space, Time and Architecture has been reissued many times since its first publication in 1941 and translated into half a dozen languages. In this revised edition of Sigfried Giedion’s classic work, major sections have been added and there are 81 new illustrations. The chapters on leading contemporary architects have been greatly expanded. There is new material on the later development of Frank Lloyd Wright and the more recent buildings of Walter Gropius, particularly his American Embassy in Athens. In his discussion of Le Corbusier, Mr. Giedion provides detailed analyses of the Carpenter Center at Harvard University, Le Corbusier’s only building in the United States, and his Priory of La Tourette near Lyons. There is a section on his relations with his clients and an assessment of his influence on contemporary architecture, including a description of the Le Corbusier Center in Zurich (designed just before his death), which houses his works of art. The chapters on Mies van der Rohe and Alvar Aalto have been brought up to date with examples of their buildings in the sixties. There is an entirely new chapter on the Danish architect Jørn Utzon, whose work, as exemplified in his design for the Sydney Opera House, Mr. Giedion considers representative of post–World War II architectural concepts. A new essay, “Changing Notions of the City,” traces the evolution of the structure of the city throughout history and examines current attempts to deal with urban growth, as shown in the work of such architects as José Luis Sert, Kenzo Tange, and Fumihiko Maki. Mr. Sert’s Peabody Terrace is discussed as an example of the interlocking of the collective and individual spheres. Finally, the conclusion has been enlarged to include a survey of the limits of the organic in architecture.
Space, Time and Ways of Seeing: The Performance Culture of Kutiyattam
by Mundoli NarayananThis volume explores the constitutive role played by space in the performance of Kutiyattam. The only surviving form of Sanskrit theatre, Kutiyattam is distinctive in terms of its performance conventions and its unique culture of extensive elaboration and interpretation. Drawing upon the concepts of phenomenology on the processes of perception, particularly on the works of Edmund Husserl, Martin Heidegger and Maurice Merleau-Ponty, it analyses the role of space in the communicative structures of performance of Kutiyattam and its contribution to the production of meaning in theatre, especially in the context of contemporary theatre. The book explores the theatrical event as a phenomenon that comes into existence through a triangular relationship among the ‘ways of being’ of the performers, the ‘ways of seeing’ of the audience, and the space which brings them together. Based on this formulation, Kutiyattam is approached as a ‘theatre of elaboration,’ made possible by the ‘intimate,’ ‘proximal’ ways of seeing of the audience, in the particular theatrical space of the kūttampalaṃs, the temple theatres, where Kutiyattam has customarily been performed for more than five centuries. This volume will be of great interest to scholars and researchers of cultural studies, theatre and performance studies, cultural anthropology, phenomenology and South Asian studies.
Space-Time Geometries for Motion and Perception in the Brain and the Arts (Lecture Notes in Morphogenesis)
by Tamar Flash Alain BerthozThis book is based on a two-day symposium at the Paris Institute of Advanced Study titled "space-time geometries and movement in the brain and the arts". It includes over 20 chapters written by the leading scientists and artists who presented their related research studies at the symposium and includes six sections; the first three focus on space-time geometries in perception, action and memory while the last three focus on specific artistic domains: drawing and painting, dance, music, digital arts and robotics. The book is accompanied by a dedicated webpage including related images and videos. There is an ever-growing interest in the topics covered by this book. Space and time are of fundamental importance for our understanding of human perception, action, memory and cognition, and are entities which are equally important in physics, biology, neuroscience and psychology. Highly prominent scientists and mathematicians have expressed their belief that our bodies and minds shape the ways we perceive space and time and the physical laws we formulate. Understanding how the brain perceives motion and generates -bodily movements is of great significance. There is also growing interest in studying how space, time and movement subserve artistic creations in different artistic modalities (e.g., fine arts, digital and performing arts and music). This interest is inspired by the idea that artists make intuitive use of the principles and simplifying strategies used by the brain in movement generation and perception. Building upon new understanding of the spatio-temporal geometries subserving movement generation and perception by the brain we can start exploring how artists make use of such neuro --geometrical and neuro-dynamic representations in order to express artistic concepts and emotionally affect the human observers and listeners. Scientists have also started formulating new ideas of how aesthetic judgements emerge from the principles and brain mechanisms subserving motor control and motion perception.Covering novel and multidisciplinary topics, this advanced book will be of interest to neuroscientists, behavioral scientists, artificial intelligence and robotics experts, students and artists.
space.time.narrative: the exhibition as post-spectacular stage
by Frank den OudstenMaking exhibitions is a collaborative art, producing is a multi-layered unity of ideas and objects, of invention and manifestation, of content and form. However, there is an antagonistic dimension to it, because content and form are traditionally represented by the entirely different realms of curator and designer. Future successful developments in exhibition-making are dependent on whether this gap of antagonism can be bridged. space.time.narrative calls for a paradigmatic shift of focus. It puts forward a unique approach, breaking down traditional barriers and offering a wide-ranging theoretical context, redefining and expanding the parameters and the dynamics of the exhibition-format in terms of an open, narrative environment, which at its roots displays deep similarities with performance on stage, or installation in urban and rural space. The book breaks new ground by looking at the exhibition as a cultural format firstly within a great sweep of the arts in general, weaving a web of philosophical, museological, linguistic and media-theoretical references, which expands the contextual field of the profession. It then offers unique and important insights from within, in extreme close-up, by bringing together interviews with six of the leading exhibition designers who discuss the dynamics of the medium, its interactive dimensions, the soft parameters of the exhibition, and how to get to grips with the format as a complex narrative space, in which the public takes part. Curator and designer should reposition themselves professionally at the heart of the axis, which divides (or connects) content and form.
Space Unveiled: Invisible Cultures in the Design Studio (Routledge Research in Architecture)
by Carla Jackson BellSince the early 1800s, African Americans have designed signature buildings; however, in the mainstream marketplace, African American architects, especially women, have remained invisible in architecture history, theory and practice. Traditional architecture design studio education has been based on the historical models of the Beaux-Arts and the Bauhaus, with a split between design and production teaching. As the result of current teaching models, African American architects tend to work on the production or technical side of building rather than in the design studio. It is essential to understand the centrality of culture, gender, space and knowledge in design studios. Space Unveiled is a significant contribution to the study of architecture education, and the extent to which it has been sensitive to an inclusive cultural perspective. The research shows that this has not been the case in American education because part of the culture remains hidden.
Spacecraft and Rockets: Photographs from the Archives of NASA (NASA)
by NASA Nirmala NatarajDiscover the remarkable NASA spacecraft that have captured our imaginations for decades.The rockets, rovers, satellites, and space stations that have charted courses into space are depicted in beautiful color images and paired with engaging annotations. Complete with a preface by Bill Nye, this collection perfectly captures the wonder and science of space exploration. From the earliest Saturn and Gemini missions through the modern-day Artemis and HALO ships, these extraordinary spacecraft will fascinate anyone intrigued by science, history, and the mysteries of the beyond. CELEBRATE INNOVATION: Spacecraft and Rockets features fascinating images accompanied by expert explanations of the history and science of space exploration. This book is a unique celebration of the technological advances that have taught us so much about the universe and our place amongst the stars. NASA-APPROVED SPACE BOOK: Bearing the official imprimatur of the legendary space agency, this stellar hardcover volume provides a guided tour through the history of NASA's most exciting innovations and inventions. FOR THE CURIOUS MIND: NASA’s beautifully documented space explorations inspire people of all ages, making this deluxe volume a wonderful gift for science enthusiasts, sci-fi fanatics, space-loving kids, and everyone in between.Perfect for: Science and technology buffs Space lovers, stargazers, and spacecraft geeks Sci-fi readers and anyone who dreams of one day going to space Teachers, students, and parents Photographers and photography enthusiasts
Spaced Out
by Rachel Tennant Nicola GarmoryThis beautifully illustrated guide celebrates some of the most significant award winning public spaces in major cities in the UK and Ireland over the last ten years.Dealing with a range of contemporary and innovating designed landscapes from urban spaces to public parks, this book focuses on those that have been awarded the highest design accolade from the Royal Institute of British Architects, The Royal Town andPlanning Institute, The Landscape Institute and The Civic Trust. Focusing on designs in ten major cities, and providing a snappy synopsis of each of the spaces in terms of its design statement, function, location, design team and award commentary, It illustrates tothe reader what makes 'good design' in the public realm, providing both information and inspiration.
The Spacemaker's Guide to Big Change: Design and Improvisation in Development Practice (Earthscan Tools for Community Planning)
by Nabeel HamdiThis book gives definition to participatory practice as a necessary form of activism in development planning for cities. It gives guidance on how practice can make space for big and lasting change and for new opportunities to be discovered. It points to ways of building synergy and negotiating our way in the social and political spaces ‘in between’ conventional and often competing ideals – public and private interests, top down and bottom up, formal and informal, the global agendas which outsiders promote and the local needs of insiders, for example. It offers guidance on process, designed to close gaps and converge worlds which we know have become divisive and discriminatory, working from the detail of everyday life in search of beginnings that count, building out and making meaningful locally, the abstractions of the global causes we champion – poverty alleviation, environmental sustainability, resilience. Practice – the collective process by which decisions are negotiated, plans designed and actions taken in response to needs and aspirations, locally and globally – we will see, is not just about being practical, but more. Its purpose is to give structure to our understanding of the order and disorder in our cities today, then to disturb that order when it has become inefficient or inequitable, even change it. It is to add moral value to morally questionable planning practice and so build "a social economy for the satisfaction of human need." Practice in these spaces ‘in-between’ redraws the boundaries of expectation of disciplinary work and offers a new high ground of moral purpose from which to be more creative, more integrated, more relevant, more resourceful – more strategic.
Spaces and Places for Art: Making Art Institutions in Western Canada, 1912-1990
by Anne WhitelawWhen the Edmonton Museum of Arts opened in 1924 it was only the second art gallery in Canada west of Toronto. Spaces and Places for Art tells the story of the financial and ideological struggles that community groups and artist societies in booming frontier cities and towns faced in establishing spaces for the cultivation of artistic taste. Mapping the development of art institutions in western Canada from the founding of the Winnipeg Art Gallery in 1912 to the 1990s heyday of art museums in Manitoba, Saskatchewan, Alberta, and British Columbia, Anne Whitelaw provides a glimpse into the production, circulation, and consumption of art in Canada throughout the twentieth century. Initially dependent on paintings loaned from the National Gallery of Canada, art galleries across the western part of the country gradually built their own collections and exhibitions and formed organizations that made them less reliant on institutions and government agencies in Ottawa. Tracing the impact of major national arts initiatives such as the Massey Commission, the funding programs of the Canada Council, and the policies of the National Museums Corporation, Whitelaw sheds light on the complex relationships between western Canada and Ottawa surrounding art. Building on extensive archival research and in-depth analysis of government involvement, Spaces and Places for Art is an invaluable explanation of the roles of cultural institutions and cultural policy in the emergence of artistic practice in Canada.
Spaces and Places for Art: Making Art Institutions in Western Canada, 1912-1990 (McGill-Queen's/Beaverbrook Canadian Foundation Studies in Art History #37)
by Anne WhitelawWhen the Edmonton Museum of Arts opened in 1924 it was only the second art gallery in Canada west of Toronto. Spaces and Places for Art tells the story of the financial and ideological struggles that community groups and artist societies in booming frontier cities and towns faced in establishing spaces for the cultivation of artistic taste. Mapping the development of art institutions in western Canada from the founding of the Winnipeg Art Gallery in 1912 to the 1990s heyday of art museums in Manitoba, Saskatchewan, Alberta, and British Columbia, Anne Whitelaw provides a glimpse into the production, circulation, and consumption of art in Canada throughout the twentieth century. Initially dependent on paintings loaned from the National Gallery of Canada, art galleries across the western part of the country gradually built their own collections and exhibitions and formed organizations that made them less reliant on institutions and government agencies in Ottawa. Tracing the impact of major national arts initiatives such as the Massey Commission, the funding programs of the Canada Council, and the policies of the National Museums Corporation, Whitelaw sheds light on the complex relationships between western Canada and Ottawa surrounding art. Building on extensive archival research and in-depth analysis of government involvement, Spaces and Places for Art is an invaluable explanation of the roles of cultural institutions and cultural policy in the emergence of artistic practice in Canada.
Spaces in Translation: Japanese Gardens and the West
by Christian TagsoldOne may visit famous gardens in Tokyo, Kyoto, or Osaka—or one may visit Japanese-styled gardens in New York, San Francisco, Philadelphia, Berlin, London, Paris, São Paulo, or Singapore. We often view these gardens as representative of the essence of Japanese culture. Christian Tagsold argues, however, that the idea of the Japanese garden has less do to with Japan's history and traditions, and more to do with its interactions with the West.The first Japanese gardens in the West appeared at the world's fairs in Vienna in 1873 and Philadelphia in 1876 and others soon appeared in museums, garden expositions, the estates of the wealthy, and public parks. By the end of the nineteenth century, the Japanese garden, described as mystical and attuned to nature, had usurped the popularity of the Chinese garden, so prevalent in the eighteenth century. While Japan sponsored the creation of some gardens in a series of acts of cultural diplomacy, the Japanese style was interpreted and promulgated by Europeans and Americans as well. But the fashion for Japanese gardens would decline in inverse relation to the rise of Japanese militarism in the 1930s, their rehabilitation coming in the years following World War II, with the rise of the Zen meditation garden style that has come to dominate the Japanese garden in the West.Tagsold has visited over eighty gardens in ten countries with an eye to questioning how these places signify Japan in non-Japanese geographical and cultural contexts. He ponders their history, the reasons for their popularity, and their connections to geopolitical events, explores their shifting aesthetic, and analyzes those elements which convince visitors that these gardens are "authentic." He concludes that a constant process of cultural translation between Japanese and Western experts and commentators marked these spaces as expressions of otherness, creating an idea of the Orient and its distinction from the West.
Spaces Mapped and Monstrous: Digital 3D Cinema and Visual Culture (Film and Culture Series)
by Nick JonesDigital 3D has become a core feature of the twenty-first-century visual landscape. Yet 3D cinema is a contradictory media form: producing spaces that are highly regimented and exhaustively detailed, it simultaneously relies upon distortions of vision and space that are inherently strange.Spaces Mapped and Monstrous explores the paradoxical nature of 3D cinema to offer a critical analysis of an inescapable part of contemporary culture. Considering 3D’s distinctive visual qualities and its connections to wider digital systems, Nick Jones situates the production and exhibition of 3D cinema within a web of aesthetic, technological, and historical contexts. He examines 3D’s relationship with computer interfaces, virtual reality, and digital networks as well as tracing its lineage to predigital models of visual organization. Jones emphasizes that 3D is not only a technology used in films but also a tool for producing, controlling, and distorting space within systems of surveillance, corporatization, and militarization. The book features detailed analysis of a wide range of films—including Avatar (2009), Goodbye to Language (2014), Love (2015), and Clash of the Titans (2010)—demonstrating that 3D is not merely an augmentation of 2D cinema but that it has its own unique properties. Spaces Mapped and Monstrous brings together media archaeology, digital theory, and textual analysis to provide a new account of the importance of 3D to visual culture today.
Spaces of Global Cultures: Architecture, Urbanism, Identity (Architext)
by Anthony KingThis book brings together a series of new and historical case studies to show how different phases of globalization are transforming the built environment. Taking a broad interdisciplinary approach, the author draws on sociological, geographical, cultural and postcolonial studies to provide a critical account of the development of three key concepts: global culture, post colonialism, and modernity. Subsequent case studies examine how global economic, political and cultural forces shape the forms of architectural and urban modernity in globalized suburbs and spaces in major cities worldwide. The first book to combine global and postcolonial theoretical approaches to the built environment and to illustrate these with examples, Spaces of Global Cultures argues for a more historical and interdisciplinary understanding of globalization: one that places material space and the built environment at the centre and calls for new theories to address new conditions.
Spaces of Social Exclusion
by Jamie Gough Aram Eisenschitz Andrew McCullochTo varying extents in developed countries a minority of the population suffers from deprivation. Britain’s Labour government in particular has sought to deal with this through the notion of 'social exclusion', and similar ideas have been developed in other countries. This important text explores the various forms of this contemporary economic and social disadvantage and, in particular, investigates its social and spatial causes and the role of space in policies addressing disadvantage. Arranged in three distinct parts, it: introduces contemporary and historical conceptualizations of social exclusion and poverty analyzes social exclusion’s origins by examining the different spheres of disadvantage and their relations discusses strategies for overcoming social exclusion, and analyzes policy ideas from across the political spectrum. This book is the first to systematically analyze the role of geography in poverty and social exclusion, and deals with the roles of ‘globalization’ and localism. Though its main focus is Britain, it investigates similarities and differences in other developed countries. Spaces of Social Exclusion is a key text for researchers and students throughout the social sciences, social policy, human geography and urban studies, as well as policy makers and practitioners in social and urban policy.
Spaces of the Cinematic Home: Behind the Screen Door (Routledge Advances in Film Studies #42)
by Stella Hockenhull Eleanor Andrews Fran Pheasant-KellyThis book examines the ways in which the house appears in films and the modes by which it moves beyond being merely a backdrop for action. Specifically, it explores the ways that domestic spaces carry inherent connotations that filmmakers exploit to enhance meanings and pleasures within film. Rather than simply examining the representation of the house as national symbol, auteur trait, or in terms of genre, contributors study various rooms in the domestic sphere from an assortment of time periods and from a diversity of national cinemas—from interior spaces in ancient Rome to the Chinese kitchen, from the animated house to the metaphor of the armchair in film noir.
The Spaces of the Hospital: Spatiality and Urban Change in London 1680-1820
by Dana ArnoldThe Spaces of the Hospital examines how hospitals operated as a complex category of social, urban and architectural space in London from 1680 to 1820. This period witnessed the transformation of the city into a modern metropolis. The hospital was very much part of this process and its spaces, both interior and exterior, help us to understand these changes in terms of spatiality and spatial practices. Exploring the hospital through a series of thematic case studies, Dana Arnold presents a theoretically refined reading of how these institutions both functioned as internal discrete locations and interacted with the metropolis. Examples range from the grand royal military hospital, those concerned with the destitute and the insane and the new cultural phenomenon of the voluntary hospital. This engaging book makes an important contribution to our understanding of urban space and of London, uniquely examining how different theoretical paradigms reveal parallel readings of these remarkable hospital buildings.
The Spaces of the Modern City: Imaginaries, Politics, and Everyday Life (Publications in Partnership with the Shelby Cullom Davis Center at Princeton University #2)
by Gyan Prakash & Kevin M. KruseBy United Nations estimates, 60 percent of the world's population will be urban by 2030. With the increasing speed of urbanization, especially in the developing world, scholars are now rethinking standard concepts and histories of modern cities. The Spaces of the Modern City historicizes the contemporary discussion of urbanism, highlighting the local and global breadth of the city landscape. This interdisciplinary collection examines how the city develops in the interactions of space and imagination. The essays focus on issues such as street design in Vienna, the motion picture industry in Los Angeles, architecture in Marseilles and Algiers, and the kaleidoscopic paradox of post-apartheid Johannesburg. They explore the nature of spatial politics, examining the disparate worlds of eighteenth-century Baghdad, nineteenth-century Morelia, Cold War-era West Berlin, and postwar Los Angeles. They also show the meaning of everyday spaces to urban life, illuminating issues such as crime in metropolitan London, youth culture in Dakar, "memory projects" in Tokyo, and Bombay cinema. Informed by a range of theoretical writings, this collection offers a fresh and truly global perspective on the nature of the modern city. The contributors are Sheila Crane, Belinda Davis, Mamadou Diouf, Philip J. Ethington, David Frisby, Christina M. Jiménez, Dina Rizk Khoury, Ranjani Mazumdar, Frank Mort, Martin Murray, Jordan Sand, and Sarah Schrank.
Spaces Speak, Are You Listening?: Experiencing Aural Architecture
by Barry Blesser Linda-Ruth SalterHow we experience space by listening: the concepts of aural architecture, with examples ranging from Gothic cathedrals to surround sound home theater. We experience spaces not only by seeing but also by listening. We can navigate a room in the dark, and "hear" the emptiness of a house without furniture. Our experience of music in a concert hall depends on whether we sit in the front row or under the balcony. The unique acoustics of religious spaces acquire symbolic meaning. Social relationships are strongly influenced by the way that space changes sound. In Spaces Speak, Are You Listening?, Barry Blesser and Linda-Ruth Salter examine auditory spatial awareness: experiencing space by attentive listening. Every environment has an aural architecture. The audible attributes of physical space have always contributed to the fabric of human culture, as demonstrated by prehistoric multimedia cave paintings, classical Greek open-air theaters, Gothic cathedrals, acoustic geography of French villages, modern music reproduction, and virtual spaces in home theaters. Auditory spatial awareness is a prism that reveals a culture's attitudes toward hearing and space. Some listeners can learn to "see" objects with their ears, but even without training, we can all hear spatial geometry such as an open door or low ceiling.Integrating contributions from a wide range of disciplines—including architecture, music, acoustics, evolution, anthropology, cognitive psychology, audio engineering, and many others—Spaces Speak, Are You Listening? establishes the concepts and language of aural architecture. These concepts provide an interdisciplinary guide for anyone interested in gaining a better understanding of how space enhances our well-being. Aural architecture is not the exclusive domain of specialists. Accidentally or intentionally, we all function as aural architects.
Space–Time Design of the Public City
by Benjamin Könecke Dietrich Henckel Stefano Stabilini Roberto Zedda Susanne ThomaierTime has become an increasingly important topic in urban studies and urban planning. The spatial-temporal interplay is not only of relevance for the theory of urban development and urban politics, but also for urban planning and governance. The space-time approach focuses on the human being with its various habits and routines in the city. Understanding and taking those habits into account in urban planning and public policies offers a new way to improve the quality of life in our cities. Adapting the supply and accessibility of public spaces and services to the inhabitants' space-time needs calls for an integrated approach to the physical design of urban space and to the organization of cities. In the last two decades the body of practical and theoretical work on urban space-time topics has grown substantially. The book offers a state of the art overview of the theoretical reasoning, the development of new analytical tools, and practical experience of the space-time design of public cities in major European countries. The contributions were written by academics and practitioners from various fields exploring space-time research and planning.
Spalting 101: The Ultimate Guide to Coloring Wood with Fungi
by Dr. Seri RobinsonA step-by-step guide to DIY spalting—harnessing fungi to create spectacular colors and lines in woodLeads beginners to success and offers spalting veterans fascinating info to improve their workWhether spalting wood in your yard, your bathroom, or a lab, save time and frustration
The Spamalot Diaries
by Eric Idle&“A rollicking account of the making of [the] Broadway musical Spamalot [and] an irresistible and unfiltered ode to the art of live theater. Fans will love this tantalizing glimpse behind the curtain.&”—Publishers Weekly (starred review)From comedy legend Eric Idle, the fascinating inside story of bringing Monty Python and the Holy Grail to Broadway as the unlikely theatrical hit Spamalot On March 17, 2005, Spamalot debuted on Broadway to rapturous reviews for its star-studded creative team, including creators Eric Idle and John du Prez, director Mike Nichols, and stars Hank Azaria, David Hyde Pierce, Sara Ramirez, Tim Curry, and more. But long before the show was the toast of Broadway and the winner of three Tony Awards, it was an idea threatening to fizzle out before it could find its way into existence. Now, in The Spamalot Diaries, Eric Idle shares original journal entries and raw email exchanges—all featuring his whip-smart wit—that reveal the sometimes bumpy, always entertaining path to the show&’s unforgettable run. In the months leading up to that opening night, financial anxieties were high with a low-ceiling budget and expectations that it would take two years to break even. Collaborative disputes put decades-long friendships to the test. And the endless process of rewriting was a task as passionate as it was painstaking. Still, there&’s nothing Idle would change about that year. Except for the broken ankle. He could do without the broken ankle. Chronicling every minor mishap and triumph along the way, as well as the creative tension that drove the show to new heights, The Spamalot Diaries is an unforgettable look behind the curtain of a beloved musical and inside the wickedly entertaining mind of one of our most treasured comic performers.