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Theatre Work: Reimagining the Labor of Theatrical Production
by Brídín Clements Cotton Natalie RobinTheatre Work: Reimagining the Labor of Theatrical Production investigates both the history and current realities of life and work in professional theatrical production in the United States and explores labor practices that are equitable, accessible, and sustainable.In this book, Brídín Clements Cotton and Natalie Robin investigate the question of artmaking, specifically theatrical production, as work. When the art is the work, how do employers navigate the balance between creative freedom and these equitable, accessible, and sustainable personnel processes? Do theatrical production operations value the worker? Through data analyses, worker narratives, and analogues to the evolving gig economy, Theatre Work questions everything about theatrical production work – including our shared history, ways of operating, and assumptions about how theatre is made – and considers what might happen if the American Theatre was reborn in an entirely new form.Written for members of the theatrical production workplace, leaders of theatrical institutions and productions, labor organizers, and industry union leaders, Theatre Work: Reimagining the Labor of Theatrical Production speaks to the ways that employers and workers can reimagine how we work.
Theatre, Youth, and Culture
by Manon van de WaterThere is a complex relationship between performance, youth, and the shifting material circumstances (social, cultural, economic, ideological, and political) under which theatre for children and youth birth through twenties is generated and perceived. Offering multiple, intersecting narratives, this book explores different aspect of theatre for young audiences (TYA) using examples from theatrical events in different geographical regions. The discussion of the history, theory, and practice of TYA indicates the wide variety of hitherto under-researched topics in the growing field of professional theatre for young people. "
Theatre’s Heterotopias
by Joanne TompkinsTheatre's Heterotopias articulates a new methodology for interpreting a space (including architectural, narrative, imaginative, and imaginary) in theatre and performance. A heterotopia is an 'alternative space' that is distinguished from that actual world, but that resonates with it. The value in applying heterotopia to theatre is that in performance, we can actually witness how else space and place might be constituted: it is the point of comparison of what does occur against what else might transpire such that the 'unreal' spaces that comprise a theatrical experience have the capacity to elicit concrete effects beyond its walls. A heterotopia is a technique for exploring theatrical space that affords a better understanding of the theatrical experience, the context in which performance takes place, and the power and knowledge that shape its socio-political context. The book's case studies include site-specificity, selected productions from the National Theatre of Scotland and Shakespeare's Globe, and multimedia performance.
Theatres of Architectural Imagination
by Lisa LandrumThis volume explores connections between architecture and theatre, and encourages imagination in the design of buildings and social spaces. Imagination is arguably the architect’s most crucial capacity, underpinning memory, invention, and compassion. No simple power of the mind, architectural imagination is deeply embodied, social, and situational. Its performative potential and holistic scope may be best understood through the model of theatre. Theatres of Architectural Imagination examines the fertile relationship between theatre and architecture with essays, interviews and entr’actes arranged in three sections: Bodies, Settings, and (Inter)Actions. Contributions explore a global spectrum of examples and contexts, from ancient Rome and Renaissance Italy to modern Europe, North America, India, Iran, and Japan. Topics include the central role of the human body in design; the city as a place of political drama, protest, and phenomenal play; and world-making through language, gesture, and myth. Chapters also consider sacred and magical functions of theatre in Balinese and Persian settings; eccentric experiments at the Bauhaus and 1970 Osaka World Expo; and ecological action and collective healing amid contemporary climate chaos. Inspired by architect and educator Marco Frascari, the book performs as a Janus-like memory theatre, recalling and projecting the architect’s perennial task of reimagining a more meaningful world. This collection will delight and provoke thinkers and makers in theatrical arts and built environment disciplines, especially architecture, landscape, and urban design.
Theatres of Dust: Climate Gothic Analysis in Contemporary Australian Drama and Performance Landscapes
by Linda HassallThrough a contemporary Gothic lens, the book explores theatre theories, processes and practices that explore; the impacts of continuing drought and natural disaster, the conflicts concerning resource extraction and mining and current political debates focussed on climate change denial. While these issues can be argued from various political and economic platforms, theatrical investigations as discussed here suggest that scholars and theatre makers are becoming empowered to dramaturgically explore the ecological challenges we face now and may face in the future. In doing so the book proposes that theatre can engage in not only climate change analysis and discussion but can develop climate literacies in a broader socio-cultural context.
The Theatres of Eighteenth-Century Weather: Spectacle and Climatological Reckoning in English Drama
by Denys Van RenenWhile British drama of the long eighteenth century remains largely unexamined as registering ecological fears, its visual spectacle and settings allow the audience to grasp threats to environments across the globe. In plays from 1682-1799, The Theatres of Eighteenth-Century Weather: Spectacle and Climatological Reckoning in English Drama examines how the “little world” of the theatre enables the British to conceptualize and experience how scientific and technological innovations, industrialization, imperial enterprises, and the increasing scale and reach of the British military affect the climate. In fact, the book attributes the drama of Aphra Behn, Susanna Centlivre, Joseph Addison, Nahum Tate, Richard Brinsley Sheridan, and other playwrights as pivotal to maintaining an audience’s discernment of climatological processes and variability.
Theatres of Hawai'i
by Lowell AngellFamous for its lush beauty and inviting beaches, Hawai'i also boasts a rich theatrical history dating back to the mid-19th century and spanning its years as a kingdom, U.S. territory, and a state. Its warm, tropical climate and social, cultural, and ethnic diversity contributed to the variety of theatres unique to the islands--from simple, rural plantation theatres on the neighbor islands, to neighborhood movie houses in exotic styles, to an incomparable tropical moderne jewel near the beach at Waikiki. Most of these theatres are now just a memory, except for those few saved by dedicated individuals and restored for another life. This book celebrates the rich history of these theatrical venues through rare archival photographs and little-known details.
Theatres of Immanence
by Laura CullTheatres of Immanence: Deleuze and the Ethics of Performance, now available in paperback, is the first monograph to provide an in-depth study of the implications of Gilles Deleuze's philosophy for theatre and performance. Engaging with a wide range of interdisciplinary practitioners including Goat Island, Butoh, Artaud, John Cage, the Living Theatre, Robert Wilson and Allan Kaprow, as well as with the philosophies of Deleuze and Guattari, Henri Bergson and Fran#65533;ois Laruelle, the book conceives performance as a way of thinking 'immanence': the open and endlessly creative whole of which all things are a part. Theatres of Immanence builds upon Deleuze's emphasis on immanence, affect, change and movement to provide new approaches to five key topics in theatre and performance: 1) authorship and collaboration, 2) voice and language, 3) animals in performance, 4) audience participation and 5) time or duration. The book provides an accessible introduction to Deleuze's ideas and draws attention to the ethical dimensions of performance, asking: 'what good is theatre, and particularly immanent theatre, anyway?
Theatres of Learning Disability
by Matt HargraveThis is the first scholarly book to focus exclusively on theatre and learning disability as theatre – rather than advocacy or therapy. Matt Hargrave provocatively realigns many of the (hitherto unvoiced) assumptions that underpin such practices, and opens up a new set of critical questions. Stemming from a close engagement with the work of several very different theatre companies – including Mind the Gap (UK); Back to Back (Australia) - and unique solo artists such as Jez Colborne, this book shifts the emphasis from questions of social benefit towards a genuine engagement with aesthetic judgement. Hargrave examines the rich variety of contemporary theatrical practices in this field and spans a wide range of forms such as site specific, naturalistic and autobiographical performance. The book examines ways in which the learning disabled performer might be read on stage, and the ways in which s/he might disturb assumptions, not least about what acting or artistic authorship is. This is an important and timely study for all upper-level theatre and performance students and scholars alike, as well as a provocative contribution to debates within disability studies.
The Theatres of Moliere (Theatre Production Studies)
by Gerry McCarthy Gerry MccarthyMoliere's plays are the cornerstone of the French Classical dramatic repertoire. Adapted and exploited in his day by dramatists of the English Restoration, they are now again growing in popularity. In this detailed and fascinating volume, Gerry McCarthy examines the practice and method of possibly the greatest actor-dramatist. From the rough farces of Moliere's days on the road to the creation of the diverse and spectacular court entertainments on his return to Paris, McCarthy sheds new light on the dramatic intelligence and theatrical understanding of Moliere's writing for the actor. Drawing on Moliere's own brief discussions of performance and the contemporary evidence of his practice, this is a crucial addition to the debate on style and method in classical acting and on the staging of classical plays on the contemporary stage.
The Theatres of Morocco, Algeria and Tunisia
by Khalid Amine Marvin CarlsonModern international studies of world theatre and drama have begun to acknowledge the Arab world only after the contributions of Asia, Africa and Latin America. Within the Arab world, the contributions of Algeria, Tunisia, and Morocco to modern drama and to post-colonial expression remain especially neglected, a problem that this book addresses.
Theatres of Oakland
by Jennifer Dowling Jack TillmanyOakland has a rich theatre history, from the amusements of a gas-lit downtown light opera and vaudeville stage in the 1870s to the ornate cinematic escape portals of the Great Depression. Dozens of neighborhood theatres, once the site of family outings and first dates, remain cherished memories in the lives of Oaklanders. The city can still boast three fabulous movie palaces from the golden age of cinema: the incomparable art deco Paramount, which now offers live performances and films; the stately Grand Lake gracing the sinuous shores of Lake Merritt; and the magnificently eccentric Fox Oakland, with its imposing Hindu gods flanking the stage. The Paramount and Grand Lake still stir the heartstrings of patrons with showings preceded by interludes on their mighty Wurlitzer organs.
Theatres of Portland
by Steve Stone Gary LacherPortland's theatre history is marked by early enthusiasm and exceptionally vigorous growth. With the Pacific Northwest's often rainy weather, people sought refuge in movie entertainment, and the city eventually grew to have more theatre seats per capita than similar-sized cities in the United States. Beginning with short cinema segments at vaudeville houses downtown, Portland movie theatres came into their own swiftly and ambitiously. By 1915, there were over 70 individual theatres showing films both downtown and in neighborhoods throughout the city. By the 1920s, larger theatres were being built, including substantial neighborhood palaces such as the Bagdad, Hollywood, and Oriental. Meanwhile, downtown provided the Broadway, Portland, and Orpheum, to name a few. This volume contains an overview of Portland's theatre history through rare and newly discovered historical photographs of those memorable places of entertainment.
Theatres of San Francisco
by Jack TillmanyYou read the sad stories in the papers: another ornate, 1920s, single-screen theatre closes, to be demolished and replaced by a strip mall. That's progress, and in this 20-screen multiplex world, it's happening more and more. Only a handful of the 100 or so neighborhood theatres that once graced these streets are left in San Francisco, but they live on in the photographs featured in this book. The heyday of such venues as the Clay, Noe, Metro, New Mission, Alexandria, Coronet, Fox, Uptown, Coliseum, Surf, El Rey, and Royal was a time when San Franciscans thronged to the movies and vaudeville shows, dressed to the hilt, to see and be seen in majestic art deco palaces. Unfortunately, this era has passed into history despite the dedicated efforts of many neighborhood preservation groups.
Theatres of Value: Buying and Selling Shakespeare in Nineteenth-Century New York City
by Danielle RosvallyTheatres of Value explores the idea that buying and selling are performative acts and offers a paradigm for deeper study of these acts—"the dramaturgy of value." Modeling this multifaceted approach, the book explores six case studies to show how and why Shakespeare had value for nineteenth-century New Yorkers. In considering William Brown's African Theater, P. T. Barnum's American Museum and Lecture Hall, Fanny Kemble's American reading career, the Booth family brand, the memorial statue of Shakespeare in Central Park, and an 1888 benefit performance of Hamlet to theatrical impresario Lester Wallack, Theatres of Value traces a history of audience engagement with Shakespearean cultural capital and the myriad ways this engagement was leveraged by theatrical businesspeople.
The Theatrical Adventures of Edward Gorey: Rare Drawings, Scripts, and Stories
by Carol VerburgStep behind the curtain into The Theatrical Adventures of Edward Gorey! This stunning deluxe book is a long-awaited portal for Gorey fans, collectors, and curious explorers into the fantastical world of a unique artist.Edward Gorey (1925–2000) emerged as a cult hero with unsettling graphic novelettes like The Gashlycrumb Tinies and The Doubtful Guest. He became a pop-culture icon for his stark, intricate designs for Dracula on Broadway and his animated credits for PBS’s Mystery! But Gorey wasn’t just a quirky, darkly humorous storyteller and illustrator. In The Theatrical Adventures of Edward Gorey, his close friend and collaborator Carol Verburg celebrates his lifelong passion for the stage. Her first-hand account follows Gorey’s evolution as a playwright, designer, and director, from his radical experiments with Harvard’s legendary Poets’ Theatre to his Tony Award-winning designs for Dracula to his whimsical puppet pastiches of classics like Hamlet and Madame Butterfly. Inside these velvet-bound covers is an intimate look into Edward Gorey’s creative life. Thanks to the Edward Gorey Charitable Trust, it’s the first publication of numerous original scripts—some annotated by the author—and over 200 rare or previously unseen images from Gorey’s archives: sketches, notebook doodles, finished artwork. Recollections and photos by Verburg and other members of Edward Gorey’s theatrical troupe flesh out this deeply personal portrait of the man behind the eccentric genius.Why You’ll Love This Book: An Influential Legacy: Edward Gorey’s distinctive style continues to inspire creative artists around the world: Tim Burton, Daniel Handler, Tom Gauld, Stephanie von Reiswitz, The Tiger Lillies, and many others. Exclusive Treasures: Dive into unpublished scripts, illustrations, and backstage stories—complete with Gorey’s own notes. A Personal Touch: Carol Verburg’s warm storytelling brings Gorey’s world to life in heartfelt detail. A Gift to Treasure: Beautifully crafted and bound in red velvet, this hardcover edition is a showstopper for any coffee table or book collection. Perfect for: Fans and collectors of Edward Gorey's books and illustrations Lovers of theater, theater history, and theatrical design and production Art students and collectors Readers of memoirs and biographies The Theatrical Adventures of Edward Gorey isn’t just a keepsake—it’s an invitation to fall in love with Gorey's brilliant imagination all over again.
Theatrical Costume, Masks, Make-Up and Wigs: A Bibliography and Iconography (Motley Bibliographies Ser. #Vol. 4)
by Sidney JowersThis is the first bibliography in its field, based on first-hand collations of the actual articles. International in scope, it includes publications found in public theatre libraries and archives of Barcelona, Berlin, Brussels, Budapest, Florence, London, Milan, New York and Paris amongst others. Over 3500 detailed entries on separately published sources such as books, sales and exhibition catalogues and pamphlets provide an indispensible guide for theatre students, practitioners and historians. Indices cover designers, productions, actors and performers. The iconography provides an indexed record of over 6000 printed plates of performers in role, illustrating performance costume from the 18th to 20th century.
Theatrical Design: An Introduction
by Kevin Lee AllenA theatrical designer must address two questions when designing a production: What is the play about and what is the play like? To find the metaphor within a play is to unlock inspired and unique design concepts. Theatrical Design: An Introduction is about how to find the design idea for a production and what to do with that idea once identified. This book emphasizes script analysis and interpretation specifically for designers: how to release meaning and design inspiration from lines and characterization in a script. It then explains the artistic elements and principles of design—the skills necessary to create the design visualized. Concepts are illustrated with examples from theatre, film, art, architecture, and fashion that explore professional and historic use of conceptualization and metaphor. Theatrical Design: An Introduction imparts the tools designers need to innovate off the page.
Theatrical Design And Production: An Introduction To Scene Design And Construction, Lighting, Sound, Costume, And Makeup
by J. GilletteTheatrical Design and Production is a comprehensive and practical survey that examines the technical and design aspects of play production, including scene design and construction, lighting, sound, costume, and makeup. Design is presented as both an art closely integrated with the director’s, actor’s, and playwright’s visions, and a craft that provides practical solutions for the physical manipulation of stage space.
The Theatrical Firearms Handbook
by Kevin InouyeThe Theatrical Firearms Handbook is the essential guide to navigating the many decisions that are involved in the safe and effective use of firearm props for both the stage and screen. It is an invaluable resource for fight choreographers, props designers, backstage crew, directors, actors, stage managers, and more, at all levels of experience. Written in an informal and entertaining manner, with over 100 illustrations, it establishes baseline safety protocol while empowering performers and designers to tell their story of conflict in a way that makes the most of both established convention and current tools of the trade. Within these pages you'll find practical instruction couched in the language of theatre and film, making firearms technology and concepts approachable to dramatic artists without any dumbing-down of the subject material. This handbook is equally at home within the worlds of academic training, professional performance, and independent or community theatre and video productions.
Theatrical Genre & Style: A Guide for Designers, Directors, and Performers
by Karen Brewster Melissa ShaferA one-of-a-kind guide about style and genre for theatre artisans.Theatrical Genre & Style will appeal to all theatre makers—those in performance as well as design—students, amateurs, and professionals. Traditionally, theatre practitioners receive information about style and genre from sources composed primarily for studio artisans and not theatre artisans. These books are helpful but ultimately fall short because they do not specifically apply the use of style to theatre art and practice. Theatrical Genre & Style gives theatre artists a guidebook to style and genre that is specific and tailored to their needs. Theatrical Genre & Style defines genre and style (and the differences between them), gives relatable examples with helpful exercises, clearly explains the distinctions between artistic style, period style, and literary style, and helps readers understand how to identify, research, and utilize appropriate artistic styles for theatrical productions. Theatrical genres are listed, thoroughly explained, and examples and exercises given that are designed to elucidate. The ways theatrical scenery, costumes, lighting, sound, multi-media, acting, directing, and movement can work together to successfully utilize style is addressed in this text.Theatrical Genre & Style serves as a companion to authors Karen Brewster and Melissa Shafer's Fundamentals of Theatrical Design: A Guide to the Basics of Scenic, Costume, and Lighting Design. The two books complement one another in content, size, scope, purpose, and target audience.
Theatrical Improvisation, Consciousness, and Cognition
by Clayton D. DrinkoImprovisation teachers have long known that the human mind could be trained to be effortlessly spontaneous and intuitive. Drinko explores what these improvisation teachers knew about improvisation's effects on consciousness and cognition and compares these theories to current findings in cognitive neuroscience, psychology, and philosophy.
Theatrical Makeup: Basic Application Techniques
by Sharon SobelIn many theatrical productions, it falls to the performers to apply their own makeup, with minimal or no instruction. Theatrical Makeup clearly and concisely explains the basics of theatrical makeup techniques to allow stage actors to put their best face forward! You will gain understanding of the physiology of the human face and, using cream based makeup, as well as commercial cosmetics, learn how to contour it to suit your character with the use of highlight and shadow. Hundreds of full color images and step-by-step instructions illustrate how to visually manipulate bone structure and apparent age, apply simple facial hair and wounds, and create glamorous and natural stage makeup. Also covered are the tools you will need to apply your own makeup, along with critical health and hygiene tips.
Theatrical Makeup: Basic Application Techniques
by Sharon SobelTheatrical Makeup clearly and concisely explains the basics of theatrical makeup techniques to allow stage actors to put their best face forward! Readers will gain understanding of the physiology of the human face and, using cream based makeup, as well as commercial cosmetics, learn how to contour it to suit the character with the use of highlight and shadow. Hundreds of full color images and step-by-step instructions illustrate how to visually manipulate bone structure and apparent age, apply simple facial hair and wounds, and create glamorous and natural stage makeup. Also covered are the tools readers will need to apply their own makeup, along with critical health and hygiene tips. This book is suitable for beginner Theatrical Makeup courses and for stage actors of all levels.
Theatrical Performance and the Forensic Turn: Naked Truth (Routledge Advances in Theatre & Performance Studies)
by James FriezeContemporary theatre, like so much of contemporary life, is obsessed with the ways of which information is detected, packaged and circulated. Running through forms as diverse as neo-naturalistic playwriting, intimately immersive theatre, verbatim drama, intermedial performance, and musical theatre, a common thread can be observed: theatre-makers have moved away from assertions of what is true and focussed on questions about how truth is framed. Commentators in various disciplines, including education, fine art, journalism, medicine, cultural studies, and law, have identified a ‘forensic turn’ in culture. The crucial role played by theatrical and performative techniques in fuelling this forensic turn has frequently been mentioned but never examined in detail. Political and poetic, Theatrical Performance and the Forensic Turn is the first account of the relationship between theatrical and forensic aesthetics. Exploring a rich variety of works that interrogate and resist the forensic turn, this is a must-read not only for scholars of theatre and performance but also of culture across the arts, sciences and social sciences.