- Table View
- List View
The Illustrated History of Guns: From First Firearms to Semiautomatic Weapons
by Chuck Wills Robert A. Sadowski The Berman HistoryFor the first time in paperback, a photographic history of civilization, as seen through the world's most deadly and fascinating firearms.The Illustrated History of Guns is a comprehensive look at the tools of battle. To craft this book, more than five hundred photographs of genuine specimens were specially commissioned from the six-thousand-piece collection of the Berman Museum of World History. The weapons featured span a period of close to four thousand years, ranging from Ancient Greece to World War II, and from the Crusades in Europe to the US Civil War. It features a wide array of diverse treasures, including the traveling pistols of Confederate president Jefferson Davis, a royal Persian scimitar with 1,295 rose-cut diamonds and rubies, and a single 11-carat emerald set in gold, first owned by Shah Abbas I of Persia and given in tribute to Catherine the Great. The Illustrated History of Guns also offers information on weapons innovators, including Alexander Forsyth, Eliphalet Remington, Samuel Colt, Sergei Mosin, the Mauser brothers, Hiram Maxim, John Browning, Richard Gatling, John T. Thompson, John Garland, Feodor Tokarev, Oliver Winchester, and Mikhail Kalashnikov. With unparalleled historical perspective and background on persons significant to the development and advancements of weapons technology or military strategy, The Illustrated History of Guns belongs on the shelf of every history buff and firearms enthusiast.
The Illustrated History of Guns: From First Firearms to Semiautomatic Weapons
by Chuck Wills World History Robert LindleySee the history of civilization through the world's most deadly and fascinating firearms!The Illustrated History of Guns is a comprehensive look at the often deadly, sometimes surprising, always fascinating tools of battle. More than three hundred photographs of an eclectic mix of weapons were specially commissioned from the 8,000-piece collection of the Berman Museum of World History. Spanning the globe and hundreds of years, they include the traveling pistols of Confederate president Jefferson Davis and Heinrich Himmler's rifle. A variety of rare weapons of espionage and combination curiosa makes the collection of special interest to even the most seasoned weaponry connoisseur.In The Illustrated History of Guns, the extraordinary weapons from the Berman Museum of World History are collected in this one-of-a-kind volume. Within these pages, you'll find weapons owned by Benito Mussolini, Belle Starr, Hermann Goering, Napoleon III, and Kaiser Wilhelm.Chuck Wills offers historical perspective of the people, places, and times important to the development of firearms, with special features that illuminate such topics as the Civil War and trench warfare. The rare and wonderful pieces collected here and their commentary offer something for the history buff, cultural anthropologist, and weapons enthusiast alike.
The Illustrated History of the Elements: Earth, Water, Air, Fire
by Jan Kozák Roger M. MussonThis beautiful art book portrays the forces of nature through the main elements of Earth, Water, Air, Fire. It is composed from a large selection of unique images of a wide variety of sources, mostly private collections. It is a highly illustrated book, containing reproductions of rare engravings, maps both old and new, sketches, and diagrams. The book is a sequel to ‘The Illustrated History of Natural Disasters’, published in 2010. While the first book provided a detailed look into two main kinds of natural disasters (of seismic and volcanic character), this volume presents natural disasters of all kinds: geophysical, hydrological, climatological and biological. The book is divided into three parts: the first part introduces the leading question as to whether the elements should be regarded as constructive, for giving origin to life on Earth, or destructive given the impact of natural disasters to society throughout history; the second illustrates the positive effects of nature’s elements; and the third part depicts and contextualizes the history of natural disasters such as earthquakes, tsunamis, volcano eruptions, landslides, avalanches, draughts, storms, fires, among others.
The Illustrated Ramayana: The Timeless Epic of Duty, Love, and Redemption
by DKDiscover the Ramayana—one of India&’s most celebrated epics, and a story that transcends time itself.The tale of Rama, the exiled prince of Ayodhya who battles the evil Ravana, the king of Lanka, and rescues his abducted wife, Sita, is about much more than the eternal battle of good versus evil. It is a tale of love, friendship, loyalty, devotion, righteousness, and deliverance. Ramayana and Rama, whose journey is told in the epic, are embedded in India&’s cultural consciousness, but they transcend borders. Various versions of the Ramayana can be found across the Indian subcontinent and in parts of southeast Asia. Created in consultation with distinguished economist, scholar, and translator Dr. Bibek Debroy, The Illustrated Ramayana draws from one of its earliest composers, the celebrated sage and poet Valmiki. It uses a combination of text and stunning images drawn from a variety of sources—historic and contemporary artifacts, paintings, photographs, and performances—to tell Rama&’s story as he walks the path that destiny creates for him.
The Illustrated Shakespeare, 1709-1875
by Stuart SillarsIllustrations have been an important element of many of the most extensively read editions of Shakespeare's plays, from the frontispieces to Nicholas Rowe's 1709 edition to the multiple images placed within the text of Victorian editions. Through symbols the illustrations have explored language and character; by allusion to earlier paintings they have offered critical readings; and by gesture, setting and costume they have redesigned the plays within the visual vocabulary of their own times. In all these ways they offer important exchanges with contemporary social, aesthetic and critical concerns, and, despite being largely ignored by scholars, are central to the plays' reception. Highly illustrated, including many images not previously reproduced, the book allows the reader to share the experience of early readers of the plays. Building on the author's earlier work in Painting Shakespeare it offers a fresh address to the tradition of visual criticism and assimilation of Shakespeare's plays.
The Illustrated World of Tolkien
by David DayTolkien's works have inspired artists for generations and have given rise to myriad interpretations of the rich and magical worlds he created.The Illustrated World of Tolkien gathers together artworks and essays from expert illustrators, painters and etchers, and fascinating and scholarly writing from renowned Tolkien expert David Day, and is an exquisite reference guide for any fan of Tolkien's work, Tolkien's world and the imaginative brilliance his vision inspired.
The Illustrated World of Tolkien The Second Age (Tolkien)
by David DayThis volume is an in-depth and exquisitely illustrated guide to the Second Age of Middle-earth, one of the least-explored periods of Arda's history.The Illustrated World of Tolkien: The Second Age, is the follow up companion to the best-selling The Illustrated World of Tolkien, and gathers together artwork, charts, and fascinating and scholarly writing from renowned Tolkien expert David Day. Exploring the languages, poetry and elements of the heroic ages of Norse, Greek and Roman mythologies that may have influenced Tolkien's writing, it is a reference guide for any fan of Tolkien's work, Tolkien's world and the imaginative brilliance his vision inspired.The Second Age is made up of two great narrative channels: on the one hand the rise and cataclysmic downfall of the island-kingdom of Númenor and its aftermath, and on the other the forging of the Rings of Power and the rise to power of the new dark lord.Tolkien's sources for his Second Age are, of course, as rich and varied as ever and this book delves into some of these influences and shows how the power of Tolkien's imagination is manifest even in the lesser-known parts of his legendarium.This work is unofficial and is not authorised by the Tolkien Estate or HarperCollins Publishers.
The Illustrated World of Tolkien: An Exquisite Reference Guide to Tolkien's World and the Artists his Vision Inspired
by David DayTolkien's works have inspired artists for generations and have given rise to myriad interpretations of the rich and magical worlds he created.The Illustrated World of Tolkien gathers together artworks and essays from expert illustrators, painters and etchers, and fascinating and scholarly writing from renowned Tolkien expert David Day, and is an exquisite reference guide for any fan of Tolkien's work, Tolkien's world and the imaginative brilliance his vision inspired.This work is unofficial and is not authorized by the Tolkien Estate or HarperCollins Publishers.
The Illustration of the Master: Henry James and the Magazine Revolution
by Amy TuckerIn order to examine the crucial role of the illustrated press in the formation of the reading public and the writing profession during the lifetime of James (1843-1916), Tucker (American literature, City U. of New York-Queens College) rereads a significant portion of his work in light of the explosive growth of the magazine industry in the US and abroad during the period, showing how the rise of the pictorial challenged the primacy of the written text. Her topics include the rise of the illustrated magazine; double discourse in the illustrated tales of the 1890s; his Holbein stepping out of the frame; essays on illustration; and James, Joseph Pennell, and the art of the travelogue. Annotation ©2010 Book News, Inc., Portland, OR (booknews.com)
The Illustrations from the Works of Andreas Vesalius of Brussels
by J. B. Saunders Charles O’MalleyThe works of Andreas Vesalius (1514–1564) have long been regarded among the great treasures of the Renaissance. Published as medical books while he was teaching anatomy and dissection at the University of Padua, they include the Tabulae Sex (1538), intended as an aid to students; the magnificently illustrated De Humani Corporis Fabrica (1543), and the companion volume, the Epitome (1543). Individually, these books are milestones in the history of medicine. They also offer one of the most magnificent collections of anatomical drawings ever published. The plates were executed with such vitality and originality that they have been attributed to the most talented illustrators of the sixteenth century, not to mention Vesalius himself. Many of the drawings, in fact, were products of Titian's famous atelier. For this edition of the Vesalius illustrations, Dover has combined the best existing plates and text. The illustrations have been reproduced from the sumptuous (1934) Munich edition of Vesalius titled Icones Anatomicae. The Munich plates were struck for the most part from the original wood blocks then in the collection of the Library of the University of Munich. These priceless art objects were destroyed in the bombing of Munich during World War II. Aside from the original copies of the woodcuts (of which only a few complete sets are known), the Munich restrikes are the best representations of the Vesalian anatomical drawings, for they preserve much of the freshness and richness of the 1543 edition. The text of this Dover edition has been faithfully reproduced from an edition of Vesalius published by World Publishing Company in 1950. The editors, distinguished authorities on sixteenth-century medicine, have provided a very comprehensive history of Vesalius, his career, and excellent explanations of the legends surrounding the illustrators, artists, and publishers involved with the production of his books. No other source will provide the general reader, bibliophile, art historian, artist, or historian of science and medicine with such complete data on Vesalius and his fabulous anatomical illustrations.
The Illustrations of Rockwell Kent: 231 Examples from Books, Magazines and Advertising Art
by Rockwell Kent Fridolf JohnsonRockwell Kent was generally considered the most important American book illustrator of the 1920s and 30s, gracing such works as Candide, Moby Dick, and The Canterbury Tales. This retrospective brings together his finest work for the first time, gathering pen-and-ink pieces and woodcuts from not only important novels, but magazines and advertisements. Introduction by Fridolf Johnson.
The Image in Early Cinema: Form and Material (Early Cinema In Review: Proceedings Of Domitor Ser.)
by Scott Curtis Joshua Yumibe Tom Gunning Philippe GauthierIn The Image in Early Cinema, the contributors examine intersections between early cinematic form, technology, theory, practice, and broader modes of visual culture. They argue that early cinema emerged within a visual culture composed of a variety of traditions in art, science, education, and image making. Even as methods of motion picture production and distribution materialized, they drew from and challenged practices and conventions in other mediums. This rich visual culture produced a complicated, overlapping network of image-making traditions, innovations, and borrowing among painting, tableaux vivants, photography, and other pictorial and projection practices. Using a variety of concepts and theories, the contributors explore these crisscrossing traditions and work against an essentialist notion of media to conceptualize the dynamic interrelationship between images and their context.
The Image of Celestina: Illustrations, Paintings, and Advertisements (Toronto Iberic)
by Enrique FernándezLa Celestina, a Spanish literary masterpiece second only in importance to Don Quixote in Spanish literature, has been shaped by the inclusion of images from its very first edition in 1499. The subsequent five centuries were punctuated by many illustrated editions; imaginary portraits of the eponymous procuress Celestina by painters such as Murillo, Goya, and Picasso; and, more recently, screen and stage adaptations. Celestina became the prototype from which later representations of procuresses and bawds derived. The Image of Celestina sheds light on the visual culture that developed around La Celestina, including paintings, illustrations, and advertisements. Enrique Fernández examines La Celestina as a mixed-media text, incorporating methods from disciplines such as art history and women’s and cinema studies, and considers a variety of images including promotional posters, lobby pictures, and playbills of theatrical and cinematic adaptations of the book. Using a visual studies approach, The Image of Celestina ultimately illuminates the culture of Celestina, a mythical figure, who surpasses the literary text in which she originated.
The Image of Environmental Harm in American Social Documentary Photography (Routledge History of Photography)
by Chris BalaschakWith an emphasis on photographic works that offer new perspectives on the history of American social documentary, this book considers a history of politically engaged photography that may serve as models for the representation of impending environmental injustices. Chris Balaschak examines histories of American photography, the environmental movement, as well as the industrial and postindustrial economic conditions of the United States in the 20th century. With particular attention to a material history of photography focused on the display and dissemination of documentary images through print media and exhibitions, the work considered places emphasis on the depiction of communities and places harmed by industrialized capitalism. The book will be of interest to scholars working in art history, visual studies, photography, ecocriticism, environmental humanities, media studies, culture studies, and visual rhetoric.
The Image of the Artist in Archaic and Classical Greece
by Guy HedreenThis book explores the persona of the artist in Archaic and Classical Greek art and literature. Guy Hedreen argues that artistic subjectivity, first expressed in Athenian vase-painting of the sixth century BCE and intensively explored by Euphronios, developed alongside a self-consciously constructed persona of the poet. He explains how poets like Archilochos and Hipponax identified with the wily Homeric character of Odysseus as a prototype of the successful narrator, and how the lame yet resourceful artist-god Hephaistos is emulated by Archaic vase-painters such as Kleitias. In lyric poetry and pictorial art, Hedreen traces a widespread conception of the artist or poet as socially marginal, sometimes physically imperfect, but rhetorically clever, technically peerless, and a master of fiction. Bringing together in a sustained analysis the roots of subjectivity across media, this book offers a new way of studying the relationship between poetry and art in ancient Greece.
The Image of the City
by Kevin LynchWhat does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion -- imageability -- and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly the city dweller will all want to read this book.
The Image of the Puppet in Italian Theater, Literature and Film
by Federico PacchioniWith the advancement of cybernetics, avatars, animation, and virtual reality, a thorough understanding of how the puppet metaphor originates from specific theatrical practices and media is especially relevant today. This book identifies and interprets the aesthetic and cultural significance of the different traditions of the Italian puppet theater in the broader Italian culture and beyond. Grounded in the often-overlooked history of the evolution of several Italian puppetry traditions – the central and northern Italian stringed marionettes, the Sicilian pupi, the glove puppets of the Po Valley, and the Neapolitan Pulcinella – this study examines a broad spectrum of visual, cinematic, literary, and digital texts representative of the functions and themes of the puppet. A systematic analysis of the meanings ascribed to the idea and image of the puppet provides a unique vantage point to observe the perseverance and transformation of its deeper associations, linking premodern, modern, and contemporary contexts.
The Imagery and Politics of Sexual Violence in Early Renaissance Italy
by Péter BokodyThis book is the first comprehensive study of images of rape in Italian painting at the dawn of the Renaissance. Drawing on a wide range of primary sources, Péter Bokody examines depictions of sexual violence in religion, law, medicine, literature, politics, and history writing produced in kingdoms (Sicily and Naples) and city-republics (Florence, Siena, Lucca, Bologna and Padua). Whilst misogynistic endorsement characterized many of these visual discourses, some urban communities condemned rape in their propaganda against tyranny. Such representations of rape often link gender and aggression to war, abduction, sodomy, prostitution, pregnancy, and suicide. Bokody also traces how the new naturalism in painting, introduced by Giotto, increased verisimilitude, but also fostered imagery that coupled eroticism and violation. Exploring images and texts that have long been overlooked, Bokody's study provides new insights at the intersection of gender, policy, and visual culture, with evident relevance to our contemporary condition.
The Imaginary App
by Paul D. Miller Svitlana MatviyenkoMobile apps promise to deliver (h)appiness to our devices at the touch of a finger or two. Apps offer gratifyingly immediate access to connection and entertainment. The array of apps downloadable from the app store may come from the cloud, but they attach themselves firmly to our individual movement from location to location on earth. In The Imaginary App, writers, theorists, and artists--including Stephen Wolfram (in conversation with Paul Miller) and Lev Manovich--explore the cultural and technological shifts that have accompanied the emergence of the mobile app. These contributors and interviewees see apps variously as "a machine of transcendence," "a hulking wound in our nervous system," or "a promise of new possibilities." They ask whether the app is an object or a relation, and if it could be a "metamedium" that supersedes all other artistic media. They consider the control and power exercised by software architecture; the app's prosthetic ability to enhance certain human capacities, in reality or in imagination; the app economy, and the divergent possibilities it offers of making a living or making a fortune; and the app as medium and remediator of reality.Also included (and documented in color) are selected projects by artists asked to design truly imaginary apps, "icons of the impossible." These include a female sexual arousal graph using Doppler images; "The Ultimate App," which accepts a payment and then closes, without providing information or functionality; and "iLuck," which uses GPS technology and four-leaf-clover icons to mark places where luck might be found.ContributorsChristian Ulrik Andersen, Thierry Bardini, Nandita Biswas Mellamphy, Benjamin H. Bratton, Drew S. Burk, Patricia Ticineto Clough, Robbie Cormier, Dock Currie, Dal Yong Jin, Nick Dyer-Witheford, Ryan and Hays Holladay, Atle Mikkola Kjøsen, Eric Kluitenberg, Lev Manovich, Vincent Manzerolle, Svitlana Matviyenko, Dan Mellamphy, Paul D. Miller aka DJ Spooky That Subliminal Kid, Steven Millward, Anna Munster, Søren Bro Pold, Chris Richards, Scott Snibbe, Nick Srnicek, Stephen Wolfram
The Imaginary App (Software Studies)
by Paul D. Miller Svitlana MatviyenkoThe mobile app as technique and imaginary tool, offering a shortcut to instantaneous connection and entertainment.Mobile apps promise to deliver (h)appiness to our devices at the touch of a finger or two. Apps offer gratifyingly immediate access to connection and entertainment. The array of apps downloadable from the app store may come from the cloud, but they attach themselves firmly to our individual movement from location to location on earth. In The Imaginary App, writers, theorists, and artists—including Stephen Wolfram (in conversation with Paul Miller) and Lev Manovich—explore the cultural and technological shifts that have accompanied the emergence of the mobile app. These contributors and interviewees see apps variously as “a machine of transcendence,” “a hulking wound in our nervous system,” or “a promise of new possibilities.” They ask whether the app is an object or a relation, and if it could be a “metamedium” that supersedes all other artistic media. They consider the control and power exercised by software architecture; the app's prosthetic ability to enhance certain human capacities, in reality or in imagination; the app economy, and the divergent possibilities it offers of making a living or making a fortune; and the app as medium and remediator of reality.Also included (and documented in color) are selected projects by artists asked to design truly imaginary apps, “icons of the impossible.” These include a female sexual arousal graph using Doppler images; “The Ultimate App,” which accepts a payment and then closes, without providing information or functionality; and “iLuck,” which uses GPS technology and four-leaf-clover icons to mark places where luck might be found.ContributorsChristian Ulrik Andersen, Thierry Bardini, Nandita Biswas Mellamphy, Benjamin H. Bratton, Drew S. Burk, Patricia Ticineto Clough, Robbie Cormier, Dock Currie, Dal Yong Jin, Nick Dyer-Witheford, Ryan and Hays Holladay, Atle Mikkola Kjøsen, Eric Kluitenberg, Lev Manovich, Vincent Manzerolle, Svitlana Matviyenko, Dan Mellamphy, Paul D. Miller aka DJ Spooky That Subliminal Kid, Steven Millward, Anna Munster, Søren Bro Pold, Chris Richards, Scott Snibbe, Nick Srnicek, Stephen Wolfram
The Imagineering Story (Disney Editions Deluxe)
by Leslie IwerksThe highly acclaimed and rated Disney+ documentary series, The Imagineering Story, becomes a book that greatly expands the award-winning filmmaker Leslie Iwerks' narrative of the fascinating history of Walt Disney Imagineering.The entire legacy of WDI is covered from day one through future projects with never-before-seen access and insights from people both on the inside and on the outside. So many stories and details were left on the cutting room floor―this book allows an expanded exploration of the magic of Imagineering. So many insider stories are featured. ° Sculptor Blaine Gibson’s wife used to kick him under the table at restaurants for staring at interesting-looking people seated nearby, and he’d even find himself studying faces during Sunday morning worship. “You mean some of these characters might have features that are based on people you went to church with?” Marty Sklar once asked Gibson of the Imagineer's sculpts for Pirates of the Caribbean. “He finally admitted to me that that was true.”° In the early days, Walt Disney Imagineering "was in one little building and everybody parked in the back and you came in through the model shop, and you could see everything that was going on,” recalled Marty Sklar. “When we started on the World’s Fair in 1960 and 1961, we had 100 people here. And so everybody knew everything about what was happening and the status of [each] project, so you really felt like you were part of the whole team whether you were working on that project or not. And, you know, there was so much talent here.” A must-have for Disney Parks fans!Searching for that perfect gift for the #1 Disney fan in your life? Explore more behind-the-scenes stories from Disney Editions:One Little Spark! Mickey's Ten Commandments and The Road to Imagineering (By Disney Legend Marty Sklar)Magic Journey: My Fantastical Walt Disney Imagineering Career (By Kevin Rafferty)Travels with Walt Disney: A Photographic Voyage Around the World (By Jeff Kurtti)Eat Like Walt: The Wonderful World of Disney Food (By Marcy Carriker Smothers)Walt Disney: An American Original (By Bob Thomas)Disney A to Z: The Official Encyclopedia, Fifth Edition (By Disney Legend Dave Smith)
The Imitation of Christ
by Stephan MackennaThe saintly Thomas à Kempis's classic guide to the spiritual and religious life. A book which has been loved and revered by devout Christians throughout the ages. Transcending all sectarian divisions, it emphasises the importance of the inward journey.
The Imitation of Christ
by Stephan MackennaThe saintly Thomas à Kempis's classic guide to the spiritual and religious life. A book which has been loved and revered by devout Christians throughout the ages. Transcending all sectarian divisions, it emphasises the importance of the inward journey.
The Imitation of Christ
by Stephan MackennaThe saintly Thomas à Kempis's classic guide to the spiritual and religious life. A book which has been loved and revered by devout Christians throughout the ages. Transcending all sectarian divisions, it emphasises the importance of the inward journey.
The Immersive Enclosure: Virtual Reality in Japan
by Paul RoquetAlthough virtual reality promises to immerse a person in another world, its true power lies in its ability to sever a person’s spatial situatedness in this one. This is especially clear in Japan, where the VR headset has been embraced as a way to block off existing social environments and reroute perception into more malleable virtual platforms. Is immersion just another name for enclosure?In this groundbreaking analysis of virtual reality, Paul Roquet uncovers how the technology is reshaping the politics of labor, gender, home, and nation. He examines how VR in Japan diverged from American militarism and techno-utopian visions and became a tool for renegotiating personal space. Individuals turned to the VR headset to immerse themselves in three-dimensional worlds drawn from manga, video games, and genre literature. The Japanese government promised VR-operated robots would enable a new era of remote work, targeting those who could not otherwise leave home. Middle-aged men and corporate brands used VR to reimagine themselves through the virtual bodies of anime-styled teenage girls. At a time when digital platforms continue to encroach on everyday life, The Immersive Enclosure takes a critical look at these attempts to jettison existing social realities and offers a bold new approach for understanding the media environments to come.