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Spanaway
by Jean SenselAround 1840, the British Hudson Bay Company set up a cattle ranch on the shore of a haunted lake that local tribes called Spa'nu-we. A hunting trail through the Cascade Mountains crossed at Spa'nu-we with another pathway running to Puget Sound from the sleeping volcano Tu'qobu (Tacoma). Both trails became roads and railways that drew settlers to Spa'nu-we's rich prairie and abundant water. Thus began decades of conflict--often armed--with the evolving town of Spanaway caught in regional and national turmoil. Because of its strategic location, Spanaway homesteads were used as temporary military outposts during two wars. Hundreds of family farms were lost forever when they were condemned to form Camp Lewis. Spanaway's resort "on the most beautiful lake in a land of lakes" has drawn controversial rallies, lawsuits, and political battles. Spanaway, still buffeted by political winds, continues today as a regional playground and transportation hub.
Spanish All-in-One For Dummies
by The Experts at For DummiesA value-packed guide to speaking, reading, and writing in Spanish Spanish All-in-One For Dummies is the first Dummies All-in-One title in the foreign language category–nearly 800 pages of expert instruction to help people master Spanish basics and beyond. This comprehensive volume features content from all For Dummies Spanish language instruction titles, including Spanish For Dummies, Intermediate Spanish For Dummies, Spanish Verbs For Dummies, and Spanish For Dummies Audio Set. The book's audio CD provides readers with an effective tool to help them start speaking Spanish from day one. Plus, the practical exercises give readers greater confidence in communicating in Spanish, whether traveling or in business.
Spanish Cinema (Inside Film)
by Rob StoneFrom the surrealist films of Luis Buñuel to the colourful melodramas of Pedro Almodóvar, Spain has produced a wealth of exciting and distinctive film-makers who have consistently provided a condoning or dissenting eye on Spanish history and culture. For modern cinema-goers, it has often been the sexually-charged and colourful nature of many contemporary Spanish films, which has made them popular world-wide and led directors and stars such as Almodóvar, Banderas and Penélope Cruz to be welcomed by Hollywood. Using original interview material with Spanish Cinema luminaries such as Carlos Saura, Julio Medem, Imanol Uribe and Elías Querejeta, Rob Stone charts a history of Spanish Cinema throughout the turbulent Francoist years and beyond. The book aims to provide a broad introduction to Spanish Cinema, the nine chapters divided into four types: chapters on Spanish Cinema during the Dictatorship and following the transition to democracy survey current debate and opinion while tracing the development of themes and film movements throughout those periods. chapters on early Spanish cinema and Basque cinema present vital and fascinating aspects of Spanish cinema that have previously been ignored chapters on childhood in Spanish cinema, and sex and the new star system offer new pathways into the study of Spanish cinema chapters on Carlos Saura, Elías Querejeta and Julio Medem offer specific case studies of film-makers who are emblematic of different periods in Spanish cinema and, indeed, Spanish history As with other titles in the Inside Film series, the book is comprehensively illustrated with representative stills and has a thorough bibliography, index and list of resources.
Spanish Cinema against Itself: Cosmopolitanism, Experimentation, Militancy (New Directions in National Cinemas)
by Steven MarshSpanish Cinema against Itself maps the evolution of Spanish surrealist and politically committed cinematic traditions from their origins in the 1930s—with the work of Luis Buñuel and Salvador Dalí, experimentalist José Val de Omar, and militant documentary filmmaker Carlos Velo—through to the contemporary period. Framed by film theory this book traces the works of understudied and non-canonical Spanish filmmakers, producers, and film collectives to open up alternate, more cosmopolitan and philosophical spaces for film discussion. In an age of the post-national and the postcinematic, Steven Marsh's work challenges conventional historiographical discourse, the concept of "national cinema," and questions of form in cinematic practice.
Spanish Cinema Against Itself: Cosmopolitanism, Experimentation, Militancy (New Directions in National Cinemas)
by Steven Marsh“An extraordinary philosophical exploration of the political potential and continued political commitment of cinema today . . . An essential read.” —Patricia Keller, Associate Professor of Spanish and Comparative Literature, Cornell UniversitySpanish Cinema Against Itself maps the evolution of Spanish surrealist and politically committed cinematic traditions from their origins in the 1930s—with the work of Luis Buñuel and Salvador Dalí, experimentalist José Val de Omar, and militant documentary filmmaker Carlos Velo—through to the contemporary period. Framed by film theory this book traces the works of understudied and non-canonical Spanish filmmakers, producers, and film collectives to open up alternate, more cosmopolitan and philosophical spaces for film discussion. In an age of the post-national and the postcinematic, Steven Marsh’s work challenges conventional historiographical discourse, the concept of “national cinema,” and questions of form in cinematic practice.“In this exhilarating counter-history of experimental filmmaking in Spain, Steven Marsh takes up the politics of form, the trouble with film history, and the theoretical potential of haunting, discontinuity, and absence . . . Spanish Cinema Against Itself is an important intervention in Spanish film studies and, indeed, in the scholarship on world cinema.” —Rosalind Galt, Professor of Film Studies, King’s College London
Spanish Cinema in the Global Context: Film on Film (Routledge Advances in Film Studies #26)
by Samuel AmagoAcross a broad spectrum of media, markets, and national contexts, self-reflexivity continues to be a favored narrative mode with wide ranging functions. In this book Amago argues that, in addition to making visible industry and production concerns within the film text, reflexive aesthetics have a cartographic function that serves to map the place of a film (geographic and cultural) within the global cinemascape, and thus to bring into sharper relief images of the national. Focusing on films in the contemporary Spanish context that in some way reflect back on themselves and the processes of their own production, that purposefully blur the distinction between reality and fiction, or that draw attention to the various modes of cinematic exhibition and reception, Amago proposes ways in which these movies can be employed to understand Spanish national cinemas today as imbedded within a dynamic global system.
Spanish Decorative Ironwork
by Luis LabartaOver 300 outstanding illustrations -- thoughtfully selected and excellently reproduced -- depict ornate altar screens, doors, chandeliers, balcony railings, candelabra, tombstone crosses, pulpits, gates, window screens, and more. Brief captions identify the types, origins, and dates of pieces in this excellent collection for artists, interior designers, craftspeople, and lovers of antiques.
“The Spanish Element in Our Nationality”: Spain and America at the World’s Fairs and Centennial Celebrations, 1876–1915
by M. Elizabeth Boone"The Spanish Element in Our Nationality" delves beneath the traditional "English-only" narrative of U.S. history, using Spain’s participation in a series of international exhibitions to illuminate more fully the close and contested relationship between these two countries.Written histories invariably record the Spanish financing of Columbus’s historic voyage of 1492, but few consider Spain’s continuing influence on the development of U.S. national identity. In this book, M. Elizabeth Boone investigates the reasons for this problematic memory gap by chronicling a series of Spanish displays at international fairs. Studying the exhibition of paintings, the construction of ephemeral architectural space, and other manifestations of visual culture, Boone examines how Spain sought to position itself as a contributor to U.S. national identity, and how the United States—in comparison to other nations in North and South America—subverted and ignored Spain’s messages, making it possible to marginalize and ultimately obscure Spain’s relevance to the history of the United States.Bringing attention to the rich and understudied history of Spanish artistic production in the United States, "The Spanish Element in Our Nationality" recovers the "Spanishness" of U.S. national identity and explores the means by which Americans from Santiago to San Diego used exhibitions of Spanish art and history to mold their own modern self-image.
The Spanish Element in Our Nationality”: Spain and America at the World’s Fairs and Centennial Celebrations, 1876–1915
by M. Elizabeth Boone“The Spanish Element in Our Nationality” delves beneath the traditional “English-only” narrative of U.S. history, using Spain’s participation in a series of international exhibitions to illuminate more fully the close and contested relationship between these two countries.Written histories invariably record the Spanish financing of Columbus’s historic voyage of 1492, but few consider Spain’s continuing influence on the development of U.S. national identity. In this book, M. Elizabeth Boone investigates the reasons for this problematic memory gap by chronicling a series of Spanish displays at international fairs. Studying the exhibition of paintings, the construction of ephemeral architectural space, and other manifestations of visual culture, Boone examines how Spain sought to position itself as a contributor to U.S. national identity, and how the United States—in comparison to other nations in North and South America—subverted and ignored Spain’s messages, making it possible to marginalize and ultimately obscure Spain’s relevance to the history of the United States.Bringing attention to the rich and understudied history of Spanish artistic production in the United States, “The Spanish Element in Our Nationality” recovers the “Spanishness” of U.S. national identity and explores the means by which Americans from Santiago to San Diego used exhibitions of Spanish art and history to mold their own modern self-image.
Spanish Film Policies and Gender (Routledge Focus on Media and Cultural Studies)
by Jara Fernández MenesesThis book provides a comprehensive cultural and historical account of the key film policies put into place by the Spanish state between 1980 and 2010 through a gendered lens, framing these policies within the wider context of European film legislation.Departing from the belief that there is no such thing as an objective and value-neutral approach to policy analysis because our society is organised around gender, this volume builds upon Pierre Bourdieu’s theory of field to propose that film policies do not emerge in a vacuum because they respond to different demands from those agents involved in the field of the Spanish cinema. By so doing, it critically assesses how these policies have come into being, by whom, in response to what interests, how they have shaped the Spanish film industry, and how far and in what ways they have tackled gender inequality in the Spanish film industry.This book will be of great interest to scholars and students of Spanish cinema, gender studies, film industry studies, film policy, and feminist film studies.
Spanish Film under Franco
by Virginia HigginbothamHow does a totalitarian government influence the arts, and how do the arts respond? Spanish Film Under Franco raises these important questions, giving English speakers a starting point in their study of Spanish cinema. After a brief overview of Spanish film before Franco, the author proceeds to a discussion of censorship as practiced by the Franco regime. The response of directors to censorship-the "franquista aesthetic," or "aesthetic of repression," with its highly metaphorical, oblique style-is explored in the works of Luis Buñuel, Carlos Saura, Juan Antonio Bardem, Luis García Berlanga, and other important directors. Virginia Higginbotham combines historical perspective with detailed critical analysis and interpretation of many famous Franco-era films. She shows how directors managed to evade the censors and raise public awareness of issuesrelating to the Spanish Civil War and the repressions of the Franco regime. Film has always performed an educational function in Spain, reaching masses of poor and uneducated citizens. And sometimes, as this study also reveals, Spanish film has been ignored when the questions it raised became too painful or demanding. The author concludes with a look at post-Franco cinema and the directions it has taken. For anyone interested in modern Spanish film, this book will be essential reading.
Spanish For Dummies
by Cecie KraynakLearn to speak Latin American Spanish with confidence—the easy way Spanish For Dummies gets you started with the Spanish language, even if you've never learned a language before. The trusted Dummies language learning method is quick and practical, so you'll know what to say and do when traveling to a Spanish-speaking country or interacting with Spanish speakers in your community. You'll learn the basics of Spanish grammar and pronunciation, and then you'll explore common phrases you'll need in everyday situations. Get ready to study, work, or travel abroad—or integrate Spanish into your everyday life. This essential resource helps you make small talk, understand common expressions, navigate business settings, ask for directions, go to the doctor, and beyond. Learn how Latin American Spanish works—grammar, pronunciation, and important constructions Build your vocabulary and learn common expressions you'll hear while abroad Brush up your conversation skills with authentic dialogues, plus follow along with online audio Get practice reading, writing, and speaking Spanish, so you're ready to communicate effectively With Spanish For Dummies, students, travelers, and business professionals can gain the confidence to converse in Spanish.
Spanish For Dummies
by Susana Wald Cecie KraynakLearn Latin American Spanish quickly and painlessly The job market for those who are bilingual is expanding rapidly. Businesses and government agencies are hiring translators; retailers and advertisers are concentrating more energy in targeting the Spanish-speaking ; and hospitals and agencies are seeking to overcome language barriers. Whether you’re a student studying Spanish, a traveler gearing up for a trip to a Spanish-speaking country and need to learn the basics, or a upwardly mobile looking to get ahead of the pack in your career by learning a second language, Spanish For Dummies, 2nd edition is your hands-on guide to quickly and painlessly learn Latin American Spanish that includes: Expanded coverage of grammar, verb conjugations, and pronunciations A refreshed and expanded mini-dictionary complete with even more essential vocabulary, exercises, and more A revamped and expanded bonus CD-ROM that includes real-life dialogue to aid in your learning Whether you’re looking to learn Spanish for use in the home, class, at the office, or on the go, Spanish For Dummies, 2nd edition has you covered!
Spanish Harlem's Musical Legacy: 1930-1980
by Silvio H. AlavaSpanish Harlem�s musical development thrived between the 1930s and 1980s in New York City. This area was called El Barrio by its inhabitants and Spanish Harlem by all others. It was a neighborhood where musicians from the Caribbean or their descendants organized musical groups, thereby adding to the diaspora that began in Africa and Spain. The music now called salsa had its roots in Cuba, Puerto Rico, and Santo Domingo, and it continued developing onanother island: Manhattan.
Spanish Horror Film and Television in the 21st Century (Routledge Focus on Media and Cultural Studies)
by Vicente Rodríguez Ortega Rubén Romero SantosThis book provides an up-to-date, in-depth survey of 21st-century Spanish horror film and media, exploring both aesthetics and industrial dynamics. It offers detailed analysis of contemporary films and TV series as well as novel approaches to key works within the history of Spanish cinema. While addressing the specificities of the Spanish landscape, this volume also situates the national cinematic output within the international arena, understanding film production and reception as continuously changing processes in which a variety of economic, social and cultural factors intervene. The book first analyzes the main horror trends emerging in the early 2000s, then approaches genre hybridization and the rise of new filmmakers since the 2010s with a special focus on gender issues and the reconfiguration of the past, before addressing the impact of streaming services within the Spanish film panorama, from a production and distribution standpoint. This book will be of keen interest to scholars and students in the areas of film studies, media studies, TV studies, horror, Spanish cultural studies and production studies.
Spanish-Language Television in the United States: Fifty Years of Development (Routledge Research in Cultural and Media Studies)
by Kenton T. WilkinsonSince its introduction in the early 1960s, Spanish-language television in the United States has grown in step with the Hispanic population. Industry and demographic projections forecast rising influence through the 21st century. This book traces U.S. Spanish-language television’s development from the 1960s to 2013, illustrating how business, regulation, politics, demographics and technological change have interwoven during a half century of remarkable change for electronic media. Spanish-language media play key social, political and economic roles in U.S. society, connecting many Hispanics to their cultures of origin, each other, and broader U.S. society. Yet despite the population’s increasing impact on U.S. culture, in elections and through an estimated $1.3 trillion in spending power in 2014, this is the first comprehensive academic source dedicated to the medium and its history. The book combines information drawn from the business press and trade journals with industry reports and academic research to provide a balanced perspective on the origins, maturation and accelerated growth of a significant ethnic-oriented medium.
Spanish Lessons: Cinema and Television in Contemporary Spain
by Paul Julian SmithThough unjustly neglected by English-language audiences, Spanish film and television not only represent a remarkably influential and vibrant cultural industry; they are also a fertile site of innovation in the production of "transmedia" works that bridge narrative forms. In Spanish Lessons, Paul Julian Smith provides an engaging exploration of visual culture in an era of collapsing genre boundaries, accelerating technological change, and political-economic tumult. Whether generating new insights into the work of key figures like Pedro Almodóvar, comparing media depictions of Spain's economic woes, or giving long-overdue critical attention to quality television series, Smith's book is a consistently lively and accessible cultural investigation.
Spanish Missions of Texas (Landmarks)
by Byron BrowneAfter the conquest of Mexico by Hernán Cortés in the sixteenth century, conquistadors and explorers poured into the territory of Nueva España. The Franciscans followed in their wake but carved a different path through a harsh and often violent landscape. That heritage can still be found across Texas, behind weathered stone ruins and in the pews of ornate, immaculately maintained naves. From early structures in El Paso to later woodland sanctuaries in East Texas, these missions anchored communities and, in many cases, still serve them today. Author Byron Browne reconnoiters these iconic landmarks and their lasting legacy.
The Spanish Model for Smart Tourism Destination Management: A Methodological Approach (Tourism, Hospitality & Event Management)
by Lidia Andrades Carlos Romero-Dexeus Enrique Martínez-MarínThis is an open access handbook that guides destinations on their journey to becoming Smart Tourism Destinations (STDs). Developed by SEGITTUR, a distinguished Spanish State company, and aligned with academia represented by Professor Lidia Andrades, who has brought together recognized international academics with SEGITTUR experts in the field of tourism management to write this groundbreaking book, it offers practical insights and strategies for success. Explore the characteristics and implications of smart destinations, across the five dimensions which structure them: destination governance, accessibility, technology, innovation and sustainability, navigate the transition from traditional tourism management to the innovative smart managerial paradigm, and overcome challenges encountered during the transformative process. Equipping destination managers with essential tools and strategies, this handbook showcases real-life examples of Spanish destinations embracing the smart tourism paradigm. Drawing on SEGITTUR's proven methodology, it provides precise guidance, checklists, and expert recommendations for effective implementation. An invaluable resource for destination managers, tourism professionals, and researchers, it unlocks the full potential of smart tourism destinations.
Spanish National Cinema (National Cinemas)
by Nuria Triana-ToribioThis study examines the discourses of nationalism as they intersected or clashed with Spanish film production from its inception to the present. While the book addresses the discourses around filmmakers such as Almodóvar and Medem, whose work has achieved international recognition, Spanish National Cinema is particularly novel in its treatment of a whole range of popular cinema rarely touched on in studies of Spanish cinema. Using accounts of films, popular film magazines and documents not readily available to an English-speaking audience, as well as case studies focusing on the key issues of each epoch, this volume illuminates the complex and changing relationship between cinema and Spanish national identity.
The Spanish Presence in Sixteenth-Century Italy: Images of Iberia (Transculturalisms, 1400-1700)
by Piers Baker-Bates Miles PattendenThe sixteenth century was a critical period both for Spain’s formation and for the imperial dominance of her Crown. Spanish monarchs ruled far and wide, spreading agents and culture across Europe and the wider world. Yet in Italy they encountered another culture whose achievements were even prouder and whose aspirations often even grander than their own. Italians, the nominally subaltern group, did not readily accept Spanish dominance and exercised considerable agency over how imperial Spanish identity developed within their borders. In the end Italians’ views sometimes even shaped how their Spanish colonizers eventually came to see themselves. The essays collected here evaluate the broad range of contexts in which Spaniards were present in early modern Italy. They consider diplomacy, sanctity, art, politics and even popular verse. Each essay excavates how Italians who came into contact with the Spanish crown’s power perceived and interacted with the wider range of identities brought amongst them by its servants and subjects. Together they demonstrate what influenced and what determined Italians’ responses to Spain; they show Spanish Italy in its full transcultural glory and how its inhabitants projected its culture - throughout the sixteenth century and beyond.
The Spanish Prisoner and The Winslow Boy: Two Screenplays
by David MametTHE SPANISH PRISONER "Elegant, entertaining. . . . Mamet's craftiest and most satisfying cinematic puzzle. " --The New York Times THE WINSLOW BOY "One of the most subtly compelling love stories of the year. " --The New York Observer Pulitzer Prize winner David Mamet ranks among the century's most influential writers for stage and screen. His dialogue--abrasive, rhythmic--illuminates a modern aesthetic evocative of Samuel Beckett. His plots--surprising, comic, topical--have evoked comparisons to masters from Alfred Hitchcock to Arthur Miller. Here are two screenplays demonstrating the astounding range of Mamet's talents. The Spanish Prisoner, a neo-noir thriller about a research-and-development cog hoodwinked out of his own brilliant discovery, demonstrates Mamet's incomparable use of character in a dizzying tale of twists and mistaken identity. The Winslow Boy, Mamet's revisitation of Terence Rattigan's classic 1946 play, tells of a thirteen-year-old boy accused of stealing a five-shilling postal order and the tug of war for truth that ensues between his middle-class family and the Royal Navy. Crackling with wit, intelligent and surprising,The Spanish PrisonerandThe Winslow Boycelebrate Mamet's unique genius and our eternal fascination with the extraordinary predicaments of the common man.
Spanish Theatre 1920-1995: Strategies in Protest and Imagination (1) (Contemporary Theatre Review Ser. #Vols. 7, Pts. 4)
by Maria M. DelgadoBeginning with a reassessment of the 1920s and 30s, this text looks beyond a consideration of just the most successful Spanish playwrights of the time, and discusses also the work of directors, theorists, actors and designers.
Spanish Theatre 1920 - 1995: Strategies in Protest and Imagination (2) (Contemporary Theatre Review Ser. #Vols. 7, Pts. 4)
by Maria M DelgadoBeginning with a reassessment of the 1920s and 30s, this text looks beyond a consideration of just the most successful Spanish playwrights of the time, and discusses also the work of directors, theorists, actors and designers.
Spanish Tile Designs in Full Color
by Carol Belanger GraftonSelected from rare l9th- and early-20th-century manufacturers' catalogs, the 97 full-color tile designs in this splendid collection display a host of patterns, many revealing striking Moorish influence. Predominantly blue, green, red, and brown with white backgrounds, the tiles incorporate stylized flowers, leaves, and other plant forms, abstract and geometric figures, stars, and suns.