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A Totem Pole History: The Work of Lummi Carver Joe Hillaire (Studies in the Anthropology of North American Indians)
by Pauline R. HillaireJoseph Hillaire (Lummi, 1894–1967) is recognized as one of the great Coast Salish artists, carvers, and tradition-bearers of the twentieth century. In A Totem Pole History, his daughter Pauline Hillaire, Scälla–Of the Killer Whale, who is herself a well-known cultural historian and conservator, tells the story of her father&’s life and the traditional and contemporary Lummi narratives that influenced his work. A Totem Pole History contains seventy-six photographs, including Joe&’s most significant totem poles, many of which Pauline watched him carve. She conveys with great insight the stories, teachings, and history expressed by her father&’s totem poles. Eight contributors provide essays on Coast Salish art and carving, adding to the author&’s portrayal of Joe&’s philosophy of art in Salish life, particularly in the context of twentieth century intercultural relations. This engaging volume provides an historical record to encourage Native artists and brings the work of a respected Salish carver to the attention of a broader audience.
Tottenville: A Staten Island Community Its People, Industry And Architecture: The Town The Oyster Built (Images of America)
by Tottenville Historical SocietyTottenville, located at the southernmost point in New York State, has long been considered the forgotten town in the forgotten borough of New York City. The area was first populated in the 1600s by the Lenni Lenape Indians who summered on its shores, assured of a bountiful harvest from the sea. Bordered on three sides by water, the town had its roots in the oyster fishing, shipbuilding, and ship repair industries and grew rapidly. The Verrazano Bridge, opened in the 1960s, connected Staten Island to Brooklyn and caused a building boom island-wide. Despite the tremendous growth in population, Tottenville retains its small-town feel and offers residents an oasis from big city life in the form of a welcoming and tight-knit community.
Toucan Keep a Secret: A Meg Langslow Mystery (Meg Langslow Mysteries #23)
by Donna AndrewsToucan keep a secret, if one of them is dead.Meg Langslow is at Trinity Episcopal Church locking up after an event and checking on the toucan her friend Rev. Robyn Smith is fostering in her office. When she investigates the sound of hammering in the columbarium (the underground crypt where cremated remains are buried), Meg finds the murdered body of an elderly parishioner. Several niches have been chiseled open; several urns knocked out; and amid the spilled ashes is a gold ring with a huge red stone. The curmudgeonly victim had become disgruntled with the church and ranted all over town about taking back his wife's ashes. Did someone who had it in for him follow him to the columbarium? Or was the motive grave robbery? Or did he see someone breaking in and investigate? Why was the ruby left behind? While Chief Burke investigates the murder, Robyn recruits Meg to contact the families of the people whose ashes were disturbed. While doing so, Meg learns many secrets about Caerphilly's history—and finds that the toucan may play a role in unmasking the killer. Clues and events indicate that a thief broke into the church to steal the toucan the night of the murder, so Meg decides to set a trap for the would-be toucan thief—who might also be the killer. Toucan Keep a Secret is the twenty-third book in New York Times bestselling author Donna Andrews' hilarious Mag Langslow mystery series.
Touch and the Masquerades of Nigeria (Mask - A Release Of Acting Resources Ser. #Vol. 4)
by David Griffiths D. GriffithsFirst published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
A Touch More Rare: Harry Berger, Jr., and the Arts of Interpretation
by Harry BergerHarry Berger, Jr., has long been one of our most revered and respected literary and cultural critics. Since the late nineties, a stream of remarkable and innovative publications have shown how very broad his interests are, moving from Shakespeare to baroque painting, to Plato, to theories of early culture.In this volume a distinguished group of scholars gathers to celebrate the work of Harry Berger, Jr. To "celebrate," in Berger's words, is "to visit something either in great numbers or else frequently-to go away and come back, go away and come back, go away and come back. Celebrating is what you do the second or third time around, but not the first. To celebrate is to revisit. To revisit is to revise. Celebration is the eureka of revision." Not only former students but distinguished colleagues and scholars come together in these pages to discover Berger's eurekas-to revisit the rigor and originality of his criticism, and occasionally to revise its conclusions, all through the joy of strenuous engagement. Nineteen essays on Berger's Shakespeare, his Spenser, his Plato, and his Rembrandt, on his theories of interpretation and cultural change and on the ethos of his critical and pedagogical styles, open new approaches to the astonishing ongoing body of work authored by Berger. An introduction by the editors and an afterword by Berger himself place this festival of interpretation in the context of Berger's intellectual development and the reception of his work from the mid-twentieth century into the first decade of the twenty-first.
Touched Bodies: The Performative Turn in Latin American Art
by Mara Polgovsky EzcurraWhat is the role of pleasure and pain in the politics of art? In Touched Bodies, Mara Polgovsky Ezcurra approaches this question as she examines the flourishing of live and intermedial performance in Latin America during times of authoritarianism and its significance during transitions to democracy. Based on original documents and innovative readings, her book brings politics and ethics to the discussion of artistic developments during the “long 1980s”. She describes the rise of performance art in the context of feminism, HIV-activism, and human right movements, taking a close look at the work of Diamela Eltit and Raúl Zurita from Chile, León Ferrari and Liliana Maresca from Argentina, and Marcos Kurtycz, the No Grupo art collective, and Proceso Pentágono from Mexico. The comparative study of the work of these artists attests to a performative turn in Latin American art during the 1980s that, like photography and film before, recast the artistic field as a whole, changing the ways in which we perceive art and understand its role in society.
Touching America's History: From the Pequot War Through WWII (Encounters: Explorations in Folklore and Ethnomusicology)
by Meredith Mason BrownObjects that make the past feel real, from a stone axe head to a piece of John Brown&’s scaffold—includes photos. History isn&’t just about abstract &“isms&”—it&’s the story of real events that happened to real people. In Touching America&’s History, Meredith Mason Brown uses a collection of such objects, drawing from his own family&’s heirlooms, to summon up major developments in America&’s history. The objects range in date from a Pequot stone axe head, probably made before the Pequot War in 1637, to the western novel Dwight Eisenhower was reading while waiting for the weather to clear so the Normandy Invasion could begin, to a piece of a toilet bowl found in the bombed-out wreckage of Hitler&’s home in 1945. Among the other historically evocative items are a Kentucky rifle carried by Col. John Floyd, killed by Indians in 1783; a letter from George Washington explaining why he will not be able to attend the Constitutional Convention; shavings from the scaffold on which John Brown was hanged; a pistol belonging to Gen. William Preston, in whose arms Gen. Albert Sidney Johnston bled to death after being shot at the Battle of Shiloh; and the records of a court-martial for the killing by an American officer of a Filipino captive during the Philippine War. Together, these objects call to mind nothing less than the birth, growth, and shaping of what is now America. &“Clearly written, buttressed by maps and portraits, Brown's book regales while showing the objectivity and nuance of a historian.&”—Library Journal &“A whole new way of doing history…a novel form of story-telling.&”—Joseph J. Ellis, Pulitzer Prize-winning author of Founding Brothers: The Revolutionary Generation
Touching Architecture: Affective Atmospheres and Embodied Encounters
by Anthony BrandThis book is about perception, emotion, and affect in architecture: how and why we feel the way that we do and the ways in which our surroundings and bodies contribute to this. Our experience of architecture is an embodied one, with all our senses acting in concert as we move through time and space. The book picks up where much of the critique of architectural aestheticism at the end of the twentieth century left off: illustrating the limitations and potential consequences of attending to architecture as the visually biased practice which has steadily become the status quo within both industry and education. It draws upon interdisciplinary research to elucidate the reasons why this is counter-productive to the creation of meaningful places and to articulate the embodied richness of our touching encounters. A "felt-phenomenology" is introduced as a more-than visual alternative capable of sustaining our physical, emotional, and psychological well-being. By recognising the reciprocal and participatory relationship that exists between atmospheric affect and our (phenomenological) bodies, we begin to appreciate the manifold ways in which we touch, and are touched, by our built environment. As such, Touching Architecture will appeal to those with an interest in architectural history and theory as well as those interested in the topic of atmospheres, affect, and embodied perception.
Touching the Art
by Mattilda Bernstein SycamoreA daringly observant memoir about intergenerational trauma, fine art, and compartmentalization from a returning Soft Skull author and Lambda Literary Award winnerA mixture of memoir, biography, criticism, and social history, Touching the Art is queer icon and activist Mattilda Bernstein Sycamore&’s interrogation of the possibilities of artistic striving, the limits of the middle-class mindset, the legacy of familial abandonment, and what art can and cannot do.Taking the form of a self-directed research project, Sycamore recounts the legacy of her fraught relationship with her late grandmother, an abstract artist from Baltimore who encouraged Mattilda as a young artist, then disparaged Mattilda&’s work as &“vulgar&” and a &“waste of talent&” once it became unapologetically queer.As she sorts through her grandmother Gladys&’s paintings and handmade paperworks, Sycamore examines the creative impulse itself. In fragments evoking the movements of memory, she searches for Gladys&’s place within the trajectories of midcentury modernism and Abstract Expressionism, Jewish assimilation and white flight, intergenerational trauma and class striving.Sycamore writes, &“Art is never just art, it is a history of feeling, a gap between sensations, a safety valve, an escape hatch, a sudden shift in the body, a clipboard full of flowers, a welcome mat flipped over and back, over and back, welcome.&”Refusing easy answers in search of an embodied truth, Sycamore upends propriety to touch the art and feel everything that comes through.
Touching the City: Thoughts on Urban Scale (Architectural Design Primer)
by Timothy MakowerScale in cities is relative and absolute. It has the ability to make us feel at home in the world or alien from it; connected or disconnected. Both large and small scale in cities can be beautiful; both are right, neither is wrong. Whilst accepting that prescription is no answer, 'getting the scale right' – at an intuitive and sensual level – is a fundamental part of the magic of architecture and urban design. Touching the City explores how scale is manifested in cities, exploring scale in buildings, in the space between them and in their details. It asks how scale makes a difference. Travelling from Detroit to Chandigarh, via New York, London, Paris, Rome and Doha, Tim Makower explores cities with the analytical eye of a designer and with the experiential eye of the urban dweller. Looking at historic cities, he asks what is good about them: what can we learn from the old to inform the new? The book zooms in from the macro scale of surfing Google Earth to micro moments such as finding fossils in a weathered wall. It examines the dynamics and movement patterns of cities, the making of streets and skylines, the formation of thresholds and facades, and it also touches on the process of design and the importance of drawing. As the book's title, Touching the City, suggests, it also emphasises the tactile – that the city is indeed something physical, something we can touch and be touched by, alive and ever changing.
Touchstones for Deterritorializing Socioecological Learning: The Anthropocene, Posthumanism and Common Worlds as Creative Milieux
by Amy Cutter-Mackenzie-Knowles Alexandra Lasczik Judith Wilks Marianne Logan Angela Turner Wendy BoydThis book focuses on socioecological learning through the touchstone concepts of the Anthropocene, the Posthuman and Common Worlds as Creative Milieux. The editors and contributors explore, situate and interrogate social learning through transdisciplinary positionings, exemplars and theories. The eclectic and cohesive chapters unfold as a journey that may inspire innovative and unique understandings of the socioecological learner: insights that will surely be paramount as we careen towards the 22nd century and all of its as-yet-unknown challenges. Offering tangible and nuanced practice for educational leadership in socioecological learning, this pioneering book will be of interest and value to researchers and educators at all levels. This volume is sure to appeal to students and scholars of socioecological learning as well as the Anthropocene and the Posthuman.
Tough Ain't Enough: New Perspectives on the Films of Clint Eastwood
by Professor Lester D. Friedman Professor David Desser Stephen Prince Jonathan Kirshner Diane Carson David Sterritt Murray Pomerance Lucy Bolton Alexandra Keller Charity LofthouseThroughout his lengthy career as both an actor and a director, Clint Eastwood has appeared in virtually every major film genre and, at this point in his career, has emerged as one of America’s most popular, recognizable, and respected filmmakers. He also remains a controversial figure in the political landscape, often characterized as the most prominent conservative voice in mostly liberal Hollywood. At Eastwood’s late age, his critical success as actor and director, his combative willingness to confront serious cultural issues in his films, and his undeniable talent behind the camera all call for a new and comprehensive study that considers and contextualizes his multiple roles, both on and off screen. Tough Ain’t Enough offers readers a series of original essays by prominent cinema scholars that explore the actor-director’s extensive career. The result is a far-reaching and nuanced portrait of one of America’s most prolific and thoughtful filmmakers.
Tough Enough: Arbus, Arendt, Didion, McCarthy, Sontag, Weil
by Deborah NelsonThis book focuses on six brilliant women who are often seen as particularly tough-minded: Simone Weil, Hannah Arendt, Mary McCarthy, Susan Sontag, Diane Arbus, and Joan Didion. Aligned with no single tradition, they escape straightforward categories. Yet their work evinces an affinity of style and philosophical viewpoint that derives from a shared attitude toward suffering. What Mary McCarthy called a “cold eye” was not merely a personal aversion to displays of emotion: it was an unsentimental mode of attention that dictated both ethical positions and aesthetic approaches. Tough Enough traces the careers of these women and their challenges to the pre-eminence of empathy as the ethical posture from which to examine pain. Their writing and art reveal an adamant belief that the hurts of the world must be treated concretely, directly, and realistically, without recourse to either melodrama or callousness. As Deborah Nelson shows, this stance offers an important counter-tradition to the familiar postwar poles of emotional expressivity on the one hand and cool irony on the other. Ultimately, in its insistence on facing reality without consolation or compensation, this austere “school of the unsentimental” offers new ways to approach suffering in both its spectacular forms and all of its ordinariness.
Tough Guys Do Dance
by David WintersDavid Winters has produced and directed over 80 feature films and over 200 television shows and TV movies, and is recognized as nothing short of an icon in the entertainment industry. In Tough Guys Do Dance, David shares many fascinating and, at times, jaw-dropping behind-the-scenes stories regarding his associations with some of the biggest names in show business—names like Frank Sinatra, Elvis Presley, Barbra Streisand, and Michael Jackson, to name a few. It is filled with personal stories of David&’s life that at times may seem hard to imagine and is told with David&’s personal voice and real-life humility in a way that only he could tell. David&’s work in the legendary Broadway show and film West Side Story inspired millions of boys and men alike to embrace the art of dance and truly showed them that &“tough guys do dance&”! Whether you are a student of dancing or an aspiring actor or producer, this book will prove to be one of the most entertaining reads you will ever experience.
A Toulouse-Lautrec Sketchbook (Dover Fine Art, History Of Art Series)
by Henri de Toulouse-LautrecFrench artist Henri de Toulouse-Lautrec was a superb draftsman. Possessing the extraordinary ability to memorize action, he was able to convey rapid movement in his drawings with merely a few strokes. Graphic in nature, his works — especially his sketches — are of striking originality and power. In his brief but enormously productive lifetime (he died at the age of 37), Toulouse-Lautrec created thousands of sketches. This little-known volume includes 85 of his most striking early efforts, the majority of them studies of horses.
Toulouse-Lautrec's The Circus: Thirty-Nine Crayon Drawings in Color (Dover Fine Art, History Of Art Series)
by Henri de Toulouse-LautrecA bareback rider's skirt ripples in the breeze, an acrobat bends his muscular limbs into a handstand, and a poodle obeys a clown brandishing a whip. The circus is in town! These kaleidoscopic visions from under the big top offer audiences a series of post-Impressionistic sideshows, courtesy of thirty-nine brilliant crayon drawings in the distinctive style of Toulouse-Lautrec.These scenes took place far from the artist's customary haunts, the bars and cafes of Montmartre. While Toulouse-Lautrec was at the height of his artistic powers, he was compelled to undergo treatment for alcoholism at a country clinic. Seeking relief from his forced confinement, he sketched vignettes from a local circus troupe's rehearsals. His sensitive interpretations of the scenes reflect the cruelty behind the performers' exotic feats, as well as his self-image as an entertainer, an outsider, and a captive.Although these drawings are masterpieces of composition and movement, the artist gave them away. The originals were scattered across Europe and America for decades, until an intrepid collector tracked them down. These reproductions are the work of a noted lithographer, Fernand Mourlot, whose skill recaptures the color and spirit of Toulouse-Lautrec's works.
Touring Literary Mississippi
by Patti Carr Black Marion Garrard BarnwellBy taking the literary traveler on seven preplanned tours—through the Delta, along Highway 61, to the heart of Faulkner’s Yoknapatawpha country, to sites near Interstate 55 and the Natchez Trace, to the piney woods of East and South Mississippi, and along the sun-struck Gulf Coast—this book captures the phenomenal abundance and diversity of Mississippi literature. More than a guidebook, this book includes capsule biographies and well over a hundred photographs of writers, their residences, and their literary environments. It also provides maps and gives explicit directions to writers’ homes and other literary sites. The sheer number of writers discovered, recovered, and claimed by Mississippi will astonish travelers both from within and from without the state. Included are not only such major figures in the pantheon of American literature as William Faulkner, Eudora Welty, Tennessee Williams, and Richard Wright but also the less well-known. Every nook and cranny of the state claims a piece of Mississippi’s literary heritage. Literature pervades Yazoo City, Jackson, Greenville, Oxford, Natchez, the Gulf Coast, and the Delta Blues country. Willie Morris, Richard Ford, and Beverly Lowry have declared that a famous writer’s presence in their hometowns convinced them that they too could be writers. As the locations bring to life the connection of ordinary rituals with the stuff of fiction, poetry, and memoir, these hands-on tours make evident the special cross-pollination of writer and community in Mississippi.
Touring Performance and Global Exchange 1850-1960: Making Tracks (Routledge Advances in Theatre & Performance Studies)
by Gilli Bush-BaileyThis collection uncovers connections and coincidences that challenge the old stories of pioneering performers who crossed the Atlantic and Pacific oceans from the mid-nineteenth to the mid-twentieth century. This book investigates songlines, drama, opera, music theatre, dance, and circus—removing traditional boundaries that separate studies of performance, and celebrating difference and transformation in style, intention, and delivery. Well known, or not known at all, travelling performers faced dangers at sea and hazardous journeys across land. Their tracks, made in pursuit of fortune and fame, intersected with those made by earlier storytellers in search for food. Making Tracks takes a fresh look at such tracks—the material remains—demonstrating that moving performance does far more than transfer repertoires and people; it transforms them. Touring performance has too often been conceived in diasporic terms, as a fixed product radiating out from a cultural centre. This collection maps different patterns—ones that comprise reversed flows, cross currents, and continually proliferating centres of meaning in complex networks of global exchange. This collection will be of great interest to scholars and students in theatre, music, drama studies and cultural history.
Touring Theatrical Productions: An International Guide
by Dinesh YadavTouring Theatrical Productions: An International Guide is a practical and comprehensive overview of planning, staging and closing international touring productions. This book offers a step-by-step chronological journal of preparing a company for international touring, from applying for international visas to returning home after a tour. It includes discussions of invitations, contracts, scheduling, health and safety, personnel, packing and shipping, certifications, insurance, travel, unions, hotels, ethics and cuisines. Each chapter is filled with guidelines, samples of paperwork and checklists to ensure the smooth running of any international tour. Written by the Production Manager and Technical Director of India’s most travelled show The Manganiyar Seduction with Can & Abel Theatres, this book includes examples, incidents and experiences of performing in over 20 countries with over 200 shows. This how-to guide will benefit Technical Directors and Production Managers of touring productions, as well as students in Production Management, Tour Management, Art Administration and Technical Theater courses.
Touring Variety in the Asia Pacific Region, 1946–1975 (Transnational Theatre Histories)
by Jonathan BollenAviation extended the horizon of international touring across Asia and the Pacific in the 1950s and 1960s. Nightclubs in Hong Kong, Manila, Melbourne, Singapore, Sydney, Tokyo, and Taipei presented an international array of touring acts. This book investigates how this happened. It explores the post-war formation of the Asia Pacific region through international touring and the transformation of entertainment during the ‘jet age’ of aviation. Drawing on archival research across the region, Bollen investigates how touring variety forged new relations between artists, audiences, and nations. Mapping tours and tracing networks by connecting fragments, he reveals how versatile artists translated repertoire in circulation as they toured, and how entrepreneurial endeavours harnessed the production of national distinction to government agendas. He argues that touring variety on commercial circuits diversified the repertoire in regional circulation, anticipating the diversity emerging in state-sanctioned multiculturalisms, and driving the government-construction of national theatres for cultural diplomacy.
Tourism and Heritage in the Chornobyl Exclusion Zone (Heritage, Tourism, and Community)
by Magdalena BanaszkiewiczTourism and Heritage in the Chornobyl Exclusion Zone (CEZ) uses an ethnographic lens to explore the dissonances associated with the commodification of Chornobyl’s heritage. The book considers the role of the guides as experience brokers, focusing on the synergy between tourists and guides in the performance of heritage interpretation. Banaszkiewicz proposes to perceive tour guides as important actors in the bottom-up construction of heritage discourse contributing to more inclusive and participatory approach to heritage management. Demonstrating that the CEZ has been going through a dynamic transformation into a mass tourism attraction, the book offers a critical reflection on heritagisation as a meaning-making process in which the resources of the past are interpreted, negotiated, and recognised as a valuable legacy. Applying the concepts of dissonant heritage to describe the heterogeneous character of the CEZ, the book broadens the interpretative scope of dark tourism. Tourism and Heritage in the Chornobyl Exclusion Zone argues that post-disaster sites such as Chornobyl can teach us a great deal about the importance of preserving cultural and natural heritage for future generations. The book will be of interest to academics and students who are engaged in the study of heritage, tourism, memory, disasters and Eastern Europe.
Tourism and Visual Culture, Volume 2: Methods and Cases
by Peter M. Burns Jo-Anne Lester Lyn BibbingsThis volume explores the significance of tourism as a significant phenomenon in both generating and receiving societies, examining methods and cases that demonstrate, develop, and affirm tourism's essentially visual nature.
Tourism Planning: Basics, Concepts, Cases
by Turgut Var Clare GunnAs one of the fastest growing sectors of the economy since the 1950s, tourism has proved to be a complicated phenomenon, unlike any other economic producer. Over the last few decades, tourism has exerted increasing pressure on the land and negative social, environmental and economic impacts have surfaced as major issues. Positive guidelines for better planning are in demand by developers and designers who need new understandings of the breadth of tourism's complexity for their own success. Long considered the seminal work on tourism development, Tourism Planning provides a comprehensive, integrated overview of all aspects of tourism and the planning functions that accompany it, emphasizing concepts and principles for better planning.
Tourist Distractions: Traveling and Feeling in Transnational Hallyu Cinema
by Youngmin ChoeIn Tourist Distractions Youngmin Choe uses hallyu (Korean-wave) cinema as a lens to examine the relationships among tourism and travel, economics, politics, and history in contemporary East Asia. Focusing on films born of transnational collaboration and its networks, Choe shows how the integration of the tourist imaginary into hallyu cinema points to the region's evolving transnational politics and the ways Korea negotiates its colonial and Cold War past with East Asia's neoliberal present. Hallyu cinema's popularity has inspired scores of international tourists to visit hallyu movie sets, filming sites, and theme parks. This tourism helps ease regional political differences; reimagine South Korea's relationships with North Korea, China, and Japan; and blur the lines between history, memory, affect, and consumerism. It also provides distractions from state-sponsored narratives and forges new emotional and economic bonds that foster community and cooperation throughout East Asia. By attending to the tourist imaginary at work in hallyu cinema, Choe helps us to better understand the complexities, anxieties, and tensions of East Asia's new affective economy as well as Korea's shifting culture industry, its relation to its past, and its role in a rapidly changing region.
Tourists in Historic Towns: Urban Conservation and Heritage Management
by Aylin OrbasliTourists in Historic Towns examines the relationship of culture, heritage, conservation and tourism development in historic towns and urban centres, debating the impacts of tourism on historic towns and the role tourism plays in conservation and urban continuity. The main focus of the book is medium sized historic towns and historic quarters which are attractive to the tourist market, but historic quarters in large cities and smaller rural settlements are not excluded. Alongside over a hundred examples of historic towns, five historic towns are discussed as case studies: Granada, Spain; York, England; Mdina, Malta; Antalya, Turkey and Quedlingburg, Germany.