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Telfair County
by Jim Wooten Jane H. Walker Robert E. HerndonCreek Indians inhabited land that was to become Telfair County. The early population was made up of settlers of Scottish descent. They had to produce almost everything they used, from food to equipment. Named for Edward Telfair, a two-term governor of Georgia, the county was formed in 1807 from a portion of Wilkinson County. Gradually, several counties were formed from parts of Telfair. Since 1870, Telfair County has kept its current boundaries. The original county seat was located in Jacksonville, about 20 miles south of McRae, Georgia, where it was moved by the legislature in 1871. While Georgia was a hotbed of secession, Telfair County representatives to the Secession Convention in 1861 voted "no" to the resolution, reflecting the sentiment of the county's population. Even though there was strong objection to secession, many Telfair County citizens did their duty and volunteered to serve the Southern cause.
Tell City (Images of America)
by Chris CailFounded in 1858, Tell City is located in the rolling hills of southern Indiana, along the Ohio River between Evansville, Indiana, and Louisville, Kentucky. Carefully planned by the Swiss Colonization Society of Cincinnati, Ohio, Tell City was originally named Helvetia. To proclaim their Swiss origin and honor their hero, William Tell, the founders chose to rename the area Tell City. Tell City is known for its famous Tell City Pretzels, a tradition that dates back to 1858, and the Tell City Chair Company, a well-known manufacturer of Early American–style furniture. After the closing of the Tell City Chair Company, the city changed from a furniture-manufacturing community to a more automotive-manufacturing community, with Waupaca and ATTC Manufacturing both employing a total of 1,500 people.
Tell It to Women: An Epic Drama for Women
by Ngugi Wa Thiong’o Osonye Tess OnwuemeUsing the magic of movement, dance, and drama, and the devices of humor and metaphor, Osonye Tess Onwueme has created a post-feminist epic drama that transcends current feminist theories. An ideologically and politically powerful work, Tell It to Women offers a critical discourse on the western feminist movement from an African traditional perspective, focusing attention on the often silenced issues of intra-gender politics and class inequities.
Tell Me a Story in the Dark: A Guide to Creating Magical Bedtime Stories for Young Children
by John OliveTonight, don't read your child a story. Instead, dim the light, lie down, and create storytelling magic. Weave a spell that will enchant your child. . .Written by an award-winning playwright, Tell Me A Story In The Dark provides you with every tool you need to tell great and entertaining stories. In a day when parents want to spend more quality time with their children, Tell Me A Story In The Dark:Shows you how to prepare and tell a story.Communicates the enormous benefits—ending the bedtime battle of wills, building vocabulary, making room for effective parenting moments.Provides a treasure trove of stories that parents (and grandparents) can adapt for their children.Teaches you how to make up and tell your own stories.Anyone who loves children will love this book.
Tell Me How You Love the Picture: A Hollywood Life
by Edward S. Feldman Tom BartonEdward S. Feldman's legendary career began in advertising and publicity at 20th Century-Fox in the 1950s, and from there he worked his way up to executive studio positions within Seven Arts, Filmways, and Warner Brothers. Following this, he has spent the last twenty-five years as a successful, Academy Award-nominated film producer.Ed's unique story takes readers on a more than fifty-year journey through Hollywood that few can tell--and most will never forget. With tales from the set of Whatever Happened to Baby Jane? to why a well-known actor trashed Ed's office and why a major Hollywood mogul tried to turn all of Tinseltown against one of Ed's films, readers will learn what it takes to produce a film and survive the jungles of Hollywood, laughing all the way.Tell Me How You Love the Picture is a smartly written, surprising, hilarious memoir that takes us behind the scenes with wild, no-holds-barred stories about major Hollywood personalities ranging from Bette Davis to Elizabeth Taylor, Stanley Kubrick to Scott Rudin, Harrison Ford to Jim Carrey to Eddie Murphy and more. As a top studio exec and one of Hollywood's most respected producers, Feldman has seen the film business from the inside out, worked with some of the best talent in the industry, and experienced things few can imagine.An incredible Hollywood memoir from one of moviedom's renowned producers, Tell Me How You Love the Picture is full of insight and the stuff of gossip, bad behavior, and high success.
Tell Me No Lies (Follow Me Back #2)
by A. V. GeigerRealEricThorn No one knows what happened to pop icon Eric Thorn. His Twitter account? Frozen. His cell phone? Cracked and bloody, buried in the snow. Snowflake734Tessa Hart knows the truth, but she's finally left her #EricThornObsessed days behind. She has no intention of ever touching her Twitter app again. But SnapChat...That's safer, right? Agoraphobic fangirl Tessa Hart has finally left her house—only to trade one hiding place for another. But she can only stay out of sight for so long before she's forced to face the deadly consequences of the past. Back in an interrogation room, answers only lead to more questions in the pulse-pounding conclusion to the Follow Me Back duology.
Tell Me Who I Am: The Story Behind the Netflix Documentary
by Alex And Marcus Lewis Joanna HodgkinThe story behind the hit Netflix documentary: The bestselling account of the bond between brothers and the shocking legacy of a dangerous mother.Imagine waking up one day to discover that you have forgotten everything about your life. Your only link with the past, your only hope for the future, is your identical twin.Now imagine, years later, discovering that your twin had not told you the whole truth about your childhood, your family, and the forces that had shaped you. Why the secrets? Why the silences? You have no choice but to begin again.This has been Alex's reality: a world where memories are just the stories people tell you, where fact and fiction are impossible to distinguish. With dogged courage he has spent years hunting for the truth about his hidden past and his remarkable family. His quest to understand his true identity has revealed shocking betrayals and a secret tragedy, extraordinary triumph over crippling adversity and, above all, redemption founded on brotherly love.Marcus his twin brother has sometimes been a reluctant companion on this journey, but for him too it has led to staggering revelations and ultimately the shedding of impossible burdens. Their story spans continents and eras, from 1950s debutantes and high society in the Home Counties to a remote island in the Pacific and 90s raves. Disturbing, funny, heart-breaking and affirming, Alex and Marcus's determination to rebuild their lives makes us look afresh at how we choose to tell our stories.
Tell Me Why for Young Adults
by Archie Roach&‘There are many Australian stories, and mine is just one about what happened to me and other First Peoples of this country. It&’s important for me to tell my story – because it&’s not just part of my healing but of this country&’s as well. We all have a story and as you read this book I would like you to think of your own story, what that means and who is also a part of your story.&’ In his inspirational, highly acclaimed memoir – and including reflections from First Nations Elders and young people – Archie Roach tells the story of his life and his music. Only two when he was forcibly removed from his family, and brought up by a series of foster parents until his early teens, Archie&’s world imploded when he received a letter that spoke of a life he had no memory of. It took him almost a lifetime to find out who he really was. Tell Me Why is an unforgettable story of resilience, strength of spirit and hope.
Telling Flesh: The Substance of the Corporeal
by Vicki KirbyFirst Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Telling Migrant Stories: Latin American Diaspora in Documentary Film (Reframing Media, Technology, and Culture)
by Esteban E. Loustaunau and Lauren E. ShawIn the media, migrants are often portrayed as criminals; they are frequently dehumanized, marginalized, and unable to share their experiences. Telling Migrant Stories explores how contemporary documentary film gives voice to Latin American immigrants whose stories would not otherwise be heard.The essays in the first part of the volume consider the documentary as a medium for Latin American immigrants to share their thoughts and experiences on migration, border crossings, displacement, and identity. Contributors analyze films including Harvest of Empire, Sin país, The Vigil, De nadie, Operation Peter Pan: Flying Back to Cuba, Abuelos, La Churona, and Which Way Home, as well as internet documentaries distributed via platforms such as Vimeo and YouTube. They examine the ways these films highlight the individual agency of immigrants as well as the global systemic conditions that lead to mass migrations from Latin American countries to the United States and Europe.The second part of the volume features transcribed interviews with documentary filmmakers, including Luis Argueta, Jenny Alexander, Tin Dirdamal, Heidi Hassan, and María Cristina Carrillo Espinosa. They discuss the issues surrounding migration, challenges they faced in the filmmaking process, the impact their films have had, and their opinions on documentary film as a force of social change. They emphasize that because the genre is grounded in fact rather than fiction, it has the ability to profoundly impact audiences in a way narrative films cannot. Documentaries prompt viewers to recognize the many worlds migrants depart from, to become immersed in the struggles portrayed, and to consider the stories of immigrants with compassion and solidarity. Contributors: Ramón Guerra | Lizardo Herrera | Jared List | Esteban Loustaunau | Manuel F. Medina | Ada Ortúzar-Young | Thomas Piñeros Shields | Juan G. Ramos | Lauren Shaw | Zaira Zarza A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L'Hoeste and Juan Carlos Rodríguez
Telling Sexual Stories: Power, Change, And Social Worlds
by Ken PlummerThis book explores the rites of a sexual story-telling culture. Taking three major examples - rape stories, coming-out stories, recovery stories - it examines the nature of these newly emerging narratives and the socio-historical conditions which have given rise to them. It looks at the rise of the women's movement, the lesbian and gay movement and the 'recovery' movement as harbingers of significant social change that encourage the telling of new stories.
Telling Stories: Photographs of The Fall
by Kevin Cummins'No one has captured the look of alternative UK music over the past half a century more tellingly than Kevin Cummins.' - Simon Armitage'Kevin Cummins is a true master in being able to capture the essence of music, the soul of the band. Whatever he does however he does it is a mystery to me but it's pure genius.' - Rankin'Few photographers had such a close connection to The Fall as Manchester-based Kevin Cummins, and his new book, Telling Stories, is a rich visual history of one of the city's most beloved and enduring bands.' - Record Collector Magazine 'Kevin has the uncanny ability of capturing the inner mood of musicians. Be it the dynamics within a pensive Joy Division, or the sense surrounding the fledgeling Fall that something special was around the corner for us all. Kevin's book is nothing less than a remarkable document of a bewildering and defiant anti-fashion movement born in Prestwich, north Manchester in the grimy mid-70s.' - Marc Riley'Capturing forty years of the band's career via his archive, the legendary photographer (whose recent book, Juvenes, documented the story of Joy Division) gives his take on the phenomenon of The Fall and the late, great Mark E. Smith.' - Vive le Rock Contains never-before-seen images.Foreword by Simon Armitage, Poet Laureate. From chaotic early gigs to their final years, NME photographer Kevin Cummins provides a definitive, unique perspective on cult favourites The Fall. In this stunning visual history spanning four decades, discover how and why they emerged as one of the most innovative, boundary-breaking bands in modern music.With a foreword by Poet Laureate and Fall fan Simon Armitage and an interview with Eleni Poulou, as well as never-before-seen images from Cummins' archive, this is the ultimate visual companion to The Fall.
Telling Stories: Photographs of The Fall
by Kevin Cummins'No one has captured the look of alternative UK music over the past half a century more tellingly than Kevin Cummins.' - Simon Armitage'Kevin Cummins is a true master in being able to capture the essence of music, the soul of the band. Whatever he does however he does it is a mystery to me but it's pure genius.' - Rankin'Few photographers had such a close connection to The Fall as Manchester-based Kevin Cummins, and his new book, Telling Stories, is a rich visual history of one of the city's most beloved and enduring bands.' - Record Collector Magazine 'Kevin has the uncanny ability of capturing the inner mood of musicians. Be it the dynamics within a pensive Joy Division, or the sense surrounding the fledgeling Fall that something special was around the corner for us all. Kevin's book is nothing less than a remarkable document of a bewildering and defiant anti-fashion movement born in Prestwich, north Manchester in the grimy mid-70s.' - Marc Riley'Capturing forty years of the band's career via his archive, the legendary photographer (whose recent book, Juvenes, documented the story of Joy Division) gives his take on the phenomenon of The Fall and the late, great Mark E. Smith.' - Vive le Rock Contains never-before-seen images.Foreword by Simon Armitage, Poet Laureate. From chaotic early gigs to their final years, NME photographer Kevin Cummins provides a definitive, unique perspective on cult favourites The Fall. In this stunning visual history spanning four decades, discover how and why they emerged as one of the most innovative, boundary-breaking bands in modern music.With a foreword by Poet Laureate and Fall fan Simon Armitage and an interview with Eleni Poulou, as well as never-before-seen images from Cummins' archive, this is the ultimate visual companion to The Fall.
Telling Stories: Philip Guston's Later Works
by David KaufmannGuston was best known for abstract work and cartoons. In this book, the author follows the development of his painting from the early 1960s until the artist's death in 1980 and explores his intense and complicated relationship to Judaism.
Telling the Bees and Other Customs: The Folklore of Rural Crafts
by Mark NormanThroughout the history of civilisation, traditional crafts have been passed down from hand to skilled hand. Blacksmithing, brewing, beekeeping, baking, milling, spinning, knitting and weaving: these skills held societies together, and so too shaped their folklore and mythology.Exploring the folklore connected with these rural crafts, Telling the Bees examines the customs, superstitions and stories woven into some of the world’s oldest trades. From the spinning of the Fates to the blacksmith’s relationship with the devil, and the symbolism of John Barleycorn to a ritual to create bees from the corpse of a cow – these are the traditions upon which our modern world was built.
Telling the Design Story: Effective and Engaging Communication
by Amy HuberWhen presenting projects in competitive design environments, how you say something is as important as what you’re actually saying. Projects are increasingly complex and designers are working from more sources, and many designers are familiar with the struggle to harness this information and craft a meaningful and engaging story from it. Telling the Design Story: Effective and Engaging Communication teaches designers to craft cohesive and innovative presentations through storytelling. From the various stages of the creative process to the nuts and bolts of writing for impact, speaking skills, and creating visuals, Amy Huber provides a comprehensive approach for designers creating presentations for clients. Including chapter by chapter exercises, project briefs, and forms, this is an essential resource for students and practicing designers alike.
Telltale Women: Chronicling Gender in Early Modern Historiography (Women and Gender in the Early Modern World)
by Allison Machlis MeyerTelltale Women fundamentally reimagines the relationship between the history play and its source material as an intertextual one, presenting evidence for a new narrative about how—and why—these genres disparately chronicle the histories of royal women. Allison Machlis Meyer challenges established perceptions of source study, historiography, and the staging of gender politics in well-known drama by arguing that chronicles and political histories frequently value women&’s political interventions and use narrative techniques to invest their voices with authority. Dramatists who used these sources for their history plays thus encountered a historical record that offered surprisingly ample precedents for depicting women&’s perspectives and political influence as legitimate, and writers for the commercial theater grappled with such precedents by reshaping source material to create stage representations of royal women that condemned queenship and female power. By tracing how the sanctioning of women&’s political participation changes from the narrative page to the dramatic stage, Meyer demonstrates that gender politics in both canonical and noncanonical history plays emerge from playwrights&’ intertextual engagements with a rich alternative view of women in the narrative historiography of the sixteenth and seventeenth centuries.
Temari Techniques: A Visual Guide to Making Japanese Embroidered Thread Balls
by Barbara B. SuessBringing a time-honored art form into the modern needle-working world, this visually rich how-to guide reveals the techniques of Japanese temari balls. Anyone with an interest in fabric arts, particularly Japanese arts and design, can master stitching techniques and layer threads to create pattern, color, and texture. There are more than 40 easy-to-follow patterns to help fine-tune this skill set that will appeal to not only temari enthusiasts, but to quilters and embroiderers as well. Step-by-step directions and detailed drawings explain each technique, while mini patterns aid in practicing the new skills and help to lay the groundwork for individual and unique designs. This volume is great for beginners and for those stitchers looking for new challenges and intermediate temari designs. The book is more than a collection of patterns: once the basic techniques have been mastered, instruction is provided on how to combine patterns on the same ball to create a unique temari. A guide for left-handed stitchers is also provided.
Temika Makes Paper
by Charnan Simon Paul MeiselTemika and her family are big on recycling paper. Temika and her brother Tyler are ready to argue about where paper comes from – trees or recycled paper. Mom says they’re both right! Dad suggests they make their own paper so that Temika can use it for her Grandma’s birthday card. Mom teaches them how to make homemade paper from scraps of white paper, colored construction paper, and even flowers!
Tempe
by Linda Spears Tempe History Museum Frederic B. WildfangCharles Trumbull Hayden built the first canal on the south side of the Salt River in 1870. Soon after, he built a store, a flour mill, and a cable ferry across the river, and he started a town. Since then, Tempe has changed from a small farming community to a lively urban center. Moreover, Tempe's residential growth has made it the seventh-largest town in Arizona. Author Frederic B. Wildfang documents the history. Photographer Linda Spears illustrates the changes.
Temperaments: Memoirs of Henri Cartier-Bresson and Other Artists
by Dan HofstadterIn these five profiles, four of which originally appeared in the New Yorker, the author evokes the life and work of seven gifted artists. Among those presented, often through lively conversations, are Jean Hélion, Mark Rothko, R.B. Kitaj, and Dennis Creffield. Chief among those portrayed however is Henri Cartier-Bresson (1908-2004), the great French photographer and photojournalist who, famed for dodging contact with the press, is here sketched in rare and fond detail. Of all these artists, only two still live: what emerges from this book is a picture, often bizarre, often hilarious, of a bygone bohemian world.
The Tempest
by Nick NewlinThe Tempest: The 30-Minute Shakespeare offers eight scenes from this rich comedy. Beginning with the magical storm and shipwreck, this adaptation includes the uproarious discovery of the monster Caliban and his plot to kill Prospero. Included are the heartfelt marriage vows between Ferdinand and Miranda, the disguised antics of fairy Ariel, and Prospero's poetic abjuration of his rough magic. The edition includes a preface by Nick Newlin containing helpful advice on how to put on a Shakespeare performance in a high school class with novice actors as well as an appendix with suggestions for the specific play and recommendations for further resources.
The Tempietto del Clitunno near Spoleto
by Judson EmerickThis is the first full-length study of the enigmatic Early Medieval chapel near the river Clitunno in central Umbria. Judson Emerick makes the Tempietto del Clitunno, a celebrated art-historical test case, the focus of a study that penetrates to the deep structure of the discipline.For centuries scholars have puzzled over the chapel's lavish Corinthian column screens, the crosses surrounded by Neo-Attic vine scrolls in its pedimental reliefs, and the Christian Latin inscriptions in huge Neo-Augustan block capitals from its friezes. The sixteenth-century humanists who named the building the "Tempietto del Clitunno" treated it as an ancient Roman temple that the Christians later converted. But modern art historians, learning that the Tempietto had been built from the ground up as a chapel, declared it an anomaly, the product of a most startling and unexpected Early Christian and medieval classical revival.Emerick intervenes by critiquing the notion of classical revival in medieval architecture. Impatient with the old Enlightenment historical plot that makes the Tempietto into a dark-age prodigy, Emerick boldly redescribes the architectural record to take away the Tempietto's strangeness. He shows conclusively that the chapel's orders, pedimental reliefs, and inscriptions conform to ancient Roman Imperial Corinthian standards, but then goes on to show that just this Corinthian decorative system was frequent, even normal in festive, public, Christian cult rooms from Constantine's day down through the twelfth century.History of style as an end in itself yields here to style treated as political phenomenon. Emerick turns to the frescoes on the Tempietto's rear apse wall for clues to the builders' political goals. He explains how grandees from the medieval Lombardo-Frankish Duchy of Spoleto, full participants in a Christian theocratic state, set up an array of Mediterranean icons inside the Tempietto to enhance their social and political control. The chapel's Corinthian decorative system, he concludes, must be integral to this political program.
The Tempietto del Clitunno near Spoleto
by Judson EmerickThis is the first full-length study of the enigmatic Early Medieval chapel near the river Clitunno in central Umbria. Judson Emerick makes the Tempietto del Clitunno, a celebrated art-historical test case, the focus of a study that penetrates to the deep structure of the discipline.For centuries scholars have puzzled over the chapel's lavish Corinthian column screens, the crosses surrounded by Neo-Attic vine scrolls in its pedimental reliefs, and the Christian Latin inscriptions in huge Neo-Augustan block capitals from its friezes. The sixteenth-century humanists who named the building the "Tempietto del Clitunno" treated it as an ancient Roman temple that the Christians later converted. But modern art historians, learning that the Tempietto had been built from the ground up as a chapel, declared it an anomaly, the product of a most startling and unexpected Early Christian and medieval classical revival.Emerick intervenes by critiquing the notion of classical revival in medieval architecture. Impatient with the old Enlightenment historical plot that makes the Tempietto into a dark-age prodigy, Emerick boldly redescribes the architectural record to take away the Tempietto's strangeness. He shows conclusively that the chapel's orders, pedimental reliefs, and inscriptions conform to ancient Roman Imperial Corinthian standards, but then goes on to show that just this Corinthian decorative system was frequent, even normal in festive, public, Christian cult rooms from Constantine's day down through the twelfth century.History of style as an end in itself yields here to style treated as political phenomenon. Emerick turns to the frescoes on the Tempietto's rear apse wall for clues to the builders' political goals. He explains how grandees from the medieval Lombardo-Frankish Duchy of Spoleto, full participants in a Christian theocratic state, set up an array of Mediterranean icons inside the Tempietto to enhance their social and political control. The chapel's Corinthian decorative system, he concludes, must be integral to this political program.
Temple in Vintage Postcards
by Michael LefanFounded in 1881 by the Gulf, Colorado & Santa Fe Railway Company, Temple, Texas became a railroad town overnight. The company purchased 181 acres and then auctioned off parcels to prospective buyers interested in providing services for railroad equipment and passengers. Though early on Temple had several unfortunate nicknames--"Mudville," "Tanglefoot," and "Ratsville"--it soon shed its image as a muddy, rat-infested land, became a major junction for four railway lines, and offered a land of opportunity for commerce. The railway would bring flattering new nicknames like "Progressive Temple" and "Prairie Queen" as well as a chance to be part of the American Dream.